A short atmospheric tour of a movie star’s mansion and a glimpse of the living things within the chambers: things that cook, feed the sharks, and gnaw on bones.

This video is part of the Video Wallpaper Series where George uses an audio/video digital mixer to create portraits of people. Isleton is "a bubbling beeping abstract impression of a town in California."

Kuchar makes it to the Isis Oasis resort just in time to catch the marriage vows of his friends Rebecca and Steve.

The comings and goings of the late underground filmmaker, Curt McDowell—and the people and activities that came and went along with him—are the themes that run through this existential diary of daily life.

A lavish home is visited, shutters click, bottoms are exposed, water splashes and a welcome wetness stains an area unquenched for so long. A jacuzzi bubbles to life in a bedroom community that floats to sleep on aqua-filled rubber.

Storms batter California as 1995 ushers in a world of computerized characters and unplugged souls in search of electrified juice.

Flies buzz among the congestion of combustible contraptions as Western civilization gasps for air amid Oriental orifices that emit the stench of sugar and spice and everything nice.

Pagan and Christian souls clash in this student-collaborated mix of the defrocked and the deflowered.

George goes to Oklahoma, but there's a lull in storm activity. It's spring, and though there's romance in the air, the lightning just doesn’t strike; so George makes his own rain—of sorts. Despite the drought, the videos must go on.

A more socially-active addition to the Weather Diary series, we meet the natives and participate in the rituals of business and schooling and high hopes on the flatlands.

The colors of fall are muted by the fog of a lingering summer and the memory of that which is dark and naked among the dappled crimson.

A wide-ranging look at pictures I collect on my walls and in my head. A look at pictures I concoct with my students at the San Francisco Art Institute, and objects d’art collected by those whose picture is taken by my picture-taking machine.