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James Duesing has worked in many forms of animation, from traditional hand drawn and early digital work to 3D and motion capture projects. He has explored animation individually and collaboratively in film and digital forms along with its integration into installation, web eBook and print.

In his book HYPERANIMATION DIGITAL IMAGES AND VIRTUAL WORLDS, animation historian Robert Russett describes Duesing’s work this way: “Characteristically composed of dark fantasy worlds and strange hybrids of animals and humans, Duesing’s digital animation offers comical and eccentric reflections on human interactions and desires in an increasingly violent and polluted world. On one level his imagery is composed of entertaining cartoon-like characters in various kinds of richly rendered environments. On another level his work probes serious sociological issues in a way that is at once provocative and disturbing.”