A three-day teleplay done at CalArts takes a sordid behind-the-scenes look at an art school professor’s life.

Ephraim Asili’s five-part series The Diaspora Suite is both a personal and global study of the African diaspora.

This piece investigates the possibilities and limits of writing a history of the Lebanese civil wars (1975-1991). The videos offer accounts of the fantastic situations that beset a number of individuals, though they do not document what happened.

A raunchy, explicit comic-opera ... (two years of looking out the window during a pandemic).

Raunchy /ˈrôn(t)SHē/

A multiple award winner, this experimental tape explores the psychological ramifications of a woman growing up under orthodox Islamic law.

Baldessari presents photographs to his friend Ed Henderson and asks him to reconstruct the meaning of the image.

Urban parks consist of two major elements: nature and man-made forms. Parks play an important role in the urban environment, offering relief in everyday life.

An episodic adventure highlighting the riff between mind and body. Through a series of animated narratives, role reversals and associations, images are driven out and stacked one on top another.

A kind of warped Folktale, the video follows two women through a bizarre, broken landscape of collapsing signs and imploding meanings, on a pilgrimage to the Winter Gardens, Blackpool, to cure their green baby.

Part 2 of Two Movies by Mike Kuchar.

“Christopher Wilcha’s fascinating feature-length video reminds us how seldom we’re allowed to see certain businesses operating from the inside.

Shown at the Brooklyn Museum of Art, Brooklyn. The Real Art World Episodes explore the awkward social interaction of the studio visit.

Part of paraconsistent sequence series and the hauntology series.

This two-disc title contains the following video documentation:

In the Queen City is a series of three videos shot in Buffalo, New York that were produced following an invitation from Hallwalls Contemporary Art Center as part of their Ways In Being Gay festival.

A historical analysis of the on-going war in the Western Sahara. Liza Bear interviews Abdullah Majdid, the Polisario Front's United Nations representative.

Shot during the fall of 2009 in Wesleyan University, this short documentary follows Eiko & Koma as they construct the first exhibition of their Retrospective and ponder upon questions the project asks. Directed and edited by Joanna Arnow.

A "young woman who finds herself surrounded by the relics of Western culture" is the subject of Richard Foreman's formal tableaux.

Over The Horizon is a moving image installation that takes its name from the failed radar system developed on Orford Ness in Suffolk during the Cold War.

This three-part mini-series explores the mysterious and the mundane in a splash of digital dioramas that wipe across the screen in a cascade of electronic barfs. Zeroing in on the paranormal theories of UFO author John A.

In this series I composed a series of portraits on my audio/video digital mixer, ranging from impressions of places and people to renditions of feelings their work inspired, and domestic-type gossip from the kitchen and bedroom.

In 2003, Rosler announced an open call for a live re-staging of her 1975 video Semiotics of the Kitchen, to be held at the Whitechapel Gallery in London, for A Short History of Performance, Part II.

Wendy Clarke continues her ongoing project Love Tapes, in which speakers sit in front of a camera and talk for three minutes about their thoughts on love.

A collage of informal interviews and short clips, this collection of material comes from guerilla TV excursions at the 1976 Democratic National Convention.

First there is a stop at Salt Lake City and a massive dose of theological imagery that prepares the viewer for the hellish landscape to come—a land of igneous outcroppings and noxious emissions peopled by mammals of exquisite bulk.

This chaotic fantasy involves an underground empire of Halloween-type entities that bedevil the surface people of earth with yellow rays that cause civilians to go on murderous rampages.

Nauman is seen standing and leaning back in a corner of his studio. Just as he bounces back to a standing position, his body falls again, momentarily collapsing, only to spring forward once more.

Loosely based on the 1950s British detective film Sapphire, in which two Scotland Yard detectives investigate the murder of a young woman who is passing for white, Sapphire and the Slave Girl examines the determinants of Sapphire's murder investigation through its cinematic representation.

