Blind Huber is a film interpretation of a poem by the American writer Nick Flynn loosely based on the life of Francois Huber, the blind 18th Century beekeeper, who sat before a series of hives for fifty years unlocking an unknown world.

An investigative documentary on police brutality that uses the Rodney King incident as a springboard to analyze the inner workings of the LAPD under the leadership of former police chief, Daryl Gates.

"...Deep in the garden of the Artist's heart, ghosts of bygone worlds arise on gothic wings, calling forth delicious languors."

— Mike Kuchar

Here, a double morphology of conversion forces us to think about the trance of non-reconciliation, outburst and trance that go through the centuries of colonial violence until reaching us in the tension of an audiovisual disjunction: visible and enuncia

On January 26, 1973, the Videofreex’s installment of Lanesville TV (Channel 3) consists of an interview with a follower of the Divine Light Mission, a semi-religious organization lead at the time by then-17-year-old Guru Maharaj Ji.

Threads of Belonging depicts the daily life of Layton House, a fictional therapeutic community, where doctors live with their schizophrenic patients.

A psychedelic baroque interpretation of religion under a visual hyperbole. The Christ, the Passion, and the Trinity are some symbols present.

"It is only shallow people who do not judge by appearances" wrote Oscar Wilde.

Begun as a consideration of the upgrading from manual to digital film editing techniques, Transitional Objects explores the anxiety and loss inevitable in such a transition while also suggesting the consequences of other life transitions.

"I brought live reptiles, birds of prey and exotic flowers to a very stereotyped and neglected section of the city of St.

75 people speak 50 languages sometimes simultaneously.

A sprawling look at chunks of our country as I travel back east to present some programs, and a peek at the venues that screen underground movies to the youth of today.

In conversation with David Getsy — an art historian focusing on queer and transgender methodologies in sculpture theory and performance history — Cassils discusses their monumental performance artworks and inspirations.

This film uses the ‘old fashioned’ conventions of documentary film practice to stand history on its head.

Shot in black and white Super 8, this lyrical short follows a wandering, disengaged youth through grey afternoons. German Song features the hard-edged music of Come, an alternative band from Boston.

Six powerful native women gather up to celebrate a new beginning and the end of the world as we know it.

Nazlı Dinçel’s hand-made work reflects on experiences of disruption.

There is a crudeness to How's Tricks, Benglis's first venture into narrative fiction. No attempt is made to hide the mechanics of making the tape.

More than three thousand insects appear in this film each for a single frame. As the colours glow and change across their bodies and wings it seems that the genetic programme of millions of years is taking place in a few minutes.

Mel Chin (b. 1951) received national attention when he had to defend the artistic merits of his work Revival Field to the NEA in 1990.

An Ocean Between Us expresses the desire for a relationship that is made up of transitions, successive time shifts, and coordinated changes without an essential unity.

A black-and-white drama that lays bare the earth-shattering events surrounding the rise and fall of certain members of the communal body in a California town ravaged by subterranean forces.

Opening with jarring violence, Dani Leventhal's Tin Pressed proceeds to negotiate a balancing act between the bewildering tonal variances of daily life — with all of its unnameable and enchantingly fragmented specifics — and the gravitational u

Primavera is a frenetic experimental animation that documents the pandemic and the Black Lives Matter protests as they intersect in springtime Brooklyn.

Adapted from their performance work Fur Seal (1977), this video is the first and only outdoor work Eiko & Koma created for video. The piece was filmed at Pt. Reyes, California in November 1983.

A poetic meditation on distance, Come Closer is a short and peripatetic film, casting an affective web between the locations of Lisbon, San Francisco and Brazil.

In this 1996 interview, African-American sculptor, printmaker and designer Valerie Maynard (b.1937) describes growing up in Harlem in the mid-20th Century and her awareness of the importance of community during her upbringing. Recalling the prominence of the Baptist church in her early life, Maynard discusses how religion brought her into contact with local politicians who impressed upon her the importance of affecting change. The artist notes how an early affiliation with Congressman Adam Clayton Powell and her brother’s incarceration propelled her interest in social justice and the workings of the judicial system.

The looped work Culture Capture 001 takes place within the American Museum of Natural History.

"An autobiographical reflection on his unassuming name leads the filmmaker down a wayward path through family photographs, personal archives, and internet searches.

Douglas Hollis (b.1948) was born in Ann Arbor, Michigan and continued to live there throughout the years of his college education at the University of Michigan. From an early age he had a deep interest in Native American culture.

This black and white drama of romance, adventure and outer space intervention was mounted at the San Francisco Art Institute.

In this interview painter Robert Ryman (b. 1930) describes his artistic influences, recounts his work process, and assesses the use and meaning of painting, both in the 1960s and the 1990s.

A weeklong, episodic live-streamed landscape film that attempts to reimagine the genre of a road movie in Hong Kong. Each of the seven short films begin at exactly at the moment of the official sunrise in Hong Kong.

Take My Picture? is a comparison of two street characters filmed in downtown Providence, Rhode Island.

A piece of movie film has survived the forthcoming Ice Age and is discovered by Venusian scientists--5000 years from now... This work is a correspondence of two information fragments of different origins and times that met by accident.

In 1998, Zaatari interviewed Egyptian photographer Van Leo in Cairo.

George Kuchar experimented with in-camera editing effects more and more in his later career, and Snapshots is no exception.

Commissioned by and performed at the 2000 Brooklyn Academy Music Next Wave Festival, When Nights Were Dark is a full evening-length collaboration with Joseph Jennings and the Praise Choir.

This moving video portrait follows a group of teenage boys who attend the Masada School, a school for juvenile delinquents and social misfits.

At the computer, I cut video threads of wind storms and quaking trees.

Incorporating appropriated television footage as artistic experimentation and social critique, Chilean artist Magaly Ponce retells a history of violence and repression from her point of view.

The language and imagery related to celebrity perfumes (both descriptive and visual) are a starting point to think about consumer desires and the corruptness of branding. Give us your songs, your smells and we will give you everything.

"I showed a video from my diary called Chapter One to graduate film students at the University of California, Los Angeles. After seeing it they made their own Love Tapes.

A provocative half-hour of guerrilla artists caught in the act on videotape, Undeniable Evidence is a public art extravaganza assembled by Igor Vamos and anonymous culture jammers.

[A] postcard-sized [film that]…manage[s] to implicate the audience’s ethical imagination…Distant Shores models a necessary imaginative leap simply by juxtaposing footage of a Chicago River cruise with testimony of a migrant’s

Red House is an animation that playfully explores metamorphosis in relation to the stability and structure of housing.

"My first digital recording and my first and only recording with Don McArthur's "Spatial and Intensity Digitizer". The digitizer was not working properly. I had no idea. The shift I saw was stunning.

Through the deployment of various structural strategies, the narrative logic of three problematic and influential films is transformed into a sensuous hallucinatory unveiling of repressed representations in historical dramas of the U.S.’s critical perio

Cats nibble, people ingest holiday toxins, and barbecues emit clouds of disembodied fat as a woman in need of caloric consumption displays the objects of her obsession.

In this interview, Basma Alsharif (b.1983) examines th