“The moon, the sometimes dark street, trees, it's warm […] at last, a certain eroticism possible (that of the warm night).” When Roland…

The Cyan Garden considers the limits of giving form to the past which cannot cohere into memory. In part filmed on ‘Lucky', a discontinued b&w 16mm film reel stock…

Emerging from one reel of Super 8 film and a brief prompt given to a group of friends, Keep in Touch gestures a sense of being together-in-difference…

This video-lament for Mother Earth is a collaboration among Jim Barbaro, sound; Tobe Carey, cinematography and video editing; and Brenda Hutchinson playing a long tube.

"Made right…

Yon and Payola find themselves in a Victorian conservatory. They are companionable, disoriented and petulant––they whip wildly through these disembodied states. Payola reads an excerpt of their…

Colectivo Los Ingrávidos (Tehuacán) is a Mexican film collective founded in 2012 to dismantle the commercial and corporate audiovisual grammar and…

A nocturnal COVID-19 memoir. 

Piano assemblage and image sequencing by Bob Snyder. Images by Sara Livingston.

A sound-essay set in the Tallahatchie County Second District Courtroom in Sumner, Mississippi, mythicPotentialities is an exploration of the event said to have galvanized the civil rights…

I Was There is a trilogy of experimental documentary films that explores the problem of radiation, our society's fading collective memory of the atomic bombing of Hiroshima and Nagasaki,…

A documentary fiction inspired on the first accounts of the natural and ethnographic explorations in America by colonizers, missionaries, and scientists. Shot in the Tropical Greenhouse of Lille,…

This is the invocation to the ancestral god of the underworld, the ancient annihilator, which preserves the ritual inertia of the bones and stones.

A political composition on natural resistance. These images are an expiring breath in danger of extinction. These images become extinguished, consumed: a drop, a pure intensity which only appears…