giroscopio is a short experimental film by two artists, one in Pennsylvania and one in Puerto Rico, each in pandemic lockdown, each disoriented. Objects seem to control them; their bodies are unbalanced, unwieldy, comical.

Trip is inspired by the main oeuvre of architect Raine Karp--the concert hall designed for the city of Tallinn between 1975-1980.

Inspired by Tennessee Williams’ The Roman Spring of Mrs.

Painter, Susan Rothenberg (b.1945) is known for her poetic, atmospheric images.

Turner Prize winning conceptual artist Jeremy Deller works across many different mediums, creating highly political and frequently collaborative works.

What are all of these photographers trying to capture, and just who is collaborating with whom? This short piece could be a take on fame and the cult of the personality — or a tourist portrait with the audience as subject.

Includes feats with cards and ropes, legerdemain, sleights of camera, a perky river, and rare insights into the activities of a local magician-ventriloquist from the 1930s.

"A hand made raster deflection unit was used, inspired by Nam June Paik's video synthesizer system. I also used a TV repair person's test signal grid, early digital. Two b+w video cameras, audio oscillator sweeping up and then down.

An up-close compilation of interviews and discussions with people living with HIV in the early 1990s. 

Gathered together under the title Feral Domestic, these three videos – Strangely Ordinary This Devotion, Come Coyote and

The city today is as rationalised and regulated as a production process. The images which today determine the day of the city are operative images, control images.

Laurel Klick and I were members of the feminist art program at CalArts and became close lifelong friends.

Museum collections of various kinds are the object of artist Dana Levy's ongoing, consistent study in the past decade.

In this meditation on contemporary race relations, two black men discuss in voiceover certain “casual” events in life and cinema that are unnoticed or discounted by whites — gestures, hesitations, stares, off-the-cuff remarks, jokes — details of an ideo

A fireworks display heralds the appearance of our heroine. She walks a hotel corridor with balloons held aloft and champagne on call. But then she stumbles. The perils of success.

“It Did It explores my fictional character's story before and after I took Prozac. I used the scientific method to self-evaluate whether or not I needed anti-depressants while demonstrating how it affected my storytelling.”

Conversations is a live Slow-Scan Television (SSTV) work realized at the Centro Cultural Três Rios [Três Rios Cultural Center], in São Paulo, on November 17th, 1987.

The everyday performance of domestic labor is teleported into a surreal game world where an emotionally responsive AI chatbot provides no answers.

Sassy, iconoclastic, and never-married, Los Angeles filmmaker Susan Mogul rides shotgun with ex-lovers, almost lovers, and her Dad, in a road movie turned inside out.

...a "mordantly nostalgic" sojourn across America. A landscape of mute streets, empty rooms and serene fields; the remains of a civilization which has momentarily disappeared.

–– Ken Kobland

Part bio, part memoir, Mom’s Move is an intergenerational film about mothers and daughters, women and photography, remembering and forgetting, and the tension between women’s private and public selves.

This short is a romp through the life and times of transvestite jazz musician Billy Tipton, who was discovered at his death to actually be a woman.

Why do teenagers get drunk?

A Letter for Phil suggests an institutional critique in the form of a correspondence signed by “Matt/Rose/Tom/Isac.” The video juxtaposes two angles of the typewriter—one showing the typed text in realtime, another showing hands of the wr

The four‐part cycle Parallel deals with the image genre of computer animation. The series focuses on the construction, visual landscape and inherent rules of computer-animated worlds.

A post-apocalyptic computer animated vision of humanity lost in an industrial wasteland, Maxwell's Demon was animated on a low-cost, consumer computer model - an IBM PC.

The time is now!  The present can be replaced in real time. Not quite yet by the future, but very easily by the past? eteam's video Track One is a replay of such time disjuncture. As they keep following the memory of a yellow cab that keeps driving through the now deserted streets of Taipei, their pastime augments itself with a mesmerizing sense of reality.

