In 1975, the Feminist Studio Workshop (I was a member) at the Woman’s Building in LA, the Women’s Interart Center in New York City, and another feminist organization in Washington DC, attempted to set up a video exchange among feminist art organizations

Shape Games is a film about play, abstraction, and enchantment. A series of strange and seemingly pointless activities unfold.

This 1978 conversation between poets Anselm Hollo and Robert Creeley, was updated in 2015 as Adam Burke relays their conversation.  Images of Hollo, Creeley, and Burke are juxtaposed on top of one another.

A self-help speaker encourages self-reflection. Friends in Chicago hang out.

The soundtrack begins with the artist stating the conditions: “An artist may construct a work and/or a work may be fabricated and/or a work need not be built.

A weeklong, episodic live-streamed landscape film that attempts to reimagine the genre of a road movie in Hong Kong. Each of the seven short films begin at exactly at the moment of the official sunrise in Hong Kong.

"We are happy. (Silence.) What do we do now, now that we are happy?"

-- Samuel Beckett, Waiting for Godot

A haunting look at the hidden issues of erotic power relationships between women, told through the reconstructed story of two girlhood friends.

A HalfLifers journey to a lush interior landscape where some domestic chores and an unexpected encounter provoke a crisis at Mission Control, paving the way for a seasonal reflection upon the meaning of "home."

"The world will devour you...."

A group of cops laugh and talk, while scanning the street for suspicious activity. An extreme close-up of a sensuously exposed neck; a soft pink fleshy ear turns to reveal an inquisitive hostile eye....

Originating from personal affection toward Seoul, Twelve Scenes portrays the spectacles in daily life by juxtaposing urban space in a twelve month sequence.

Talk Attacks is a 1983 single-channel video by the artist duo Ligorano Reese. Created during their time in Barcelona, this work delves into themes of miscommunication.

The "exquisite corpse" named in the title of this piece refers to a favorite game of the Surrealists, played by passing a folded sheet of paper among a group; each person draws one section of a body on the folded segment without looking at the other sid

A password-protected love affair, a little vapor on Venus, and a horse with no name ride out in search of a better world. Against the mounting darkness, a willing abduction offers a stab at tomorrow.

A camcorder diary and chronicle of public opinion in Moscow during a time of huge political, economic, and hence cultural, changes in the former Soviet Union.

five more minutes is an exploration of grief. Two women spend an afternoon recreating lost time. What begins as play-acting breaks open into a world where the tenderness and sorrow of having to say goodbye exist untempered.

The works on Reel 3 were produced during 1972-73, and re-mastered in 2005 when several newly available titles were added. The focus here is on social relationships and attaining the perfect life, be it through making the right decision, getting something for nothing, or just having it all. Many of the comic skits parody television ads and infomercials, and Man Ray has to make some consumer choices.

Red House is an animation that playfully explores metamorphosis in relation to the stability and structure of housing.

Sound That is about the employees of the Cleveland Water Department on the hunt for leaks in the infrastructure in Cuyahoga County.  

In the video An Evening with Kembra, Glennda and Brenda attend one of Kembra Pfahler's dinner shows on New York City's Lower East Side.

"Look how the willow shoots its fine sprays into the air! Look how through them a boat passes, filled with indolent, with unconscious, with powerful young men. They are listening to the gramophone; they are eating fruit out of paper bags.

A video response to September 11th and the public dialogue captured on radio, including this call-in radio program’s discussion about whether Mohammed Atta’s last meal in a Pizza Hut undermined his proclaimed spiritual motive.

The fourth video of the installation Touch Parade, which as a whole explores “plastic love” or fetish culture and the assimilation of marginalized sexuality on t

Interviewed by Colin Westerbeck.

A historical interview originally recorded in 1987.

This is a gaze of the body and a notion of spectator that the 90´s decade constructed, this is the audiovisual legacy of the 90's for our actual audiovisual control world.

Four tales about cannibal monsters narrated and performed by the Waiãpi Indians. “We have made the video,” say the Waiãpi, “to teach people to be more careful with monsters they never heard about.

Lighthouse is about the labor system and the factory town in Southern China and how individualism is influenced by the social and political infrastructure.

In Mute, fragmented images of the female body, recalling sensuous landscapes, suggest the objectification of women in a culture that renders them silent.

As the cacophony of grieving opens onto the deep quiet of mourning, this poetic journey explores mortality as the psychic space of dwelling.

“Hey, how’s that TV work?” 

Created with Caleb Craig.

VIVA ÁGUA is a meditation on the philosophical work entitled ÁGUA VIVA written by Clarice Lispector in 1973.

As with his predecessor Ernie Kovaks, everything is fair game for ridicule in Dibble’s gentle and eccentric humor.

The HalfLifers exhume cinema’s favorite incarnation of mindless, decaying mortality, the Zombie, in the hopes of breathing new life into this misunderstood figure.

The Videofreex had several experiences with the Black Panther Party, including interviewing Illinois Chapter Deputy Chairman Fred Hampton and New Haven Minister of Information Cappy Pinderhughes.

For the video series Kita’s World, Syms created a digital avatar modeled on Cita of Cita's World, the late-1990s BET music video show.

Hurricane Katrina and the ensuing aftermath destroyed Noel's community and home. He is rebuilding, and as he rebuilds, he evokes the past through the enlistment of his personal archives.

Trip is inspired by the main oeuvre of architect Raine Karp--the concert hall designed for the city of Tallinn between 1975-1980.

How I Love You is an exploration of sexuality among gay men in Lebanon.

I could not remember anything about my childhood before the age of twelve. I made a decision to remember.

Buckminster Fuller (1895-1983) was both a pioneer architect of the modern era and a global theorist. Fuller developed a system of geometry that he called “Energetic-Synergetic geometry,” the most famous example of which is the geodesic dome.

Forming a loose trilogy with Rankus’s two previous works (Naked Doom and She Heard Voices), Nerve Language furthers his visual investigation into the ambiguous mingling of inner and outer worlds.

Sadie Curtis (1931-2012) was a Navajo woman descended from five generations of weavers. Filmed inside her hogan, Sadie talks about learning to weave as a child and how she gained fame from the creation of an American flag in the Navajo style.

Cycles of 3's and 7's is a performance in which the harmonic intervals that would ordinarily be performed by a musical instrument are represented through the computation of their arithmetic relationships or frequency ratios.

This is a Sign (by Bob Snyder and Sara Livingston) is a contemporary daydream, with the kinds of conceptual twists and turns that daydreams often have.

A speculative portrait of a Dutchman living in the Surinamese jungle, fixing canoe motors, who is accused of eating the locals' children.

Andres Serrano was born and raised in New York. At fifteen he dropped out of high school. A few years later he attended the Brooklyn Museum School and studied painting and sculpture.

The latest in Muntadas and Reese's series documenting the selling of the American presidency features political ads from the 1950s to ads from the 2004 campaigns, and highlights the development of the political strategy and marketing techniques of the T

A look at the town of Rome N.Y., including an arts panel visit to the Art and Community Center.

Flowers for LH reflects on the last play written by Lorraine Hansberry entitled What Use Are Flowers?

Dance: Joey Kipp
Cinematography: Steve Cossman, Cynthia Madansky
Music: Zeena Parkins