Time Bomb tells the story of a young girl's experience at a Baptist retreat, where she is called upon to accept Jesus into her life after a coercive game of terror.

Amidst growing discussions on the headscarf issue, the President of Turkey was holding the annual Republic Day Ball at the Presidential Palace.

Through her performances and videotapes, Eleanor Antin (b. 1935) creates characters (King, Ballerina, Black Movie Star, and Nurse) while spinning tales that blur fiction and history.

Mono Lake and Yosemite Valley, in California, highlight this excursion into the constipated crevices of once highly-active fumeroles that splatttered magma and chunks of hot rock onto the Western landscape.

Elizabeth Murray (1940-2007)  was an American painter, printmaker and draughtsman.

Its dream-like unfolding, amid the imposing titular Mexican landscape, results from a randomizing strategy modeled on the "Exquisite Corpse" parlor game adopted by the Surrealists of the 1920s.

A man returns, after fifty years, to Chinatown to care for his dying mother. He is a librarian, a re-cataloguer, a gay man, a watcher, an impersonator. He passes his time collecting images that he puts before us – his witnesses and collaborators.

Sassy, iconoclastic, and never-married, Los Angeles filmmaker Susan Mogul rides shotgun with ex-lovers, almost lovers, and her Dad, in a road movie turned inside out.

Invoking a biblical story of life coming from dry bones, Condit constructs an experimental narrative about an older woman’s confrontation with her own mortality after the death of her mother.

Kuyenda N’kubvina looks at how thought and culture propagate in the slender nation of Malawi.

This video focuses on the troubles at a large hospital beset with calamity and vice. We meet the doctors and nurses and get a glimpse of their personal traumas.

Three aimless millennials in a go-nowhere band are recruited as willing pawns by a shadow revolution, an insurrection led by an unlikely anti-government cabal of Buddhist sovereign citizens, telepathic Native American separatists, hardline&nb

Color Schemes was exhibited in its installation form (with a self-service washing machine) at the Whitney Museum in 1990.

“[Segalove] pursues her self-analysis via the popular culture and TV addiction of her youth: seeing JFK shot on TV, falling in love with the TV repairman, being glued to the tube while suffering from the requisite bout of mononucleosis, and associating

Characteristic of much of Gillette's work—which treats video as a field of light, movement and reflection—Muse extends beyond optical sensation to engage the viewer in metaphysical contemplation.

“The individual is not an autonomous, solitary object but a thing of uncertain extent, with ambiguous boundaries. So too is matter, which loses much of its allure the moment it is reduced to an object, shorn of its viscosity, pressure and density.

In Barbier’s meditative journey through India, she deconstructs the myth of the objective documentary by using textual commentary and off-camera remarks to address the problematic relationship of observer to observed.

Under the spell of the alphabet, the silent figures of a past that has not been forgotten persist, a pedagogical reconstruction of a contradictory nation in transit as well as the emergence of a background color that delimits the contour and the persist

Joe Sacco is a cartoonist who has contributed to a wide range of comic magazines including Drawn and Quarterly, Prime Cuts, Real Stuff, Buzzard, and R.

This eight-minute video is part experimental video art, part sketch comedy routine, and part informational lesson on the advantages and disadvantages of owning Sony's latest video technology.

Forest Mind is a video work that emerges from the artist’s longstanding interest in the human interaction with the natural world.

It’s summer time in New York City and the relatives are coming out of the woodwork. Cats live and die amid the high humidity and more exotic species of God’s goodness parade distressingly on the hot asphalt of a shopping mall.

In this 23-minute single-channel video, Campbell reconfigures scenes from archival 16mm film footage recorded by Solomon Sir Jones in the mid-1920s, film that documents the everyday lives of Black communities in Oklahoma, an area that once boasted