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Laurie McDonald

Laurie McDonald is a media artist, writer, graphic designer, and photographer. In 1972, she began exploring video as an art-making tool and was a founding member of the video art collective Electron Movers, Research in the Electronic Arts, based in Providence, Rhode Island. Her early work was exhibited at The Kitchen (NYC) and included in the 10th, 11th, and 12th annual New York Avant Garde Festivals, and at venues throughout New York and New England.

She has received a National Endowment for the Arts Visual Artist Fellowship and four American Film Institute/NEA Fellowships. Her work has been exhibited internationally at venues including the Museum of Modern Art, the Metropolitan Museum of Art, the Pierre du Chardin Gallery (Paris), The Gallery of Modern Art (Rome), and at festivals including the American Film Institute’s Film/Video Festival, the Tokyo Video Festival, the Festival du Cinema in Montreal, and at Filmfest (Berlin, Budapest, Hong Kong, Melbourne, Moscow). 

As a writer, her experience ranges from novels to screenplays to instructional/informational writing. Using the pseudonym Eva Rome, she has written and published three books: Travel for STOICS; What It Means: Myth, Symbol, and Archetype in the Third Millennium, Vol. 1; and Location X: A Quest for Place. She has served as a screenplay consultant to the National Endowment for the Arts Media Grants Committee, as a contract screenplay and script writer/consultant, and as both a book editor and book cover designer. As a graphic designer and photographer, she has designed and built Web sites, graphics for print, and graphics for video. She has published two books of her own photographs: Chair, and Fotocollées. 

Laurie is a graduate of the Rhode Island School of Design and holds a Master of Literature degree from the University of Houston. She lives in Evanston, Illinois, USA, and in San Miguel de Allende, México. 


Available Titles by Laurie McDonald

Title Year Runtime Collection
85th Inter-Tribal Indian Ceremonial 2006 00:04:28 Single Titles
All Cows Eat Grass 1976 00:01:44 Early Video Art, Single Titles
Androgina 1982 00:01:23 Single Titles
As Profecias da Orixa Oxum 2017 00:03:45 Single Titles
Body Images 1973 00:04:56 Early Video Art, Single Titles
The Death of the Lotus 1989 00:05:26 Single Titles
A Dedication to LEE Choon-Sop 1982 00:03:04 Single Titles
Deux Pieds 1976 00:03:23 Early Video Art, Single Titles
Dorothy Davis: Make A Way 1984 00:26:16 Single Titles
Dreamtime 1988 00:06:30 Single Titles
Duet for Tap and Galoshes 1976 00:02:40 Early Video Art, Single Titles
The Dying Swan 1975 00:03:30 Early Video Art, Single Titles
Eyeopeners: Places That Make You Stop, and Look, and Look Again! 2000 00:45:50 On Art and Artists, Single Titles
Generic Video Art 1982 00:11:23 Single Titles
Henry Johnson and His Collection 1978 00:12:21 Single Titles
Hydroglyphs: Early Morning Drift 1976 00:10:42 Early Video Art, Single Titles
A late afternoon dream anticipates a transformative experience 1982 00:01:03 Single Titles
Laurie McDonald: Early Videoworks 1979 00:36:51 Single Artist Compilations, Early Video Art
Minute Waltz 1977 00:02:41 Early Video Art, Single Titles
Moog Images 1973 00:02:52 Single Titles
New Music America 1986 00:57:11 Single Titles
Prime Time 1981 00:05:24 Single Titles
Private Parts 1978 00:07:23 Early Video Art, Single Titles
Providence Deals With Disaster 1978 00:08:10 Single Titles
Sadie Curtis: Navajo Weaver 2006 00:05:24 On Art and Artists, Single Titles
Shadow and Substance 1997 00:16:36 Single Titles
The Sleeping Beauty Waltz 1976 00:02:52 Early Video Art, Single Titles
Spinning Ballerina 1977 00:01:31 Early Video Art, Single Titles
The Sweetwater Rattlesnake Roundup 1980 00:27:13 Single Titles
Take My Picture? 1973 00:03:53 Early Video Art, Single Titles
Telephone Dating: A Quest for That One Special Man 2003 00:34:13 Single Titles
Twenty-Eight Years of Cadillacs 1978 00:15:35 Single Titles
Uncle Umbrella 1997 00:16:09 Single Titles
Water, Wind, & the Record of the Rocks 1979 00:09:40 Single Titles
The World’s Largest: A Tape About Texas 1978 00:25:54 Single Titles

Related Content

Press
“Artist to showcase a video montage of TV violence,” by Dan R. Goddard, Express-News San Antonio, Texas, November 5, 1991
The Independent Film & Video Monthly, November 1995
“Issue of Video Art” Artscanada, October 1973
‘We were into pushing boundaries’: art, sex and politics in 1970s Providence
Essay
Essay on Shadow and Substance
Reflections on Hydroglyphs: Early Morning Drift by Laurie McDonald (2020)

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