As documented in The Winner’s Circle and la Migra (the emigrant), the move north brings many changes to family life, specifically mothers going to work and children learning English in school. Hock explores the fact that women often adapt more easily than the men to American life, learning English more rapidly. This becomes a source of conflict between the men and women as they compete for better-paying jobs.
A tribute to movement in resistance. Part of shamanic materialism.
Habit is an autobiographical documentary that follows the current history of the AIDS epidemic along dual trajectories: the efforts of South Africa’s leading AIDS activist group, the Treatment Action Campaign, struggling to gain access to AIDS drugs and the daily routine of the videomaker, a veteran AIDS activist in the U.S. who has been living with AIDS for more than ten years.
The latest in Muntadas and Reese's series documenting the selling of the American presidency features political ads from the 1950s to ads from the 2012 campaigns, and highlights the development of the political strategy and marketing techniques of the TV campaign process.
In this interview, communications theorist, Gene Youngblood (b. 1942) maps out the various stages of the development of video technology and its philosophical implications for human interaction. The range of topics discussed moves beyond video to offer an extensive and rich survey of American culture from the 1960s to the present moment. In addition to discussing his canonical text, Expanded Cinema, Youngblood shares stories from his early days as a police reporter for the Los Angeles Herald Examiner, where he gained intimate knowledge of the media’s politics of representation. With the acuity of hindsight, Youngblood discusses important self-discoveries, and his life-changing decision to move from the mainstream media into the world of the underground press.
We will live to see these things... is a documentary video in five parts about competing visions of an uncertain future. Shot in 2005/06 in Damascus, Syria, the work combines fiction and non-fiction. Each section of the piece--the chronicle of a building in downtown Damascus, an interview with a dissident intellectual, documentation of an equestrian event, the fever dream of a U.S.
A formidable collage of striking images, this powerful and provocative work confronts racial violence through images of ecological mayhem, machismo, pornography, and Third World poverty — images which return to the taboo body of a black man. "Directed and produced by our culture," An I for An I studies how violence is internalized and psychologized by overlapping soundtracks, printed texts, recurrent images, doctored footage and split screens. The piece attacks racist culture and pleads for an alternative recourse to violence.
Breakfast of Champions is an installation created in 1991 by the artist duo Ligorano Reese, comprising Nora Ligorano and Marshall Reese. The piece critiques the media's portrayal of the Gulf War and its influence on public perception. The installation features a breakfast table set with an American flag-themed place setting, a cup of coffee, half-eaten toast, and a copy of The New York Times.
In 30 Seconds Hate, Fox News and Henry Kissinger want to kill you as a tribute to George Orwell’s 100th birthday. Suckers gives a half-minute history of Halliburton in Iraq.
A.R.M. Around Moscow documents particpants in A.R.M. (American-Russian Matchmaking) to explore the relationship of personal power to domestic identity, and economic and political structure. Finley and Stoeltje followed 21 American men as they travelled to Russia to meet 500 local women. Each man was provided with a car, driver, translator, apartment, and meals for a "14-day tour of Russia's most beautiful and highly-educated women" at the cost of about $4,700.
Two years after the riots and deaths at Attica, New York, a community day was organized at Greenhaven, a federal prison in Connecticut. Think Tank, a prisoners' group, coordinated efforts with African-American community members outside the prison walls to fight racism and poverty. The event was documented by People's Communication Network, a community video group founded by Bill Stephens, for cablecast in New York City, marking the first time an alternative video collective was allowed to document an event inside prison walls.
Turner Prize winning conceptual artist Jeremy Deller works across many different mediums, creating highly political and frequently collaborative works. Defying conventionality, Deller often exhibits outside of traditional gallery spaces, such as his 1993 twist on artist open studios, Open Bedroom, a secret exhibition in Deller’s family home while his parents were on holiday.
In One Man Ladies, Glennda Orgasm is joined by Vaginal Davis as they meet women on the streets of New York City to discuss Laura Schlessinger's book Ten Stupid Things Women Do to Mess Up Their Lives. The pair humorously explore the best ways modern women can find and secure a husband.
An episode of Glennda and Friends, hosted by Glennda Orgasm and Vaginal Davis.
"Shaharazad is trapped at the Baghdad Hilton, so she conjures up an ironic story of the great King Bush's attempt at 'protecting one dictatorship from the attacks of another'" - Scott Andrew Hutchins
This found-footage video looks at the demagogic aspirations of Huey Long, Father Charles Coughlin, Joseph McCarthy, and George Wallace, concluding with Donald Trump. American history is filled with such characters. In the past, they have all been defeated by stronger democratic forces that refused to acquiesce to authoritarianism. Today the future of this authoritarian urge as represented by Trump and the MAGA movement is uncertain.
"How can the distinction between "man" and "machine" still be made given today's technology? In modern weapons technology the categories are on the move: intelligence is no longer limited to humans. In Eye/Machine II, Farocki has brought together visual material from both military and civilian sectors, showing machines operating intelligently and what it is they see when working on the basis of image processing programs. The traditional man-machine distinction becomes reduced to "eye/machine", where cameras are implanted into the machines as eyes.
Presidential candidates are sold like commercial products and naturally television is the ideal medium. Political Advertisement depicts the evolution of political ads over the last 44 years, beginning with Eisenhower in 1952 (which was an unqualified success), and continuing up to the most recent ad campaigns for Ross Perot, Bob Dole, and Bill Clinton in 1996.
Rare footage of a September 1970 rally honoring the late Fred Hampton, Deputy Chairman of the Illinois chapter of the Black Panther Party. One of the speakers leads the audience in a call and response.
In Two-Spirits Speak Out, Brenda and Glennda interview members of We'Wah and Bar-Chee-Ampe, one of the first Two-Spirit Native American organizations in New York. This episode addresses gender identity among Two-Spirit people, and discusses their involvement and experiences within the queer community in New York City.
Shot in October 1969, this tape gives an inside view of the workings of late-sixties radical groups and the debates going on within their ranks. At a meeting of Yippies, there is a discussion about the nuts and bolts of fundraising through benefit concerts and events in an attempt to finance support efforts related to the Chicago 8 Conspiracy Trial.
Because of the War things were changing. Very few toys or games were left and music was almost over. Tap water was tasting female and television only came in nasty spasms…
A surreal and sometimes comic meditation on how war affects the hopes and dreams of ordinary people.
In turns funny, disturbing, and glisteningly sensual, small lies, Big Truth is a tape about love, relationships, and the joy and banality of sex in the late 20th Century. It also touches on such issues as morality, voyeurism, nature vs. culture, and power, as eight people read fragments from the testimony of William Jefferson Clinton and Monica S. Lewinsky, as published in the Starr Report.
In an interview I did earlier this year for the Milan Game Video/Art exhibition, I deflected a question about the connection between Hymn of Reckoning and Reckoning 3, discouraging the idea that there was much of a link between the two videos, apart from their names and their use of video game material. Now that I’ve thought about it more, I can tease out more connections.
"The gerbil has long been associated with New World capitalism because of its incessant energy. The Golden Age of Hollywood takes on the history and evolution of this delightful household pet."
— International Film Festival Rotterdam (2003)
— "Jim Finn's Wüstenspringmaus, a well-sprung, rear-screened account of a gerbil's life in the '70s."
— Guy Maddin, Film Comment, January (2004)
This title is also available on Jim Finn Videoworks: Volume 1.
