Independently Produced Interviews

artiststvn Artists TV Network, Vito Acconci Vito Acconci: Conversations, 1980

Confrontation is the element that defines Acconci’s work, from explorations of the body and self to his performances, videos, and installations to the more recent “transporting and self-erecting architecture.” Throughout his work Acconci has aggressively challenged the status quo: he has violated sexual/cultural roles and has pointed out social/political ambivalence—and in doing so, his notorious activities have stretched the boundaries of what we accept as art.

artiststvn Artists TV Network, Laurie Anderson: Conversations Laurie Anderson: Conversations, 1980

Laurie Anderson is perhaps best known as a performance artist who works in both the art and commercial worlds. Anderson talks to Steven Poser through a voice manipulator, commenting on how performing abroad has informed her work and her perspective on American culture, especially regarding issues of language and voice in communication.

This video was produced for the Artists TV Network series Conversations.

university Julie Ault: What Follows ... Julie Ault: What Follows ..., 1991

Julie Ault is an artist, curator, and founding member of the artist collective Group Material, which has organized exhibitions on themes such as the U.S.’s involvement in Central America, AIDS, education, and mass consumerism. Her exhibitions question traditional gallery and museum systems by asking “how is culture made and for whom?”

Interview by Michael Crane.

muntadasa Between the Frames, Chapter 1: The Dealers Between the Frames, Chapter 1: The Dealers, 1991

Between the Frames is a series that offers a glimpse into contemporary history that is already past, a portrait of personalities and opinions shaping what and how art reaches a public forum.

The Dealers: Between the Frames, Chapter 1 and The Galleries: Between the Frames, Chapter 3

muntadasa Between the Frames, Chapter 2: The Collectors Between the Frames, Chapter 2: The Collectors, 1991

Between the Frames is a series that offers a glimpse into contemporary history that is already past, a portrait of personalities and opinions shaping what and how art reaches a public forum.

The Collectors: Between the Frames, Chapter 2

Art collectors offer various explanations of why and what they acquire. With Herman Daled, Robert Rowan, Eric and Sylvie Boissonas, Giuseppe Panza di Biumo, Marcia Weisman, Fernando Vijande, Bob Calle, Acey and Bill Wolgin, Gianni Rampa, Isabel de Pedro, Rafael Tous, and Toshio Ohara. 

muntadasa Between the Frames, Chapter 3: The Galleries Between the Frames, Chapter 3: The Galleries, 1991

Between the Frames is a series that offers a glimpse into contemporary history that is already past, a portrait of personalities and opinions shaping what and how art reaches a public forum.

Chapter 3: The Galleries

Included in this video are Mary Boone, Michel Durand-Dessert, Helene Winer, Lucio Amelio, Richard Kuhlenschmidt, Holly Solomon, Joan de Muga, Ronald Feldman, Ileana Sonnabend, Mario Diacono, Rosamund Felsen, Al Nodal, Joy Silverman, Marisa Diez, Leo Castelli, Daniel Templon, and Ivan Karp.

muntadasa Between the Frames, Chapter 4: The Museum Between the Frames, Chapter 4: The Museum, 1991

Between the Frames is a series that offers a glimpse into contemporary history that is already past, a portrait of personalities and opinions shaping what and how art reaches a public forum.

The Museum: Between the Frames, Chapter 4

muntadasa Between the Frames, Chapter 5: The Docents Between the Frames, Chapter 5: The Docents, 1991

Between the Frames is a series that offers a glimpse into contemporary history that is already past, a portrait of personalities and opinions shaping what and how art reaches a public forum.

muntadasa Between the Frames, Chapter 6: The Critics Between the Frames, Chapter 6: The Critics, 1991

Between the Frames is a series that offers a glimpse into contemporary history that is already past, a portrait of personalities and opinions shaping what and how art reaches a public forum.

The Critics: Between the Frames, Chapter 6

muntadasa Between the Frames, Chapter 7: The Media Between the Frames, Chapter 7: The Media, 1991

Between the Frames is a series that offers a glimpse into contemporary history that is already past, a portrait of personalities and opinions shaping what and how art reaches a public forum.

The Media: Between the Frames, Chapter 7

muntadasa Between the Frames, Chapter 8: Epilogue Between the Frames, Chapter 8: Epilogue, 1991

Between the Frames is a series that offers a glimpse into contemporary history that is already past, a portrait of personalities and opinions shaping what and how art reaches a public forum.

Epilogue: Between the Frames, Chapter 8

longbeachm Horace Bristol: Photojournalist Horace Bristol: Photojournalist, 1988

Horace Bristol discusses his long career in photography, which began with shooting for Life and Fortune magazines in the 1930s. His photojournalism took him to the Dutch East Indies and post-war Japan. His documents of Depression-era workers famously inspired John Steinbeck to write the classic The Grapes of Wrath.  “I felt I was not an artist but a worker, so as a photojournalist, I had a job to do,” Bristol says.

