An all-over textile constructed under the spell of Arachne, an audiovisual textile in five parts that exposes a web of raids in construction over the american houses, a landscape of protests under the webs of segmented time, the entrails of the american factory in movement through the endless american party.
Colectivo Los Ingrávidos: Hauntology Film Archives
Amerika, 2019
A Kafkian vision of the New World. The arrival of Karl Rossman to the contemporary Babylon under the spell of the paranoid avant-garde. Kinetic coexistence of the archaic forms in dissolution.
Angelus Novus, 2015
This is the audiovisual translation of the Walter Benjamin's Theses on the Philosophy of History.
Black Fire Sun, 2025
Ghostly and abstracted representations of political and physical landscapes. Part of Hauntology Films Archives.
Black Rain, 2019
This is the burial hymn for thousands of souls in the anthropocentric times. The ghosts of the American way of life. Part of the Hauntology series.
The Castle, 2019
A Kafkian vision of the New World. The arrival of Karl Rossman to the contemporary Babylon under the spell of the paranoid avant-garde. Kinetic coexistence of the archaic forms in dissolution.
Closed Circuits, 2020
This is Rothko's haunted painting and its circular detour. Bloody suppuration and enchanted absorption as an omen in times of pandemic vortex.
Crudo, 2019
This is the crude and unnatural state of civilization, an image not yet processed or refined that hides and displays in its intermittence all the crude violence of the anthropocenic industry. The raw and fossil image of the Capitalocene. Part of the Hauntology series.
Das Schloss, 2019
A Kafkian vision of the New World. The arrival of Karl Rossman to the contemporary Babylon under the spell of the paranoid avant-garde. Kinetic coexistence of the archaic forms in dissolution.
First of all: a dissolving is a structural device of the history of audiovisual language. Second: this piece is about a rearticulation of the dissolving device that captures the ominous historical and political events in recent Mexico.
The Flood, 2022
A figure crosses, runs and flees through the cinematic space, there is no way out. The imminent catastrophe looms. With images by Dovjento and music by Stravinsky. Part of paraconsistent sequence series and the hauntology series.
Haunted Figures, 2019
These are the ghosts of a haunted civilization, a culture of progress that hides the social and political horror behind the Olympic Games. These are the haunted figures in the Capitalocene era. A sinister dance of macabre abstraction. Part of the Hauntology series.
High Tide, 2020
This is Warhol's haunted painting and its circular detour. Oily and greasy suppuration, as well as enchanted absorption as a harbinger in times of pandemic vortex.
Hyperthermia, 2019
In Hyperthermia the cinematic body becomes overwhelmed by the luminous projection of outside political factors, causing the internal temperature of the celluloid to rise to dangerous levels.
