Liza Béar
During the late 1970s Liza Béar created an intriguing body of work that focused on communications issues — specifically the use of media and the disempowered role of the public in communications policy. Central to Béar's early work was a desire to tie the means of production (technology) to the reasons for production (economic advantage, national ideology, etc.). While Béar's concerns have diversified, her approach is always personal and experimental — collapsing the norms of narrative and documentary, subjective authorship and objective document.
Available Titles by Liza Béar
Title |
Year | Collection | Action |
|---|---|---|---|
| Earthglow | 1983 | Single Titles |
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| Five Video Pioneers | 1977 | On Art and Artists, Single Titles |
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| Lost Oasis | 1982 | Single Titles |
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| Oued Nefifik: A Foreign Movie | 1982 | Single Titles |
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| Polisario: Liberation of the Western Sahara | 1981 | Single Titles |
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| Problematizing Pleasure / Punk Theory | 2017 | Curated Compilations |
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| Satellite TV: Birth of an Industry (Parts 1 & 2) | 1980 | Single Titles |
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| Send/Receive I, and Send/Receive II | 1977 | Early Video Art, Single Titles |
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| Spring Lake | 2013 | Single Titles |
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| Towards a New World Information Order | 1979 | Early Video Art, Single Titles |
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| Jackie Winsor: Work in Progress: Parts I, II and III | 1978 | On Art and Artists, Single Titles |
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