The horizon, where the sky and the earth meet, is always elsewhere, a promised place where these two elements come together. A metaphor, an orienting, a promise of transition, change, transcendence.

A hyper-collage endurance test of sado-masochistic proportions, mixing an anthology of corporate video music with a feng shui video.

Budlong Memorial Middle School is heating up.

This tape deviates from the more purely formal investigations of Snyder’s earlier work; it has no soundtrack and uses camera images exclusively.

A portrait of New York author Joe Westmoreland. Joe is reading from his short story Sweet Baby Joe. This video was shot in 2014 in Joe's Chelsea loft, and the reading was recorded in 2016. 

The story of a matron and a midget in the heat of an unbridled passion. The colors run thick and heavy for paint and prurient pleasures as the electronic canvas unscrolls to reveal a bevy of beasties and beauties of nature and the unnatural.

Recently I found myself rising from a forced landing on the floor after being catapulted into the air by an exercise machine and bouncing off the dresser.

Chantal Akerman (1950-2015) gained international recognition with her three-and-a-half hour masterpiece, Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles (1975), which portrays a housewife’s dull existence and eventual violent action. She has continued to be one of Europe’s most innovative filmmakers with more than forty film and television projects to her credit. Akerman’s work is minimalist, structuralist, and feminist. Major themes in her films include women at work and at home; women’s relationships to men, other women, and children; food, love, sex, romance, art, and storytelling. In this interview from 1976 Akerman discusses her early films, and the development of her particular vision.

Nine Hamlet RGB engages a simple algorithm to destabilize the timing of the red, green and blue frame sequential display system while incorporating fragmented, appropriated “to be or not to be” excerpts from nine Hamlet films.

As a video journal shot by George Kuchar’s students in his Underground Drama class at the San Francisco Art Institute, George Kuchar Goes to Work offers a unique glimpse into the frenzied chaos that was his directing method.

In Over My Shoulder, Gordon uses hand gesticulations against a white sheet to communicate both violent and sensual emotions.

This tape includes footage of one of the first broadcasts of Lanesville TV, as it appears on the television set of Lanesville local, Todd Benjamin, and a television set installed in a public bar.

The three videos that comprise Jesse McLean Videoworks: Volume 1 (The Eternal Quarter Inch, Somewhere only we know and The Burning Blue) all concern various facets of our complicated emotional and psychological r

This collaborative video project is based on a short story by H.G. Wells called "The Country of the Blind"—about a man who travels to a country of blind people and attempts to dominate their sensual, feminine culture with his male, sight-derived power.

One minute, two mysteries: The shelf-life of genius and why we try to make pictures when, as Robert Lowell put it, "No voice outsings the serpent's flawed, euphoric hiss.

Ripe fruit in sweaty socks; soft eyes, stained and suffering in the origin of consciousness, and a soul needing refrigeration, for it has nearly gone bad!

Filipa César is an artist and filmmaker interested in the fictional aspects of the documentary, the porous borders between cinema and its reception, and the politics and poetics inherent to the movi

Presidential candidates are sold like commercial products and naturally television is the ideal medium.

In this interview, American writer, artist, performer Eileen Myles (b.1949) discusses the various philosophies that motivate her work, including the language of film, embodied performance, and the alienation evoked by bodily vulgarity. Myles links her wide range of artistic and literary practice with notions of abstraction, improvisation, and the mythology of gender, which she explores in relation to her own identity as a working, middle-class lesbian woman. She reflects on the significance of geographical locations, both New York City and San Diego, on her art, and shares how her past struggles with addiction have shaped her life and practice.

Slides of Cadillacs owned by the artist’s father are the vehicles of this family history. The slides represent twenty-eight years of Dr.

The story of the anti-Vietnam War movement from the perspective of James R. Roebuck, the first African American president of University of Virginia’s Student Council.

Billion Dollar Bimbo: A Musical is a story of a young Hollywood actress’s psychological roller coaster ride through loss and redemption. One day on set the actress witnesses her mother collapse in the middle of shooting.

Part of the paraconsistent sequence series.