warstory

the suggestive nature of word fragments, sentence fragments, story fragments, war. 

when language is dismembered––ciphered through displacement––is the potential horror of meaning amplified or silenced? do the shifting graphics of the words, the suggestion of their ethereality or ephemerality subvert meaning? and then, when the curtain opens and the choir begins their gorgeous rendition of the ruthless tale of war and domination does our reverence for harmony and composition soften our gaze on brutality?