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The Diaspora Suite

Ephraim Asili’s five-part series The Diaspora Suite is both a personal and global study of the African diaspora. Created over the course of seven years, every film in the series has a unique rhythm built around a specific amalgam of footage shot in American and international locations — each an important site within the African diaspora. Forged Ways (2011) travels between Harlem and Addis Ababa, Ethiopia; American Hunger (2013) features Philadelphia, Ocean City, and Cape Coast, Ghana; in Many Thousands Gone (2014), Harlem and Salvador, Brazil; in Kindah (2016), Hudson, New York, and Jamaica; and in Fluid Frontiers (2017), Detroit and Windsor, Canada.

Locating a shared geographical and historical lineage, The Diaspora Suite charts a movement from decoding to encoding, documenting and creating within the landscape.

"Asili has concluded a five-part film suite that examines the African diaspora through a series of immeasurable equations: America and abroad (with films shot in Ghana and Ethiopia, as well as Brazil, Jamaica, and Canada); personal and collective history; the past and the present; imaginations and realities; and image and sound. Abandoning digital video for 16mm, Asili has developed his documentary impulse into something more spontaneous and musical, his eye attuned to the unexpected rhythms afforded by montage."

— Jesse Cumming, Cinema Scope, Fall 2017

For a limited time, watch Fluid Frontiers on VDB TV.

# Title Artists Run Time Year Country
1 Forged Ways Ephraim Asili 00:15:00 2010 Ethiopia, United States
2 American Hunger Ephraim Asili 00:19:00 2013 Ghana, United States
3 Many Thousands Gone Ephraim Asili 00:08:00 2014 Brazil, United States
4 Kindah Ephraim Asili 00:12:00 2016 Jamaica, United States

Forged Ways

Ephraim Asili
2010 | 00:15:00 | Ethiopia, United States | English | B&W and Color | Stereo | 4:3 | 16mm film

DESCRIPTION

The Diaspora Suite

Filmed on location in Harlem (NY) and Ethiopia, Forged Ways oscillates between the first person account of a filmmaker, a man navigating the streets of Harlem, and the day to day life in the cities and villages of Ethiopia.

American Hunger

Ephraim Asili
2013 | 00:19:00 | Ghana, United States | English | B&W and Color | Stereo | 16:9 | 16mm film

DESCRIPTION

The Diaspora Suite

Oscillating between a street festival in Philadelphia, the slave forts and capitol city of Ghana, and the New Jersey shore, American Hunger explores the relationship between personal experience and collective histories. American fantasies confront African realities. African realities confront America fantasies.

Many Thousands Gone

Ephraim Asili
2014 | 00:08:00 | Brazil, United States | English | Color | Stereo | 4:3 | 16mm film

DESCRIPTION

The Diaspora Suite

Filmed on location in Salvador, Brazil (the last city in the Western Hemisphere to outlaw slavery) and Harlem, NY ( an international stronghold of the African Diaspora), Many Thousands Gone draws parallels between a summer afternoon on the streets of the two cities. A silent version of the film was given to jazz multi-instrumentalist Joe McPhee to use an interpretive score. The final film is the combination of the images and McPhee’s real time “sight reading” of the score.

Kindah

Ephraim Asili
2016 | 00:12:00 | Jamaica, United States | English | B&W and Color | Stereo | 4:3 | 16mm film

DESCRIPTION

The Diaspora Suite

Kindah was shot in Hudson, NY and Accompong, Jamaica. Accompong was founded in 1739 after rebel slaves and their descendants fought a protracted war with the British leading to the establishment of a treaty between the two sides. The treaty signed under British governor Edward Trelawny granted Cudjoe’s Maroons 1,500 acres of land between their strongholds of Trelawny Town and Accompong in the Cockpits. Cudjoe, a leader of the Maroons, is said to have united them in their fight for autonomy under the Kindah Tree — a large, ancient mango tree that still stands to this day. The tree symbolizes the kinship of the community on its common land.