From The Crystal Quilt performance, Suzanne Lacy, Phyllis Jane Rose, Nancy Dennis, Sage Cowles, Minneapolis, 1987.

The Surface Tension Trilogy is comprised of three experimental videos tracking the rise and fall of the Weimar Era in Berlin through the perspectives of Frida Kahlo & Anita Berber, Hannah Hoch, and Leni Riefenstahl & Eva Braun, each of

Bill Murray and Christopher Guest lead a behind-the-scenes tour of the 1976 showdown between the Dallas Cowboys and the Pittsburgh Steelers.

A video essay set in the Mexican-U.S. border town of Ciudad Juarez, where U.S. multinational corporations assemble electronic and digital equipment just across from El Paso, Texas.

This portrait is not simply an account of Simone Weil’s life, but rather the skein of her ideas. The “unoccupied zone” is therefore only marginally meant to refer to the southern part of France under Vichy.

Kiss The Boys And Make Them Die explores how memory, sexuality, and the self are created and enforced through the family story.

Ramon's attraction to his Mexican hometown has resulted in his building a massive new residence for his family. However, his wife, Rufina and their grown children have no interest in leaving the U.S. The building has now been transformed into a hotel.

The politics of the interior of the house – as both psychological and physical space – is lacking in historical accounts of modern architecture.

Pop-Pop Video: Kojak/Wang takes a shootout from Kojak and extends the shot and counter-shot into a potentially endless battle.

Stop action animation, paint on a single canvas.

Sea In The Blood is a personal documentary about living with illness, tracing the relationship of the artist to thalassemia in his sister Nan, and AIDS in his partner Tim. At the core of the piece are two trips.

A distinguished looking man (performance artist Richard Layzell) is apparently trapped in an ever changing void of colour, locked in a power play with a perversely operated camera.

A Meditation on Nature in the Absence of an Eclipse is a poetic glimpse into the ways centuries of extraction, racism, pollution, and nature's commodification have altered our relationship to sacred land, water, and reso

A meditation on birth, silence and American cinema, sealed with a kiss.

In 1973, Dan Sandin designed and built a comprehensive video instrument for artists, the Image Processor (IP), a modular, patch programmable, analog computer optimized for the manipulation of gray level information of multiple video inputs.

Starting with student-recorded VHS footage of two successive Take Back the Night marches at Princeton University, Birnbaum develops a saga of political awareness through personalized experiences. This localized student activity then progresses to, and is contrasted with, the 1988 National Student Convention at Rutgers University. Through this dynamic portrait, Birnbaum posits a series of compelling questions: How can the voice of the individual make itself seen and heard in our technocratic society? What forms of demonstration support this expression? How is a voice of dissent made possible?

Crowds line the streets for the wedding procession of Caroline Kennedy and Edwin Schlossberg in Hyannis Port, Massachusetts.

Songs of Praise for the Heart Beyond Cure is a fourteen-minute experimental video that unfolds through a series of short episodes. "To describe Cooper Battersby and Emily Vey Duke's new video as ironic doesn't do it justice.

Forever pulsing, a severed hand bobs along a shoreline in this meditation on the atrocities of the early 1990s Rwandan civil war. The all-caps title says it all, loudly and poetically.

A myth illustrated on the stones of a waterfall, the reconstruction of a great communal hut, the attempt to recover objects kept for years in a museum in Manaus.

Performers throw themselves into an underground passageway. They exit through the mirror, a symmetrical mirror world which exists because of the placement and angle of the mirror as an upside-down place.

A brief visit with a graduate student in the painting department of the art college where Kuchar teaches and the discussion that follows the unveiling of his work.

The movement’s founder Lois Severin, a former Trotskyite turned suburban housewife, was responding to the move from mass sociopolitical engagement of the 1960s and '70s to the personal fulfillment fant

A "young woman who finds herself surrounded by the relics of Western culture" is the subject of Richard Foreman's formal tableaux.

In response to BLM events and to the whole world of injustice, slaughter and abuse... a small comment.

–– Ken Kobland

A documentary about the initiation ritual for young Xavante Indians, created during a training workshop for the Video in the Villages project.

In this series I composed a series of portraits on my audio/video digital mixer, ranging from impressions of places and people to renditions of feelings their work inspired, and domestic-type gossip from the kitchen and bedroom.

A trip to Winnipeg introduces the viewer to moments of Canadian cuisine and to the easily digestible tidbits that make up the WNDX Film/Video Festival.

This is the vision from the “chinampas", the hectic life in the floating gardens, an ancestral system of audiovisual planting.

A collage of informal interviews and short clips, this collection of material comes from guerilla TV excursions at the 1976 Democratic National Convention.

First there is a stop at Salt Lake City and a massive dose of theological imagery that prepares the viewer for the hellish landscape to come—a land of igneous outcroppings and noxious emissions peopled by mammals of exquisite bulk.

Nauman is seen standing and leaning back in a corner of his studio. Just as he bounces back to a standing position, his body falls again, momentarily collapsing, only to spring forward once more.

Loosely based on the 1950s British detective film Sapphire, in which two Scotland Yard detectives investigate the murder of a young woman who is passing for white, Sapphire and the Slave Girl examines the determinants of Sapphire's murder investigation through its cinematic representation.

Faced with the possibility of return, the dead consider their next move.

Between June 25th and August 7th, 2011 Stephanie Barber moved her studio into the Baltimore Museum of Art where she created a new video each day in a central gallery open to museum visitors.

A collection of early conceptually oriented videos which were produced in Tokyo in the early 1970s using words along with images, except for the first two flicker-effect pieces: A Chair (1970) and Blinking (1970). 

Return to the House of Pain documents my walking through the turf and sludge of the Big Apple and many worm holes... I chomp my way back west and gnaw on all that sinks stomachward and beyond in vertiginous aching.

A video adaptation of James Joyce’s Ulysses shot at the Parkville Senior Center, Connecticut, with the seniors reading the lines from cue cards. The piece addresses society, war, and personal mortality.

The passage from Germany to the United States influenced by moments lived during WWII era Germany.

A structure of Lawrence Weiner. Based upon the LP Niets Aan Verloren (1976) and the performance tape Niets Aan Verloren (1984).

In 1966, the Syrian government's Ministry of Endowments solicited plans for a building to replace a 14th-century Mamluk mosque in Martyr's Square in the center of Damascus. A young architect proposed a design for a 5-star hotel and new mosque.

A teenage lesbian's attempts to form friendships with older lesbians leads her on a disturbing ride through the ageist terrain of the dyke community.

Three factories. Three radically different modes of production.

The Wake was filmed at the Invertebrate Zoology department of the Carnegie Natural History Museum in Pittsburgh.

The “a-ha experience” is the moment when a child first recognizes its own image in a mirror; it is critical to the development of intelligence and identity. It is also the moment when the “self” is surrendered to the control of an external influence.

Alienation in academia beneath the chandeliered opulence of a political correctional facility that caters to clashing cultures with chicken fajitas and carefully worded alphabet soup.

Composed in 22 movements that introduce a series of silent, haunting, other-worldly landscapes, Pictures of the Lost hovers between figuration and abstraction, and reveals Buckner's sustained interest in spirituality.

A video letter to artist Nancy Holt, in homage to a shared interest in terminal lakes, framed views, monuments and time.  Filmed on and around the Great Salt Lake, Mono Lake and Meteor Crater.

In the Queen City is a series of three videos shot in Buffalo, New York that were produced following an invitation from Hallwalls Contemporary Art Center as part of their Ways In Being Gay festival.