The film-essay Mined Soil revisits the work of the Guinean agronomist Amílcar Cabral, who studied soil erosion in the Alentejo region of Portugal through the lens of his political engagement as a leader of the African Liberation Movement of the
A dreamlike journey, a disintegration into a fluid human-animal-plant-machine consciousness, Pirouette follows a sound artist who records horse sounds using her own body, while a cellist on the street invades her imaginary.
Wake is a cinematic dance collaboratively created by Eiko & Koma and James Byrne. It was filmed in special sessions during the premiere run of the living installation Naked, at Walker Art Center, November 2-30, 2010.
As a foulness shall ye know Them. Their hand is at your throats, yet ye see Them not; and Their habitation is even one with your guarded threshold. The wind gibbers with Their voices, and the earth mutters with Their consciousness.
A Body in a Cemetery is a 15-min short film that documents a place-inspired solo performance by dancer/choreographer Eiko Otake in Green-Wood Cemetery, the U.S.’s second oldest cemetery in Brooklyn that holds 570,000 "permanent residents." Pres
Short for "Probably The Last" (of the series), Spiral PTL uses the image processor like a musical instrument to create variations on a spiral, transforming its basic form into an ever-moving gyro.
This Is Not Beirut is a personal project that examines the use and production of images and representations of Lebanon and Beirut, both in the West and in Lebanon itself.
I could not remember anything about my childhood before the age of twelve. I made a decision to remember.
First of all: a dissolving is a structural device of the history of audiovisual language. Second: this piece is about a rearticulation of the dissolving device that captures the ominous historical and political events in recent Mexico.
In 1975, the Feminist Studio Workshop (I was a member) at the Woman’s Building in LA, the Women’s Interart Center in New York City, and another feminist organization in Washington DC, attempted to set up a video exchange among feminist art organizations
Sadie Curtis (1931-2012) was a Navajo woman descended from five generations of weavers. Filmed inside her hogan, Sadie talks about learning to weave as a child and how she gained fame from the creation of an American flag in the Navajo style.
"In Some Dark Place, filmmaker Cecelia Condit explores the dislocations of identity and memory that aging forces upon us, without losing sight of life's beauty."
— Milwaukee Film Festival, 2016
The soundtrack begins with the artist stating the conditions: “An artist may construct a work and/or a work may be fabricated and/or a work need not be built.
A haunting look at the hidden issues of erotic power relationships between women, told through the reconstructed story of two girlhood friends.
The latest in Muntadas and Reese's series documenting the selling of the American presidency features political ads from the 1950s to ads from the 2004 campaigns, and highlights the development of the political strategy and marketing techniques of the T
Shifting Positions is a semi-autobiographical/fictional trilogy exploring becoming queer later in life, my father's dementia, and our mid- and end-of-life crises.
REVOLVER is a short film that weaves the perceptual phenomenon of pareidolia (a situation in which someone sees a pattern or image of something that does not exist) with an oral history narrated by a descendent of Exodusters.
Talk Attacks is a 1983 single-channel video by the artist duo Ligorano Reese. Created during their time in Barcelona, this work delves into themes of miscommunication.
Swamp Swamp and Wurmburth are each comprised of a series of tightly cropped shots of small, hand-made table-top sculptures or "sets". Paint and many other materials that behave like paint (i.e.
A self-described “collage piece” of “stolen images,” Shanghaied Text starts with quiet Montana landscapes, among which are views of a powerful dam.
Applying the same economy used in César's other films — one shot which uses the duration of an entire 16mm film reel — Porto 1975 is a tracking shot that unfolds at the social housing complex Cooperativa das Águas
Under the spell of Toloache, the hypnotic images come up.
The "exquisite corpse" named in the title of this piece refers to a favorite game of the Surrealists, played by passing a folded sheet of paper among a group; each person draws one section of a body on the folded segment without looking at the other sid
A camcorder diary and chronicle of public opinion in Moscow during a time of huge political, economic, and hence cultural, changes in the former Soviet Union.
Inspired in part by the cover of "Megatron Man," Patrick Cowley's archetypal 80s disco album, Robot Love is a celebration of the playful, synthetic, party-driven, disposable culture of disco.
The works on Reel 3 were produced during 1972-73, and re-mastered in 2005 when several newly available titles were added. The focus here is on social relationships and attaining the perfect life, be it through making the right decision, getting something for nothing, or just having it all. Many of the comic skits parody television ads and infomercials, and Man Ray has to make some consumer choices.
In the video An Evening with Kembra, Glennda and Brenda attend one of Kembra Pfahler's dinner shows on New York City's Lower East Side.
Paris, as in other metropolitan European cities, is rejuvenated by the influx of border crossing urbanites.
“Where the robots can eat food, they eat chemicals instead—as one would expect. Where they can live and act, they sit in dark rooms and watch others do it for them. Where they can have faith, they mistrust the honest.
An elegy to the popular demands against ominous social and political events in the recent Mexico.
Interviewed by Colin Westerbeck.
A historical interview originally recorded in 1987.
It’s summer time in New York City and the relatives are coming out of the woodwork. Cats live and die amid the high humidity and more exotic species of God’s goodness parade distressingly on the hot asphalt of a shopping mall.
What Farocki Taught is literally and stubbornly a remake — that is, a perfect replica in color and in English, of Harun Farocki’s black and white, 1969 German language film, Inextinguishable Fire.
Matt Wolf returns to Joe Brainard's iconic poem I Remember (1970) in this videowork. His archival montage combines audio recordings of Brainard reading from the poem, as well as an interview with his lifelong friend and collaborator, the poet Ron Padgett. The result is an inventive biography of Joe Brainard, and an elliptical dialog about friendship, nostalgia, and the strange wonders of memory.
Just a Soul Responding is a four-channel synchronized video installation. A composite of the four channels presented in one video is available from Video Data Bank for educational use only.
"I’ve been raised with stories of the medicine men in my family. A bundle that was used successfully to heal people. Stories of bear spirits that took care of us.
In Mute, fragmented images of the female body, recalling sensuous landscapes, suggest the objectification of women in a culture that renders them silent.
As the cacophony of grieving opens onto the deep quiet of mourning, this poetic journey explores mortality as the psychic space of dwelling.
In this interview, political and social theorist, Terry Eagleton (b.
Angel appears to Weirdo and forces a distasteful issue.
“Hey, how’s that TV work?”
As with his predecessor Ernie Kovaks, everything is fair game for ridicule in Dibble’s gentle and eccentric humor.
In this video, made soon after the death of his mother Stella, we accompany George to the wake, and on to a trip to Albert Maysles holiday home on Fisher's Island.
Ground Effect is an investigation of the constantly shifting, 80km long line in Israel, where rainfall amounts to less than 200mm a year on average.
The Videofreex had several experiences with the Black Panther Party, including interviewing Illinois Chapter Deputy Chairman Fred Hampton and New Haven Minister of Information Cappy Pinderhughes.
1! is part of the Pop Manifestos series, a five video project realized in collaboration with Cokes' former students Seth Price and Damian Kulash, and originally conceived as part of a series for the conceptual band SWIPE.
The confession of a woman who took flight... A woman tells a tragic story straight to camera. The camera seems to be looking for the spot where the pain is, but the woman is too quick for the viewer.
On the eve of the 1984 Presidential election, Jenny Holzer used a truck equipped with a sound system and an 18-foot Diamond Vision electronic board to display images, statements, and man-on-the-street interviews.
In astronomical terminology ‘redshift’ is a term used in calculating the age of stars by measuring their distance from the Earth.