This meditative silent video features gradual evolving swirls on top of vertically synced bars. Their ever-changing color, shapes, and sizes demonstrate the subtleties achieved through  image processing.

"I don't put myself into my movies because that would be too much--my pictures reflect my own feelings.  So hopefully it's entertaining.  Otherwise I can't bear looking at them, ha ha!"
–– Mike Kuchar

In this episode of The Brenda and Glennda Show, Brenda and Glennda comically debate changing the name of their show to Drag Queens for Jesus, in order to convert all the secular homosexuals to Christianity

Addressing the imbalance of information flow between the wealthy and the destitute nations of the world, Towards A New World Information Order suggests means by which this imbalance might be rectified, including ways to control the press.

Rosie Cutler, a middle school lunch lady, and TJ Fortune, a outcast student, have an unusual relationship.

The first in a pair of silent Super 8 films centering on the backyard of a modest house in a coastal community of north San Diego County.

All forms of human sport become sites for sexual play and celebratory eroticism.

M+ Museum presented A Body in Hong Kong in two locations as part of Mobile M+: Live Art, 2015. Tim Mei Avenue, where Eiko chose and performed, was the main site of 2014 Umbrella Revolution.

California-based painterJoan Brown (1938-1990) attended the California School of Fine Arts (now the San Francisco Art Institute).

With the Watergate hearings as a backdrop, quotes from various newspapers and magazines--including the story of Robert Smithson's death in a plane crash--build a picture of the confusing and tragic events of July 1973.

In the first of George Kuchar’s Alumni Series, he braces the unusually volatile weather, contending with torrential rain and flooding on his way to visit the apartment of alumni Peter Van Langen.

Partially Buried explores a web of genealogical traces. In this work the artist probes the notion of sites of memory as well as site-specific work by focusing on the location of Kent, Ohio.

This mock-virtual environment is a playground for the imagination.

A surreal vision of one man's endeavor to contact the spirit world and come to terms with nightmares of a mysterious death.  A séance is orchestrated according to instructions written in 1920 by revered parapsychologist Hereward Carrington, voiced

Audrey Flack uses an airbrush to produce large photorealistic paintings and works from slides for her precision. She selects subjects with great personal significance that also represent fragments of contemporary American life.

Performance engineers Survival Research Laboratories (SRL) construct machines that live in their own fictional world, acting out scenarios of perpetual torment, exasperated consumption, and tragic recognition.

From childhood memories to recurring nightmares, Nine Fish attacks and illuminates the indecision and confusion surrounding euthanasia and care of the elderly in the United States.

Banshee is a duet between Margaret Leng Tan playing The Banshee (Henry Cowell) and Eiko's Night With Moths (camera by Rebekkah Palov) in a performance of The Duet Project: Distan

Steve Kurtz is a founding member of the Critical Art Ensemble and Associate Professor of Art at University of Buffalo. His areas of focus are contemporary art history and theory as well as post-studio practices.

“Many artists developed systems or took on languages to structure their compositions. For this score, Nelson Henricks chose to appropriate English musical notation, which uses letters from A to G to identify the notes of the scale.

Strangely Ordinary This Devotion is a visceral exploration of feral domesticity, queer desire, and fantasy in a world under the threat of climate change.

This is the flowers under attack. An entire ecosystem under attack. This is the omen of the bugambilia. This is the pulsation of the nervous trance of petals in the anthropocentric times. Part of the Hauntology series.

Letters, conversations: New York-Chicago, Fall, 2001 is driven by a fragmented voice-over that criss-crosses between two female voices – one seemingly formal and distant, the other more conversational and intimate.

There were three brides, and they all married at different times to different people in different places.

The violent overreaction to 9/11 and to the revolutions of the 1960s cannot be explained only with fear and politics.

A young boy caught in an emotional web spun by adults must untangle the relationships that are deep as the sea surrounding him.

Slip is from Martine Syms’ Kita’s World series. Kita enacts the performances of everyday life in a hyper-digitized world.

In 1971, graduate student Gloria Orenstein receives a call from surrealist artist Leonora Carrington that sparks a lifelong journey into art, ecofeminism, and shamanism.

Time Bomb tells the story of a young girl's experience at a Baptist retreat, where she is called upon to accept Jesus into her life after a coercive game of terror.

Best known for her carved wooden heads wrapped in black leather affixed with zippers, glass eyes, enamel noses, spikes and straps, Nancy Grossman (b.1940) is accomplishe

Amidst growing discussions on the headscarf issue, the President of Turkey was holding the annual Republic Day Ball at the Presidential Palace.

A cross-generational binding of three filmmakers seeking alternative possibilities to the power structures they are inherently part of. Each woman extends her reach to a subject she is outside of.

An evening-length collaboration work with the celebrated avant-garde pianist Margaret Leng Tan. The stage set is by Eiko & Koma and the lighting is by David Ferri.

Elizabeth Murray (1940-2007)  was an American painter, printmaker and draughtsman.

Three Tales was commissioned in the late 1990s by different international music festivals to reflect on 20th century life as the new century approached.

A man returns, after fifty years, to Chinatown to care for his dying mother. He is a librarian, a re-cataloguer, a gay man, a watcher, an impersonator. He passes his time collecting images that he puts before us – his witnesses and collaborators.

Filmed directly from the screen of a smartphone using a language translator app that has been told to translate from French into English, Steve Hates Fish interprets the signage and architecture in a busy London shopping street.

It's the season of joy once again and this video depicts the tasty and the troublesome in big, heaping spoonfuls.  Witness a social whirlpool of whipped confections and stripped confessions tastefully prepared in soupy symbolism.  See man and

Invoking a biblical story of life coming from dry bones, Condit constructs an experimental narrative about an older woman’s confrontation with her own mortality after the death of her mother.

Multiple sources of feedback-generated computer animations mixed with images and sounds from electronic oscillators via an analog video switcher. The sound is delayed with Max/ MSP.

Kuyenda N’kubvina looks at how thought and culture propagate in the slender nation of Malawi.

Based on a painting depicting St. Bernard receiving milk from a statue of the Virgin Mary.

Words: Donald Kuspit

Performer: Heidi Bartlett

Sound/Camera: Hans Breder

Post-production: Adam Burke

Color Schemes was exhibited in its installation form (with a self-service washing machine) at the Whitney Museum in 1990.

Sphinxes Without Secrets is an energetic and transgressive acount of outstanding female performance artists, and an invaluable document of feminist avant-garde work of the 70s and 80s.

Characteristic of much of Gillette's work—which treats video as a field of light, movement and reflection—Muse extends beyond optical sensation to engage the viewer in metaphysical contemplation.

Video Data Bank is proud to present the pioneering work of Bio Artist Eduardo Kac. This three-disc box set features art works that expand the limits of locality, light, and language.

In Barbier’s meditative journey through India, she deconstructs the myth of the objective documentary by using textual commentary and off-camera remarks to address the problematic relationship of observer to observed.

Joe Sacco is a cartoonist who has contributed to a wide range of comic magazines including Drawn and Quarterly, Prime Cuts, Real Stuff, Buzzard, and R.

Forti uses the camera as a research tool to record the movements of three grizzly bears pacing anxiously behind the bars of their cage in the Brooklyn Zoo. The collected visual information becomes part of the basis for Forti's movements in Solo No.

The Diaspora Suite