The Fool melds varied footage while a narrator describes a brief encounter with a former love interest. A performance of a gymnastics routine merges with iconic Baroque paintings; club scenes mix with a day at the beach.

Between job losses, foreclosures, living with family, and the Cande’s constant desire to return to Mexico, Pancha and Cande work through the strains of their marital relationship in San Diego County.

An 8mm video that reunites cast members of a film Kuchar made in the '60s. They stage another shoot and the camera is left on to record old friends getting older and more childlike as time and champagne trickle away.

This video trilogy of Camera, Monitor, Frame, Observer / Observed, and Observer / Observed / Observer creates a semiology of video as a work on video rather than a written text.  Its main purpose is to study the structura

A hallucinatory portrait of a man traveling from Finland to Greece in search of the utopian summit described in René Daumal's Mount Analogue (1952) - a fictional mountain floating in the sea.

An homage to Walter Benjamin and other time-traveling artists and expatriates that have inspired me, especially Chris Marker. Benjamin, fleeing from fascism in the 1930s, took refuge in Paris where Biblioteque Nacional became his home away from home.

This video retells and disorders an important of a pre-Columbian Native American city directly across the Mississippi River from modern St.

Pop-Pop Video: Kojak/Wang takes a shootout from Kojak and extends the shot and counter-shot into a potentially endless battle.

"...a rumination, a series of borrowed 'dialogues' out of an ongoing argument with myself. It meanders, mentally and physically, reflecting on the conditions of being human; on transience, consciousness and desire.

The Wake was filmed at the Invertebrate Zoology department of the Carnegie Natural History Museum in Pittsburgh.

A daily chronicle of the Ashaninka community during the rainy season, recorded on video during a workshop in a village on the Amônia River in the state of Acre.

One of Zaatari’s earliest experiments in documentary video, All Is Well on the Border emerged from the filmmaker’s desire to understand Israel’s occupation of Southern Lebanon following the 19

Part cloning experiment, part documentary, Stories from the Genome follows an unnamed CEO-geneticist whose company sequenced the Human Genome in 2003 — a genome that secretly was his own.

In 1973, Dan Sandin designed and built a comprehensive video instrument for artists, the Image Processor (IP), a modular, patch programmable, analog computer optimized for the manipulation of gray level information of multiple video inputs.

Starting with student-recorded VHS footage of two successive Take Back the Night marches at Princeton University, Birnbaum develops a saga of political awareness through personalized experiences. This localized student activity then progresses to, and is contrasted with, the 1988 National Student Convention at Rutgers University. Through this dynamic portrait, Birnbaum posits a series of compelling questions: How can the voice of the individual make itself seen and heard in our technocratic society? What forms of demonstration support this expression? How is a voice of dissent made possible?

Crowds line the streets for the wedding procession of Caroline Kennedy and Edwin Schlossberg in Hyannis Port, Massachusetts.

The Telling (1994-98) shows Anne McGuire telling two acquaintances a secret from her past using a three-camera set-up in the Desi Arnez style. The commodification of intimacy is not the strangest thing about this work. The fractured editing, silences, and lapses in continuity suggest vast narratives far more evocative than anything revealed on screen. McGuire uses television vernacular ambiguously to provoke discomfort, two things that television strives to avoid at all costs.

"Perhaps Cuevas' most chilling work, Cinepolis forecasts an image-driven invasion of everyday life, picture-perfect and unnoticed.

A video letter to artist Nancy Holt, in homage to a shared interest in terminal lakes, framed views, monuments and time.  Filmed on and around the Great Salt Lake, Mono Lake and Meteor Crater.

A witch’s moon ignites an artist’s canvas with lurid colors that keep him from sleep in a city that is the subject for his brush.

Video portraits of activists, lawyers, artists, and people simply in the wrong place at the wrong time, accused by the U.S. government of being or aiding terrorists, in these great times.

Performers throw themselves into an underground passageway. They exit through the mirror, a symmetrical mirror world which exists because of the placement and angle of the mirror as an upside-down place.