The projection and screens in this installation are access points meant to connect the present to an ancestral past. Evoking the ritualism of Aztec cosmology, this experience recalls lumbreras – circular excavation holes in archeological sites, such as the recently found Tzompantli (skulls ceremonial rack) at the Templo Mayor in Tenochtitlan (Mexico City). The use of obsidian crystal as a nuclear filter in the chamber is also essential.
History
Letters in the Dark was originally shown as a two-channel video installation, accompanied by photographs at the Benrubi Gallery, New York, in 2016. In 2024, Hall decided to make it available as a single-channel work. Its subject matter is the brief epistolary romance between Franz Kafka and Milena Jesenská.
Nancy Graves (1939-1995) was a New York sculptor, painter, and filmmaker who used natural history as a reference for dealing with the relationships between time, space, and form.
In this interview she discusses her transition from a static form (sculpture) to a moving form (film), and finally, to painting. “The making of it and the viewing of it are the areas with which I’m most concerned, because I’m an artist, not a philosopher,” Graves says in this interview with Kate Horsfield.
Rare footage of a September 1970 rally honoring the late Fred Hampton, Deputy Chairman of the Illinois chapter of the Black Panther Party. One of the speakers leads the audience in a call and response.
The Magic Hedge explores a bird sanctuary located on a former Cold War Nike missile site on the Northside of Chicago. Left to wander and observe, the viewer becomes aware of the park's open secret: men looking for fleeting sexual contacts within the trees and shrubberies. The video highlights the many contradictions of a site historically devoted to military surveillance and now designed to preserve and control the "wildlife".
Each year, crowds of Turkish, Australian and New Zealander tourists travel to Gallipoli, Turkey for a modern day pilgrimage. They honor their fallen soldiers who lost their lives in the Gallipoli/Çanakkale Campaign—one of the bloodiest conflicts of World War One—, which is considered as a defining moment in the establishment of the Turkish nation state as well as the beginning of national consciousness in Australia and New Zealand. With heightened emotions, they move around the historical battlefields, graves and war monuments with the help of guided tours tailored for each community.
A Walk with Nigel is a video essay that constructs a dialogue between two artists from two different times, between movement and stillness, between speech and silence. An archaeological study of a community, reawakening the archive in the present. A materialist study of streets and social relations.
Kipnis describes this tape as "an appropriation of the aesthetics of both late capitalism and early Soviet cinema—MTV meets Eisenstein—reconstructing Karl Marx for the video age.” She presents a postmodern lecture delivered by a chorus of drag queens on the unexpected corelations between Marx’s theories and the carbuncles that plagued the body of the rotund thinker for over thirty years. Marx’s erupting, diseased body is juxtaposed with the “body politic", and posited as a symbol of contemporary society proceeding the failed revolutions of the late 1960s.
This video consists of raw footage from a Women’s Liberation Rally in New York City, shot on March 7th 1970, in celebration of International Women's Day. The first two thirds of the piece consist of footage of the crowd and speakers. Many issues are discussed including medical care, childcare, racial solidarity, Puerto Rican liberation, and imperialism. The final third of the tape includes interviews with male and female attendees of the rally.
"I brought live reptiles, birds of prey and exotic flowers to a very stereotyped and neglected section of the city of St. Louis, Missouri which suffers from from severe abandonment and despair, but also has many tranquil vacant lots where nature flourishes. I chose these birds of prey for their symbolic meaning- The bald eagle a symbol of the United States, hawks and owls are messengers. But this is not a film about St. Louis, It's about an anonymous archetype more than a specific locale. St.
Adam Khalil and Zack Khalil’s debut film re-imagines an Anishinaabe story, the Seven Fires Prophecy, which both predates and predicts first contact with Europeans. A kaleidoscopic experience blending documentary, narrative, and experimental forms, INAATE/SE/ explores how the prophecy resonates through the generations in their Indigenous community on the Michigan/Canadian border.
Pagination
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