If you lived here you’d be home by now occurs during the years of Williamsburg Brooklyn’s overheated real estate market, just before the 2008 financial bubble burst.

In this short but provocative tape, recorded August 4th, 1971, Carol Vontobel “interviews” Nancy Cain who is speaking about her “coke addiction problem” under the pseudonym Nancy X.

Part of paraconsistent sequence series and the hauntology series.

Flowers for LH reflects on the last play written by Lorraine Hansberry entitled What Use Are Flowers?

Dance: Joey Kipp
Cinematography: Steve Cossman, Cynthia Madansky
Music: Zeena Parkins

In Islands, Fung deconstructs the 1956 John Huston film Heaven Knows Mr. Allison to comment on the Caribbean’s relationship to the cinematic image.

Naked shows a colony of naked mole rats living in a laboratory. This rare and highly socialized species demonstrates modes of behavior that in uncanny ways seem human-like.

"An eye-opening piece of guerilla counter-surveillance, Untitled documents Dinçel’s time working as a tech assistant at a film festival where they managed to record the headset chatter between themselves and the two male projectionists working

Jennifer Bartlett (b. 1941) is a writer and painter who makes large paintings with enamels on fabricated panels. She uses an overall grid structure on which she repeats images in a variety of styles ranging from lyric abstraction to childlike representation.  Near the end of this interview with Kate Horsfield, she reads the chapter “Dreaming” from her book The History of the Universe (1985). “I decided: 1) I didn’t want to stretch a canvas again, 2) I wanted to be able to work on a lot of things at once. I didn’t want to exercise my own taste, which seemed boring and hideous. I wanted something modular, a constant surface."

A historical interview originally recorded in 1976, edited in 2010 with support from the Lyn Blumenthal Memorial Fund.

“We are hoping that in presenting this story in such a minimal way it would become evident that this Freudian logic is a conceptual and visual cliché. We want our audience to have an emotional response to the work, but at the same time realize that they’re being manipulated.” —Bruce and Norman Yonemoto

Strap on your seat belts and get comfortable for a 7,000 mile drive. This documentary invites you to travel along with the Center for Land Use Interpretation as they find suggested photo spots across North America.

UK, November 26th 2005

The perception of an Anglo-American hotel room is coloured by new revelations about 'The War on Terror' and 'The Special Relationship' that exists between Britain and the USA.

Spell Reel is an archive of film and audio material from Bissau, Guinea-Bissau.

NYC: A morning walk to the Esplanade near where the Towers had been — just to watch and record water taxis ferrying people between New Jersey and New York City — then riding across a piece of handmade canvas scanned into the computer.

Benjamin Buchloh is an influential art critic and historian; he has written extensively on contemporary art for journals and exhibition catalogs, as well as his essay collection Neo-Avantgarde and Culture Industry (2002).

"A meditation on history, memory, and change in Central and Eastern Europe, Buried in Light is a non-narrative journey, a cinematic collage.

Robert Irwin (b.

Is Miley more or less happy than June Cleaver?

In this tape the Videofreex document an impromptu experimental art gathering in 1971, hosted by New York artist, Tosun Bayrak.

A series of unnatural deaths and departures (almost all, of men) disrupts the lives of nine families sharing an apartment building in Jerusalem.

"code switching began as a contemporary reaction to Adrian Piper's Cornered (1988).

This film uses the ‘old fashioned’ conventions of documentary film practice to stand history on its head.

"Exhibitons, whether of objects or people, are displays of the artifacts of our disciplines. They are for this reason also exhibits for those who make them, no matter what their ostensible subject.

An unorthodox essay film on the renowned but controversial painter, Philip Guston. Ballad interweaves Guston’s biography, influences, and philosophical approach to art with Cohen’s deeply personal engagement with the man and his work.

Robert Cumming (b. 1943) is an American photographer/sculptor/bookmaker who borrows from the artifice of theatrical sets to construct his elaborate and often absurd images. He has also published several books of photography and narration.

Volume 2 includes the pixelvision works made in 1992: A Place Called Lovely, It Wasn't Love, and Girlpower.

Joan Mitchell (1925-1992) was a "second generation" abstract expressionist painter and printmaker.  She was an essential member of the American Abstract expressionist movement, and one of the few female painters to gain critical and public acclaim in the era.

RECKONING 4 is the second in a series of investigations into (among other things)

This very funny video plays with the identification of the camera as phallus, as an instrument of power and domination intruding upon reality; never an innocent bystander, it is always the organizing locus of events.

This is the common audiovisual system that interconnects the body of the workers and the industrial machinery of the actual system.

Part of the Hauntology Film Archives series.

"Like any other great city, this one offered its populace more than merely every evening freedom. It offered a variety of slaveries to which the freedom might be put.

Five prayers are sent skyward, and five curses get directed inward by those living in the purgatory of "modern life"... Attend this moody Mass in the church of "thoughts and feelings"... It will uplift you.

Mom and Dad highlights causal conservations between Phil and his parents around family life, road trips, and camping in an interview-like setting, where his parents sit against a plain brick wall facing the cameras.

flight is a frame-by-frame re-editing of an astronaut walking on the moon into a seven-minute long meditation on technological transcendence. The unstable, stuttering image depicts the astronaut's struggle to separate from his body.

Once again a seaside serenade of sloshing oils and simmering scallops fills the crannies of Cape Cod with dingle-berries of dubious delight!  Join a crew of crustacean craving civilians as they shuck their shells of inhibitions to become the truly

Equal Rights for Unborn Drag Queens is a satirical short video in which Brenda and Glennda critique anti-abortion politics, homophobia, and religious fanaticism in the media.

A trans performers enacts an improvised strip-tease in silence, adhering to directions of positioning and movement. 

Based on accounts of girlhood anorexia, Swallow unravels the masked and shifting symptoms that define clinical depression.

Shot over one day, this program records the events and protests in Washington DC on May Day, 1971.

In 1988 the World Financial Center in lower Manhattan asked artists and architects to produce installations that centered on “the rapid development of the modern city and its enormous impact on how people live and work” for the New Urban Landscapes

Dó is an audio/visual synthesis between a dual screen video installation and a sound installation which was developed in collaboration with the Portuguese-Cape Verdean rapper/music composer Chullage.

M+ Museum presented A Body in Hong Kong in two locations as part of Mobile M+: Live Art, 2015.

Buckminster Fuller (1895-1983) was both a pioneer architect of the modern era and a global theorist. Fuller developed a system of geometry that he called “Energetic-Synergetic geometry,” the most famous example of which is the geodesic dome.

Burns and Discenza continue to battle invisible forces with the use of various children’s toys, cars and a mechanical digger, a paddling pool, rubber rings and ladders. Eventually they escape the scene of their distress in a hatchback car.

In this interview, American cartoonist and author Lynda Barry (b. 1956) describes the philosophy of teaching that has inspired and mobilized her art since the 1970s.

Documentary of the New York experimental theater company The Wooster Group on tour in Glasgow, Scotland, 2000, installing their production of HOUSE/LIGHTS.

Documentary about a sensation by the author. A sensation that the author can only describe with the documentary itself, a nighttime thunderstorm that produces the most beautiful image of the combined action of rhythm and time.

Since comets have been recorded, they've augured catastrophe, messiahs, upheaval and end times.

Breder used Stavros Deligiorgis’s encyclopedic ability to make associations as an element in this video art and performances, providing a kind of intellectual running commentary in works such as Intertext (1976).