Part of a trilogy of works known as the Video Wallpaper Series in which George tests out his new audio/video digital mixer and creates a range of impressions of people and places.

An 8mm video that reunites cast members of a film Kuchar made in the '60s. They stage another shoot and the camera is left on to record old friends getting older and more childlike as time and champagne trickle away.

On a back-to-nature trip to Boulder, Colorado, George goes to the mountains, but goes on the rocks emotionally.

A photographer comes to my home to take pictures and gets a lensful. His mouth and his shutter snap away as I aim my finest attributes at his cold and hard equipment.

Cats nibble, people ingest holiday toxins, and barbecues emit clouds of disembodied fat as a woman in need of caloric consumption displays the objects of her obsession.

The rocks are red, the mood is blue, the sky is big, and the scars on the earth run deep as a man and woman shop incessantly for nature's bounty and the trinkets of a vanishing culture. 

Male escorts and crytozoologists battle behemoths and bulemics in this student-teacher collaboration about undying evil and those that escape it via the LOVE CANAL.

Attempting to apologize for the lack of good weather in Weather Diary 3, George arrives in Milwaukee only to find the drought back in full swing.

The ground is frozen and the whiteness hides the carcass of a thing that once was happy... but now maybe had gotten gassed by things undigested.

Produced at the San Francisco Art Institute, and featuring a few musical numbers, this jungle drama deals with a commercial corporation infiltrating the Amazon to sell beauty aids to the indigenous peoples.

An urban and suburban blend of nerd, nebbish and nympho, united in the urge to create a cosmetic cosmology.

In this series I composed a series of portraits on my audio/video digital mixer, ranging from impressions of places and people to renditions of feelings their work inspired, and domestic-type gossip from the kitchen and bedroom.