Cloudless Blue Egress of Summer is a two-channel synchronized video installation. A composite of the two channels presented side by side in one video is available from Video Data Bank for educational use only.

Walt Disney's re-imagineering of Martin Scorsese's classic film Taxi Driver follows Mickey Mouse-obsessed Travis Bickle as he looks for love in a rapidly transforming New York City. A 'fair use' parody by Bryan Boyce.

To the spare sounds of a Schönberg violin concerto, a silhouetted woman seated at a small tea table puts forth her reasons for wanting to become a gourmet.

An Ocean Between Us expresses the desire for a relationship that is made up of transitions, successive time shifts, and coordinated changes without an essential unity.

Divino explains how he got introduced to video. “Filming is my profession; that’s what I was born to do... not for the work with the axe. I wasn’t born to plant.

An evening-length collaboration work with the celebrated avant-garde pianist Margaret Leng Tan. The stage set is by Eiko & Koma and the lighting is by David Ferri.

Endless Dreams and Water Between is a feature film with four fictitious characters sustaining an epistolary exchange in which their “planetary thought” is woven with the physical locations they inhabit, visual and aural characters in themselves

Morayngava: the “design of things.” Yngiru: the box of the spirits, the films, just like xaman dreams. This is how the Asurini define video, which has just arrived in their village.

This is the invocation to the gods, the incense to the gods. A kinetic dance to the gods.

"In late December 2020 I began making videos of bouquets of Anemones using a microscope lens. The very limited focal length of the lens requires that the lens touch the subject to obtain focus.

A college girl runs rampant through young lives at Sarah Lawrence College and leaves behind the rubble of shattered souls and deflated desires that litter the halls of learning-by-hard-knocks!

This interview with a Mexican squatter in Oaxaca, Mexico is an example of the genre that Breder conceptualized as “aesthetic ethnography.” This term refers to processes and form which attempt to illuminate people and cultures in specific historical mome

Peter Schjeldahl (b.1942) began writing his “poetical criticism” for Tom Hess at ArtNews in the mid 1960s.

In this tape the Videofreex document an impromptu experimental art gathering in 1971, hosted by New York artist, Tosun Bayrak.

A nostalgic glazier shows off his knowledge and expounds his theories. Taking glassmaking processes and history as its central theme, Slow Glass explores ideas about memory, perception and change.

1. The idea that a film about a city, a quiet, architectural film no less, can tell us anything that we don’t already know about urban life at this point in our new century is perhaps a bit arrogant.

Every country employs specific techniques for disguising its soldiers, every army has developed its own camouflage uniforms.

In Joan Does Dynasty — a hilarious classic of feminist media deconstruction — critic Braderman literally projects herself onto the set of the favorite series of one hundred million people in 78 countries.

This is the third part of the hyperkinetic still life. This triptych is part of the Hyperkinetic and Hauntology film series.

X-Mission explores the logic of the refugee camp as one of the oldest extra-territorial zones.

If you lived here you’d be home by now occurs during the years of Williamsburg Brooklyn’s overheated real estate market, just before the 2008 financial bubble burst.

Storms threaten to tarnish the Golden State as I wander through the rooms of my apartment, seeking a high in the lowering barometric pressure.

This audio, visual laxative empties the mind of inhibitions to allow the spectator entrance into the whirlpool of sexual fixations.

Adopting the movements of various animals, Forti begins the performance by walking hypnotically in circles. She falls to the floor and begins a cycle of walking and crawling that becomes an open metaphor for evolution and aging.

2 Channel Land is a north-western docu-fiction film exploring the history of analogue signals spilling across the borders of Ireland and Britain.

A window or two on the outside world is not enough, especially when you have such a lousy view of things as I had in this Oklahoma residential care home.

Facial Weaponization Communiqué: Fag Face protests against biometric facial recognition — and the inequalities these technologies propagate — by proposing the creation of “collective masks” that are modeled from the aggregated facial data of ma

The filmmaker accepts the challenge of the philosopher and changes not only a table but also chairs, shoes, jugs, teapots and almost everything else lying around his house.

