2 Spellbound is a frame-by-frame re-editing of Alfred Hitchcock’s 111-minute psychoanalytic thriller (1945) into a seven-and-a-half-minute dance video.

Credits is about re-reading information. Recycling. Image-making. Wallpaper TV. Zen. Money. Labor. And of course, credits.

This video shows the design and choreography of Eiko's three-channel installation on one screen. Each video was shot in California by Alexis Moh and Marjorie Hunt during a creative residency at UCLA in April 2019. 

An episode from a Lebanese TV series entitled Image + Sound.  Each episode in this groundbreaking program was based on paralleling TV news images alongside staged events. This episode was shot at the St.

Phalloi Phaerie emerges from the wood. Forest nymphs with carnivorous flowers begin their mating rituals in a playful, polymorphously perverse return to arcadia.

Miyoko Ito was known as an “abstract surrealist.” Her paintings are landscape-based abstractions of very intense subtleties of structure and color.  Ito was born to Japanese parents in Berkeley, CA in 1918. She studied art at the University of California at Berkeley for a short time until she was imprisoned in a Japanese-American camp after the bombing of Pearl Harbor. Ito continued her education in prison, after which she attended Smith College. She was then given a scholarship to attend the School of the Art Institute of Chicago. It was in Chicago that Ito's career as an artist flourished, where she explored cubism and latent abstraction in her works. Ito remained in Chicago until her death in 1983.

In this 1993 contribution to the On Art and Artists series, artist Art Jones describes his entry into the world of activist media, and the genesis of his belief in the potential for a democratized street-level media. Hailing from the Bronx, Jones recalls his personal dislocation during college, when he began studying film and video at SUNY Purchase. At that time, Jones experienced a cultural isolation, which he mobilized to fuel his practice. This willingness to confront issues of representation and absence, asserting the validity of his own subjecthood, would become a defining characteristic of his work.

This extensive interview with California artist Doug Hall (b. 1944) provides unique insight into the culture and politics of experimental artistic production during the 1970s. Discussing the founding of the performance group TR Uthco, Hall offers context for his contribution to the field of video art, and shares stories of his collaborations with Ant Farm, Videofreex, and others. Ranging from his early years as an art student, to his romance with artist Diane Andrews Hall, to reflections on technology in art, this interview importantly extends the discourse surrounding topics of archive, performativity, and autobiography—subjects that have come to define the contours of video art today. 

A newly re-mastered collection of 22 comedic performances to camera, produced during 1973-74.

3 Church Walk is a film made with writer Jonathan P. Watts and sound composer Simon Limbrick about the empty and neglected Suffolk house of modernist architect H. T. ‘Jim’ Cadbury-Brown.

Part of the paraconsistent sequence series.

This video takes its departure from the BBC's coverage of the killing of three IRA volunteers by British Security Forces in Strabane, a small town on the border between Northern Ireland and the Irish Republic.

A documentary presenting an overview of Eduardo Kac's trajectory, including interviews with the artist and with art critics Annick Bureaud, Christiane Paul, and Arlindo Machado.

Walt Disney's re-imagineering of Martin Scorsese's classic film Taxi Driver follows Mickey Mouse-obsessed Travis Bickle as he looks for love in a rapidly transforming New York City. A 'fair use' parody by Bryan Boyce.

Having collaborated with videographers for previous media works, Eiko & Koma decided to work alone in creating Husk. Koma adopted the role of cameraman to film Eiko's solo piece.

Future From Inside is the last in the trilogy begun in 2016, by Dani and Sheilah ReStack (also including Strangely Ordinary this Devotion and

In One Man Ladies, Glennda Orgasm is joined by Vaginal Davis as they meet women on the streets of New York City to discuss Laura Schlessinger's book Ten Stupid Things Women Do to Mess Up Their Lives.

While out shooting for a different project altogether, I encountered two sleeping men on a Manhattan street.

The historic Great Blizzard of 1978, one of the most severe blizzards in U.S. history, hit southern New England with paralyzing effects.

Pat Steir is an American painter and printmaker whose work has resisted artworld currents and factions for decades, while expanding its reach and maintaining enthusiastic critical support.

Hotel Diaries is an ongoing series of video recordings made in hotel rooms, all of which relate personal experiences to contemporary world events.

