A mirror reflects voiceless eyes with stories to tell, ‘stories’ about feet attempting to climb steps to "perfection"....."stories" about canvasses that are traps for a caged artist who’s paint brush needs colors that

19 out of the 41 shots fired in 10-seconds by four members of the NYPD Street Crimes Unit hit the defenseless body of one Amadou Diallo as he stood in the vestibule of the building where he lived in the Bronx.

Mr. Thomas is in the back garden, performing his new moves in the glorious sunlight, making things happen. Somewhere between ritual, a white suburban war dance and 1970's "keep fit" exercise to lovely music, Mr.

The temperature in your eyes will rise when you contract ‘FEVER DREAMS’ and experience the haunted mayhem contained therein.

In this satirical video the Yonemotos deconstruct the myth of Oedipus within the framework of the myth of Kappa: a malevolent and hedonistic Shinto god of fresh water, whose prankish harassment of young maidens includes hiding beneath outhouses to pinch

Crush is the story of a man who wants to turn into an animal as told by the man himself, and one or two observers.

A 3D video cover version of Michael Snow's seminal structural film Wavelength (1967).

A conversation with Canadian artist Stephen Andrews returns us to a pre-cocktail moment, when being HIV+ afforded us the consolation of certainty.

Over grainy, black and white images of a woman giving birth, Montano reads the story of a nun’s sexual self-discovery—recounting Sister Joan’s growing awareness of her body’s sensuousness and sexuality.

"This video in two parts is a newcomer's portrait of Montréal, and focuses on two of my architectural obsessions: the Hydro Québec building and the Métro. I spent my first winter in Montréal in a cold, dark, first-floor apartment.

By accident, the content of a computer encyclopedia is transferred into the brain of an animated parrot resulting in the emotional breakdown of a fine peach.

A close-range look at pigs living on a farm in Las Vegas, Nevada. The pigs, individually and as a group, become a metaphor for humanity as they go from leisurely wallowing in the mud to the wildness of a feeding frenzy.

Betty Parsons (1900-1982) was an influential art dealer in mid to late 20th century New York.

The magic life of the objects reanimate the ancestrality of the aesthetic of dream.

Susan Mogul's first video diary work, produced two years before Everyday Echo Street: A Summer Diary (1993), follows the arti

Electric Yogurt documents different modes of childlike play, beginning with footage of a group of people dancing together with arms outstretched against a background of growling, cooing, and coughing.

An incomplete and imperfect portrait of reflections from Standing Rock. Cleo Keahna recounts his experiences entering, being at, and leaving the camp and the difficulties and the reluctance in looking back with a clear and critical eye.

Employing footage from an obscure 8mm film trailer for Battle for the Planet of the Apes to highlight the unstable relationship between the real, historical past and the distant, imaginary future, this project revolves around a central question

The Diaspora Suite

A collection of videos made at Miami-Dade Community College Mitchell Wolfson New World Center as part of Miami Waves Film Festival. The videos are part of Wendy Clarke's ongoing project, Love Tapes.

amaurosis is an experimental documentary about Dat Nguyen, a blind guitarist living in Little Saigon, Orange County, California. Dat Nguyen was a "triple outcast": blind, Amerasian, and an impoverished orphan.

Gravity Hill Newsreels: Occupy Wall Street comprises Jem Cohen’s twelve-part series as a continuous and complete compilation.

Audrey Flack uses an airbrush to produce large photorealistic paintings and works from slides for her precision. She selects subjects with great personal significance that also represent fragments of contemporary American life.

This is an edited excerpt of Eiko and Iris McCloughan's experiment working over Zoom on May 5, 2020 as a part of Eiko's Virtual Creative Residency hosted by Wesleyan University. 

Spanning 500 years of colonial destruction, Nosferasta tells the story of Oba, a Rastafarian vampire, and Christopher Columbus, Oba’s original biter, as they spread the colonial infection throughout the “new world.” Formally a vampire film and

Lighthouse is about the labor system and the factory town in Southern China and how individualism is influenced by the social and political infrastructure.

