Asian Studs Nightmare examines the racial politics behind the hit U.S. television show STUDS. Fulbeck frantically recalls somewhat fictional nightmares of Asian male identity.

Small Miracles is a suite of eight video animations in which the artist conjures up and controls forces of nature.

Logging and approximating a relationship between audio recordings of the artist and his father, and videos gathered of the landscapes they both separately traversed.

Skip Blumberg of the Videofreex conducts an interview with Charles “Cappy” Pinderhughes, the Lieutenant of Information of the New Haven branch of the Black Panther Party.

Jim Finn’s films and videos have been described as “Utopian comedies.” In the four works that comprise Jim Finn Videoworks: Volume 2, the comedy that emerges through Finn's (not so) exaggerated interrogation of the products and symbols of auth

The sun pretty much shines throughout this romp back East as waves crash against a land of plenty while the residents bathe in its nutritional offshoots.

A girl with a bad habit of falling for older women befriends a boy lover. This video is an examination of relationships between adults and teenagers. It involves ice cream trucks and bowie knives.

Storyteller recomposes aerial shots from the Las Vegas casino skyline to create a slick, artificial world, reminiscent of science fiction. At first glance, the viewer might think of jewelry-like space ships floating slowly through the universe. When the camera zooms in on buildings and architecture, the detailed glitter and kitsch of the city hypnotically reveals something of pure beauty and madness.

"The Camel with Window Memory piece was made one weekend in the early '80's. I pulled out my post card collection and began to look at specific postcards run through the new digital video buffer I had built together with David Jones.

Includes feats with cards and ropes, legerdemain, sleights of camera, a perky river, and rare insights into the activities of a local magician-ventriloquist from the 1930s.

In this futuristic computer-animated landscape, confused relationships between objects and people play out before the backdrop of a lush garden and interactive theatre known as the Big Ghost.

Taking aim at the social standardization enforced particularly on women's bodies, Rosler critiques the politics of "objective" or scientific evaluation that result in the depersonalization, objectification, and colonization of women and Others.

Circles cycle and shift in scale in this video about, through, into and out of Carol Bove’s monumental sculptures starring the exquisitely talented dancer Katie Gaydos.

Through collage, Alazeef shows the dreams and the fears of a typical Iraqi soldier, a week before the 1991 Desert Storm, compared to the huge war machine.

This European flavored melodrama depicts a fictional country of refined manners and debased desires that explode into chaos, sending its prodigal son into the pit of 20th Century technology.

I was drawn to the early cave paintings of Lascaux and Altamira for as long as I can remember. One day looking thru some reproductions in an art history book with portable video camera in hand I recorded a still of a Lascaux bull.

Das KunstKabinett or the Cabinet of Curiosities is a 'microcosm' or theater of the world, a memory theater which provides solace and a retreat for contemplation.

Victor Burgin (b.1941) is known as a highly influential artist and a renowned theorist of still and moving images.

Indians In Brazil is an educational series for Brazilian public schools that invites students to experience cultural diversity.

The discovery of a VHS tape of the artist’s films for sale on eBay triggers obsessive speculation about the seller’s identity.

In this satirical video the Yonemotos deconstruct the myth of Oedipus within the framework of the myth of Kappa: a malevolent and hedonistic Shinto god of fresh water, whose prankish harassment of young maidens includes hiding beneath outhouses to pinch

A brief glimpse into the cycles of Coyolxauhqui, the moon goddess, whose cycles used to be a dance. A fast-paced jazz soundtrack accompanies the quick, darting movements of the moon.

In this attempt to resolve the on-going crisis, Burns and Discenza find themselves in, variously, a childrens adventure playground, a garage and a yard.

One of my weather diary series out in Oklahoma. The tone is wistful, the surroundings wispy (with some puffs of pungency). The TV is on and the porcelain is smeared with some residue atrocity from a previous passion.

Over grainy, black and white images of a woman giving birth, Montano reads the story of a nun’s sexual self-discovery—recounting Sister Joan’s growing awareness of her body’s sensuousness and sexuality.

