“Collaboration is competitive” – this is the tag line for the artist collective Type A, composed of Adam Ames and Andrew Bordwin.

Approximates a small child’s fantasy world in the dark. In a series of close-ups, the nightlight is transformed into a meditative star-spangled sky. An improvisation, edited inside the camera and shot on a single reel.

"On my mother’s side there are two lands I come from, separated by the Atlantic ocean, all those fathoms deep. The lands of my grandma and grandpa. I had been through the lands of my grandfather, that is where I still live.

Laurie was inspired by Laurie Weeks’ uncanny ability to simultaneously embody her characters and write them from a clear distance.

This is a re-destroyed film that I was unable to finish in 2013. Filmed both in ruins: at the Sutro Baths in San Francisco and in final domestic spaces occupied with a former partner. Film was destroyed in ocean water.

Performance artist/sculptor Ana Mendieta used the raw materials of nature: water, mud, fire, rock, and grass.

This video diary/travelogue centers on a tropical trip to Acapulco where yours truly hits both sand and surf with maximum impact.

Volume 2 includes the pixelvision works made in 1992: A Place Called Lovely, It Wasn't Love, and Girlpower.

The fourth in a series of cross-cultural symposia organized by Lucy Lippard, the four artists interviewed hereÑJapanese-American painter and political activist Betty Kano, conceptual and performance artist Lorraine O'Grady, Hopi weaver Ramona Sakiestewa

A sound-essay set in the Tallahatchie County Second District Courtroom in Sumner, Mississippi, mythicPotentialities is an exploration of the event said to have galvanized the civil rights movement in America, the murder of Emmett Till, the tria

Painter and multi-media artist Jack Goldstein lived and worked in New York City. His airbrushed paintings of lightning and night skies are shown here accompanied by synthetic music, which the artist also composed.

A meditation on the elusiveness of Jewish history set against the backdrop of contemporary Poland.

A sculptor dabbles in the wetness of his craft while the skies threaten a soaking to the winterized wonderland of a western shoreline.

“Trypps #7 (Badlands) charts, through an intimate long-take, a young woman's LSD trip in the Badlands National Park, before descending into a psychedelic, formal abstraction of the expansive desert landscape.

From the green ooze of a haunted forest arise lonely shamans in red gowns alongside twisted creatures from nightmarish cartoons with the long suppressed belief in pagan ways now real and raw in the sun and shadows of

Two women occupy one space. Without showing their faces, the camera lingers on their bodies in images that capture both from an extreme high angle. The camera distorts the female body, even creating a grotesque effect.

In this episode of The Brenda and Glennda Show, Brenda and Glennda create a satire of 1990's infomercials. The video includes interviews and performances by Vaginal Davis, Bruce LaBruce, and Chris Teen.

Slides of Cadillacs owned by the artist’s father are the vehicles of this family history. The slides represent twenty-eight years of Dr.

Appropriating material from the introduction to the nightly television show, PM Magazine and a commercial for Wang Computers, Birnbaum uses enlarged still-frames from each of the sources to compound a new image of the indelible American Dream.

In 1988 the World Financial Center in lower Manhattan asked artists and architects to produce installations that centered on “the rapid development of the modern city and its enormous impact on how people live and work” for the New Urban Landscapes

Adapted from their performance work Fur Seal (1977), this video is the first and only outdoor work Eiko & Koma created for video. The piece was filmed at Pt. Reyes, California in November 1983.

The rocks are red, the mood is blue, the sky is big, and the scars on the earth run deep as a man and woman shop incessantly for nature's bounty and the trinkets of a vanishing culture. 

Hollis Sigler (1948–2001) was a Chicago-based artist. She received degrees from both Moore College of Art and the School of the Art Institute of Chicago.

“A soldier’s trip to Syria is complicated when he accidentally impregnates a friend. Meanwhile, a horse breeder from Ohio is driven away from home by her own desire to become pregnant.

Relying on the magic echo found in an old power Station in Norway, the artist whistles and marches to the Internationale, a May Day workers’ song.

