Incense Sweaters & Ice is a new feature film inspired by the idea that anything one does while being watched is a performance. The film follows three protagonists — Mrs.

Prime Time is a video collage of violent imagery appropriated from American commercial network television. The work features rapid-fire editing (i.e., for analog 3/4" video technology) often used by network pro

Milton Resnick was born in Bratslav, Russia in 1917, and immigrated to the United States in 1922. Resnick was one of the few survivors of the second generation Abstract Expressionists, and is known for his large, thickly painted abstract canvases.

Lumbreras is the historical and archeological place of the bones, ruins and detritus. A window thought time, an ancestral rhythm of the audiovisual materials.

A cinematic exploration of African American intellectual, social, and political life at University of Virginia during the 1970s.

A portrait of the American artist Ray Johnson (1927-95), driving force behind the New York Correspondence School of the early 1960s.

Six powerful native women gather up to celebrate a new beginning and the end of the world as we know it.

A woman survives a clinical death in 1988 and wakes up hearing voices in her head. Samuel, a spirit, has started to speak through her. People identify her as a medium. Samuel proclaims a mission to save the world before the year 2012.

CHANNELING is an entryway into the spirit realm and the queer body politic: a program of experimental moving image work that calls up the ghosts of the past and the specters of the future.

Following the Israeli attack on Lebanon in 2006, the filmmaker examines the boredom of everyday life in a besieged country.

This title is only available on Radical Closure.

And They Came Riding Into Town on Black and Silver Horses looks at how media representations shape our perception of violence and violent crime, in effect creating racist stereotypes.

This tape was produced by Artists TV Network, documenting a symposium that included composer John Cage, choreographer Merce Cunningham, writer Richard Kostelanetz, and video artist Nam June Paik with art critic Dore

A call from the beginning, the ancestral water, the everlasting belly from where life cries out.

In October 1969, the Videofreex visited the home of wealthy political and social activist, Lucy Montgomery, as she was hosting the Black Panther Party of Chicago during one of their most fraught times — the period just after Chairman Bobby Seale was wro

I was fourteen when I put on my first wig. It was, I believe, my sister’s idea. So she and my mother and I went – I forget where…Simmons and Co.? – some elegantish salon with gold lame drapes where they did not do such splendid work.

Gathered together under the title Feral Domestic, these three videos – Strangely Ordinary This Devotion, Come Coyote and

Thai conceptual performance video artist Kamin Lertchaiprasert (b.1964) anchors his work through a commitment to the core principles of Buddhism and his definitive goal to create “life-specific” rather than “site-specific” art. For Lertchaiprasert, the purpose of art is to reclaim the meaningfulness of human activities and collaboration. The artist describes how his techniques of production and his choice of medium ranges from environmental works, to formal sculptures made from recycled materials, to the use of relational aesthetics in the creation of collaborative workshops. With reference to cultural and religious differences between East and West, Lertchaiprasert also posits how the philosophy of art under Buddhist ideals can be a matter of survival, helping us to better understand the essence of being alive. -Faye Gleisser

In this 23-minute single-channel video, Campbell reconfigures scenes from archival 16mm film footage recorded by Solomon Sir Jones in the mid-1920s, film that documents the everyday lives of Black communities in Oklahoma, an area that once boasted

Trip is inspired by the main oeuvre of architect Raine Karp--the concert hall designed for the city of Tallinn between 1975-1980.

Turner Prize winning conceptual artist Jeremy Deller works across many different mediums, creating highly political and frequently collaborative works.

Kuyenda N’kubvina looks at how thought and culture propagate in the slender nation of Malawi.

Bezuna explores the complexities of fleeing a war-zone through the analysis of peripheral details.

Displaying a broad range of Golden Age Hollywood animation, Manifestoon is an homage to the latent subversiveness of cartoons. Though U.S.

How I Love You is an exploration of sexuality among gay men in Lebanon.