Two years after the riots and deaths at Attica, New York, a community day was organized at Greenhaven, a federal prison in Connecticut.

In collaboration with Iris McCloughan.

Holzer adopts the form and language of commercial messages to disrupt communication, presenting kamikaze texts that are designed to stimulate thought, with humor, and inspire a critical attitude in an often passive audience.

(chatlandia) uses the public bathroom stall as format and metaphor for Internet relay chat lines (IRCs).

Wojtasik's Nine Gates explores the possibility of transcendence through sexual passion: averting the gaze from the objectification of the other, the female body or the obscure enemy, to the vast and microscopic details of the body unknown to th

Painter and multi-media artist Jack Goldstein lived and worked in New York City. His airbrushed paintings of lightning and night skies are shown here accompanied by synthetic music, which the artist also composed.

Tender Bodies is a 3-D computer animation that uses the logic of computer games to collapse and reconstruct narrative space. Narrative scenes are connected through a constantly shifting environment of bridges and tunnels.

In this interview, American artist, independent curator, writer, and experimental filmmaker, Vaginal Davis reflects on her initiation into the punk rock and art scenes of Los Angeles during the 1980s and 90s, her stylistic influences, and her ongoing efforts to theorize queerness and visuality. Caught between the opposing poles of Hollywood classicism and the rawness of punk, Davis defines her unapologetically gender-bending, campy, and at times aggressively critical performances as scenarios, rather than spectacles or entertainment.

In Manpower, a bulldozer, a screaming man and a crying baby are among the images that Tanaka combines with a suggestive soundtrack to create an eerie portrait of male strength and weakness.

This video was made as the end-credit sequence for a film version of Ron Vawter's performance piece, Roy Cohen/Jack Smith, by Jill Godmilow. Ron was an extraordinary actor and extraordinary man.

"The world will devour you...."

A group of cops laugh and talk, while scanning the street for suspicious activity. An extreme close-up of a sensuously exposed neck; a soft pink fleshy ear turns to reveal an inquisitive hostile eye....

“Nobody likes you if they think you’re rude- you better act the way you should.” But we didn’t.

Showcasing a solo organ recital, Victor Solo features seven sets of organ works. A narrator, possibly the organ player, announces work titles before each set.

It is a tribute of hyperkinetic colors to the Chilean poet Vicente Huidobro in times of pandemic vortex and post-Cubist quarantine. This is Altazor's color drop. Part of the Harmonic and Hyperkinetic Color Film Series.

A combination birthday/going away party proceeds at its own shallow pace, while revellers reminisce inwardly amid a paralyzing atmosphere of mixed drinks and emotions that choke all but the young at heart and body.

"I just can't resist trying to empathize with animals and plants.  I think that in the process of attempting to learn what it's like to be an animal or plant, I learn more about what it means to be human."
--Sam Easterson

Portable Channel, a community documentary group in Rochester, New York, was one of the first small format video centers to have an ongoing relationship with a PBS affiliate (WXXI).

In the late 1970s, Walter Naegle was walking to Times Square to buy a newspaper when he ran into a striking older African American man on the corner. Walter says that “lightning struck” and his life changed forever at that moment.

A portrait of influential Dutch musician and composer Louis Andriessen, as he talks about composing a new work. Andriessen draws inspiration from the life of Dutch painter Piet Mondrian and his love for ballroom dancing.

A cold stone structure stands in frigid defiance to the moral decay which shrivels the leaves of erect extensions to the human lust for creative expression.

The third in a film triptych, Lefkosia was shot from within UN controlled territory on the border between south Cyprus and the Turkish occupied North.

I reconcile the violent act.

Executive Producer, Suzanne Lacy; Director, Steve Hirsch; Editor, Doug Gayeton.

From the performance Freeze Frame: Room for Living Room by Suzanne Lacy, Julia London, Ngoh Spencer, and Carol Leigh, San Francisco, 1982.

Caught by video on a mountainside, Swiss cows compose and orchestrate a bell sonata.