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A Work Aesthetic: The Films of Kevin Jerome Everson |
Monica McTighe |
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Association of Moving Image Archivists Poster: Video Data Bank Digitization Project |
Kristin MacDonough |
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Busting the Tube: A Brief History of Video Art |
Kate Horsfield |
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Consuming Passions: The Video Art of Ximena Cuevas |
Steve Seid |
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Doug Ischar: Recent Films |
Doug Iscar |
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Eyes to See With |
Laura Marks |
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Feminism and Video: A View from the Village |
Joan Braderman |
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Grow Gills and Swim: The Evolution of Activist Video |
Gregg Bordowitz |
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Guillermo Gómez-Peña: Sophisticated Seduction |
Carol Becker |
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I Say I Am: Women's Performance Video from the 1970s |
Maria Troy |
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Ironic Nostalgia: an Interview with Nelson Henricks |
Mike Hoolboom |
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Kate Horsfield: The Early Years of the Video Data Bank and On Art and Artists |
Faye Gleisser |
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Koken Ergun: Personal Works of Public Ceremonies. |
Ian White |
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MoMA Projects 100: Akram Zaatari |
Eva Respini and Ana Janevski |
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Other Solutions |
Carrie Lambert |
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Perception as Transcendence: Interview with Paweł Wojtasik |
Scott MacDonald |
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Primate Cinema: Apes as Family [eBook] |
Rachel Mayeri and Matthew Fuller |
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Radical Closure |
Akram Zaatari |
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REWIND: A Guide to Surveying the First Decade: Video Art and Alternative Media in the U.S., 1968-1980 |
Video Data Bank |
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Stories from a Generation: Video Art at the Woman's Building |
Cecilia Dougherty |
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Surveying the First Decade: Video Art and Alternative Media in the U.S. 1968-1980: Attention! Production! Audience! Performing Video in its First Decade, 1968-1980 |
Chris Hill |
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The Persistence of the Archive: The Documentary Fictions of Daniel Eisenberg |
Scott Durham |
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The Prayers and Tears of Paul Chan: Profane Illumination and the Post-Secular in BAGHDAD IN NO PARTICULAR ORDER and Now promise now threat |
Yates Mckee |
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Tom Rubnitz / Dynasty Handbag |
Jibz Cameron, Josh Lubin-Levy, Bryan Bauman, John Kelly, Lady Bunny, Nicholas De Villiers and Joe E. Jeffreys |
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Two or three things I know about him |
Mark Westmoreland |
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Underground Man |
Gene Youngblood |
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Video Art Was Born Subversive |
Davidson Gigliotti |
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‘This isn’t Charlie Rose’: The Making of On Art and Artists and the Politics of Information Distribution |
Faye Gleisser |
