In this video, MICA-TV interprets the dark spaces of architect Peter Eisenman’s Wexner Center for the Visual Arts at Ohio State University through a fractured narrative of psychological perspectives.

Ephraim Asili’s five-part series The Diaspora Suite is both a personal and global study of the African diaspora.

Commissioned by the Oakland Museum, this video provides an artist’s interpretation of the museum’s displays and collections.

Urban parks consist of two major elements: nature and man-made forms. Parks play an important role in the urban environment, offering relief in everyday life.

An episodic adventure highlighting the riff between mind and body. Through a series of animated narratives, role reversals and associations, images are driven out and stacked one on top another.

The Ruling Classroom documents a social studies experiment played out by seventh graders in Mill Valley, California.

A kind of warped Folktale, the video follows two women through a bizarre, broken landscape of collapsing signs and imploding meanings, on a pilgrimage to the Winter Gardens, Blackpool, to cure their green baby.

From an inverted position, high above the floor, the camera records Nauman’s trek back and forth and across the studio; his stamping creates a generative rhythm reminiscent of native drum beats or primitive dance rituals.

Part 2 of Two Movies by Mike Kuchar.

Shown at the Brooklyn Museum of Art, Brooklyn. The Real Art World Episodes explore the awkward social interaction of the studio visit.

Made with Ian Bourn.

A depiction of the forced development of a hothouse flower. Organic growth is progressively overtaken by a more sinister mechanical process.

Shot during the fall of 2009 in Wesleyan University, this short documentary follows Eiko & Koma as they construct the first exhibition of their Retrospective and ponder upon questions the project asks. Directed and edited by Joanna Arnow.

The archive is not a repository of cultural memory, but of dreams, a bank of dream material. Both memory and archive embrace death, but from contrary positions. The archive is a mausoleum that pretends to be a vast garden.

From The Crystal Quilt performance, Suzanne Lacy, Phyllis Jane Rose, Nancy Dennis, Sage Cowles, Minneapolis, 1987.

Believing that we are, "dragging our feet into the 21st Century," Almy made this video trilogy to celebrate technology and the future in an ironic melange of politics, sociology, sexuality, and economics.

The daily life of the Panará village during the peanut harvest, presented by a young teacher, a woman shaman and the village chief.

Direction and photography: Paturi and Komoi Panará

Editing: Leonardo Sette and Vincent Carelli

This video was originally part of an installation at the Whitney Museum of American Art, part of which included the video collaboration Channels of Desire.

A video essay set in the Mexican-U.S. border town of Ciudad Juarez, where U.S. multinational corporations assemble electronic and digital equipment just across from El Paso, Texas.

...the Chinatown of the mind.

a little girl dreams of a new pluralism meanwhile the old war continues V.1  2009, 67:00

On the outer limits of an Oklahoma town both eyes scan the skies for the terror being foretold by the volatile vapors that pulse with urgent radio frequencies.

Something primitive projects into the present to upset the lives of a group of people delving into past-life regression techniques.

This video proposes an ironic metaphor to grasp the follies of U.S. government action and inaction in Central America. The process of learning U.S. policy is similar to the process of a young child acquiring the principles of language.

People black and blue with life’s bruises, People who glow red with hot passions, or turn deep purple with spiritual purpose are here, boldly rendered in the widescreen format.

This portrait is not simply an account of Simone Weil’s life, but rather the skein of her ideas. The “unoccupied zone” is therefore only marginally meant to refer to the southern part of France under Vichy.

Part of paraconsistent sequence series.

Produced in former Yugoslavia (Bosnia-Herzegovina, Croatia, Macedonia, Serbia & Montenegro, Slovenia), Austria, USA, Canada, 1999-2003.

What Rules The Invisible is a short film that upends archival travelog footage shot in Hong Kong.

In Takeover of the Empire State Building, Brenda and Glennda visit the top of the Empire State Building as it is lit up in lavender for Gay Pride.

The pages of books that deal with nostalgia and the vanishing vistas of America's past are infiltrated by the appreciative presence of two hulks from today, who go their own ways through the by-ways and highways of an illustrated yesteryear.

An homage to Walter Benjamin and other time-traveling artists and expatriates that have inspired me, especially Chris Marker. Benjamin, fleeing from fascism in the 1930s, took refuge in Paris where Biblioteque Nacional became his home away from home.

This video retells and disorders an important of a pre-Columbian Native American city directly across the Mississippi River from modern St.

Craggy, ice-encrusted peaks soar skyward as blue lagoons lap incessantly to the drumbeats of big city behemoths hellbent on halibut and hashbrowns!

"...a rumination, a series of borrowed 'dialogues' out of an ongoing argument with myself. It meanders, mentally and physically, reflecting on the conditions of being human; on transience, consciousness and desire.

In the words of activist Dhoruba Bin Wahad, “Historical and social events are subject to almost instant censorship by those who have better access and control over the medium of communication.

A chronicle of rumination / reflections on photography, aging, the woods, and the homeland.

A brief visit with a graduate student in the painting department of the art college where Kuchar teaches and the discussion that follows the unveiling of his work.

The Wake was filmed at the Invertebrate Zoology department of the Carnegie Natural History Museum in Pittsburgh.

A documentary about the initiation ritual for young Xavante Indians, created during a training workshop for the Video in the Villages project.

Part cloning experiment, part documentary, Stories from the Genome follows an unnamed CEO-geneticist whose company sequenced the Human Genome in 2003 — a genome that secretly was his own.

The setting for The Politics of Intimacy recalls the widespread consciousness-raising (CR) groups in the late '60s and early '70s inspired by the emerging feminist movement.

In Taiwan, Traditional Taiwanese Opera (gēzǎixì 歌仔戲) and Puppet Plays (bùdàixì 布袋戲) aren’t just performances for human audiences—they are also sacred rituals, that honor and ent

Psykho III The Musical is an intriguing play on the tension between “authentic” and “pop” camp.

"Perhaps Cuevas' most chilling work, Cinepolis forecasts an image-driven invasion of everyday life, picture-perfect and unnoticed.

Shot in October 1969, this tape gives an inside view of the workings of late-sixties radical groups and the debates going on within their ranks. At a meeting of Yippies, there is a discussion about the nuts and bolts of fundraising through benefit concerts and events in an attempt to finance support efforts related to the Chicago 8 Conspiracy Trial.

A witch’s moon ignites an artist’s canvas with lurid colors that keep him from sleep in a city that is the subject for his brush.

Video portraits of activists, lawyers, artists, and people simply in the wrong place at the wrong time, accused by the U.S. government of being or aiding terrorists, in these great times.

Through the floating garden, into the mountain of signs and chants, arise the path of the winged stone. A stone that used to be a fossil.

A friend visits from Canada and we relive the past as the future becomes more and more obscured by a cloud of burning vegetation wrapped in cigarette paper and exhaled by a pair of lungs unable to supply a brain with the necessary oxygen (mercifully) to

The expansive cycles of time vs. the ever smaller circles of life under lockdown.