Documentation of the installation The Future of Metropolis at Technical University in Berlin, Germany.

This experimental video breaks many the silences surrounding lesbians and AIDS. Interweaving the voices of two friends—an HIV+ Latina lesbian and an HIV- Jewish lesbian—the video juxtaposes two very different yet overlapping experiences.

Nancy Graves (1939-1995) was a New York sculptor, painter, and filmmaker who used natural history as a reference for dealing with the relationships between time, space, and form.

Efforts to “decolonize” institutions are embodied in ritual acts of acknowledging Indigenous presence and claims to territory.

“It’s spring, it’s spring, and I feel I’m giving birth myself, to something monstrous, something ugly.” Gibbons enters the woods to begin his destructive campaign against spring, snapping the buds off trees while babbling maniacally.

Vera is an assisted self-portrait of consumption. The subject is a woman whose passions and compulsions are of spending and loss, taste and subjectivity.

"It is only shallow people who do not judge by appearances" wrote Oscar Wilde.

Five improvisers are asked to ‘channel’ the psyche of Tony Blair. George Barber asks questions, and also feeds the improvisers anecdotes from various sources about Tony Blair’s life and experience as the Prime Minister of the United Kingdom.

An attempt to explore the metamorphic drama of expanding entomological entities. Sparkles of the screen-membrane in erosion.

At the San Francisco Art Institute, a studio awaits the onslaught of creative concoctions perpetrated by a bearded atrocity who now hovers over past malpractices that cast a Technicolor pall over the whitewashed walls.

Prestidigitation before the age of the pixel. Very lively stop motion and open shutter piece, shot on Super 8, with all effects done in camera – but transferred to video for ease of viewing.

To the background of village celebrations a father questions his daughter about a suspected lover. She cleverly deflects him with her answers but the passions rise, the villagers take sides and what began as harmless banter becomes bitter and angry.

A young man of the "Modern Age" ponders sits alo

Summer and smoke (from pork chops) filters into every rip in my tee-shirt as legs and souls are bared for the infra-red-hot digital camera that's ON THE PROWL!

Following the Israeli withdrawal from Ain el Mir in 1985, the village became the frontline. The Dagher family was displaced from their home, which was occupied by a radical resistance group for seven years.

Advice for Immigrants is an ongoing short video series that presents strange and humorous advice for immigrants around the world.

A.L. Steiner’s video More Real Than Reality Itself expands the structures of documentary works while challenging its conventional reliance on linear narratives.

Part of a trilogy of works known as the Video Wallpaper Series in which George tests out his new audio/video digital mixer and creates a range of impressions of people and places.

Something Else is a film about found footage as subject matter and Miss Black Roanoke, Virginia 1971 expressing her thoughts about the upcoming Miss Black Virginia 1971 Pageant.

Cast: Rene Marie.

In Excerpts from Behold Goliath, Tom Kalin presents four experimental short films inspired by American writer Alfred Chester (1928-71), who in 1964 published a collection of short stories of the same name.

 Our Non-Understanding of Everything is a series of 16 videos that explore how the structures of architecture, semiconductors, and circuits become forms of

As a well-known painter and collagist, teacher at the School of the Art Institute of Chicago and mentor to the Chicago Imagists, Ray Yoshida (1930-2009) had far reaching influence. In this interview, Yoshida offers a tour of his home, showing us the unique dolls, masks, trinkets and tattoo art from which he drew inspiration. Describing his own stylistic progression from the late 1950s to the early 1970s, Yoshida also talks about the collage aesthetic and persistence of visual complication in the Chicago Imagist style, demonstrating its various permutations by showing off his collection of works by former students at SAIC. A lover of curiosities, Yoshida also describes discussions he had with Chicago artist Roger Brown about opening a museum for their vast collections of oddities.

— Kyle Riley

RECKONING 7 is something of an instrumental interlude between longer, denser episodes of the RECKONING series, which is now being made and released "out of order.” Through an 

Naked is a "living" environmental installation created for and commissioned by the Walker Art Center in Minneapolis, where EIko & Koma were "on view" all the hours the museum was open for the month of November 2010.