A man with two dogs crosses a landscape. A person walks along a ridge and stops to look at the skyline. Other people run while nature shrinks back to its enigmaticness.

In this reinterpretation of the mikveh — a purifying ritual bath performed by Jewish brides about to marry — the filmmaker and his husband’s immersions are disrupted by a government who refuses to recognize their marriage.

Spiro traveled for one year on the backroads of the southern United States gathering footage for this mobile video project. Accompanied by her dog Sam and a video camera, she travels from Virginia to Texas and back.

An alcoholic, emaciated father; a grossly obese, tattooed mother; a goofy, hormone-addled brother—all together in a claustrophobic council flat. Welcome to the Billinghams'. Richard Billingham wowed the art scene with his book Ray's A Laugh.

Spanning two years of protest and resistance, this video chronicles the politically-motivated police harassment of the homeless population in Manhattan’s Lower East Side; including suspected arson, illegal eviction, and the demolition of buildings that

Brilliant Noise takes us into the data vaults of solar astronomy.

This fictional docudrama—based in part on the careers of Anita Bryant, Phyllis Schlafly, and Marabel Morgan—covers the fictitious assassination of Clovis Kingsley, a powerful, pro-family, anti-feminist ideologue, and fictional author of The Power of

I.S.L.A.N.D.S. #1: In Residence Dual trajectories through lush innerscapes propel us into color-saturated action-scenarios where the mission to re-establish identity and sustain communication linkage is never-ending.

Notes for a DejaVu is a paramnesic experience of the images where Jonas Mekas still lives and we can hear him comment on the memory of an imaginary trip to Mexico. This film is shot with an expired 16mm celluloid during a popular protest.

Shot by Mary Curtis Ratclif at the O.K. Harris Gallery on Prince and Green Streets, New York, this tape focuses on performer “Ricky Jay” as he performs card tricks at his magic table for an enthusiastic audience.

Anna Pina Teresa reinterprets the pivotal scene in Rossellini’s Roma Città Aperta where Anna Magnani, who plays the character Pina, (based on the story of Teresa Gullace,) is murdered on the streets of Rome by the Fascist police.

Breder had met Conceptual Artist and Painter Lucio Pozzi during the Painting after the Death of Painting exhibition in Moscow in 1989, ande the Visual Practice/Visual Theory Area Studies Group chose the occasion of his participation a

George Barber doffs his cap to the 20th anniversary of Scratch Video with What’s That Sound?, a mesmerizing montage of questions, answers, and the cries and screams of people caught in a disaster movie.

Nazlı Dinçel’s hand-made work reflects on experiences of disruption.

In this interview, American cartoonist and author Lynda Barry (b. 1956) describes the philosophy of teaching that has inspired and mobilized her art since the 1970s.

The four‐part cycle Parallel deals with the image genre of computer animation. The series focuses on the construction, visual landscape and inherent rules of computer-animated worlds.

Sarah Canright graduated from the School of the Art Institute of Chicago and began showing with the Chicago Imagists in the late 1960’s. In 1972 she moved to New York.

This is a tape which analyzes its own discourse and processes as it is being formulated. The language of Boomerang, and the relation between the description and what is being described, is not arbitrary.

Rosa Barba’s work Disseminate and Hold investigates man-made geographies and landscapes, and how these are often deeply enmeshed with political agendas and utopian visions.

The 1949 Housing Act, often seen as the beginning of urban renewal, reshaped the landscapes of many American cities.

This collaborative video project is based on a short story by H.G. Wells called "The Country of the Blind"—about a man who travels to a country of blind people and attempts to dominate their sensual, feminine culture with his male, sight-derived power.

After the ominous attack that the paramilitary and police corporations carried out on September 26, 2014, in Iguala, Guerrero, the student Aldo Gutiérrez Solano remains in a coma until today.