Scenes from the Micro-War explains, "The worst of times—riots, famine, war—could be just around the next corner and, in the battle to survive, this family is going to be battle-ready from here on in." This fractured narrative follows the misadv

This real-time video-meets-digital-animation trilogy of shorts features the highly excited and mildly delusional Joe Gibbons. As the phony, Gibbons recounts his influence among rock legends Iggy Pop and Brian Wilson. Brilliant superimposed computer animation by Emily Breer provides an additional layer of biting commentary.  

The Pencil Test film, a companion to Susan Mogul’s book of the same name, documents Mogul’s history of exposing her breasts throughout her five-decade career.

The sense that you are about to be shown something wrong lingers throughout this bizarre semi-narrative.

Award winning documentary filmmaker and cultural critic Joan Braderman takes a look at the National Enquirer and demolishes the newspaper's ideology and content.

Made at the San Francisco Art Institute with my students, this tuneful picture transports the viewer to the planet Mars as three attractive teens seek funding for an expedition into adulthood.

Faced with the possibility of return, the dead consider their next move.

A re-working of Humphrey Jenning's 1943 seminal docu-drama The Silent Village wherein coal miners from the Welsh village of Cwmgiedd re-enact the Nazi invasion and annihilation of the resisting Czech villagers of Lidice.

Blending live action staged as if in a dollhouse with rarely seen archival footage from the National Archives, the fantastically true story of how America entered WWI is told.

Martí arrives in Bilbao for an artistic residency. His clothes take up only a small part of the huge wardrobe in his new room. When he meets someone, the wardrobe gradually begins to fill up.

A black cat and a polka-dotted string puppet frolic amid the painted backdrops of a happy universe, while outside, in the real world, the reality washes away amid the onslaught of H2O and granulated granite. A merging of the plastic and the profane.

An experimental documentary about resistance, balance and fame.

This title is only available on Kip Fulbeck Selected Videos: Volume One.

Another in a series of sculptural films. Like it’s partner, 3 peonies, this is a short 16mm film made as a memorial for my grandmother who passed away in 2017.

Animation by Dan Sandin
Algorithms by John Hart and Yumei Dang
Programming by Dan Sandin and Shalini Venkataraman 
Visionary Leadership by Tom DeFanti

“A spoof on current art attitudes [that] stretches the definition of what can be considered art. Because the late 1960s and early 1970s were periods of innovation, using the human body as art, making process equivalent to product...

Ponies discover an equine Shangri-La. The audience is introduced to a classic dance step. Chubby Checker provides the musical accompaniment.

A deceased hoarder, reconstituted through technology, recounts a difficult childhood as inhabitants of a virtual world struggle to reconcile materialistic tendencies. A scientist leads an effort to understand the passage of time, but the data is unreliable. The question remains, what happens to our things after we are gone?

A structure of Lawrence Weiner. Based upon the LP Niets Aan Verloren (1976) and the performance tape Niets Aan Verloren (1984).

A teenage lesbian's attempts to form friendships with older lesbians leads her on a disturbing ride through the ageist terrain of the dyke community.

The Sun Quartet is a solar composition in four movements, a political composition in four natural elements, an audiovisual composition in four bodily mutations: a sun stone where youth blooms in protest, a river overflowing the streets, th

The Early Sun, Red As A Hunter's Moon follows this temporal tradition in an interpolation of Kiowa lore in excerpts from N.

In an empty room, a slideshow projection of abandoned places plays alongside the narrative of two girls who find themselves on the shores of a pre-apocalyptic paradise.

From the south of France, a science fiction film about the end of the Leisure Class and that which came to replace it.

In this video, the Videofreex host a party during which the main source of entertainment is a video-television feedback loop.

Through a stack of personal journals, this video reconstructs a biography of the South Dakota-born, New York City-enlightened artist James Wentzy.

Blurred images, glowing like a foggy moon and reminiscent of early television broadcasts, are rhythmically set to a relentless, pulsing soundtrack.

An epistolary, musical reimagining of Wuthering Heights by Branwell Brontë — the tubercular, alcoholic and opium-addicted brother of Emily Brontë.

This tape features Kathryn Windham, a noted children's author and librarian from Selma, Alabama, relating a ghost story about "The Jumbo Light" at the 1974 Jonesboro Storytelling Festival.

"Begun in 1983 and completed in 1992, Between the Frames offers a glimpse into contemporary history that is already past, a portrait of personalities and opinions shaping what and how art reaches a public forum.

This three-disc DVD box set contains Eisenberg's four thematically connected films - Displaced Person, Cooperation of Parts, Persistence, and Something More Than Night - made between 1981 and 2003, exploring the ongoi

Structured on the central metaphor of Shakespeare's The Tempest, this work alludes to the position of the individual in (post) modern culture, and the tension between natural and technological power.

Tippi the she-devil gets a little playmate of the feline persuasion while I dangle about the puppet populated premises with a head full of scholastic memories that delineate several teaching gigs featuring the fruits of our intercourse.

"i am very grateful that my 鬼鎮 (Ghosttown) series has shown internationally over the last couple years and is recognized by viewers, reviewers, critics, and curators as doing decolonizing work as a feminist project that queers and glitches

Dan Sandin demos the Digital Image Colorizer, a digital module that was part of the analog Image Processor.

Behind the skyscraping walls of a neon lit asylum, the frustrated inhabitants therein erupt and engage in a psychological waltz that couple fact with fantasy in ways that open windows of the madhouse to the sanity of

Repeating the same activity as featured in Bouncing in the Corner, No. 1—leaning back and bouncing forward from the corner—this time the camera is positioned just above Nauman’s head.

Sequences of landscapes shot in an area of 60 km make up mosaics of places and reference axes constantly changing that do not exist in our surroundings. In this video bodies are not near or far. They are large or small.

THE GREAT CURDLING is a Folk-Sci-Fi film. It’s a darkly comic musical exploring the feeling that collective reality is at tipping point.

Playing back "visual quotations" of everything from Poltergeist to Blade Runner, Muntadas rescans the surface of the monitor, questioning the "nature" of media—film, television, video, and image.

In La Lucha (the fight), families struggle to cope with frequent deportations and the constant threat of INS sweeps that, in the end, completely dismantle the community. Following up two years later, Hock reports their triumphs and setbacks.

With an amusing sense of drama, The Houses That Are Left illustrates Silver’s technique of building an obscure narrative into a complex net of miscellaneous texts and images.

First Ramon, and then Rufina moved to San Diego County in 1980, unable to raise their family as landless sharecroppers in Mexico.

George stays in San Francisco for this video about local filmmakers and their future projects.

This program presents different approaches to looking at war, and to using images of war.

This distanced narrative, which approximates a soap opera or a TV interview of bereaved relatives of a victim, confronts two means by which food is used as a weapon: the internalized oppression of self-starvation as a consequence of social learning (ano

A video adaptation of James Joyce’s Ulysses shot at the Parkville Senior Center, Connecticut, with the seniors reading the lines from cue cards. The piece addresses society, war, and personal mortality.

An ordinary living room with a green screen, TV, and domestic cat serves as the backdrop for this DIY introduction to experimental philosophy. The president of a company is considering a vice president's moneymaking scheme.

Tripping out on loneliness, The Loner drifts through one daydream about “Her” after another. Oursler nightmarishly fantasizes about the dismal prospect of looking for love in a sleazy singles bar.

An experimental documentary comprised of regional vignettes about faith, force, technology and exodus.