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Oh My Homeland

Stephanie Barber

2019 00:03:40 United StatesColorStereo4:316mm film
Tags:
African-American , Found Footage , Myth , Performance , Race , State, The

Description

In 1985 the great soprano Leontyne Price sang the title role in Verdi’s Aida as her farewell opera. After the ‘O patria mia’ aria, the audience breaks into a four-minute applause. Oh My Homeland is the third in a series of minimal single shot 16mm films. It’s a film about representation, art, and material exchange. It’s a film about endings. It’s a film about identity, love, power, patriotism and the transcendent potential of art through the viewing of a face receiving adoration. A minimal gesture akin to the practice every portrait painter or mother recognizes as ineffably powerful.

It is essentially a readymade and like my book Night Moves and my video Tatum's Ghost it continues to explore YouTube as a cultural and social archive.

Oh My Homeland, while being simply a shot of Ms. Price’s face as she receives the applause and before returning to the role, expands with the unaltered meditation on the shot. The transformational power of art for society and the maker alike; the implication of Ms. Price’s race and the context to which she dedicated her life; the staggering political implications of the Verdi aria (a mournful and complicated love letter to Aida’s homeland) in a time in which love of (my) country is hard to muster.

- Stephanie Barber

About Stephanie Barber

Stephanie Barber is an American writer and artist. She has created a poetic, conceptual and philosophical body of work in a variety of media. Many of her videos are concerned with the content, musicality and experiential qualities of language. They ferry viewers through philosophical inquiry with the unexpected oars of play, emotionalism, story, and humor. Many balance several seemingly unrelated concepts––subtly suggesting or brazenly demanding a focused and imaginative reception. Many create gently complex, emotional studies. Others are funny; a sorrowful sort of funny. There are videos of obsessive observing and ambient sounds; small artificial fireworks, animals, and silence. They are tightly wound, dense, and light simultaneously.

Barber's films and videos have has been screened nationally and internationally in solo and group shows at MOMA, NY, The Tate Modern, London; The Whitney Museum of American Art, NY; The Paris Cinematheque; The Walker Art Center, MN; MOCA Los Angeles, The Wexner Center for Art, OH, among other galleries, museums and festivals. Her essays, stories and poems have been published in books, magazines and online journals.

 

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