In this episode of the Whispering Pines series, Moulton's character Cynthia is confronted with a distorted mirror image that slips between the grotesque and the exotic, depending on her posture.

In Wigstock ’94, Glennda and her friend Bobra attend Lady Bunny’s Wigstock festival. Following the event’s move from the East to the West Village, they explore the changing dynamics and configurations of queer culture in New York. The pair interview other drag queens, members of the local community, and passersby to get a sense of how an event like Wigstock is received by the city.

An episode of Glennda and Friends, hosted by Glennda Orgasm and Bobra. Featuring Jackie Beat, Joan Crawford, Jackie O., Sherry Vine, Nona Vulva, Wendy Wild, and Yumi.

Ten thousand women marched down New York's Fifth Avenue on August 26th, 1970, to mark the fiftieth anniversary of the passage of the 19th amendment, which granted women the right to vote. The march was part of a "Women's Strike for Equality" organized by veteran feminist leader Betty Friedan.

This video, shot in March 1970, contains raw footage from a Women’s Liberation event and discussion that took place in an art space. The tape begins with shots of the crowd mingling while music and speeches are heard in the background. Speakers address the audience, and the tape continues to record the discussion that follows. The main topics are abortion and contraception, and how they relate to power dynamics and the struggle for Women’s Liberation in general.

This video consists of raw footage from a Women’s Liberation Rally in New York City, shot on March 7th 1970, in celebration of International Women's Day. The first two thirds of the piece consist of footage of the crowd and speakers. Many issues are discussed including medical care, childcare, racial solidarity, Puerto Rican liberation, and imperialism. The final third of the tape includes interviews with male and female attendees of the rally.

Ming Wong creates videos that explore performance and issues of race and gender. Born in Singapore of Chinese heritage, and now based in Berlin, his work examines cross-cultural experiences by appropriating scenes of iconic world cinema. Wong casts himself anachronistically as the star, critically exposing the otherness of the relationship of media and world history.

You will never be a woman. You must live the rest of your days entirely as a man and you will only grow more masculine with every passing year. There is no way out.

You will never be a woman. You must live the rest of your days entirely as a man and you will only grow more masculine with every passing year. There is no way out.

You will never be a woman. You must live the rest of your days entirely as a man and you will only grow more masculine with every passing year. There is no way out.