The summer comes to an end as the viewer tours the loft and art, the lofty art of Mimi Gross, the swinging dummies of Doug Skinner, and the mysterious real estate of famed author, Whitley Streiber.

In 2012, eteam visits Mars and Moon Townships in Pennsylvania.

This collection of five shorts includes "These Are The Rules", a frightening incantation of "dos and don'ts" delivered by a red-faced fascist figure played by Hall.

A pile-up of events pertaining to cinematic expositions begins its whirlwind of activity in the south and then moves west with the sun to the “golden state” for all that glitters on a silver screen.

PASSIONS run deep and LOVE flies high on Cupid’s arrow when ‘Boys’ are the desired target.

The Telling (1994-98) shows Anne McGuire telling two acquaintances a secret from her past using a three-camera set-up in the Desi Arnez style. The commodification of intimacy is not the strangest thing about this work. The fractured editing, silences, and lapses in continuity suggest vast narratives far more evocative than anything revealed on screen. McGuire uses television vernacular ambiguously to provoke discomfort, two things that television strives to avoid at all costs.

The Love Tapes: World Trade Center is a collection of videos from Wendy Clarke's Love Tapes project. The project began in 1977 and is ongoing.

Blending live action staged as if in a dollhouse with rarely seen archival footage from the National Archives, the fantastically true story of how America entered WWI is told.

Directed by artist and filmmaker Tiffany Sia, The Sojourn imagines a restless landscape film in Taiwan. Visiting scenic locations shot by King Hu, the short experiments with the road movie genre and its intersection with the martial arts epic.

In this video, Brenda and Glennda attend the opening day of The New Festival (now known as NewFest), a queer film festival in New York City. They interview attendees and filmmakers at the festival to discuss the importance of queer film.

Border situations have inspired writers, artists and filmmakers, particularly within the context of divisions and border control within the Middle East. Who draws the borders? What are the effects of imposing them, of imposing checkpoints?

Peggy And Fred In Hell is one of the strangest cinematic artifacts of the last 20 years, revealing the abuses of history and innocence in the face of catastrophe, as it chronicles two small children journeying through a post-apocalyptic landsca

A deft and cunning re-examination of John Boy’s near-death experience at the sawmill. A homespun midnight deconstruction of an entire era of television mannerisms.

Another in a series of sculptural films. Like it’s partner, 3 peonies, this is a short 16mm film made as a memorial for my grandmother who passed away in 2017.

In this episode of The Glennda and Brenda Show, Glennda and Brenda take over a public bus to protest discrimination and violence against queer people who are "out and outrageous".

This crime drama made with my students at the San Francisco Art Institute is a mixed bag of colorful misadventures featuring a wayward member of the clergy and a corrupting, femme fatale with bangs.

"John Smith uses humour to repeatedly subvert and frustrate potentially threatening content in an economically constructed tale of the narrator’s descent into paranoia and, ultimately, oblivion, as he is pursued, haunted, and finally destroyed by a myst

It’s not the bats’ fault.

Holed up in Lockdown in London during the Covid pandemic, I made a bat-head mask, I made a skeleton.

A meditation on the milieu of elevated threat addressing national identity, gun culture, wilderness, consumption, patriotism and the possibility of personal transcendence.

Inspired by the analogy between weaving (vertical warp threads traversed by horizontal weft threads) and the construction of the television image (vertical and horizontal scans of an electron gun), Stephen Beck built the Video Weaver in 1974, and produc

As If the World Had No West tells of the journey of a young woman who travels through the desert and who, through her relationship with the Mirabilis, ancient plants, listens to the cosmos.

A four-part series that revisits the life and and times of four families last seen as "undocumented" immigrants in the 1986

This three-part mini-series explores the mysterious and the mundane in a splash of digital dioramas that wipe across the screen in a cascade of electronic barfs. Zeroing in on the paranormal theories of UFO author John A.

The Sun Quartet is a solar composition in four movements, a political composition in four natural elements, an audiovisual composition in four bodily mutations: a sun stone where youth blooms in protest, a river overflowing the streets, th

This is a journey to El Paso, Texas, where the Super-8 filmmaker Willie Varella and I have a dialogue amid domestic routines, motel accommodations, and emotional baggage, indicative of life on the road. 

