In Oh, Rapunzel, when Rapunzel flees the tower, Condit's mother leaves her home for an independent living facility and a freedom that she has never known. A collaboration between Cecelia Condit and Dick Blau. Music by Stephen Vogel.

For over 70 years, Colombia has been confronted with internal armed conflict. Over the years, the outlines of the conflict have grown indistinct. A climate of generalized violence has gradually settled over society as a whole.

Marcia Tucker (1940 - 2006) was a curator, writer and art historian, known for founding the New Museum of Contemporary Art after her dismissal from her curatorial post at the Whitney Museum of American Art due to creative disagreements. Tucker served as the visionary director of the New Museum from 1977 to 1999, during which time she organized major exhibitions like The Time of Our Lives (1999), A Labor of Love (1996), and Bad Girls (1994), and edited the series Documentary Sources in Contemporary Art. As a curator,Tucker championed social engagement, exploration and artistic process. She considered the museum a “laboratory” organization where both art and the practices of the institution itself were always in question. After leaving the New Museum, and until her death in 2006, Tucker worked as a freelance art critic, writer, and lecturer.

A 3D video cover version of Michael Snow's seminal structural film Wavelength (1967).

And They Came Riding Into Town on Black and Silver Horses looks at how media representations shape our perception of violence and violent crime, in effect creating racist stereotypes.

In a vile and ingenious way, Acconci pleads with the camera/spectator to join with him, to come to him, promising to be honest and begging, "I need it, you need it, c'mon...

The union of humankind and the camera is a long and sordid tale. This lyrical dance illustrates the inseparable nature of the two.

Painter/mixed media artist David Dunlap creates installations and performances that draw from the notebooks he has kept since the mid-’70s—giving three-dimensional, public form to his intimate thoughts and diaries.

Stardust is the second part of the trilogy where Nicolas Provost investigates the boundaries of fiction and reality by filming everyday life with a hidden high resolution camera and turning the cinematic images into a fiction film by using cine

This absurdist, microscopic film noir follows the activities of an underground network of ill people, desperate to create alternative methods of self-care in a world where natural resources are disappearing.

A silent 16mm film shot in Nebraska during the total solar eclipse in 2017. The work was shot on film to capture this light-based phenomenon on a light reactive medium, as opposed to on digital video.

“The moon, the sometimes dark street, trees, it's warm […] at last, a certain eroticism possible (that of the warm night).” When Roland Barthes visited China in 1973, he jotted down some notes that

Production Notes allows us to eavesdrop on the business decisions behind the creation of our daily diet of television commercials.

Crosswinds  is part of the fieldtrip series. By definition a crosswind is any wind that has a perpendicular component to the line or direction of travel.

A rural sunset at the edge of the water in WandaWega Waters. The natural rhythmic movement of the water’s surface becomes a highly colored abstraction in motion, a meditation on the intersection of nature and technology.

"Starring an inflatable wig holder that I got at a car boot sale in Bremen, Germany, this film began as a demonstration of different film animation techniques, but evolved into a bizarre improvised narrative in which the head escapes from the violent cl

An intimate portrait of the artist at his home in San Francisco, this film delves into Mike Kuchar's life and work.

This carefully structured documentary is both a character study of DeVito's grandmother, Adeline LeJudas, and an incisive social critique of patriarchal society.

I arranged a visit to poet/novelist Kevin Killian’s South of Market apartment in San Francisco to shoot a portrait of him, and when I arrived he had a guest, poet Cedar Sigo.

In this video, Brenda and Glennda attend and interview participants at the 1991 New York City Pride March.

This video is about two fictional characters, as in letters, and two fictional characters, as in anthropomorphized mice, falling in love.

A dissemination of suspended bodies in the liminal space.

"In this record of a live performance, Acconci gives physical manifestation to the subterranean regions of the artist’s mind and will, revealing the effort he must make as an artist to simultaneously convince himself and his audience.

In the center of the rising Temple, the history, myth, ancestral and infrareal combine their rhythms into the cycle life of ritual cinema. Trance and shamanic visions arise into the ancient Teocalli.  