The Duet Project: Distance is Malleable is a mutable and evolving series of experiments in collaboration. Negotiating differences of race, time, culture, ethnicity, religion and gender, the artists seek to maximize the potentials of t

On June 23rd, 2016 Britain voted to leave the European Union. Who Are We? is a re-working of material from a BBC television debate transmitted a few weeks earlier.

Three aimless millennials in a go-nowhere band are recruited as willing pawns by a shadow revolution, an insurrection led by an unlikely anti-government cabal of Buddhist sovereign citizens, telepathic Native American separatists, hardline&nb

Three people are taken for a short ride on the River Thames hanging upside down on the back of a speedboat. The journey is both a test of endurance and a simple way of forcing people to see differently.

In Dry Blood (Sagre Seca), various historical moments of political activism in Mexico are superimposed and corroded on the emulsion of expired film.

Found-footage video about America’s obsession with guns and some of the negative consequences of that obsession. 

lovehotel uses excerpts from the book Fleshmeat by Australian Internet artist Francesca da Rimini, detailing her life online from 1994 to 1997.

This is a re-destroyed film that I was unable to finish in 2013. Filmed both in ruins: at the Sutro Baths in San Francisco and in final domestic spaces occupied with a former partner. Film was destroyed in ocean water.

Sunday, 6th April 11:42 a.m. is a video about landscape as a complex network of connections that guide relationships between people.

Told through recollections of youth, learning, lore, and departure, this is an imagined myth for the Xąwįska — or the Indian Pipe Plant — used by the Ho-Chunk to revive those who have fainted.

These three videos from Cecilia Dougherty deal with particular states of mind: that of a participant in a symbiotic relationship, the melancholy felt at the end of a romantic union, and the solitary non-space created by a regular commute.

This is a tape which analyzes its own discourse and processes as it is being formulated. The language of Boomerang, and the relation between the description and what is being described, is not arbitrary.

Before his legendary proto-cinematic studies in motion, photographer Eadweard Muybridge was commissioned to document the United States Army’s war against the Modoc tribe in Northern California in a series of stereographs, many of them staged.

The daily life of the Hunikui village of Sâo Joaquim, on the river Jordâo in the state of Acre. Augustinho, village shaman and patriarch, and his wife and father-in-law, remember the fetters of the rubber plantations and celebrate a new era.

A series of numbers that form infamous years that are uttered in a repetitive pedagogical litany. Ominous dates as a correlate of forgotten apolitical portraits. Portraits of a remembered royalty whose wealth was made possible by infamous times.

When she was 16, Benning stopped going to high school for three weeks and stayed inside with her camera, her TV set, and a pile of dirty laundry. This tape mirrors her psyche during this time.

“Hey, how’s that TV work?” 

The orchestra begins and a male and female dancer move from opposite sides of the stage. The dancers embrace and begin the White Swan pas de deux from the ballet Swan Lake. However this is not the ballet as it is normally performed.

Guerilla Girls are artist activists who have dedicated themselves to informing the public of the gender and racial inequalities that persists in the art world.

“Collaboration is competitive” – this is the tag line for the artist collective Type A, composed of Adam Ames and Andrew Bordwin.

This film is a recording of a live signal analog video/audio synthesizer performance with a voiced narration made in collaboration with an AI program. A speculative machine guided psychedelic broadcast of an astral floral projection.

A specific period of late-night TV channel surfing is dissected and manipulated through fast forward and freeze frame.

In Shayne's Rectangle, Dani Leventhal's moving and mysterious prayer for healing, a horse farm and a casual poolside dissection are the nodes between which a series of patiently taken sharp turns maneuver through moods both intimate and detache

Inspired by Tennessee Williams’ The Roman Spring of Mrs.

A significant amount of the hand-drawn animation seen on television today is cartooned in sweatshop-like animation factories in Korea, China, and the Philippines.

Gravity is a long passionate film kiss in which kissing scenes from different films are woven in each-other by switching every three frames between two scenes. Deep passion becomes a stranglehold as cinematographic high points pile up.