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End of Code

James Duesing

2003 00:15:21 United StatesEnglishColorStereo4:3Video
Tags:
Animation, City, Consumer culture

Description

An animation that combines narrative experimentation with the abstraction of motion capture about two groups of misfit hackers in a city of traffic. They speak a language of advertising, corporate branding and self-help, while engaging in a battle to control traffic lights. The discovery that the entire social code is embedded in the access code that regulates traffic lights, begins a twisted ride of cultural espionage techniques. These techniques include surveillance cameras and costumes, as they attempt to untangle the social codes of characters caught in an endless rush hour.

The project is a 3D animation using motion capture applied to non-human characters that took five years to produce.

About James Duesing

James Duesing has worked in many forms of animation, from traditional hand drawn and early digital work to 3D and motion capture projects. He has explored animation individually and collaboratively in film and digital forms along with its integration into installation, web eBook and print.

In his book HYPERANIMATION DIGITAL IMAGES AND VIRTUAL WORLDS, animation historian Robert Russett describes Duesing’s work this way: “Characteristically composed of dark fantasy worlds and strange hybrids of animals and humans, Duesing’s digital animation offers comical and eccentric reflections on human interactions and desires in an increasingly violent and polluted world. On one level his imagery is composed of entertaining cartoon-like characters in various kinds of richly rendered environments. On another level his work probes serious sociological issues in a way that is at once provocative and disturbing.”