Crossings and Meetings explores the image and sound of a walking man, expanding a simple image into increasingly complex permutations and arriving at what Emshwiller calls a "visual fugue" in time and space.

This is "limbo" in which the objects of capital are found. Part of Hauntology Films Archives series.

An episode from a Lebanese TV series entitled Image + Sound.  Each episode in this groundbreaking program was based on paralleling TV news images alongside staged events. This episode was shot at the St.

A wide-screen video diptych of scenes shot during two different periods in Moscow––old footage from 1990 and newer from 2009.

Painter/mixed media artist David Dunlap creates installations and performances that draw from the notebooks he has kept since the mid-’70s—giving three-dimensional, public form to his intimate thoughts and diaries.

My film is a simple gathering of New York City street footage.  It was shot with a spring-wound 16mm Bolex on, above, and below the streets of Manhattan and Brooklyn and includes footage of the ticker tape parade for astronaut John Glenn.

This project started with an email from a stranger in 2017. The sender was the widower of the late artist Tania and he invited the filmmaker to look at her “archive.” Tania was born to Jewish parents in Poland in 1920.

Laurie Simmons’s photographs are brought to life in Laurie Simmons: A Teaser, MICA-TV’s portrait of the acclaimed photographer.

In From Fagtasia to Frisco, Brenda and Glennda report from Fagtas

Since the Gulf War in 1991, warfare and reporting it have become hyper-technological affairs, in which real and computer-generated images cannot be distinguished any more.

Tochka depicts a journey made by anonymous group through a rough landscape. After many hardships, they arrive at a shallow ravine where they decide to build a rickety wooden bridge so that they can cross to the other side.

This 2-DVD collection features five early films, a historically important dance and a recent work by media artist and choreographer Yvonne Rainer, and a documentary portrait by Charles Atlas.

In the face of environmental threats, a radical back-to-the-land community in the Sierra Foothills races to collectively stitch its 50 years of innovative sustainability into an epic 83-foot tapestry, one tiny stitch at a time.

"Mama mama mama...," a woman calls out again and again, over and over. Is it her child that she mimics, or is she calling for her own mother? A desperate video performance in the first person.

This video is about two fictional characters, as in letters, and two fictional characters, as in anthropomorphized mice, falling in love.

A tour of acting gigs that come my way and the people behind the cameras that aim at my expanding torso. A bloated ham in action on the West Coast and the thespians that rub shoulders with his hind quarters. Shot in San Francisco and Hollywood, USA.

Breakfast of Champions is an installation created in 1991 by the artist duo Ligorano Reese, comprising Nora Ligorano and

Executive Producer, Suzanne Lacy; Director, Steve Hirsch; Editor, Doug Gayeton.

From the performance Freeze Frame: Room for Living Room by Suzanne Lacy, Julia London, Ngoh Spencer, and Carol Leigh, San Francisco, 1982.

The place where my students and I confront each other and glimpse into a world infiltrated by beloved infidels.

In this hour-long video, Dan Sandin demonstrates and explains in detail on modules of the Sandin Image Processor.

Originally recorded during 1975-76 and re-mastered in March 2005, this selection of 11 skits mostly focuses on Man Ray.

... There is a garden in the dark hunger of his psyche where forbidden fruit grows.

— Mike Kuchar

In Glennda and Bruce Do Times Square, Glennda is taken on a night tour of Times Square by author Bruce Benderson.

Between basement and stoop, PBRs and politics, two bros discuss rock music history, protest, incarcerated relatives, fine cheese, the book plot of Bridge to Terabithia, and lesbian girlfriends.

"Starring an inflatable wig holder that I got at a car boot sale in Bremen, Germany, this film began as a demonstration of different film animation techniques, but evolved into a bizarre improvised narrative in which the head escapes from the violent cl

To the spare sounds of a Schönberg violin concerto, a silhouetted woman seated at a small tea table puts forth her reasons for wanting to become a gourmet.

Eiko edited this video to illuminate, in fast pace, her solo performance project A Body in Places. The red cloth she often uses in her performance is used as a visual link between different places and communities where Eiko performed.

Anthony Ramos' astute deconstruction of television news focuses on his part in the media coverage of President Jimmy Carter's 1977 declaration of amnesty for Vietnam draft evaders.

An Ocean Between Us expresses the desire for a relationship that is made up of transitions, successive time shifts, and coordinated changes without an essential unity.

The second installment of the collaborative project New Report, an ongoing series of performances and videos, Artist Unknown features K8 Hardy (founder of the queer feminist art collective LTTR) and Wynne Greenwood (of Tracy and the Pl

Endless Dreams and Water Between is a feature film with four fictitious characters sustaining an epistolary exchange in which their “planetary thought” is woven with the physical locations they inhabit, visual and aural characters in themselves

These are the dancing bodies in an agitated rapture: prelude to trance, invocation of the gods, consecration of intermittence.

Male escorts and crytozoologists battle behemoths and bulemics in this student-teacher collaboration about undying evil and those that escape it via the LOVE CANAL.

The Spender House in Essex was designed in 1968 by Richard and Su Rogers (Team 4) for photographer and artist Humphrey Spender. The film is a biographical portrait of both architecture and inhabitant.

This interview with a Mexican squatter in Oaxaca, Mexico is an example of the genre that Breder conceptualized as “aesthetic ethnography.” This term refers to processes and form which attempt to illuminate people and cultures in specific historical mome

Linda M. Montano: 14 Years of Living Art is a video catalog of the artist’s exhibition, performance and workshop in Montreal in 2003.

"Actions, states, one B+W video camera, the Paik Abe Colorizer, a video switcher. The two states, a b a b, I put my hand in the camera frame and saw a colored hand shifting.

Smothering Dreams is a tough, scathing condemnation of war and our country's fascination with violence. Reeves draws on his own experience as a U.S.

In these seven short video performances directed by Isaac Artenstein, Gómez-Peña confronts Mexican-American culture clashes, stereotypes, and the Fourth World (immigrants).

Every country employs specific techniques for disguising its soldiers, every army has developed its own camouflage uniforms.

This are the scattered fragments, the scattered mineral fragments in its oceanic evolution, an intermittent becoming of geological massiveness. The mineral geology under the spell of an scattered dance. This is the mobilized fossil.

Family Court introduces us to the world of good, clean, family fun and leisure. 

As Laurie and her child's father lie in bed, taking an afternoon nap, a large balloon resting on her belly inflates under the sheet and explodes.

Identically dressed, and with sibling-like resemblance, performance artists Trevor Martin and Kym Olsen shift between spoken word and athletic dance choreography in a collection of 29 scenes.

This audio, visual laxative empties the mind of inhibitions to allow the spectator entrance into the whirlpool of sexual fixations.

Two young women confront careers in a world of violence, lust, and show-business. This student/teacher co-production I made at the San Francisco Art Institute is a colorful collage of digital dementia.

This video reveals John Baldessari's thoughts and intentions for his work over the course of his career, providing clues to the understanding of his paintings, books, and photos.

In Over My Shoulder, Gordon uses hand gesticulations against a white sheet to communicate both violent and sensual emotions.

Facial Weaponization Communiqué: Fag Face protests against biometric facial recognition — and the inequalities these technologies propagate — by proposing the creation of “collective masks” that are modeled from the aggregated facial data of ma

Eiko's first piece without a human.