Snapshots of individuals from all parts of Asia and the Pacific Islands form a stream of images that blankly proves the fallacy of the title phrase.

People black and blue with life’s bruises, People who glow red with hot passions, or turn deep purple with spiritual purpose are here, boldly rendered in the widescreen format.

Another dream film. Eschewing the hyperkineticism so beloved of Super 8 makers, I locked off my camera and wrote a slow narrative, combining live action and animation.

Adapted from psychologist A.R.

Contains excerpts from: Women's Liberation March NYC, Gay Pride March NYC, Young Lords Occupy Manhattan Church, Native American Action at Plymouth Rock

The police phoned. They left a message on the machine. They said he was dead. The video unwinds through stories of sex for rent, unclaimed bodies, cigarette burns, and other monuments of life’s long run from wall to wall.

This is the vision from the “chinampas", the hectic life in the floating gardens, an ancestral system of audiovisual planting.

The Video Art and Mass Incarceration compilation includes works from the Video Data Bank collection that focus on the rapid expansion of prisons during the end of the 20th Century in the United States.

Stop action animation, paint on a single canvas.

Parry Teasdale, David Cort and Chuck Kennedy visit The Kitchen in New York looking for Shirley Clarke, and bump into Steina and Woody Vasulka who are overseeing a show in progress.  A few doors down they find Shirley in her studio, dressed in white and full of energy. 

Rising fundamentalism and a government that cites faith to defend war actions have helped grow a desperate society.

An audience-interactive game of Mad Libs, with support from a linguistically challenged newcomer. We replace various parts of speech in newspaper articles to create new, customized meanings.

In this video, MICA-TV interprets the dark spaces of architect Peter Eisenman’s Wexner Center for the Visual Arts at Ohio State University through a fractured narrative of psychological perspectives.

The Turkish national anthem, regularly sung in schools on Mondays and Fridays, is recorded with Super-8 and video to capture the fragile links that tie young citizens to nationhood.

The Blindness Series consists of eight short videos that investigate blindness and metaphors.

This promotional initiation video lures inductees with promises of decolonization and settler remediation.

The Nothing That Is stems from the environment of our streets, both the “virtual” and “other reality” which inhabits them.

Commissioned by the Oakland Museum, this video provides an artist’s interpretation of the museum’s displays and collections.

A personal interpretation of the poetry and letters of T.S. Eliot that explores the ambiguities of language and space in a scenario built around an anagram.

Small biographies and musing generalizations--men’s relations to each other and their lives. There is hope and loneliness, companionship and isolation and the simplest of filmic elements to contrast the complexity of human emotions.

The Ruling Classroom documents a social studies experiment played out by seventh graders in Mill Valley, California.

From an inverted position, high above the floor, the camera records Nauman’s trek back and forth and across the studio; his stamping creates a generative rhythm reminiscent of native drum beats or primitive dance rituals.

Ephraim Asili’s five-part series The Diaspora Suite is both a personal and global study of the African diaspora.

Hostage: The Bachar Tapes (English Version) is an experimental documentary about "The Western Hostage Crisis." The crisis refers to the abduction and detention of Westerners like Terry Anderson, and Terry Waite in Lebanon in the 80s and early 90s by "Islamic militants." This episode directly and indirectly consumed Lebanese, U.S., French, and British political and public life, and precipitated a number of high-profile political scandals like the Iran-Contra affair in the U.S.

Shot in October 1969, this tape gives an inside view of the workings of late-sixties radical groups and the debates going on within their ranks. At a meeting of Yippies, there is a discussion about the nuts and bolts of fundraising through benefit concerts and events in an attempt to finance support efforts related to the Chicago 8 Conspiracy Trial.

The videos in this program invite the viewer to reconsider assumptions about regional and personal identity by offering a wide sampling of portraits: a group portrait, a street portrait, a family portrait, a self-portrait, a portrait of portraiture, and

A friend visits from Canada and we relive the past as the future becomes more and more obscured by a cloud of burning vegetation wrapped in cigarette paper and exhaled by a pair of lungs unable to supply a brain with the necessary oxygen (mercifully) to

Using a psychoanalytic tool from the 1950s, a series of black and white drawings illustrate the adventures of a family of dogs, dramatizing a young girl's appointment with her psychiatrist.

"The Flag is the second part of a video series about the state-controlled national day ceremonies of the Turkish Republic.

A witch’s moon ignites an artist’s canvas with lurid colors that keep him from sleep in a city that is the subject for his brush.

In A Case for the Closet, Glennda Orgasm and Judy LaBruce host an episode of Closet Talk.

Shifted From the Side is conceptually identical to To And Fro..., and was probably made the same afternoon.

An anti-narrative adventure traveling through a phantasmagoric environment void of stability.

This science fiction adventure centers on the interaction between a crew of Earthmen and their seduction by the love-hungry Amazons of the red planet, Mars.

One's 'softest parts' are 'scooped out and eaten alive'.

A short atmospheric tour of a movie star’s mansion and a glimpse of the living things within the chambers: things that cook, feed the sharks, and gnaw on bones.

Notorious art and architecture group Ant Farm's unique vision arrives on DVD in this release showcasing some of the group's most popular works.

Over The Horizon is a moving image installation that takes its name from the failed radar system developed on Orford Ness in Suffolk during the Cold War.

Stephen Varble began Journey to the Sun as a series of performances with projected slides in 1978.

Formed in 1969 at the legendary Woodstock Music Festival by David Cort and Parry Teasdale, who met while taping the events with the newly available Portapak video equipment, the Videofreex (also known as "the Freex") were one of the very first video col

In The Body Parlor, both man and sheep as combined sacrificial bodies become subjects of biological investigation. As symbols of ritual sacrifice, they are bodies that give of themselves.

A song of mourning, praise, and compassion for the sentient creatures with whom we share this planet. Focusing on the myth, history, and natural life of the elephant, the video explores the gulf we have created between ourselves and animals.

Reading the billboards, the cars, the people, and the graffiti of the street as cultural signs, Rosler extracts the network of social power and domination that determines whose culture gets represented where, asking whose culture is reported in the pres

Most of TVTV’s work takes place in the city, at the center of some pop culture event. “The Good Times Are Killing Me” takes place in the country – Southwest Louisiana, around the towns of Mamou and Eunice, the heart of Cajun country.

This two-part video Gender Cruise on the Circle Line involves Brenda and Glennda leading a group of drag queens, drag kings, and other gender nonconforming people on a three-hour ride on the Circle Line boat around Manhattan.

A portrait of the Bosphorous Sea.

I Dream of the Bosphorous, originally presented as a four-channel video installation, is distributed by VDB as a single-channel video.

In Takeover of the Empire State Building, Brenda and Glennda visit the top of the Empire State Building as it is lit up in lavender for Gay Pride.

The pages of books that deal with nostalgia and the vanishing vistas of America's past are infiltrated by the appreciative presence of two hulks from today, who go their own ways through the by-ways and highways of an illustrated yesteryear.

Between job losses, foreclosures, living with family, and the Cande’s constant desire to return to Mexico, Pancha and Cande work through the strains of their marital relationship in San Diego County.