An architect and urban planner by training, Dara Birnbaum began using video in 1978 while teaching at the Nova Scotia College of Art and Design, where she worked with Dan Graham. Recognized as one of the first video artists to employ the appropriation of television images as a subversive strategy, Birnbaum recontextualizes pop cultural icons (Technology/Transformation: Wonder Woman, 1978-79) and TV genres (Kiss the Girls: Make them Cry, 1979) to reveal their subtexts.
Installation
This installation is based on the re-enactment of Franz Kafka’s allegory "Before the Law", interpreted live over a telephone line by Katharine Gun. Gun was a translator (specializing in Chinese to English translations), working with the British secret service, who chose to leak information compromising the U.S. and U.K. governments in their push for a U.N. resolution for the invasion of Iraq.
Alfredo Jaar is a politically motivated artist whose work includes installation, photography and film. Born in Chile and now living in the U.S., Jaar’s socio-critical installations explore global political issues, frequently focusing on the Third World and the relationship between consumption and power. A 1988 installation in a subway station in New York involved dramatic photographs of impoverished gold miners n Brazil interspersed with quotations of current gold prices, drawing an unexpected parallel between the material desires that motivate people in both poverty-stricken Br
Unmanned Aerial Vehicles — drones — have become an everyday feature of contemporary military activity, replacing humans in reconnaissance flights, small-scale combat missions and covert operations. The U.S. Army operates some ten thousands UAVs — a six-fold increase during Obama's term — deploying them over locations like Pakistan and Yemen.