Produced by the Fellows of Contemporary Art on artists exhibiting in a Pasadena Armory exhibition.

muntadasa Benjamin Buchloh: An Interview Benjamin Buchloh: An Interview, 1986

Benjamin Buchloh is an influential art critic and historian; he has written extensively on contemporary art for journals and exhibition catalogs, as well as his essay collection Neo-Avantgarde and Culture Industry (2002). This interview with Buchloh is one of several collected by Antonio Muntadas for his series Between the Frames. In this video Buchloh discusses the relationship between people and institutions.

university Victor Burgin: What Follows... Victor Burgin: What Follows..., 1987

Photographer, theorist, and lecturer Victor Burgin lives and works in London. A Professor of Fine Art at Goldsmiths College and former Professor Emeritus of the History of Consciousness at University of California-Santa Cruz, Burgin’s work explores the semiotics of meaning in visual art. His books include The End of Art Theory: Criticism and Postmodernity (1986), In/Different Spaces: Place and Memory in Visual Culture (1996) and, as editor, Thinking Photography (1986), Between (1986) and Formations of Fantasy (1986).

artiststvn John Cage Reads from 36 Mesostics Re and Not Re Duchamp John Cage Reads from 36 Mesostics Re and Not Re Duchamp, 1978

John Cage’s work has had an immeasurable influence on 20th Century music and art, and his formal and technological innovations were tied to his desire to push the boundaries of the art world. In 1951 he initiated the first recording on magnetic tape, and in 1952 he staged a theatrical event that is considered the first Happening. His invention of the prepared piano and his work with percussion instruments led him to imagine and explore many unique and fascinating ways of structuring the temporal dimension of music.

artiststvn John Cage: Conversations John Cage: Conversations, 1978

John Cage’s compositions and performances have had a profound influence on generations of musicians and artists. In this tape, he initiates For the Third Time as author Richard Kostelanetz interviews him. “I’ve left the punctuation out, but I’ve distributed it by chance operations on the page, like an explosion,” Cage says. “You can replace the punctuation where you wish.”

university Robert Colescott: What Follows .... Robert Colescott: What Follows ...., 1991

Robert Colescott paints expressive parodies of Western masterpieces. His work—which has transformed Leutze’s George Washington Crossing the Delaware (1851) into George Washington Carver Crossing the Delaware (1975), Van Gogh’s The Potato Eaters (1885) into Eat Dem Taters, (1975), and Picasso’s Les Demoiselles d’Avignon (1907) as Les Demoiselles d’Alabama (1985)—deals with stereotypes and the role of blacks in American culture.

Interview by Jim Johnson.

university Jonas Dos Santos Jonas Dos Santos, 1991

Jonas Dos Santos is a performance and installation artist from Brazil who came to the U.S. in 1968. His early work consisted of sculptural pieces in atypical spaces—caves and parks. His work remains informed by Brazilian iconography and rituals such as Carnival while also integrating responses to American culture’s tendency toward waste. His work, in particular his performance art, comes out of improvisation and intuition. This video incorporates still images of Dos Santos’s sculptures and footage of his performances.

Interview by Toni Rosato.

university David Dunlap David Dunlap, 1990

Painter/mixed media artist David Dunlap creates installations and performances that draw from the notebooks he has kept since the mid-’70s—giving three-dimensional, public form to his intimate thoughts and diaries. He lives and works in Iowa City, where he is a professor of art at the University of Iowa.

university Jimmie Durham: What Follows... Jimmie Durham: What Follows..., 1989

Cherokee-American artist Jimmie Durham has worked in performance since the mid-’60s. In the ‘70s, he immersed himself in activism, working for Native American rights as part of the American Indian Movement. In the ‘80s, his focus returned to producing art in multiple forms—performance, poetry, and mixed-media visual works—that consider Native American identity and critique American domestic colonialism. He has also published numerous critical essays.

millerb Michel Foucault: The Fifth Republic Michel Foucault: The Fifth Republic, 1981

Michel Foucault was one of the most influential philosophers and cultural historians of the 20th Century, reconceiving power and identities as historically specific social relations and discourses. His studies challenged the works of Marx and Freud, offering new understandings of institutional practices and their effects on the human body and psyche in his studies of prisons, mental illness, medicine, and sexuality.

university Jack Goldstein: What Follows... Jack Goldstein: What Follows..., 1987

Painter and multi-media artist Jack Goldstein lived and worked in New York City. His airbrushed paintings of lightning and night skies are shown here accompanied by synthetic music, which the artist also composed. Goldstein committed suicide in 2003.

Interviewed by Jim Johnson.

university Guerrilla Girls: What Follows... Guerrilla Girls: What Follows..., 1990

Guerilla Girls are artist activists who have dedicated themselves to informing the public of the gender and racial inequalities that persists in the art world. Dressed in gorilla masks, they discuss their postering activities and their collaborative projects.

Interview by Lucy Lippard.

university Elizabeth Hess: An Interview Elizabeth Hess: An Interview, 1991

Elizabeth Hess addresses issues of censorship, AIDS, war, feminism, and politics in general. She has written extensively on women’s issues, contributes to The Village Voice, and is co-author of Re-Making Love: The Feminization of Sex (1986). Interview by Lucy Lippard.

artiststvn Artists TV Network, Les Levine Les Levine: Conversations, 1980

Les Levine has had a longstanding involvement with media. His works-video, installations, public posters, and other forms-have often dealt with the effect of images on our lives. "Media is in direct opposition to consciousness because it wants essentially to be your meta-consciousness; it wants you to respond to the world the way it has defined responses," Levine says in this interview with Steven Poser.