Part of paraconsistent sequence series and the hauntology series.

This alternative commercial promotes the aggressive democratic use of home video equipment to record local news of community activism and other events that don’t make the headlines for political reasons.

It’s summer time in New York City and the relatives are coming out of the woodwork. Cats live and die amid the high humidity and more exotic species of God’s goodness parade distressingly on the hot asphalt of a shopping mall.

"Third Known Nest is a collection of nine short works completed approximately one per year from 1991 to 1999.

Fashioned out of home movies recovered from failing hard drives, this glitch-art video makes comparisons between different forms of memory - suggesting that, while error and decay may keep us up at night, they might also be the way we put our ghosts to

Performance artist/sculptor Ana Mendieta used the raw materials of nature: water, mud, fire, rock, and grass.

A fast-talking and fabulous teen recounts his experiences as an out and loud Toronto queer.

Elizabeth Murray (1940-2007)  was an American painter, printmaker and draughtsman.

Made collaboratively with the filmmaker's mom Deborah, I Can Hear My Mother’s Voice documents her process of learning how to use the filmmaker's video camera.

Displaying a broad range of Golden Age Hollywood animation, Manifestoon is an homage to the latent subversiveness of cartoons. Though U.S.

A look at various homes and the people who sit on the furniture that decorates this assortment of abodes.

In this experimental interview with Jill Ker Conway, Freed outlines a portrait in chalk on a black surface as the soundtrack conveys Conway describing her fascination with the way ones visual self appears on camera and the way an artist perceives their

In this reinterpretation of the mikveh — a purifying ritual bath performed by Jewish brides about to marry — the filmmaker and his husband’s immersions are disrupted by a government who refuses to recognize their marriage.

A document of two life processes: the passing of my friend Andre’s 10 year old German Shepherd, Cortàzar, and the tattooing of Cortàzar‘s image on Andre’s chest.

The introductory title to The Blindness Series, aletheia presents an indexing of categories investigating different aspects of blindness as metaphor.

In Excerpts from Behold Goliath, Tom Kalin presents four experimental short films inspired by American writer Alfred Chester (1928-71), who in 1964 published a collection of short stories of the same name.

The earliest of Benglis's videoworks, Noise calls attention to the assemblage element of video by allowing the image to disintegrate into static between edits.

Irradiation is the thermal emanation of vital heat, the ancestral support that immerses beings in the solar blood. This is the immersion of beings in the bloody solar flow that gives the intense color of our present time.

Documentary of the New York experimental theater company The Wooster Group on tour in Glasgow, Scotland, 2000, installing their production of HOUSE/LIGHTS.

Ingrid Pollard is a photographer living in London. Her photographic works, generally of people and landscape, serve to provide a human context for issues of transmigration and “fleeting” identity.

A Yosemite gargoyle climbs two gothic arches.

In(sul)ar marks the dichotomy between reality and fiction, by creating meta-images of an imagined island, where time and space are confused with each other.

Strap on your seat belts and get comfortable for a 7,000 mile drive. This documentary invites you to travel along with the Center for Land Use Interpretation as they find suggested photo spots across North America.

Plagued by blindness, sloth, and devotion, a troubled scene from Little House On The Prairie offers itself up to karaoke exorcism.

— Michael Robinson

"Newly hand-built digital video A to D and D to A with ALU bit flipping. Controlled by an ELF II computer. The image brightness changes also controlled analog synthesizer parameters of the live flute playing.

“A night sky fills with light shimmers and flecks, surface markings, heavenly bodies. It’s an ocean, a well, a screen, a mirror, a portal. Blackness/void cluttered by growing ephemera.

The sale of a plot of land marks the kickoff of an unlikely road trip in this strange American odyssey. When eteam buys an acre of the Southwestern desert on eBay, the deed fails to arrive and the pair attempt to track down the phantom seller.

In these seven short video performances directed by Isaac Artenstein, Gómez-Peña confronts Mexican-American culture clashes, stereotypes, and the Fourth World (immigrants).

Public Discourse is an in-depth study of illegal installation art. The primary focus is on the painting of street signs, advertising manipulation, metal welding, postering and guerrilla art, all performed illegally.