The Erosions series develops the concepts of oxidation, wear and entropy from an audiovisual and cinematographic perspective.

Other works in the Erosions series include Barranca and Viral.

As regional character disappears and corporate culture homogenizes our surroundings, it's increasingly hard to tell where you are.

Presidential candidates are sold like commercial products and naturally television is the ideal medium.

“Criminality may present itself as a kind of saintly self-mastery, an absolute rejection of hypocrisy.”

—Angela Carter, The Sadeian Woman and the Ideology of Pornography (New York: Pantheon Books, 1978)

Extractions parallels resource extraction with the booming child apprehension industry. As the filmmaker reviews how these industries have affected her, she reflects on having her own eggs retrieved and frozen to make an Indigenous baby.

An uncompromising look at the ways privacy, safety, convenience and surveillance determine our environment.

Chris Burden came into prominence in the late 1960s, but unlike many of the performance artists of his generation, Burden was interested in empirical and scientific investigations.

Emory Douglas is a political artist and activist, producing revolutionary art for important political movements.

Hey Bud revolves around the suicide of Bud Dwyer, a government official who killed himself before a television audience.

Stardust is the second part of the trilogy where Nicolas Provost investigates the boundaries of fiction and reality by filming everyday life with a hidden high resolution camera and turning the cinematic images into a fiction film by using cine

Set in Medellín, Colombia, Como crece la sombra cuando el sol declina (Like Shadows Growing as the Sun Goes Down) features tireless car traffic, jugglers at intersections, and employees on breaks, focusing on precise movements marking

South Circular first shows us two women, in the shadow of nondescript ruins over the Tagus river in Lisbon.

This musical short features dancing robots composited atop found footage, structurally mirroring the audio track by Fredrik Nilsen which in turn is composed of a driving drumbeat overlaid by found audio dialog.

The Grandmother recites the Mourners' Kaddish over her granddaughter.

A black-and-white drama that lays bare the earth-shattering events surrounding the rise and fall of certain members of the communal body in a California town ravaged by subterranean forces.

Actress Maisa Abd Elhadi was shot while protesting in 2021. This short reimagines the moment the actress danced with the forces and through creativity removed all obstacles, for herself and those before and after her.

Jonas's performance piece, an homage to 18th century French outdoor theater, incorporates mythology as well as spontaneously occurring events into the narrative.

A Two Spirited woman surrounded by spy signals and psychiatric walls attempts to make sense of love, global paranoia, and her place in the history of colonialism.

An homage to early videoworks by William Wegman, starring Man and Fay Ray's stand-ins.

"Anne McGuire shows that men are dogs."

--Ed Halter, New York Underground Film Festival (2003)

A Videofreex performance.  Bart Friedman plays the pump organ and David Cort sings.  He asks Bart to "Play something that I can laugh to," and much laughter ensues.  Then, "because of American society," there is a sad song, and much waili

"The videowork of Nelson Henricks, though quite varied in treatment and theme, has worked toward the articulation of a single concern: How can love fly through the air and be received by me?"

—Steve Reinke

Dorothy doesn't reach her dream of the Emerald City. Rather, she will have already been over the rainbow by the time she arrives at the worst corner in Kansas.

The filmmaker and his friend, both Lebanese, meet two Israelis their own age in Paris, and spend some playful time with them.

I made this piece within my first year of using Facebook. Dozens of people I’d thought I’d never hear from again were suddenly accessible to me in mystifyingly dynamic, flattened form.

Framing the solo exhibition Prophetic Memory, this video remediates images of the NYC nonprofit art gallery, Artists Space, with the filmmaker’s grandmother's descriptions of how she would use her interior design

A significant amount of the hand-drawn animation seen on television today is cartooned in sweatshop-like animation factories in Korea, China, and the Philippines.

This is the state of mind in the post-Covid quarantine. This is the state of the images in the pandemic vortex. This is our post-Covid screen. The constant monitoring of a global demonic and satanic presence.

In the next chapter of Bobby Abate’s mysterious lo-fi cyborg tale, we find ourselves roaming the set of a 1960’s evening newscast.

“Spellbeamed uses the acts of translation and transcription to amplify the questions: ”what is a score?” and “what kind of musicalities can be transmitted through extended ideas of scoring?” The inspiration for the piece was

In this humorous short, Astrid Hadad, dressed in traditional folkloric costumes and religious garments, sings and performs to a Chilean love ballad before a painterly background of fantastic landscapes.

The raw facts and naked truths behind hedonistic rascals and obsessive artists is boldly uncovered and revealed to you.

suicide is 70 packed minutes of a fictional filmmaker's crazed ruminations on travel, family history, death and sex as she traverses a world of malls, airports and train stations, chronicling her fiercely hopeful search for a reason to continue

Inconsecreation is a complex mix of videos that fully explores the capability of the Sandin Image Processor’s handling of live-feed, video feedback, oscillation patterns, and recorded footage.

On the eve of the 1984 Presidential election, Jenny Holzer used a truck equipped with a sound system and an 18-foot Diamond Vision electronic board to display images, statements, and man-on-the-street interviews.

In this video, Brenda and Glennda attend and interview participants at the 1991 New York City Pride March.

“Ah! It is so easy to convert others. It is so difficult to convert oneself.”

—Oscar Wilde, “The Critic as Artist” in The Complete Works of Oscar Wilde (New York: Harper Collins, 1989)

This final weather diary travels through some rough inner and outer domains.  Social interactions blend more smoothly than the clash of air masses which threaten to clobber a prairie town in a vortex of violence.

Morel's Yellow Pages focuses on secretive and destructive actions and image making. The title references The Invention of Morel (1940), Adolfo Bioy Casares’s science fiction novel, which informs the work.

Shared Resources depicts the filmmaker’s family after their father was fired from his job as a debt collector and their parents declared bankruptcy, largely due to the filmmaker’s own debt.

Perceptual concerns predominate in my videoworks.

A combination birthday/going away party proceeds at its own shallow pace, while revellers reminisce inwardly amid a paralyzing atmosphere of mixed drinks and emotions that choke all but the young at heart and body.

A trip to the Los Angeles film festival leads to a glamorous gauntlet of flashing smiles and flashing bulbs that add the extra “humph” to a reunion of old friends.

An episode from a Lebanese TV series entitled "Image + Sound."  Each episode in this groundbreaking series is based on paralleling TV news images alongside staged even

Illustrating the modern woman’s mantra “I shop therefore I am", Barbara Latham’s Consuming Passions examines the passion for sweets as a replacement for a sense of security and a source of erotic satisfaction.

An audio mix assembled as part of a memorial for the storyteller and very old friend, Spalding Gray, who lost himself in New York Harbor in 2004.

This title is audio only.

Taiwanese artist Shu Lea Cheang (b.

Rising 5th (Re-staging of a test for an unrealised memorial to Benjamin Britten) is a video work and sound installation that re-stages the story of the architect H. T. ‘Jim’ Cadbury-Brown’s unrealised memorial to Benjamin Britten.

In 1975, the Feminist Studio Workshop (I was a member) at the Woman’s Building in LA, the Women’s Interart Center in New York City, and another feminist organization in Washington DC, attempted to set up a video exchange among feminist art organizations

Seven digital mandala-chakras superimposed on video works made over several decades that relate to each chakra. This video compiles previous works into a chakra composite.