The Sweetwater Rattlesnake Roundup is a tape documenting the 1980 roundup, an event held each March in Sweetwater, Texas. During the weekend event, thousands of rattlesnakes are hunted and captured on local farms and ranches by residents of the town of Sweetwater and by people who travel to the area from as far away as Hawaii. The snakes are taken to a coliseum, tossed into pits, milked, butchered, skinned, and eaten. According to the late Bill Ransberger, the former principal organizer of the roundup, the event began in the late 1950s to control the population of Western Diamondback rattlesnakes that were threatening Sweetwater’s way of life. As the narrative progresses, a more compelling reason for the roundup is revealed; it’s the psychological rather than the physical survival of Sweetwater’s residents that’s at stake. Conveniently framed on Christianity’s special enmity toward the snake, and a need to control the species, the rattlesnake roundup continues to this day.
The Sweetwater Rattlesnake Roundup
Laurie McDonald
1980 00:27:13 United StatesEnglishColorStereo4:33/4" U-matic videoDescription
About Laurie McDonald
Laurie McDonald is a media artist, writer, graphic designer, and photographer. In 1972, she began exploring video as an art-making tool and was a founding member of the video art collective Electron Movers, Research in the Electronic Arts, based in Providence, Rhode Island. Her early work was exhibited at The Kitchen (NYC) and included in the 10th, 11th, and 12th annual New York Avant Garde Festivals, and at venues throughout New York and New England.
She has received a National Endowment for the Arts Visual Artist Fellowship and four American Film Institute/NEA Fellowships. Her work has been exhibited internationally at venues including the Museum of Modern Art, the Metropolitan Museum of Art, the Pierre du Chardin Gallery (Paris), The Gallery of Modern Art (Rome), and at festivals including the American Film Institute’s Film/Video Festival, the Tokyo Video Festival, the Festival du Cinema in Montreal, and at Filmfest (Berlin, Budapest, Hong Kong, Melbourne, Moscow).
As a writer, her experience ranges from novels to screenplays to instructional/informational writing. Using the pseudonym Eva Rome, she has written and published three books: Travel for STOICS; What It Means: Myth, Symbol, and Archetype in the Third Millennium, Vol. 1; and Location X: A Quest for Place. She has served as a screenplay consultant to the National Endowment for the Arts Media Grants Committee, as a contract screenplay and script writer/consultant, and as both a book editor and book cover designer. As a graphic designer and photographer, she has designed and built Web sites, graphics for print, and graphics for video. She has published two books of her own photographs: Chair, and Fotocollées.
Laurie is a graduate of the Rhode Island School of Design and holds a Master of Literature degree from the University of Houston. She lives in Evanston, Illinois, USA, and in San Miguel de Allende, México.