Environment

Subtitled: The Struggle for Western Shoshone Land Land activists Mary and Carrie Dann confront Federal Bureau of Land Management officers determined to impound the women's livestock until they pay grazing fees on land the Shoshone have never sold or otherwise legally transferred to the U.S. government. Part of an ongoing conflict over who will control ancestral lands in Nevada, this videotape depicts a standoff between the two groups, as activists speak about their ties to the land and their determination to keep it at any cost.

An experimental documentary video project about individuals who have been transformed from so called “ordinary” citizens into activists, Witness To The Future seeks connections that unite people of all cultures, communities, races, and economic classes as they struggle for environmental and social change.

Hidirtina (Sisters) is based on a mythology from Eritrea and northern Ethiopia. It is part of a larger story collection project that began in 2004. Folklorist Alan Dundes describes mythology as "a story that serves to define the fundamental worldview of a culture by explaining aspects of the natural world and delineating the psychological and social practices and ideals of a society". For this project, I sent out an open call for folklore to a Habesha diaspora (Ethiopian and Eritrean) New York City community email group.

This final weather diary travels through some rough inner and outer domains.  Social interactions blend more smoothly than the clash of air masses which threaten to clobber a prairie town in a vortex of violence.

Flashbacks and flashpoints flare-up along with thunderheads that loom and boom with vibrations of doom, their every move charted with vivid vibrancy on videographic maps which detail developing devastation.

Desire and death are in the air along with some aromatic wisps of ethnic edibles, so be sure to sniff it all.

Reclamation is a documentary-style imagining of a post-dystopian future in Canada after massive climate change, wars, pollution, and the after-effects of the large-scale colonial project which has now destroyed the land. When Indigenous people are left behind after a massive exodus by primarily privileged white settlers who have moved to Mars, the original inhabitants of the land cope by trying to restore and rehabilitate the beautiful planet they belong to.

The interior of a trash processing plant. The rhythmic intensity of the machinery as it deals with an endless river of refuse becomes a reflection on the madness of unbridled consumption. 

Music by Sebastian Currier. Produced at Voom HD Lab.

“The individual is not an autonomous, solitary object but a thing of uncertain extent, with ambiguous boundaries. So too is matter, which loses much of its allure the moment it is reduced to an object, shorn of its viscosity, pressure and density. Both subject and matter resist their reduction into objects. Everything is interconnected and intertwined.”

— Kengo Kuma

Forest Mind is a video work that emerges from the artist’s longstanding interest in the human interaction with the natural world. In a series of recent art projects, she has shed light on the cosmology of Indigenous communities and their political struggle to keep their forests alive.

As regional character disappears and corporate culture homogenizes our surroundings, it's increasingly hard to tell where you are. In Chain, malls, theme parks, hotels and corporate centers worldwide are joined into one monolithic contemporary "superlandscape" that shapes the lives of two women caught within it. One is a corporate businesswoman set adrift by her corporation while she researches the international theme park industry. The other is a young drifter, living and working illegally on the fringes of a shopping mall.

Waves crash on rocks as tongues flap in the wind about all things cinematic. People chirp and chew in various states of dress and undress as the climate shifts from coast to coast on the tide of a national pleasure/treasure: film festivals, lectures and art happenings.

The Spender House in Essex was designed in 1968 by Richard and Su Rogers (Team 4) for photographer and artist Humphrey Spender. The film is a biographical portrait of both architecture and inhabitant.

Spender died in 2005 but his spirit is still very present in the house and studio. The film explores the unique architectural qualities of the house and studio and provides a glimpse of its former inhabitant’s life and work as a painter, textile designer and photographer of British life in the 1930s for Mass Observation.

Everglades is a project Levy began while a resident artist in Florida's Everglades National Park. The unique natural environment of the Everglades has been devastated by decades of wetlands drainage for purposes of industrial and residential development, and today it is threatened by fracking and deep water drilling. At the same time, efforts have been made to restore some of the original ecosystems through a process of re-flooding, not unlike the restoration of Lake Hula in the north of Israel.

Tales of a Future Past is a video about a giraffe and a zebra who fight over an undefined baby creature, in hopes of making it one of their own species. Using toy masks and a sparse theatricality, Cecelia Condit creates a contemporary reflection on species extinction and the lonely, silent world that will ensue from it.

What Could Go Wrong depicts fire trucks, ambulances, fire alarms with sonic distress that document every current disaster….floods, fires, war, food scarcity and police torture are accompanied by Linda Mary Montano singing 7 ballads. The sappy positivity of the songs and the Vision of Mary bring a suggestion that hope is possible. This video is a study in contrasts and when the audience is invited to auditorially interact with it, the message is "action breeds healing" and if so "what could go right."

Outwardly from Earth's Center is a fictitious narrative about a society on an unstable piece of land that is in danger of disappearance. The situation requires the population's collective initiative in order to secure individual survival and to allow the society to remain. The concept's background is somewhat realistic since Sandön moves approximately one meter per year.

This is the hauntological image of the sacred Mesoamerican snake. The contemporary flickering of his shamanic presence. Part of the Hauntology series.

Our Non-Understanding of Everything is a series of 16 videos that explore how the structures of architecture, semiconductors, and circuits become forms of expression reflecting hierarchies, cognitive processes, and relationships to the natural environment.