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All That Is Solid

Louis Henderson

2014 00:15:43 FranceEnglishB&W and ColorStereo16:9HD video

Description

“All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses his real conditions of life, and his relations with his kind.”

— Karl Marx and Friedrich Engels, The Communist Manifesto, 1848

A technographic study of e-recycling and neo-colonial mining filmed in the Agbogbloshie electronic waste ground in Accra and illegal gold mines of Ghana. The video constructs a mise-en-abyme as critique in order to dispel the capitalist myth of the immateriality of new technology — thus revealing the mineral weight with which the Cloud is grounded to its earthly origins.

"As technological progress pushes forward in the West, enormous piles of obsolete computers are thrown away and recycled. Pushed out of sight and sent to the coast of West Africa, these computers are thrown into waste grounds such as Agbogbloshie in Accra, Ghana. On arrival the e-waste is recuperated by young men, who break and burn the plastic casings in order to extract the precious metals contained within. Eventually the metals are sold, melted and reformed into new objects to be sold; it is a strange system of recycling, a kind of reverse neocolonial mining, whereby the African is searching for mineral resources in the materials of Europe. Through showing these heavy processes, the video highlights the importance of dispelling the capitalist myth of the immateriality of new technology to reveal the mineral weight with which the Cloud is grounded to its earthly origins."

— Louis Henderson

About Louis Henderson

Louis Henderson is a filmmaker who is currently trying to find new ways of working with people to address and question our current global condition defined by racial capitalism and ever-present histories of the European colonial project. The working method is archaeological. Since 2015 he has been collaborating with the curator, producer, writer and performer Olivier Marboeuf on a variety of projects including talks, exhibitions, screenings, workshops, a play, short films and the production of a feature film. Henderson has shown his work at places such as; Rotterdam International Film Festival, The Netherlands; Doc Lisboa, Portugal; CPH:DOX, Copenhagen; New York Film Festival, NY; The Contour Biennial, Belgium; The Kiev Biennial, Ukrain; The Centre Pompidou, Paris; SAVVY Contemporary, Berlin; The Gene Siskel Film Center, IL; Gasworks, London; and Tate Britain, London. His work is in the public collection of the Centre National des Arts Plastiques, France.

See Also: Louis Henderson: An Interview