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Losing: A Conversation with the Parents

Martha Rosler

1977 00:18:39 United StatesEnglishColorMono4:3Video

Description

This distanced narrative, which approximates a soap opera or a TV interview of bereaved relatives of a victim, confronts two means by which food is used as a weapon: the internalized oppression of self-starvation as a consequence of social learning (anorexia nervosa), and starvation because of poverty and economic domination. In a scenario that merges documentary elements and theatrical acting, an impossibly young couple is addressed by an unseen questioner. "Interviewed" in their plush living room, the parents struggle to make a connection between food and political oppression, moving from their confrontations with anorexia to starvation in Third World countries, where food is often a weapon of political subjugation. They juxtapose but never resolve these dual questions of power and powerlessness. Rosler exposes underlying social realities, from the family dynamics of lying and contradiction, to the phenomenon of dieting and starvation in the creation of an ideal female self in contemporary culture.

With: Susan Lewis, Peter Hackett. Video: Brian Connell. Post Production: John Baker.

 

This title is also available on martha rosler: crossings

About Martha Rosler

Since the early 1970s, Martha Rosler has used photography, performance, writing, and video to deconstruct cultural reality. Describing her work, Rosler says, “The subject is the commonplace — I am trying to use video to question the mythical explanations of everyday life. We accept the clash of public and private as natural, yet their separation is historical. The antagonism of the two spheres, which have in fact developed in tandem, is an ideological fiction — a potent one. I want to explore the relationships between individual consciousness, family life, and culture under capitalism.” 

Avoiding a pedantic stance, Rosler characteristically lays out visual and verbal material in a manner that allows the contradictions to gradually emerge, so that the audience can discern these disjunctions for themselves. By making her ideas accessible, Rosler invites her audience to re-examine the dynamics and demands of ideology, urging critical consciousness of the individual compromises exacted by society, and opening the door to a radical re-thinking of how cultural “reality” is constructed for the economic and political benefit of a select group.

Also see:
Martha Rosler: An Interview