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Strip / Musrara

Nadav Assor

2015 01:16:00 Israel, United StatesHebrewColorStereo16:3HD video

Description

Strip / Musrara is part of Assor's ongoing “Strip” series, set in Jerusalem’s Musrara neighborhood. It is an attempt to create a living map that is both collective and subjective – a plurality of combined perspectives. Not a map of the exact measurements of the neighborhood, but of the experience of moving through it, together and alone, locals and strangers, intersecting and drifting apart. It is also a response to the prevalence of bird’s eye, all-knowing, absolute mapping and visualization tools so readily available now to anyone negotiating an unfamiliar cityscape, and to the increasingly blurred boundaries between maps, cinema, and “real time”. The form of this specific piece in the series is highly dependent on the unique stories and landscapes of Musrara.

Musrara is a neighborhood with few roads but many alleys, back passages and stairways, at the seam between east and west Jerusalem. Tenements and grand old Palestinian mansions, abandoned in 1948, are now occupied by a mix of people including young students, ultra-orthodox Jewish families, and the older generation of Morrocan Jews, who lived in the neighborhood since the 1950s, when it was a mostly derelict slum in a no-mans-land near the border. Some of these were responsible for starting the Israeli Black Panther movement in the 60s and 70s, fighting for equality for Israel’s Mizrahi population, whose influence lasts to this day.

About Nadav Assor

Nadav Assor employs a range of expanded media practices to explore the unstable condition of the hyper-mediated body, the “new flesh”, constantly transformed by technology, in its immediate social, political, sensory, and emotional environment. This is often done via lo-fi reenactments of appropriated military-industrial technologies, examining technological mediation as an essential and transformative human condition.

For more than 10 years, Assor has performed and exhibited internationally in festivals, music venues, museums and galleries in North America, Israel, Europe and Asia. Some recent venues for his work include Hong-Gah Museum (Taipei), Centre Arts Santa Monica (Barcelona), Hyphen Hub (NYC), Edith-Russ-Haus (Oldenburg), Transmediale Festival (Berlin), the European Media Arts Festival, the Soundwave Biennial (San Francisco), Residency Unlimited (NYC), Hyde Park Art Center (Chicago), the Koffler Center (Toronto), Julie M Gallery (Tel Aviv), Xuzhou Museum (China), and many others. Assor’s work was reviewed in publications such as Artforum, Vice Motherboard, Art Monthly UK, Haaretz, Time Out, the Creators Project and more. He holds an MFA in Art & Technology from the School of the Art Institute of Chicago (2010, full merit fellow), where he was the inaugural recipient of the Edes Award, one of the graduate schools highest honors. He is a recipient of multiple grants and awards in the U.S. and Israel, and currently serves as an Assistant Professor and an Associate Director of the Center for Arts & Technology at Connecticut College in the U.S.