Text and Commentary

Beryl Korot

1977 | 00:29:44 | United States | B&W | Stereo | 16:9 | Video

Collection: Early Video Art, Single Titles

Tags: Installation

Text and Commentary is a work of several components. There are five finely woven weavings programmed with slight changes in pattern structure as you read from weave 1 to weave 5. Opposite these in the exhibition are five video monitors built into a wall.There are also five weavers’ notations of enlarged sections of each of the five weaves, and pictographic notations of the video portion of the work. All of these provide varying perspectives of virtually the same information but in a variety of scales, media, and contexts and translated into different systems of compositions.

Korot was one of the first to acknowledge the loom as the first computer on earth in that it programs pattern according to a numerical structure, and also that the loom, video and print communication technologies all encrypt information in lines, a link between the ancient and the modern.

The installation work is in the collection of the Museum of Modern Art, NYC. VDB is pleased to offer a single-channel composite video of the five-channel video element of the artwork for educational use.

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Premiere

Leo Castelli Gallery
New York, NY
1977

Exhibitions + Festivals

Everson Museum of Art, Syracuse, NY, 1979

Whitney Museum of American Art, 1980

Video Skulptur, Kolnischer Kunstverein, Cologne, Germany, 1989

Neuen Berliner Kunstverein; Kunsthaus, Zurich, 1989

Transmissions, Massachusetts College of Art, Boston MA, 1999

Beryl Korot, Text/Weave/Line, Aldrich Museum, Ridgefield, CT, 2010

Beryl Korot, selected video works, bitforms gallery, NYC, 2012

Whitworth Art Gallery, Manchester, England, 2013

Textiles: Open Letter, Museum Abteiberg, Monchengladbach, Germany, 2013 

Fiber: Sculpture 1960 to Present, Institute of Contemporary Art, Boston, MA, 2015

Wexner Center for the Arts, Columbus, OH, 2015

Des Moines Art Center, IA, 2015

Radical Software: Women, Art and Computing (1960-1991), MUDAM, Contemporary Art Museum of Luxembourg, 2025

Radical Software: Women, Art and Computing (1960-1991), Kunsthalle Wien, 2025