Moving towards an unknown destination, a group of anonymous passengers float through an unidentified landscape. Built from Cohen’s archive documenting his travels, the film can be seen as a curious parable.

The Writers Series consists of a number of video portraits of writers whose work I love.

— Cecilia Dougherty

"Living on the slopes of the volcano Vesuvius is a strange contradiction: always in stress and yet also sleepy, waiting for what might happen.

A short, poetic QuickTime video about the gray areas of gender identity."

“[A] rather perverse exercise in futility,” this tape documents Baldessari’s response to Joseph Beuys’s influential performance, How to Explain Pictures to a Dead Hare. Baldessari’s approach here is characteristically subtle and ironic, involvi

There is no future in reproduction. I have no concern with any species extending itself through time. You think you have given birth to a baby, when really you have given birth to a bus driver, or tax collector.

Tippi the she-devil gets a little playmate of the feline persuasion while I dangle about the puppet populated premises with a head full of scholastic memories that delineate several teaching gigs featuring the fruits of our intercourse.

115 years later, a(nother) remake of the Lumiere Brothers pseudo-actuality film La Sortie des usines Lumière.

"The Flag is the second part of a video series about the state-controlled national day ceremonies of the Turkish Republic.

Believing that we are, "dragging our feet into the 21st Century," Almy made this video trilogy to celebrate technology and the future in an ironic melange of politics, sociology, sexuality, and economics.

This video was originally part of an installation at the Whitney Museum of American Art, part of which included the video collaboration Channels of Desire.

A video that observes the thrill, terror, and boredom found in watching mass spectacles, and the unexpected loneliness when you miss them. This video speaks of both the power and the failure of the televised experience to bind us to one another.

The sense that you are about to be shown something wrong lingers throughout this bizarre semi-narrative.

During 1998 and 1999, Pelon participated in various Internet newsgroups and lists where suicide is the main subject. Stories unfolded as the film was made; some reached the point of no return.

For over two years we made it our business to document abandoned working gloves on the streets of NYC.

Uncomfortable journeys through the work and ideas of Christopher Cozier, a leading contemporary artist in the Caribbean.

Something primitive projects into the present to upset the lives of a group of people delving into past-life regression techniques.

Sea In The Blood is a personal documentary about living with illness, tracing the relationship of the artist to thalassemia in his sister Nan, and AIDS in his partner Tim. At the core of the piece are two trips.

This video proposes an ironic metaphor to grasp the follies of U.S. government action and inaction in Central America. The process of learning U.S. policy is similar to the process of a young child acquiring the principles of language.

A fantasia that makes twisted use of elements from the Elektra myth and vampire stories. Imagine a woman listening to Richard Strauss's Elektra while watching Carl Dryer's Vampyr and the dream she might then have that night.

This is the final part of a trilogy about the tribulations of Sherri Frankenstein (at least I think it's the last of these atrocities).

First Ramon, and then Rufina moved to San Diego County in 1980, unable to raise their family as landless sharecroppers in Mexico.

In Takeover of the Empire State Building, Brenda and Glennda visit the top of the Empire State Building as it is lit up in lavender for Gay Pride.

A sweeping saga of an evil matriarch and her march to infamy as she invades the hearts and souls of those organs and entities that reside in the male physique.

This documentary charts a trip around Baja California to the Tropic of Cancer line on the summer solstice.

Artists with brushes need light to paint a picture, but human feelings function just as well in the dark.

Craggy, ice-encrusted peaks soar skyward as blue lagoons lap incessantly to the drumbeats of big city behemoths hellbent on halibut and hashbrowns!

"Fusco revives and embodies the chimpanzee animal psychologist Dr. Zira from the original Planet of the Apes films of the late 1960s and early 1970s.

In the words of activist Dhoruba Bin Wahad, “Historical and social events are subject to almost instant censorship by those who have better access and control over the medium of communication.

Behind the yellow gates is a realm that sparkles like diamonds under a desert sun.

In 1966, the Syrian government's Ministry of Endowments solicited plans for a building to replace a 14th-century Mamluk mosque in Martyr's Square in the center of Damascus. A young architect proposed a design for a 5-star hotel and new mosque.

Judy Chicago (b.1939) is an artist, author, feminist, educator, and intellectual whose career now spans four decades.

A Week in the Hole chronicles a factory employee’s adjusting to the materials, time, space and personnel during his first day of work.

A Creative Capital 2001 Grantee.

Cast: Maurice Printis.

Urban parks consist of two major elements: nature and man-made forms. Parks play an important role in the urban environment, offering relief in everyday life.

Phenomenolgocial dramas involving household objects like candles, spoons, and matches, unfold with an extreme economy of gesture. Fox balances a spoon and a piece of ice on top of a bent fork.

A collection of five computer and feedback-generated animations.

THE GREAT CURDLING is a Folk-Sci-Fi film. It’s a darkly comic musical exploring the feeling that collective reality is at tipping point.

A classic feminist video, Learn Where the Meat Comes From depicts how “gourmet carnivore tastes take on a cannibalistic edge.

Psykho III The Musical is an intriguing play on the tension between “authentic” and “pop” camp.

In response to BLM events and to the whole world of injustice, slaughter and abuse... a small comment.

–– Ken Kobland

If asked to say what this work is about in one word, the answer — which is woven into the electronic musique concrète soundtrack — would be a Joycean one: it’s a “collideorscape.” The imagery is a return to materials Rankus dealt with as a young man in

An episodic adventure highlighting the riff between mind and body. Through a series of animated narratives, role reversals and associations, images are driven out and stacked one on top another.

Looking for "Mr. Right" in all the wrong places makes for a tragic comedy.

Workers Leaving the Factory — such was the title of the first cinema film ever shown in public.

Letters in the Dark was originally shown as a two-channel video installation, accompanied by photographs at the Benrubi Gallery, New York, in 2016. In 2024, Hall decided to make it available as a single-channel work.

A friend visits from Canada and we relive the past as the future becomes more and more obscured by a cloud of burning vegetation wrapped in cigarette paper and exhaled by a pair of lungs unable to supply a brain with the necessary oxygen (mercifully) to

This film is a reflection on descendants and ancestors, guided by a 50 year old audio recording of my grandmother learning the Pechanga language from her mother.   After being given this tape by my mother, I interviewed her and asked abou

This experimental Pixelvision piece explores the tenuous boundaries of gender through a series of mini-sequences, among them a group of anecdotes told by women who have been mistaken for men and a must-see synchronized barbershop scene.

In 2002, my troupe, La Pocha Nostra and I were invited to conduct a workshop at Columbia College in Chicago with 15 students and faculty from different departments.

Path to the Stars follows the journey of a heroine confronted by her own shadow, by different temporalities and micro-narratives.