After a long period in life identifying as a Butch Lesbian, Cuthand considers transitioning to male.

In Performer/Audience/Mirror, Graham uses video to document an investigation into perception and real time informational "feedback." The performance is doubly reflected back to the audience by the artist's lecturing, and the architectural devic

Wittnerchrome, Exacto Knife, Fishing Line, Sewing Machine

The story of a matron and a midget in the heat of an unbridled passion. The colors run thick and heavy for paint and prurient pleasures as the electronic canvas unscrolls to reveal a bevy of beasties and beauties of nature and the unnatural.

Through the deployment of various structural strategies, the narrative logic of three problematic and influential films is transformed into a sensuous hallucinatory unveiling of repressed representations in historical dramas of the U.S.’s critical perio

Victor Burgin (b.1941) is known as a highly influential artist and a renowned theorist of still and moving images.

"Emptiness: I just watched your latest video, Colchones Individuales (Single Beds), Volume 1: Desolacion, and I wanted to write you about it. Oddly, Single Beds sums up much of what I have been thinking lately.

First of all: a dissolving is a structural device of the history of audiovisual language. Second: this piece is about a rearticulation of the dissolving device that captures the ominous historical and political events in recent Mexico.

A look at the town of Rome N.Y., including an arts panel visit to the Art and Community Center.

“Hey, how’s that TV work?” 

The town Minot is home to a U.S. Air Force base that guards 150 nuclear missiles buried in northern North Dakota. The weapons of mass destruction placed there 50 years ago are still targeted at Russia.

There are times when concurrent multiple realities of place demand at least an attempt to determine who in fact has, and where is, this place in the sun. Hearts and Helicopters occurs at that moment in the lives of four people.

"I don't put myself into my movies because that would be too much--my pictures reflect my own feelings.  So hopefully it's entertaining.  Otherwise I can't bear looking at them, ha ha!"
–– Mike Kuchar

Addressing the imbalance of information flow between the wealthy and the destitute nations of the world, Towards A New World Information Order suggests means by which this imbalance might be rectified, including ways to control the press.

This two-part episode features Glenn Belverio and Duncan Elliott participating in an ACT UP demonstration at President George Bush’s summer house in Kennebunkport, Maine, interviewing activists and documenting this historic event.

All forms of human sport become sites for sexual play and celebratory eroticism.

Contra-Internet: Jubilee 2033 is a re-imagining of scenes from filmmaker Derek Jarman’s 1978 queer punk film Jubilee, starring Susanne Sachsse and Cassils.

California-based painterJoan Brown (1938-1990) attended the California School of Fine Arts (now the San Francisco Art Institute).

Filmed in June 1998 at the Whitney Museum of American Art and produced by the New York Public Library for the Performing Arts/Dance Collection. Breath is a creative archive project of Eiko & Koma’s living installation of the same

In the first of George Kuchar’s Alumni Series, he braces the unusually volatile weather, contending with torrential rain and flooding on his way to visit the apartment of alumni Peter Van Langen.

The looped work Culture Capture 001 takes place within the American Museum of Natural History.

In 1998, Zaatari interviewed Egyptian photographer Van Leo in Cairo.

This mock-virtual environment is a playground for the imagination.

...a meditation on a familiar New York city space in which memories, fantasies and the maniacal intertwine.

In Aspect colour, light and shadow shift across the surface of the forest as the duration of a calendar year is condensed into minutes.

Audrey Flack uses an airbrush to produce large photorealistic paintings and works from slides for her precision. She selects subjects with great personal significance that also represent fragments of contemporary American life.

This slow-motion film is a glass snow globe with dancers who topple and bounce off the sides of the frame. Re-purposed by Breder at his Dortmund retrospective as Weisse Tasse in which a video was projected on the side of a white cup.

Martha Rosler (b.1943) received her BA from Brooklyn College in 1965 and her MFA from the University of California, San Diego in 1974. Rosler has produced seminal works in the fields of photography, performance, video, installation, criticism, and theory. Committed to an art that engages a public beyond the confines of the art world, Rosler investigates how socioeconomic realities and political ideologies dominate everyday life. Rosler's work has entered the canon of contemporary art through a process of steady, stealthy infiltration. Lacking commercial gallery representation until 1993, her endeavors as a prolific essayist, lecturer, and political agitator enabled her agenda to trickle down through critical channels.

From childhood memories to recurring nightmares, Nine Fish attacks and illuminates the indecision and confusion surrounding euthanasia and care of the elderly in the United States.

Steve Kurtz is a founding member of the Critical Art Ensemble and Associate Professor of Art at University of Buffalo. His areas of focus are contemporary art history and theory as well as post-studio practices.

"I woke up today thinking I was a dying moose. It's Thursday, October 28th, 2021 and I woke up today thinking that I was a moose slowly bleeding to death of dozens of wounds and contusions.

Wrong Place, Wrong Time uses appropriated images from the "reality television" genre to examine the seductiveness of the spectacle of tragedy. This video exists in an area where the division between reality and image are simultaneous.

Ann Cvetkovich is the Ellen Clayton Garwood Centennial Professor of English and Professor of Women’s and Gender Studies at the University of Texas at Austin.  She is the author of a number of books and works also with documentary film, memoirs, mus

Letters, conversations: New York-Chicago, Fall, 2001 is driven by a fragmented voice-over that criss-crosses between two female voices – one seemingly formal and distant, the other more conversational and intimate.

This is an agitprop piece about the reflection and dispersion of an eroded slogan and claim: Tierra y Libertad (Land and Freedom).

The violent overreaction to 9/11 and to the revolutions of the 1960s cannot be explained only with fear and politics.

Part of the Hauntology Film Archives series.

Take a peek at scenes extracted from a videomaker's life.

The first twelve minutes features Phil keying his own image over his left eye (right on the screen), where he smokes and performs various facial gestures.

Time Bomb tells the story of a young girl's experience at a Baptist retreat, where she is called upon to accept Jesus into her life after a coercive game of terror.

In Mondo Toronto, Glennda travels to Toronto to visit Liza LaBruce (Bruce LaBruce). Liza gives Glennda a tour of the city's public parks, with specific reference to their role in gay culture.

Amidst growing discussions on the headscarf issue, the President of Turkey was holding the annual Republic Day Ball at the Presidential Palace.

A pro-domme gives her friend a freshly shaved head. In return she gets a buzz cut. A client gets to be a (bound) fly on the wall.

A visualization of phrases used by Prime Minister David Cameron during his Oxfordshire speech addressing the events of August 2011.

Elizabeth Murray (1940-2007)  was an American painter, printmaker and draughtsman.

Revived as part of the Retrospective Project, White Dance is the first piece that Eiko & Koma performed in America.

A man returns, after fifty years, to Chinatown to care for his dying mother. He is a librarian, a re-cataloguer, a gay man, a watcher, an impersonator. He passes his time collecting images that he puts before us – his witnesses and collaborators.

A Yosemite gargoyle climbs two gothic arches.