Masked men prowling in the bushes and not touching anything but satin, dandelions and flesh.

A HalfLifers journey to a lush interior landscape where some domestic chores and an unexpected encounter provoke a crisis at Mission Control, paving the way for a seasonal reflection upon the meaning of "home."

Stephen Varble (1946-1984) staged gender-confounding costume performances on the streets of 1970s Manhattan, and he became infamous for his anti-commercial disruptions of galleries, banks, and boutiques.

As a foulness shall ye know Them. Their hand is at your throats, yet ye see Them not; and Their habitation is even one with your guarded threshold. The wind gibbers with Their voices, and the earth mutters with Their consciousness.

Rubnitz’s short cooking clip showcases a chicken casserole recipe from the kitchen of Elaine Clearfield. All you need is chicken, rice, a packet of Lipton onion soup mix, a can of cream of mushroom condensed soup, and water!

A love letter to the Internet from a feral cat in Brooklyn.

A Nazi battalion marches in red in front of the ominous floating hand from THE AX HAS FLOWERED.

Tender Bodies is a 3-D computer animation that uses the logic of computer games to collapse and reconstruct narrative space. Narrative scenes are connected through a constantly shifting environment of bridges and tunnels.

"We are happy. (Silence.) What do we do now, now that we are happy?"

-- Samuel Beckett, Waiting for Godot

Going Around In Circles continues Holt's interest in perception and point of view. A board with five circular holes is placed in front of the camera.

A close-range look at pigs living on a farm in Las Vegas, Nevada. The pigs, individually and as a group, become a metaphor for humanity as they go from leisurely wallowing in the mud to the wildness of a feeding frenzy.

"Look how the willow shoots its fine sprays into the air! Look how through them a boat passes, filled with indolent, with unconscious, with powerful young men. They are listening to the gramophone; they are eating fruit out of paper bags.

These are the ghosts of a haunted civilization, a culture of progress that hides the social and political horror behind the Olympic Games. These are the haunted figures in the Capitalocene era. A sinister dance of macabre abstraction.

For 5 months, Clarke held workshops with young women, ages 18-23 years old, who were incarcerated at the Ventura Youth Correctional Facility in Camarillo, California.

Waves crash on rocks as tongues flap in the wind about all things cinematic.

Four tales about cannibal monsters narrated and performed by the Waiãpi Indians. “We have made the video,” say the Waiãpi, “to teach people to be more careful with monsters they never heard about.

A detective is hired to find the original copy of a lost ancient book. The book recounts the tale of a plague. A form of radiation, unknown at the present time, activates a virus.

Prefaces is composed of wild sounds constructed along entropic lines, placed tensely beside bebop rhythms, and a resurfacing narrative cut from a dialogue with poet Hannah Weiner.

Following the Israeli withdrawal from Ain el Mir in 1985, the village became the frontline. The Dagher family was displaced from their home, which was occupied by a radical resistance group for seven years.

A documentary – of sorts – retinted, toned, sped up, slowed down.

Brief and bouncy document of Jennet’s open studios private view, back when she was still mostly a painter.

Forest Law underlines the persistent fact that we are yet to learn to live otherwise in an age defined by the colossal consequences of a new socio-geological order we ourselves have created through irresponsible interactions with Earth

IEVE Aura features video art created and recorded at the first Interactive Electronic Visualization Event at the University of Illinois Circle Campus.

Sites Unseen is a 16mm film of the Jewish cemetery in Warsaw, a photograph of a great Aunt who died in Treblinka, and my late grandmother eating her morning cornflakes.

Music by Zeena Parkins

Gravity Hill Newsreels: Occupy Wall Street comprises Jem Cohen’s twelve-part series as a continuous and complete compilation.

This is a gaze of the body and a notion of spectator that the 90´s decade constructed, this is the audiovisual legacy of the 90's for our actual audiovisual control world.

A rock. Buildings. Trees. Nothing happens. But something is always moving. People walk by. Time passes by. Seasons change. The Earth’s tectonic plates are in constant but imperceivable motion, which slowly move apart or crash together.