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Late Night Kitchen Discussion

Videofreex

1971 00:20:00 United StatesEnglishB&WMono4:31/2" open reel video

Description

Timely concerns about the future of video, artists’ complicity in the money making system of the ‘establishment,’ and the effect of the camera’s presence on personal encounters, is discussed and debated in this late night video produced by David Cort, Chuck Kennedy, and Skip Blumberg.

For the first fifteen minutes, Frances, too, participates in the conversation, but leaves after David and Skip voice their dislike for the layout of the newsletter she had recently designed with Videofreex member, Bart Friedman. Following Frances’ exit, Chuck, David and Skip argue about the effects of video on the construction of selfhood, and the role of politics within the personal realm of self-motivation. Chuck contends that video destructively changes people’s ability to love and communicate, while Skip playfully but defiantly asserts, “I am not a cyborg!” The video also includes a heated debate over what it means to be an artist, providing entry into the cultural climate of the early '70s and Videofreex members’ consideration of the stakes of art at that time. Taped September 30th, 1971.

—Faye Gleisser

VDB Videofreex

Videofreex, one of the first video collectives, was founded in 1969 by David Cort, Mary Curtis Ratcliff and Parry Teasdale, after David and Parry met each other, video cameras in hand, at the Woodstock Music Festival. Working out of a loft in lower Manhattan, the group's first major project was producing a live and tape TV presentation for the CBS network, The Now Show, for which they traveled the country, interviewing countercultural figures such as Abbie Hoffman and Black Panther leader Fred Hampton.

The group soon grew to ten full-time members--including Chuck Kennedy, Nancy Cain, Skip Blumberg, Davidson Gigliotti, Carol Vontobel, Bart Friedman and Ann Woodward--and produced tapes, installations and multimedia events. The Videofreex trained hundreds of makers in this brand new medium though the group's Media Bus project.

In 1971 the Freex moved to a 27-room, former boarding house called Maple Tree Farm in Lanesville, NY, operating one of the earliest media centers. Their innovative programming ranged from artists' tapes and performances to behind-the-scenes coverage of national politics and alternate culture. They also covered their Catskill Mountain hamlet, and in early 1972 they launched the first pirate TV station, Lanesville TV. An exuberant experiment with two-way, interactive broadcasting, it used live phone-ins and stretched cameras to the highway, transmitting whatever the active minds of the Freex coupled with their early video gear could share with their rural viewers.

During the decade that the Freex were together, this pioneer video group amassed an archive of 1,500+ raw tapes and edits.

In 2001, the Video Data Bank began assembling this unique archive of original 1/2-inch open-reel videos, collecting them from basements and attics where the tapes were stored. A restoration plan was hammered out in 2007 and a distribution contract was signed between VDB and the newly formalized Videofreex Partnership (administered by Skip Blumberg).

The Videofreex Archive, now housed at VDB, chronicles the countercultural movement of the 1960s and 1970s. The  titles listed here are the first wave of an ongoing project to preserve and digitize important examples of this early video.

More About the Videofreex Archive Preservation

Also see:

Parry Teasdale: An Interview

Videofreex Official Website