...a "mordantly nostalgic" sojourn across America. A landscape of mute streets, empty rooms and serene fields; the remains of a civilization which has momentarily disappeared.

–– Ken Kobland

3# is part of the Pop Manifestos series, a five video project realized in collaboration with Cokes' former students Seth Price and Damian Kulash, and originally conceived as part of a series for the conceptual band SWIPE.

Lesser Apes tells the story of a love affair between a primatologist, Farrah, and a female bonobo ape, Meema. Bonobos are the species with which humans share the most DNA, but unlike our species, they are matriarchal, live without conflict, and are unabashedly sexual. A paean to perversion, the film combines animation, live action and song to challenge attitudes about sex, language and our relationship to nature.

Breder regarded Eclipse I as one of his most successful intermedia performance works for the complexity of the experience.

Intertwining associated experiments in image and sound generation using AI, Nearest Neighbor focuses on language acquisition and mimicry between humans, birds and machines, asking fundamental questions about consciousness, learning and understa

In the second part of the Classics Exposed series, a neurotic scholar (Gibbons) leads a "buggy" ride tour through historic Charleston where, according to the professor, Franz Kafka wrote The Metamorphosis after taking a wrong turn on h

In this episode of the Whispering Pines series, Moulton's character Cynthia is confronted with a distorted mirror image that slips between the grotesque and the exotic, depending on her posture.

Defiantly humorous in its tone, Delirium reflects Faber’s mother’s personal experience with what has been classified as “female hysteria.”  While never reducing her mother’s condition to a single explanation, Delirium firmly and c

Frozen in time and place, yet celebrating birthdays left and right, I ponder the technology that sends me out into the world via magnetism—a magnetism that not only attracts images and sound but also the particles of nothing that become something when a

As regional character disappears and corporate culture homogenizes our surroundings, it's increasingly hard to tell where you are.

Sara Magenheimer earned her MFA at Bard in 2013 and has since shown her work internationally in Canada, Iceland, the Czech Republic, and Denmark.

The Templo Mayor was the center of the Aztecs' religious life in Tenochtitlán, a ceremonial building in the heart of Mesoamerica. A center of political battles of contemporary Mexico. A ritual of resistance.

Uh-Oh! is a love story that revolves around the classic text, The Story of O. Not an adaptation, but rather a critical analysis of masochism that investigates the relationship between love, risk-taking, spirituality, power, and sex.

Part of the Hauntology Film Archives series.

In response to the dominant impression that gay people are white people, Orientations aims to set the record straight on homosexual identity.

"Image states / sound states.

Utilizing a four-way split screen, Divided Alto documents Landry’s improvised flute performance—focusing on the harmonics of the instrument as he plays double and triple chords.

To Start / From Finish  features the motorcycle racing scene at the Santa Fe Speedway–a now defunct speedway in Illinois.

"There are two movies I saw on TV about boys who were taken from their families and then returned to them years later. One boy was on a fun spaceship for years and the other boy was kidnapped and molested.

"Bricks are the resonating fundamentals of society. Bricks are layers of clay that sound like records, just simply too thick. Like records they appear in series, but every brick is slightly different – not just another brick in the wall.

In this video, Glennda Orgasm and Jackie Offie attend Lollapalooza '95 on Randall's Island, New York.

Dachau 1974 was recorded on Korot’s visit to Dachau, Germany, the site of the former concentration camp, in the Fall of 1974. What she saw when she arrived was a sanitized former prisoner camp that was now a tourist site

Subtitled "The Refusenik", "The Zealot", and "The Father", this video takes us on a journey where Germans, Turks, Israelis, Palestinians, fathers, grandmothers, daughters and animals are together for 13 minutes.

Described by the New York Times as “an extraordinarily personal essay that struggles to explain and understand what went wrong in the director’s relationship with his father, Ray, a car dealer,” My Father Sold Studebakers is an auto-biographica

Cinnamon presents a glimpse into the world of African American drag racing. It follows the consistent routine of a bank teller and a mechanic as they prepare for the sport.