In part a remake of Hollis Frampton’s Gloria! (1979), in part a repurposing of hacked, 16-bit video game technology, The Well of Representation asks us to reconsider our fear of the liminal.

A very chatty array of people along with still photos and a loose-tongued cab driver, make this a leisurely stroll through my social life of several years ago.

This video considers how Lebanese photographer Hashem el Madani captured the everyday movement of crowds, friends and family with his super 8 camera. The rushes used in the five movements of this

Using selected details of TV’s Hollywood Squares, Birnbaum constructs an analysis of the coded gestures and “looks” of the actors, including Eileen Brennen and Melissa Gilbert.

This animation short translates Dante Alighieri's The Divine Comedy - Inferno into a catastrophic narrative about the environment.

Originally part of a multi-media installation at the Everhart Museum in Scranton, Pennsylvania, King Anthracite documents the lives, work, and early deaths of Lithuanian immigrants (including Kybartas’ ancestors) who mined the Pennsylvania coal

On the vast Kazakhstan Steppes, nine 16-year-olds prepare to graduate from the Akkol orphanage. Rockets launched overhead from the nearby Cosmodrome inspire their dreams as they write about and perform their imagined future-selves.

Year of the Spawn is an archival collage inspired by the synonymous song by the “gay church folk” band The Hidden Cameras. Wolf interpreted the song as an anthem for doomed youth.

Shutters click in this clothes-dropping exhibition of photographic exposures sure to quicken the pulse of those in need of extremity expansion.

An 8mm video that reunites cast members of a film Kuchar made in the '60s. They stage another shoot and the camera is left on to record old friends getting older and more childlike as time and champagne trickle away.

"Between the Lines is an exploration of what Muntadas terms the 'informational limits' of television—the selections, programs, decisions, edits, time schedules, image fabrications and so on—specifically addressing the means by which 'facts' in

If asked to say what this work is about in one word, the answer — which is woven into the electronic musique concrète soundtrack — would be a Joycean one: it’s a “collideorscape.” The imagery is a return to materials Rankus dealt with as a young man in

Using the first color video camera, the artist questions where the devil might be hiding, and then takes a nighttime swim.

In the solar system 18 SCORPII, located some 45.3 light years from Earth at the northern edge of the Scorpius constellation, two planets have evolved cultures of profound mutual symbiotic reliance.

Among the Xavante of Mato Grosso, the Wai’a is an important stage in a male initiation ritual that happens once every 15 years. Wai’a: The Secret of Men documents the ceremonies that prepare young men for contact with supernatural forces.

This video trilogy of Camera, Monitor, Frame, Observer / Observed, and Observer / Observed / Observer creates a semiology of video as a work on video rather than a written text.  Its main purpose is to study the structura

Shown at the Brooklyn Museum of Art, Brooklyn. The Real Art World Episodes explore the awkward social interaction of the studio visit.

Transformers: Age of Extinction, the fourth installment of the Transformers movie franchise directed by Michael Bay, was released June 27 2014.

"Sodom — for those of you who haven’t been there — is an island about ten miles in length by about two miles in width. There is no depth to it at all.

The tenth episode in the ongoing Badger series. Themes? Living in the culture of the copy; originality and ownership; inexplicable illness; life on other planets. And wonder, times seven.

Prizewinner at FLEX festival.

Baby Bush meets Tubby-land. Completed in August 2001, this project was initially just a simple comic skewering of George W. Bush and his defense policies—but after September 11th, it took on a whole new meaning.

A chance encounter with a sober student reveals the mystery of a woodland wonder that has left a mark on his youthful psyche just as it leaves huge footprints on the forest floor.

"i am very grateful that my 鬼鎮 (Ghosttown) series has shown internationally over the last couple years and is recognized by viewers, reviewers, critics, and curators as doing decolonizing work as a feminist project that queers and glitches

Yon and Payola find themselves in a Victorian conservatory. They are companionable, disoriented and petulant––they whip wildly through these disembodied states. Payola reads an excerpt of their considerable tome on the age of enlightenment to Yon.

Point of View: An Anthology of the Moving Image, produced by Bick Productions (Ilene Kurtz Kretzschmar and Caroline Bourgeois) and the New Museum of Contemporary Art, was conceived to make accessible the work of some of the most important artis