6^ is part of the Pop Manifestos series, a five video project realized in collaboration with Cokes' former students Seth Price and Damian Kulash, and originally conceived as part of a series for the conceptual band SWIPE.

The Templo Mayor was the center of the Aztecs' religious life in Tenochtitlán, a ceremonial building in the heart of Mesoamerica. A center of political battles of contemporary Mexico. A ritual of resistance.

Deaf Dogs Can Hear is an autobiographical work that traces the tragic yet humourous episodes of the artist as a young girl, and her pet chihuahua.

A collection of early feminist videos curated by Maria Troy, Associate Curator of Media at the Wexner Center in Columbus, Ohio.

I borrowed this absurd phrase from a sign posted on the conductor’s booth in the Washington, D.C. subway. The language of civil service here borders on unintentional parody, with its blankly polite tone and bureaucratic single-mindedness. I.G.G.B.S.R.A.U.C. revisits my 1992 tape Nation, and features a dense chorus of faces and voices. These strangers ask us to consider the question, 'Who is the public?'
— Tom Kalin

Going Around In Circles continues Holt's interest in perception and point of view. A board with five circular holes is placed in front of the camera.

Ascensor is an exploration of grief, longing and mysticism through a queer lens. It documents a syncretic ritual that culls from the magical reverberations in Mexican culture to process the unexpected loss of a dear friend.

Combining collage and animation with an Asian-influenced soundtrack, images of women dancing sensually and devotional imagery, Matsushima Ondo compares religious devotion with sexual representation.

With Cold Harbor, Donigan Cumming uses a minimum of elements to create a powerful anti-war message. Initially, the video seems enigmatic, almost abstract.

"This film is closely related to my last feature-length project, Counting. I take the temperature of a neighborhood. In this case, the place is my New York.

This video is a moving personal documentary about Danny, a friend of Kybartas who died of an AIDS-related illness in 1986.

Eiko Otake’s I Invited Myself is a multi-volume installation which features choreography of place, movements of both performer and viewers, along with projections of selected video and film works created by Eiko over the last 40 years

Morayngava: the “design of things.” Yngiru: the box of the spirits, the films, just like xaman dreams. This is how the Asurini define video, which has just arrived in their village.

An intense conversation between two people one evening leads to a pictorial love story about loss and longing.

IEVE Aura features video art created and recorded at the first Interactive Electronic Visualization Event at the University of Illinois Circle Campus.

Glenn Belverio is an independent filmmaker and drag artist who lives and works in New York City.

Chief Waiwai recounts for his village the story of a trip he and a small entourage made to meet the Zo’é, a recently contacted group whom the Waiãpi “know” through video.

Relying on the magic echo found in an old power Station in Norway, the artist whistles and marches to the Internationale, a May Day workers’ song.

2 Spirit Dreamcatcher Dot Com queers and indigenizes traditional dating site advertisements.

Guillermo Gómez-Peña, Gustavo Vazquez, Daniel Salazar, Patrick Litchy, Jethro Rothe-Kushel

A portrait of a studio photographer, Her + Him VAN LEO also examines the photography of the 1940s and 50s from a critical perspective rather than a nostalgic one.

The crossword puzzle addiction.

Linda Montano (b. 1942) is an American performance and video artist.  At the source of’s work is her search for a personal harmony and balance.

Unable to locate the grave of Letine—leader of a 19th century acrobatic cycling troupe (and buried locally)—I went home and wondered.

And then I made this film.

Wrong Place, Wrong Time uses appropriated images from the "reality television" genre to examine the seductiveness of the spectacle of tragedy. This video exists in an area where the division between reality and image are simultaneous.

"On January 22, 1987 an unjustly convicted Budd Dwyer grasped onto the pages of his final speech as Pennsylvania's State Treasurer before shooting himself in front of news cameras.

This video is related to Seven Years of Living Art (a seven-year performance of personal endurance Montano began in December of 1984) and adopts the Zen Chakra system of seven centers as a structuring device.

Archives recovers the formal community that mobilizes the diagrammatic experience of archives, a formal community that claims the sensory nucleus where hypertrophic rhythms, abstract machines, monuments and memorials, digital servers, corporate

The Waiãpi videomaker Kasiripinã decides to show white people the documentation he did on his people in Amapo. He presents and comments on three celebrations that represent episodes of the myth-cycle of the creation of the universe.

Lighthouse is about the labor system and the factory town in Southern China and how individualism is influenced by the social and political infrastructure.

This meditative silent video features gradual evolving swirls on top of vertically synced bars. Their ever-changing color, shapes, and sizes demonstrate the subtleties achieved through  image processing.

Featuring Arnold and Ahneva from Wendy Clarke's One on One video series, this video dialogue deeply connects the pair through discussion of Black brother and sisterhood.

A man explains global currency markets without the help of his formerly trusty rockin’ talkin’ pony, who is missing. Without the pony, the world is as disorientating as it is depressing. The audience is invited to help make order of the chaos.

Modeling Paranodal Space is part three of Zach Blas's Contra-Internet Inversion Practice series.

Accidental Confessions combines scenes from a demolition derby with statements taken from automobiles insurance claims.

“I am a mannish / Muff-diving / Size queen / With bad attitude / An arse-licking / Psychofag / Molesting the flies of privacy / Balling lesbian boys / A perverted heterodemon / Crossing purpose with death / I am a cock-sucking / Straight-acting / Lesbia

A call from the beginning, the ancestral water, the everlasting belly from where life cries out.

This tape deviates from the more purely formal investigations of Snyder’s earlier work; it has no soundtrack and uses camera images exclusively.

Dream Nightmare is from Martine Syms’ Kita’s World series. Kita enacts the performances of everyday life in a hyper-digitized world.

Awarded a MacArthur “Genius” Fellowship in 2014, Rick Lowe is a leading practitioner of social practice art. His Row Houses project is a highly lauded example of relational aesthetics successfully deployed.

Witness is a perceptual meditation on police brutality—specifically a power dynamic that law enforcement has coined “suicide by cop.” Filmed in Iceland on 8mm film, the film hinges on archival audio—unfolding in real time—of

These are the remnants of mass culture in the collective unconscious that spill into reality. Part of the Hauntology and Post-Covid series.

In this interview painter Robert Ryman (b. 1930) describes his artistic influences, recounts his work process, and assesses the use and meaning of painting, both in the 1960s and the 1990s.

This film was made from The New York Times newspaper articles. The semi-automated animation process resulted in sentence recombinations that sometimes made sense while randomly emphasizing certain words and images.

Among the handful of video recordings of Lanesville TV that exist today, this tape is particularly special for its documentation of one of its very first programs to run on the air.

An excerpt from an episode of On Our Own, this video features the roommates preparing to "get crazy, cut loose, and celebrate the day." The incessantly ringing doorbell incites Joe to poison the "punks" outside by injecting kitchen chemicals in

This was the epitome of the one-video-a-night project: an un-altered home video clip set to a sped-up Game Boy version of a Roommate song, rendered as Video Art by Duchamp-derived title (suggested by the original wearer of the Pac-Man costume).

"The videowork of Nelson Henricks, though quite varied in treatment and theme, has worked toward the articulation of a single concern: How can love fly through the air and be received by me?"

—Steve Reinke

Filmed directly from the screen of a smartphone using a language translator app that has been told to translate from French into English, Steve Hates Fish interprets the signage and architecture in a busy London shopping street.

A rock. Buildings. Trees. Nothing happens. But something is always moving. People walk by. Time passes by. Seasons change. The Earth’s tectonic plates are in constant but imperceivable motion, which slowly move apart or crash together.