"Blight was made in collaboration with composer Jocelyn Pook. It revolves around the building of the M11 Link Road in East London, which provoked a long and bitter campaign by local residents to protect their homes from demolition.

While out shooting for a different project altogether, I encountered two sleeping men on a Manhattan street.

Using highly-manipulated and over-processed images, Latham investigates the process of video as inherently fragmented. Weaving together various people’s impressions of the artist and her work, the work demonstrates important parallels between video, storytelling, and the formation of identity — all processes of active fabrication that blend “lies” and truth in the construction of a certain reality, history, or past. Labeling an image of herself talking as “her most recent explanation,” Latham addresses “the construction of her video personality” as an identity outside of herself.

Hotel Diaries is an ongoing series of video recordings made in hotel rooms, all of which relate personal experiences to contemporary world events.

Television Delivers People is a seminal work in the now well-established critique of popular media as an instrument of social control that asserts itself subtly on the populace through “entertainments,” for the benefit of those in power—the cor

Sharon Lockhart is a photographer and filmmaker. Her photographic and filmic works interrogate the inversion of the static image as cinematic and the manipulation of the moving image into a static/stop-motion frame.

It’s summer time in New York City and the relatives are coming out of the woodwork. Cats live and die amid the high humidity and more exotic species of God’s goodness parade distressingly on the hot asphalt of a shopping mall.

Fashioned out of home movies recovered from failing hard drives, this glitch-art video makes comparisons between different forms of memory - suggesting that, while error and decay may keep us up at night, they might also be the way we put our ghosts to

Two women, miles apart in spacial terms, chat about their art and motivational meanderings amid images of Chinese potstickers and fresh pasta.

Through the testimonies of five women, this video lays out the complex problem of anorexia, detailing how the disease develops as a response to both personal and societal pressures.

Made collaboratively with the filmmaker's mom Deborah, I Can Hear My Mother’s Voice documents her process of learning how to use the filmmaker's video camera.

This humorous video begins with two women—one white, the other Asian—attempting to fit into a Japanese bathtub.

A look at various homes and the people who sit on the furniture that decorates this assortment of abodes.

Robert Irwin (b.

In this reinterpretation of the mikveh — a purifying ritual bath performed by Jewish brides about to marry — the filmmaker and his husband’s immersions are disrupted by a government who refuses to recognize their marriage.

Breakfast of Champions is an installation created in 1991 by the artist duo Ligorano Reese, comprising Nora Ligorano and

In Excerpts from Behold Goliath, Tom Kalin presents four experimental short films inspired by American writer Alfred Chester (1928-71), who in 1964 published a collection of short stories of the same name.

Part of the paraconsistent sequence series.

A music-filled tour of Christmas good cheer overtakes this gastronomically oriented excursion through the winter season of discontent and yuletime yearnings craving ignition.

Turn the lights down / Way down low / Turn up the music / Hi as fi can go / All the gang's here / Everyone you know / It's a crazy scene / Hey there, just look over your shoulder / Hoo hoo / Get the picture?

Documentary of the New York experimental theater company The Wooster Group on tour in Glasgow, Scotland, 2000, installing their production of HOUSE/LIGHTS.

Smith’s gentle, recusant comedy is a critique of masculine domination, focusing on the myth of manifest destiny.

In(sul)ar marks the dichotomy between reality and fiction, by creating meta-images of an imagined island, where time and space are confused with each other.

Though the use of fairytales and dark fantasies, these works combine the commonplace with the macabre to construct a new world of the subconscious.

Plagued by blindness, sloth, and devotion, a troubled scene from Little House On The Prairie offers itself up to karaoke exorcism.

— Michael Robinson

Henry Johnson was an elderly gas station attendant living in Goldsmith, Texas, a West Texas town of four hundred people.

Reflecting upon the figure of “Trickster” in African and Native American culture while recounting the story of his first love, Harris creates a graceful, deeply moving lament for the loss of innocence in a world without magic.

