"The videowork of Nelson Henricks, though quite varied in treatment and theme, has worked toward the articulation of a single concern: How can love fly through the air and be received by me?"
—Steve Reinke
"The videowork of Nelson Henricks, though quite varied in treatment and theme, has worked toward the articulation of a single concern: How can love fly through the air and be received by me?"
—Steve Reinke
# | Title | Artists | Run Time | Year | Country | |
---|---|---|---|---|---|---|
1 | ![]() |
Conspiracy of Lies | Nelson Henricks | 00:12:00 | 1992 | Canada |
2 | ![]() |
Emission | Nelson Henricks | 00:12:00 | 1994 | Canada |
3 | ![]() |
Shimmer | Nelson Henricks | 00:07:00 | 1995 | United States |
"Conspiracy Of Lies speaks of the alienation of minorities, of consumer culture, urban isolation and the fine balance between mental order and chaos. The video begins with a voice (my own) recounting the story of the discovery of a series of diary entries and lists written by an anonymous author. When I found the texts, I assumed the author to be a white, gay man, like myself. Through the use of twelve narrators of different race, gender, religion, and sexual orientation, I attempted to destabilize my own subjectivity and challenge my pre-existing assumptions regarding difference. The video begins and ends with two texts written by myself. This, I hope, helps to render the boundary between myself and the anonymous author more fluid, thereby questioning the 'authority' of authorship."
—Nelson Henricks
This title is also available on Nelson Henricks Videoworks: Volume 1.
"The video Emission found its origin in three performances which I wrote between 1988 and 1991. In their original form, the performances dealt with sex, romance, and communication technologies. The video elaborates upon these themes to speak of how human beings exist in a margin between nature and technology, and works towards confounding any simplified analysis of this worn-out duality. Structurally speaking, Emission comprises eight episodes which are grouped into three 'acts.' The first of these deals with technology and language; the second implies a breakdown of language and a movement towards 'being animal'; the third envisions a confrontation with our animal nature, yet with an ultimate resignation to 'keep talking' and remain human."
—Nelson Henricks
This title is also available on Nelson Henricks Videoworks: Volume 1.
"Look at a landscape and imagine a different one there. Touch the body and let it slip from memory. Imagine a desert when what you see is winter. The filmmaker evokes a territory where fragile shifts—the links between things, emotions, and places—materialize and dematerialize."
—Nicole Gingras
This title is also available on Nelson Henricks Videoworks: Volume 1.