MICA-TV creates a video format to express the idea of verticality and optimism common to the work of artists Dike Blair, Dan Graham, and Christian Marclay.

Slides of Cadillacs owned by the artist’s father are the vehicles of this family history. The slides represent twenty-eight years of Dr.

In El Gringo, viewers experience the discomfort of being an outsider when the camera is confronted by a pack of snarling dogs.

A Kafkian vision of the New World. The arrival of Karl Rossman to the contemporary Babylon under the spell of the paranoid avant-garde. Kinetic coexistence of the archaic forms in dissolution.

A small Italian town on a seemingly distant hill appears like an architectural model illuminated by interior lighting. Suddenly, sounds seem to cancel the distance, suggesting nearness.

Oral Fixations is a single channel video installation that evolves over a seven hour time period. The project is a darkly humorous look at a habit of endless consumption and the resulting accumulation of waste.

This 1978 conversation between poets Anselm Hollo and Robert Creeley, was updated in 2015 as Adam Burke relays their conversation.  Images of Hollo, Creeley, and Burke are juxtaposed on top of one another.

Skip Blumberg of the Videofreex conducts an interview with Charles “Cappy” Pinderhughes, the Lieutenant of Information of the New Haven branch of the Black Panther Party.

Veronica Majano depicts the character of a street in the Mission District of San Francisco.

Through the deployment of various structural strategies, the narrative logic of three problematic and influential films is transformed into a sensuous hallucinatory unveiling of repressed representations in historical dramas of the U.S.’s critical perio

This feature-length video follows several inflicted characters and recounts the ways in which they find resolve.

Done To (alternately titled It Is, Done To) consists of simple still-frames accompanied by a complex, incongrous soundtrack, or silence.

Images of beauty rituals – both masculine and feminine – focus on the removal of body hair. Scenes of adolescent embarrassment are played out in adult life. Gender confusion lurks behind the curtain. Impoverished aesthetics. Popular music.

This tape combines off-air footage, infomercials, interviews, and street protests with ‘60s pop classics in agitational/reflective collages.

I Stare at You and Dream is a slice of life melodrama that journeys to the core of interrelationships.

As a foulness shall ye know Them. Their hand is at your throats, yet ye see Them not; and Their habitation is even one with your guarded threshold. The wind gibbers with Their voices, and the earth mutters with Their consciousness.

Jake Wells, a professional tattooist, DIY drone builder, FPV (First Person View) flight hobbyist, and possibly the world’s first RC (Remote Control) Christian Minister, shares some of his stories and ideas regarding the connection between religion, dron

Defiantly humorous in its tone, Delirium reflects Faber’s mother’s personal experience with what has been classified as “female hysteria.”  While never reducing her mother’s condition to a single explanation, Delirium firmly and c

The frenzied detritus of trading floors, smart weaponry and the religious right are woven through the petrochemical landscapes of Southeast Texas.

Sentences is a beguiling, hypnotic meditation on the poetics of space.

The idea of suspension is evoked on shifting registers – as levitation, cessation, preservation, and suspense – and located in sites whose identities slip as we track through a space within a space.

Anne Bancroft and Patty Duke proceed to beat each other while text from psychiatrists and ex-patients discuss the violence in some forms of psychiatric care. Four actions repeat as the struggle for autonomy rages.

Handy Man examines the window as a site of voyeurism and surveillance. With his Hi-8 camera, Henricks documents two workers in his interior courtyard. The camerawork has a secretive and furtive feel, treating the male body as an erotic object.

Canadian-born artist Miriam Schapiro (b.1923) was one of the great forces behind the feminist art movement in Los Angeles.

Based on accounts of girlhood anorexia, Swallow unravels the masked and shifting symptoms that define clinical depression.

They just flew in from New York, and boy, are their arms tired...

In EVOL (love spelled backwards), the audience is voyeur, peering into the delirious and erotic dreams of a young man (Oursler). We drift with him through anecdotes that poke fun at the disparity between the culturally accepted stereotypes of sex and love we are taught as children and the realities we discover in adult life.

