Shown at the Brooklyn Museum of Art, Brooklyn. The Real Art World Episodes explore the awkward social interaction of the studio visit.

This is the ritual consecration to the moon, on whose eroded surface the colorful blood of the fruits is poured, which is also our pulsating blood disseminated in the celestial body of the moon.

The Badger Series has issues and attempts, each episode, to resolve them. Recasting a glove puppet show through his own present day sensibilities, Paul assumes the role of kindly uncle mentor to a household of capersome woodland creatures.

Part of paraconsistent sequence series and the hauntology series.

A three-day teleplay done at CalArts takes a sordid behind-the-scenes look at an art school professor’s life.

Because of the War things were changing. Very few toys or games were left and music was almost over. Tap water was tasting female and television only came in nasty spasms…

A multiple award winner, this experimental tape explores the psychological ramifications of a woman growing up under orthodox Islamic law.

The post-Platonic cave in whose interior the nuclear catastrophe to come is disseminated.

Baldessari presents photographs to his friend Ed Henderson and asks him to reconstruct the meaning of the image.

In The Blood is an experimental documentary about American-Jewish attitudes towards Germans, and the role the Holocaust plays in shaping Jewish identity.

The cabin is on fire! Krystle can't stop crying, Alexis won't stop drinking, and the fabric of existence hangs in the balance, again and again and again. – MR

This is the final part of a trilogy about the tribulations of Sherri Frankenstein (at least I think it's the last of these atrocities).

This chaotic fantasy involves an underground empire of Halloween-type entities that bedevil the surface people of earth with yellow rays that cause civilians to go on murderous rampages.

Performers throw themselves into an underground passageway. They exit through the mirror, a symmetrical mirror world which exists because of the placement and angle of the mirror as an upside-down place.

Shot in a creaky, wooden floored Parisian recording studio at an inaugural three-day “forum of ideas” focusing on the manifold possibilities of Resistance (the title of Jean-François Lyotard’s unrealized follow-up exhibition to his 1983

A brief visit with a graduate student in the painting department of the art college where Kuchar teaches and the discussion that follows the unveiling of his work.

An experimental documentary comprised of regional vignettes about faith, force, technology and exodus.

A "young woman who finds herself surrounded by the relics of Western culture" is the subject of Richard Foreman's formal tableaux.

A documentary about the initiation ritual for young Xavante Indians, created during a training workshop for the Video in the Villages project.

The Sun Quartet is a solar composition in four movements, a political composition in four natural elements, an audiovisual composition in four bodily mutations: a sun stone where youth blooms in protest, a river overflowing the streets, the bur

Set between Swaziland and South Africa, in a region still struggling with the divisions produced by an apartheid government, Greetings to the Ancestors documents the dream lives of the territory’s inhabitants as the borders of consciousness dis

In this series I composed a series of portraits on my audio/video digital mixer, ranging from impressions of places and people to renditions of feelings their work inspired, and domestic-type gossip from the kitchen and bedroom.

Completed in 2021, The Variations is a suite of 4 standalone films, reconfiguring home life as a combination newsletter, ad campaig

Known for his fast-paced and hilarious videos exploring Hapa identity and Asian American media portrayal, artist Kip Fulbeck has been featured on CNN, MTV and PBS.

A collage of informal interviews and short clips, this collection of material comes from guerilla TV excursions at the 1976 Democratic National Convention.

First there is a stop at Salt Lake City and a massive dose of theological imagery that prepares the viewer for the hellish landscape to come—a land of igneous outcroppings and noxious emissions peopled by mammals of exquisite bulk.

This video diary visits two sites that exhibited my visual works this past year, culminating at the VOLTA ART SHOW in N.Y.C., where I sold some paintings and a photograph.

Kent Merritt waxing poetically about being one of the first four Black scholarship athletes at the University of Virginia.

A personal essay about connection and disconnection, in and through different realities.

Nauman is seen standing and leaning back in a corner of his studio. Just as he bounces back to a standing position, his body falls again, momentarily collapsing, only to spring forward once more.

Loosely based on the 1950s British detective film Sapphire, in which two Scotland Yard detectives investigate the murder of a young woman who is passing for white, Sapphire and the Slave Girl examines the determinants of Sapphire's murder investigation through its cinematic representation.

A poem is read and emotions are unleashed. A book is signed and pets pampered as this tour of talented talkers weaves its way through Provincetown and New Jersey (with a turbulent exit in Manhattan).

"Living on the slopes of the volcano Vesuvius is a strange contradiction: always in stress and yet also sleepy, waiting for what might happen.

THE COUCH CHRONICLES, are ruminations on place, the times, and the general question of what's on one's mind that's worth mentioning to others

Pop-Pop Video: Kojak/Wang takes a shootout from Kojak and extends the shot and counter-shot into a potentially endless battle.

In 2002, my troupe, La Pocha Nostra and I were invited to conduct a workshop at Columbia College in Chicago with 15 students and faculty from different departments.

A figure crosses, runs and flees through the cinematic space, there is no way out. The imminent catastrophe looms. With images by Dovjento and music by Stravinsky. Part of paraconsistent sequence series and the hauntology series.

Set in a post-industrial ‘Neverland’ of worn down row houses, looming factories, and desolate seashores, a rabble of deprived gender and age ambiguous youths explore their own vulnerabilities and put pressure on

In the aftermath of a death things may seem very quiet, but there are struggles going on so deep not even those who struggle can recognize them.  This film looks and listens for signs of those struggles.  Psychoanalytic interjections consider

The Picnic is a film made with found footage about a couple enjoying a beautiful day, food, sex, a blanket, long walks and a firearm.

Sea In The Blood is a personal documentary about living with illness, tracing the relationship of the artist to thalassemia in his sister Nan, and AIDS in his partner Tim. At the core of the piece are two trips.

For over two years we made it our business to document abandoned working gloves on the streets of NYC.

Through dancing, The Motherfucker's Birthday shows the evil of the dictator and the horror people endure under powerful political leaders. The film presents dancing, a universal

The video traverses the history and the memory of a place shared by both the Hočąk and the settler.

In 1973, Dan Sandin designed and built a comprehensive video instrument for artists, the Image Processor (IP), a modular, patch programmable, analog computer optimized for the manipulation of gray level information of multiple video inputs.

Starting with student-recorded VHS footage of two successive Take Back the Night marches at Princeton University, Birnbaum develops a saga of political awareness through personalized experiences. This localized student activity then progresses to, and is contrasted with, the 1988 National Student Convention at Rutgers University. Through this dynamic portrait, Birnbaum posits a series of compelling questions: How can the voice of the individual make itself seen and heard in our technocratic society? What forms of demonstration support this expression? How is a voice of dissent made possible?

A fantasia that makes twisted use of elements from the Elektra myth and vampire stories. Imagine a woman listening to Richard Strauss's Elektra while watching Carl Dryer's Vampyr and the dream she might then have that night.

Crowds line the streets for the wedding procession of Caroline Kennedy and Edwin Schlossberg in Hyannis Port, Massachusetts.

Alienation in academia beneath the chandeliered opulence of a political correctional facility that caters to clashing cultures with chicken fajitas and carefully worded alphabet soup.

Composed in 22 movements that introduce a series of silent, haunting, other-worldly landscapes, Pictures of the Lost hovers between figuration and abstraction, and reveals Buckner's sustained interest in spirituality.