Veronica Majano depicts the character of a street in the Mission District of San Francisco.

The dark and sloppy side of touring college towns with your work. An internal expose of external secretions that unfortunately make it to the boob tube in full color.

The 2008 iteration Muntadas and Reese's series documenting the selling of the American presidency features political ads from the 1950s to ads from the 2008 campaigns, and highlights the development of the political strategy and marketing techniques of

Canadian-born artist Miriam Schapiro (b.1923) was one of the great forces behind the feminist art movement in Los Angeles.

The third in a series of cross-cultural symposia organized by Lucy Lippard, the four artists interviewed here—Jean Lamar, Hung Liu, Lorna Simpson, and Kathy Vargas—discuss their work and its cultural contexts. Moderated by Lucy Lippard. 

In these two videos, Cumming investigates the worlds of a pair of abject heroes, Colin and Pierre, one a recovering alcoholic, the other an addict.

Dan Sandin designed the Image Processor that, partly because of his decision to give away the building plans, has effected an energetic and aesthetic investigation of the technological structures of electronic media.

The artists of the future and the past converge and converse as the funding dries up and extrapolation envisions extinction.

An elegy to Diane Burns on the shapes of mortality and being, and the forms the transcendent spirit takes while descending upon landscapes of life and death.

Portuguese House is a journey throughout Lisbon, visiting the houses built by African communities from the Portuguese ex-colonies that have already been demolished.

A metropolis awash in electrical overdrive crashes in the heat of summer and sends a Bronxite into the clutches of a waterworld further north.

A man is shot inside an empty room and he moves and takes on positions continuously out of center.

Circles, holes, cats, ribbons, ducks, flat furniture and moth. Experimental and domestic, no story but much glee.

Antonio Muntadas and Marshall Reese have been documenting the selling of the American presidency since 1984, and have expanded and updated the series with every election.

For 200 Nanowebbers, Semiconductor have created a molecular web that is generated by Double Adaptor's live soundtrack.

Featuring overlaying monologues, Phil Morton brings up a wide range of philosophical and mundane topics: self-exploration, evolution, personal values, frustration, exhaustion, spirituality, video making, etc.

Over a montage of family photographs, Freed’s narration questions the consistency of memory and self over time, with Freed displaying a quizzical and sometimes hostile relation to her past.

Turner Prize winning conceptual artist Jeremy Deller works across many different mediums, creating highly political and frequently collaborative works.

This arresting early work conveys a tension that emanates from what Tanaka posits as life's basic dualities: male/female, past/present, known/unknown.

Sunstone tracks Fresnel lenses from their site of production to their exhibition in a museum of lighthouses and navigational devices.

The film centers on the images of the Gulf War, which caused worldwide outrage in 1991.

Using color video Freed captures three mirrors in various positions on a grassy lawn. As the title suggests, Freed employs reflections in the work to signify video’s intrinsic quality of spatial manipulation.

In this 2014 interview, South African artist Kendell Geers (b. 1968) discusses the function of magic, myth, and memory in his work. Beginning at childhood, Geers charts the path he has taken in his understanding of his own biography as a site of resistance. This interest in the use of personal biography culminated in 1993 with his decision to change his date of birth to May 1968 as a way to reference both the May 1968 student protests, and the fact that 1993 was the first year that South Africa had participated in the Venice Biennale since 1968.

Paul and Veena, two disembodied computer voices, wonder what things mean and what means things. We travel with them to various imagined places in this visually spare video, meditating on the in-between places and negative space where meaning hides out.

"I'm not going to go to the Anne Frank House—I don't think I could take it—being a tourist is bad enough—though I'm not really a tourist—I'm here working—my camera's the one on vacation—taking holiday sounds and images—it's having a nice change of pace—

Audacious romanticism displays gardens fueled by the human heart where feelings blossom amid leaf and brick.

An alternative earth music video. An epic last stand. A portrait of two utilitarian workers engaging in a collaboration with Karen, manifesting improvisational geographic friendships...

Guided expertly by those who live on the land and driven by the pulse of the natural world, Mobilize takes us on an exhilarating journey from the far north to the urban south.

China Town traces copper mining and production from an open pit mine in Nevada to a smelter in China, where the semi-processed ore is sent to be smelted and refined.

Fiber artist Claire Zeisler discusses her techniques, ideas on art, and training; the conversation is inter-cut with images from her 1979 retrospective at the Art Institute of Chicago. “I... realized I cannot change my techniques too often.

"The films of John Smith conduct a serious investigation into the combination of sound and image, but with a sense of humour that reaches out beyond the traditional avant-garde audience.

A Yosemite gargoyle climbs two gothic arches.

"Noted critic Judith Williamson ventures from her English home to a shopping mall in Southern California to proffer some opinions on the working of American culture under capitalism.

Gaijin = A non-Japanese person. In 1984 I celebrated my eighth birthday on my mother's island.

Danny Tisdale is a performance artist from New York City.

This is the state of mind in the post-Covid quarantine. This is the state of the body into the pandemic vortex. This is our post-Covid eyes. Part of the Hauntology and Post-Covid series.

Each year, crowds of Turkish, Australian and New Zealander tourists travel to Gallipoli, Turkey for a modern day pilgrimage.

"The video Emission found its origin in three performances which I wrote between 1988 and 1991. In their original form, the performances dealt with sex, romance, and communication technologies.

"I brought live reptiles, birds of prey and exotic flowers to a very stereotyped and neglected section of the city of St.

"Wedding takes its name from the predominantly Turkish neighborhood in Berlin where most of the footage of the film has been recorded.

For the video series Kita’s World, Syms created a digital avatar modeled on Cita of Cita's World, the late-1990s BET music video show.

The Look of Love: A Gothic Romance is an experimental video/audio collage in four acts. Performing in various guises, Suzie Silver embarks on a quest for the magnificence—and horror—of desire and pleasure.

In this video, made soon after the death of his mother Stella, we accompany George to the wake, and on to a trip to Albert Maysles holiday home on Fisher's Island.

A weeklong, episodic live-streamed landscape film that attempts to reimagine the genre of a road movie in Hong Kong. Each of the seven short films begin at exactly at the moment of the official sunrise in Hong Kong.

The season sweeps through in a blur of glitches, gulps and sweetened goo, as chimes wring out the old and ring in the new.

In this interview, African American filmmaker and DJ Ephraim Asili (b. 1979) discusses his upbringing, education, and creative process.

In conversation with Carol Vontobel (behind the camera) and Nancy Cain, Curtis (Mary Curtis) Ratcliff describes getting her first legal abortion, soon after the state of New York legalized the procedure in 1970.

Red House is an animation that playfully explores metamorphosis in relation to the stability and structure of housing.

Circles cycle and shift in scale in this video about, through, into and out of Carol Bove’s monumental sculptures starring the exquisitely talented dancer Katie Gaydos.

On March 8, 1972, Phil Morton conducted a morning class over the telephone.