In 1998 I made a sculpture of a decapitated head. I featured it in a photo and video. I thought of the head as a character whose adventures would be documented.

The only time I’ve visited a communist country was when I went to Poland in 1980, not long after Margaret Thatcher’s Conservative government was first elected in Britain.

"Interested in the hidden corners of exoticism and a reinterpretation of history as an aesthetic challenge, Colombian resident in France, Laura Huertas Millán (Bogotá, 1983), presents in Aequador—in her own words—'a parallel present modified by

A dragumentary about a day in the life of a score of drag queens on the lookout for photo opportunities at Lincoln Center, the Guggenheim Museum, Tiffany’s, and in SoHo.

Feedback-generated computer animations wiped and keyed with images and sounds from electronic oscillators via an analog video switcher.

"By way of lush formal and associative shifts, Hearts Are Trump Again evokes the ever-present tension between seemingly polarized states of experience.

Breder painted the words of Donald Kuspit’s poem in white on scraps of paper and then floated them down Old Man’s Creek, the site of many legendary Intermedia performances near Iowa City.

TV's invasion of viewers' domiciles gets turned upside down in the video as a fan's (Millner) domestic life is superimposed onto the set of Roseanne, driving home unexpected reverberations as the nuclear family teeters on the edge of dysfunctio

Setting her pixelvision camera on herself and her room, Benning searches for a sense of identity and respect as a woman and a lesbian.

"In 1997 I went to Benares, India to study the Hindu practice of burning the bodies of their dead on the Ganges ghats. My purpose was:

1. To become more at ease with death, a hidden western phenomenon;

This is a Sign (by Bob Snyder and Sara Livingston) is a contemporary daydream, with the kinds of conceptual twists and turns that daydreams often have.

A series of intimate video-8 vignettes depicting the fierce love between Malverna and Sandi, 88 and 22, grandmother and grandson. The two playmates dress up drag-esque for this moving portrait of a woman’s lifetime struggle with gender and sexuality.

All About A Girl is a story of a girl coming to terms with aspects of her own identity and how they relate to the expectations of others.

The Diaspora Suite

Under the spell of Toloache, the hypnotic images come up.

“We each have only one single life which is our real life, starting at the cradle and ending at the grave.

A Second Quarter is decidedly European; the “place” (Berlin) is the catalyst for the “action” (the work). The works recited in the film are concerned with barriers and borders, physical and geophysical phenomena.

A love letter to the Internet from a feral cat in Brooklyn.

Guerilla Girls are artist activists who have dedicated themselves to informing the public of the gender and racial inequalities that persists in the art world.

McGuire constructs a murky black and white soap-opera world of endless, timeless, and placeless limbo, where the characters talk to each other entirely in clichés, bad poetry, and other contrite forms of speech — a short TV show in which nothing is reso

"I got my first Sony Portapak in 1972 and started keeping a video diary. I sat facing my image on the monitor and talked about what was going on in my life. In 1977 I decided to talk about my current experience with love.

This collection highlights three works from Parnes’s 1990s-era, revealing the artist’s innovative use of appropriation and experimental film techniques to comment on the aesthetics and politics of popular culture.

Love is in the air as newlyweds chomp on cake, brides marry werewolves, and hatchets fall on adulterous heads.

I borrowed this absurd phrase from a sign posted on the conductor’s booth in the Washington, D.C. subway. The language of civil service here borders on unintentional parody, with its blankly polite tone and bureaucratic single-mindedness. I.G.G.B.S.R.A.U.C. revisits my 1992 tape Nation, and features a dense chorus of faces and voices. These strangers ask us to consider the question, 'Who is the public?'
— Tom Kalin

This is the contained power of the sacred seeds, the vibration of the ancient seeds of corn and their passage through an ocean of pulsating luminosity. A germinal liturgy of holy seeds.

Acconci again confronts both the viewer’s and his own expectations of his performance, saying, "I've waited for the perfect time, for the perfect piece, I'm tired of waiting...