“A night sky fills with light shimmers and flecks, surface markings, heavenly bodies. It’s an ocean, a well, a screen, a mirror, a portal. Blackness/void cluttered by growing ephemera.

The sale of a plot of land marks the kickoff of an unlikely road trip in this strange American odyssey. When eteam buys an acre of the Southwestern desert on eBay, the deed fails to arrive and the pair attempt to track down the phantom seller.

If television is truly the opiate of the masses, then Teddy Dibble is a living room crack dealer. This newly compiled series of television art comedy includes: 

1. The Cough, 03:17

Utilizing strategies of condensation and re-assemblage, these three pieces take Hollywood classics as their starting point. The re-editing process shifts and displaces old meanings until new ones are made.

Public Discourse is an in-depth study of illegal installation art. The primary focus is on the painting of street signs, advertising manipulation, metal welding, postering and guerrilla art, all performed illegally.

This video is about seduction. The audience is seduced by the female narrator, while at the same time repelled by the seductress' desperate need for love and approval.

flight is a frame-by-frame re-editing of an astronaut walking on the moon into a seven-minute long meditation on technological transcendence. The unstable, stuttering image depicts the astronaut's struggle to separate from his body.

A video recording of electronic oscillators producing colors, shapes, and sounds while patched through a computer and/or producing one or several feedback loops.

A loosely structured and evocative drama that centers around the search for a lost oasis. Shot in a bizarre Californian landscape, the piece is a contemporary desert fantasy.

Set in a campy western mining town, Stinkhorn tells the tale of a lady blacksmith named Dusty and her naughty trickster paramour, Blaze.

Enter the classic world of a haunted creature destined for stardom in the astrological realm beyond our heads. Visit a haunted soul in her house of horrors and heavenly delights.

Sahara Chronicle encompasses an undefined number of short videos documenting the present sub-Saharan exodus towards Europe.

A segment produced for radical early video collective Videofreex’s unlicensed broadcast television station, Lanesville TV, a weekly broadcast that was one of the first American pirate stations of its type.

Originally commissioned by University of Dortmund to be installed during Internationalen Bach-Symposium. The video is based on the Robert Schumann song of the same name and continued to evolve as an ongoing piece.

It stands as a mecca to 16mm film, and weathers the withering breath of a shifting climate. Bundled-up in opulence and optimism, the film festival goes onward and upward while I succumb to a glacial deposit that proves unflushable.

An interview that charts the activities of the Polish critic and curator Sebastian Cichocki. The dialogue is centered around, particularly, the difficulties of operating in a peripheral, Eastern European artworld context.

"Benglis manipulates generations of video footage to confound our sense of time; she implies an infinite regression of time and space — Benglis making faces in front of a monitor of her making faces in front of a monitor of her... ad infinitum. The viewer retains a sense of the images sequentiality, although the sequence of creation is not revealed in a logical, orderly fashion, and is heavily obscured by the random layering and continual repetition of aural and visual components."

Part of paraconsistent sequence series and the hauntology series.

RECKONING 3 is the first in a series of investigations into:

1. Terror and wonder in big-budget virtual worlds

Juxtaposing feminist readings of medical tracts, narratives of patient treatment and archival footage, I Need Your Full Cooperation reveals the evolution of women’s relationship to modern medicine.

Northern Irish artist Willie Doherty (b. 1959) works in photography and video installation. Since the late 1980s, his work has responded to the urban setting and rural outskirts of his hometown of Derry, Northern Ireland.

Language Lessons entwines the search for the fountain of youth with the dream of a common language. The fountain both promises and frustrates eternity, while this dream offers hope for common ground.

Rebecca gazes into the crystal ball. It is afternoon in a Brooklyn neighborhood of industrial buildings. Rebecca has a way with words just as words have a way of seeking her out. The crystal ball intensifies this.