I Wanted You shows a woman who is crawling over the floor. She is wearing only tights and a pair of red shoes with high heels.

In this political satire featuring the comedy trio Culture Clash, sharp dialogue, physical comedy, and state of the art video techniques are used to dramatize a mock trial of Columbus in a present-day courtroom.

Framed is the second installment of the longer piece, Video Bites: Triptych for the Turn of the Century.

A Body in a Cemetery is a 15-min short film that documents a place-inspired solo performance by dancer/choreographer Eiko Otake in Green-Wood Cemetery, the U.S.’s second oldest cemetery in Brooklyn that holds 570,000 "permanent residents." Pres

The annual holiday video is off and swinging with this foray into festive chatter and explosive fireworks. Sweet treats are served up along with ice cream and jungle jingles befitting this season of goodwill toward man and beast.

As profecias da Orixá Oxum (The Prophecies of the Waterfall Spirit Oxum) was filmed at Iguaçu Falls, Brazil/Argentina, and is intended for viewing in Virtual Reality.

Black Code / Code Noir unites temporally and geographically disparate elements into a critical reflection on two recent events: the murder of Michael Brown and that of Kajieme Powell by American police officers in 2014.

"Inspired by Ralph Hocking's fish biting video.  Eighty-seven stones thrown, volumes shifting of water sound, a real time performance event. Holding the camera and throwing 87 stones into the frame. 1/2" reel to reel Sony portapack." 

An artist looses faith in the world his brush depicts...

Featuring overlaying monologues, Phil Morton brings up a wide range of philosophical and mundane topics: self-exploration, evolution, personal values, frustration, exhaustion, spirituality, video making, etc.

“Living in Los Angeles is like being on vacation, or in a coma. I don’t really like it, but it’s so pleasant I don’t want to leave. I’ve only had one idea since I’ve been here and that was to video a cake in the rain in MacArthur Park.

Black Rain is sourced from images collected by the twin satellite, solar mission, STEREO.

Set in the industrial suburbs of Beirut, Majnounak (Crazy of You) explores male sexuality through interviews with three men who are asked to recount very openly the beginning, middle, and end of a sexual relationship they have experienced.

The low hills fronting the main California artery of Highway 5 exhibit a beautiful spectrum-like pattern, in stripes formed by the fields of flowers being grown there for commercial sale.

This video shows the design and choreography of Eiko's three-channel installation on one screen. Each video was shot in California by Alexis Moh and Marjorie Hunt during a creative residency at UCLA in April 2019. 

A black-and-white drama that lays bare the earth-shattering events surrounding the rise and fall of certain members of the communal body in a California town ravaged by subterranean forces.

Little Spirits is about a young girl who plays a trick on a friend, unaware or uninterested in the possible consequences.

A house covered with beer cans, a tribute to the orange; Eyeopeners features seven Houston, Texas, folk art environments, eye-opening creations that are monuments to the wonders of ingenuity and imagina

A poetic meditation on distance, Come Closer is a short and peripatetic film, casting an affective web between the locations of Lisbon, San Francisco and Brazil.

A minimal, suggestive narrative about a summer trip to the Jersey Shore, fictionalized by subtraction.

In this impressionistic piece, O’Reilly provides a gripping portrait of personal trauma, while detailing the severe mental and physical confusion following two incidents.

"The world will devour you...."

A group of cops laugh and talk, while scanning the street for suspicious activity. An extreme close-up of a sensuously exposed neck; a soft pink fleshy ear turns to reveal an inquisitive hostile eye....

Swamp Swamp and Wurmburth are each comprised of a series of tightly cropped shots of small, hand-made table-top sculptures or "sets".  Paint and many other materials that behave like paint (i.e.

The body as a percussive instrument.

Performers: Ellen Krueger & Monica Wilson

Recognizing the extreme inadequacy of information on AIDS prevention, cosmetologist DiAna DiAna, with her partner Dr.

Dorothy doesn't reach her dream of the Emerald City. Rather, she will have already been over the rainbow by the time she arrives at the worst corner in Kansas.

Two video letters made to communicate the artists longing for her friends, and produced with the same images from her daily life in Israel.

Reeves approaches the issues of life and death through a meditation on light and dark, a minute observation of movement and stillness.

A significant amount of the hand-drawn animation seen on television today is cartooned in sweatshop-like animation factories in Korea, China, and the Philippines.

Military Road is a project of visual mapping of the suburban realities of the city of Lisbon in connection to the migrant fluxes to Europe conected to de-colonization and the end of the Portuguese Empire in Africa.

In Birth of a Nation, Jem Cohen takes his camera to Donald Trump’s presidential inauguration and to the next day’s protests.

This is the nest image, the camouflage image, the vortex image, the haunt image, the net image, the drill image, the wire image, the cocoon image, the haunted image, the interconnected image, the pandemic image. The haunted space of the image.

In this humorous short, Astrid Hadad, dressed in traditional folkloric costumes and religious garments, sings and performs to a Chilean love ballad before a painterly background of fantastic landscapes.

A journey through home life where hope hangs by a tangle of fine and fragile threads.
A document of insecurity coming to rest on distinctly shaky ground.
An 8 minute video in which few answers are supplied, but much meaning is gathered along the w

Zachte Berm (from Weiner’s film Plowman’s Lunch) sits with her back to the camera in front of a large mirror—her face, covered with shaving cream, is seen in its reflection.

A synaesthetic S16mm portrait made between French Polynesia and the French province of Bretagne, Color-Blind recruits the restless ghost of Paul Gauguin as an uneasy spirit guide in excavating the colonial legacy

"Scenes from meetings within a company which advises corporations how to design their offices -- and the work done there. The film shows that words are not just tools, they have become an object of speculation." 

-- Harun Farocki

Twilight deepens, Night descends and moods sink into madness.

For the video series Kita’s World, Syms created a digital avatar modeled on Cita of Cita's World, the late-1990s BET music video show.

“I am a mannish / Muff-diving / Size queen / With bad attitude / An arse-licking / Psychofag / Molesting the flies of privacy / Balling lesbian boys / A perverted heterodemon / Crossing purpose with death / I am a cock-sucking / Straight-acting / Lesbia

In Blood & Cinnamon Mott’s creatures discuss existential crises as they flip and rotate and disappear from view.

--F News Magazine, December, 2010

Book Report explores themes of sexual assault, the weaponization of language, and the futility of escape.

This video was originally created to be used as a projection in a performance of Bodies on March 29, 2019.

Perceptual concerns predominate in my videoworks.

A vain, self centered mother competes with her daughter in the world of carnivorous men and sleazy movies.

La Mesa explores the intersections of memory, identity and queer desire. It recreates fragmented and romanticized stories of a childhood in rural Mexico as told by the artist’s father.

Rust was commissioned by the American Dance Festival and performed on chain-link fences hung vertically in the center of the stage. Performed nude in silence.

Illustrating the modern woman’s mantra “I shop therefore I am", Barbara Latham’s Consuming Passions examines the passion for sweets as a replacement for a sense of security and a source of erotic satisfaction.

In okay bye-bye, so named for what Cambodian children shouted to the U.S. ambassador in 1975 as he took the last helicopter out of Phnom Phenh in advance of the Khmer Rouge, Rebecca Baron explores the relationship of history to memory.

A short documentary about life in the Everglades National Park with its few male residents. Living in the midst of a national park, they learn to exist with the wild.