This is the liturgy of the sacred fangs, a forgotten syntax of ancient scripture. In the secret of the ritual fangs the holy syntax used to be a dance. A germinal dance of the language.

An allegory recycling images from the past, still relevant to the present moment.

“Horses are lucky, they’re stuck with the war same as us, but nobody expects them to be in favor of it, to pretend to believe in it.”

"The video Emission found its origin in three performances which I wrote between 1988 and 1991. In their original form, the performances dealt with sex, romance, and communication technologies.

Earthmoves is a continuation of Semiconductor's exploration into how unseen forces affect the fabric of our world.  The limits of human perception are exposed, revealing a world which is unstable and in a constant state of animation as the

Skip Sweeney was an early and proficient experimenter with video feedback. A feedback loop is produced by pointing a camera at the monitor to which it is cabled.

A promotional vehicle with lane-changing tendencies, but both hands kept on the wheel at all times.

Social Media Exodus (Call and Response) is part two of Zach Blas's Contra-Internet Inversion Practice series.

Susan Mogul's first video diary work, produced two years before Everyday Echo Street: A Summer Diary (1993), follows the arti

In the Post Pony Trilogy, Coonley serves as frustrated host to a series of flawed lessons on currency markets and current events. His heartbreak over a missing pony sidekick presents an obstacle to achieving his pedagogical goals.

U & I dOt cOm is an experimental narrative/documentary hybrid about Zoey, a teenage girl who negotiates her identity in cyberspace. Dreaming about the perfect true love, she secretly navigates 3-D worlds to find romance.

A collection of videos made at Miami-Dade Community College Mitchell Wolfson New World Center as part of Miami Waves Film Festival. The videos are part of Wendy Clarke's ongoing project, Love Tapes.

The search for one’s true identity, the need to create, to find a proper place in the universe – this is the pursuit of the individuals portrayed in this narrative meditation… It is that quest to find meaning in exist

Pagan and Christian souls clash in this student-collaborated mix of the defrocked and the deflowered.

“Trypps Number Three transports the documented transcendence of Jean Rouch's Les Maîtres Fous from the Hauka movement to a Lightning Bolt concert where overlapping bodies, swaying to noise rock, are fram

Audrey Flack uses an airbrush to produce large photorealistic paintings and works from slides for her precision. She selects subjects with great personal significance that also represent fragments of contemporary American life.

... it's not what it used to be.

a personal album and homage, in my own way, to an influential film ... a closet-cleaning scrapbook of beloved photos and oddities ‐ and the gift of fire.

–– Ken Kobland

As an ominous voice guides us through Best Is Man’s Breath Quality, we are confronted by dense and complex images and sounds that appear and disappear before us.

Beloved by filmmakers such as John Waters and Todd Solondz, George Kuchar has been working with the moving image for nearly half a century.

As two heavily made-up women take turns directing each other and submitting to each other's kisses and caresses, it becomes increasingly obvious that the camera is their main point of focus.

At sunset a large orchestra, a choir and a group of young people position themselves against the backdrop of a mountain landscape. The musicians play the first section of Mahler's 8th Symphony, moving in precise choreography.

Holzer adopts the form and language of commercial messages to disrupt communication, presenting kamikaze texts that are designed to stimulate thought, with humor, and inspire a critical attitude in an often passive audience.

The Trick Pony Trilogy is a series of parodic instructional videos hosted by the artist and a talking mechanical hobbyhorse.

“I am a mannish / Muff-diving / Size queen / With bad attitude / An arse-licking / Psychofag / Molesting the flies of privacy / Balling lesbian boys / A perverted heterodemon / Crossing purpose with death / I am a cock-sucking / Straight-acting / Lesbia

Painter and multi-media artist Jack Goldstein lived and worked in New York City. His airbrushed paintings of lightning and night skies are shown here accompanied by synthetic music, which the artist also composed.

Comalli is the ancestral tool to cook our sacred food, our corn and tortillas. The circular tool that represents the dark side of the moon on which our earthly food burns. The cosmic dance of food and fire that nourishes our bodies.