Dachau 1974 was recorded on Korot’s visit to Dachau, Germany, the site of the former concentration camp, in the Fall of 1974. What she saw when she arrived was a sanitized former prisoner camp that was now a tourist site

Juxtaposing the text of Off Limits, a film made in 1987 about Saigon circa 1968, with the soundtrack and image of the last five minutes of Easy Rider, made in 1968, Tajiri parallel edits these representations to play with the evocation

Part of paraconsistent sequence series and the hauntology series.

Black Code / Code Noir unites temporally and geographically disparate elements into a critical reflection on two recent events: the murder of Michael Brown and that of Kajieme Powell by American police officers in 2014.

Sites Unseen is a 16mm film of the Jewish cemetery in Warsaw, a photograph of a great Aunt who died in Treblinka, and my late grandmother eating her morning cornflakes.

Music by Zeena Parkins

Roger Brown's (1941-1997) quirky, stylized paintings were influenced by such disparate sources as comic strips, hypnotic wallpaper patterns, medieval panel paintings, and early works of Magritte. His work is epitomized by a series of claustrophobic urban scenes with their drop-curtain-like gray clouds and cardboard-box apartment buildings, suggesting an amalgamation of boyish enthusiasm for model making and adult despondency. In 1996 he donated his apartment, complete with all of his belongings, artworks, writings, and automobile to the School of the Art Institute in Chicago, where it is on public display.

In this rare and humorous record of the art dialogue of the late 1960s, Holt and "guest" Robert Smithson assume opposing artistic viewpoints: the uptight, intellectual New Yorker versus the laid-back Californian.

Bee Film is a collaboration between filmmaker Cathy Lee Crane and composer Beth Custer that explores the life of bees in Hilo, Hawaii and their human caretakers who are working to preserve an endangered species. 

An alternative earth music video. An epic last stand. A portrait of two utilitarian workers engaging in a collaboration with Karen, manifesting improvisational geographic friendships...

Named after Hatice Güleryüz’s haunting short film, with its disturbing yet iconic images, this program presents unsettling situations narrated with both considerable emotional investment and critical distance.

To the background of village celebrations a father questions his daughter about a suspected lover. She cleverly deflects him with her answers but the passions rise, the villagers take sides and what began as harmless banter becomes bitter and angry.

A defiant, weird, DIY lament on not keeping calm in toxic times.

A surrealistic deep dive into the interactive menus and screens that make up the mediated landscape.

Benjamin Buchloh is an influential art critic and historian; he has written extensively on contemporary art for journals and exhibition catalogs, as well as his essay collection Neo-Avantgarde and Culture Industry (2002).

Strangely Ordinary This Devotion is a visceral exploration of feral domesticity, queer desire, and fantasy in a world under the threat of climate change.

Are gender outlaws considered the new biological terrorists seeking weapons of mass bodily destruction? OPERATION INVERT compares the different regulations mediating botox-related plastic surgery and gender reassignment "sex change." Historical

Taking its name from the Jim Crow-era of black criminals staring at white women, this hand-processed, optically-printed amalgam reframes desire by way of everything from D.W.

Das KunstKabinett or the Cabinet of Curiosities is a 'microcosm' or theater of the world, a memory theater which provides solace and a retreat for contemplation.

Cobra Mist explores the relationship between the coastal landscape of Orford Ness and its traces of military history, particularly the extraordinary ruined architecture of experimental radar and the Atomic Weapons Research Establishment.

Cyclops / "monitor" / minotaur.

Note: A 20-second video loop self-portrait.

A musical portrait of Vic Chesnutt and company recording the song, CHAIN.

Hokey Sapp Does SPEW features Kate Schechter performing her invented media personality Hokey Sapp interviewing some of the luminaries at SPEW: The Homographic Convergence, a queer zine convention hosted by Randolph Street Gallery in Ch

Over a montage of family photographs, Freed’s narration questions the consistency of memory and self over time, with Freed displaying a quizzical and sometimes hostile relation to her past.