A fairy tale, a road movie, a folly.

Animal Attraction is a documentary about the relationship between people and animals that questions the way we project our hopes and desires onto our pets, and ascribe human qualities and attributes to their gestures.

Two women occupy one space. Without showing their faces, the camera lingers on their bodies in images that capture both from an extreme high angle. The camera distorts the female body, even creating a grotesque effect.

The installation created by Monica de Miranda in collaboration with Teatro GRIOT accompanies the play Os Negros. It includes a photographic and video exhibition that abstractly uses the images inspired by the play.

The Choco area in Colombia is isolated between the sea and the forest. Religious missions, military operations, and tourists have come and gone within the region — coexisting and ignoring each other simultaneously.

In a piece commissioned by Remy Martin, Birnbaum adopts the language of commercial advertising, using the body, gestures, and glances of a heavily made-up woman to create a scene of glamour and romance—while slipping in a disparaging narrative that touc

For Example: Decorated is a talk show featuring art world personalities Britte Le Va, Peter Gordon, and James Sarkis.

Executive Producer, Suzanne Lacy; Director, Steve Hirsch; Editor, Doug Gayeton.

From the performance Freeze Frame: Room for Living Room by Suzanne Lacy, Julia London, Ngoh Spencer, and Carol Leigh, San Francisco, 1982.

A silent, moving poem, this video incorporates the “voices” of a wide variety of text sources into one scrolling script.

Colors swirl and shift amid pulsating blobs of light as a voice from the past takes us on an antiquated journey to the future and beyond.

A film titled Dance Movie (or, alternatively, Rollerskate) appears in many Warhol filmographies, but no work with this title has been found in the archive. The lost film, starring dancer Fred Herko, was shot in 1963.

The works on Reel 3 were produced during 1972-73, and re-mastered in 2005 when several newly available titles were added. The focus here is on social relationships and attaining the perfect life, be it through making the right decision, getting something for nothing, or just having it all. Many of the comic skits parody television ads and infomercials, and Man Ray has to make some consumer choices.

Anne Bancroft and Patty Duke proceed to beat each other while text from psychiatrists and ex-patients discuss the violence in some forms of psychiatric care. Four actions repeat as the struggle for autonomy rages.

"Three months in an architects’ firm in Berlin. From the architecture down to the tiniest door handle, a questioning of matter and the verb."

— Harun Farocki

8 stereoscopic slides taken to the jk-104 optical printer, shot frame by frame, by hand. This is the first hand processed color film I've made. The slides were found at a thrift store in Milwaukee, WI in 2009.

This is the story of two young girls who dig up a tiny woman from the back garden.

Ingrid Sischy was editor of Artforum in the 1980s and has been editor-in-chief of Interview magazine since the 1990s. In this interview with Robin White, Sischy discusses Artforum’s priorities, purpose, and goals.

High Five usually comes across as absurd and silly, and generally gets a laugh when shown. I appreciate this response and agree it is quite ridiculous on the surface.

Acconci listens to his own recorded monologue of sexually intimate secrets and repeatedly tries to obscure these secrets by shouting over the tape, demonstrating the paradoxical situation of the artist confounded by two desires: to reveal oneself for th

Four short videos by artist Miranda July, covering the period 1996 to 2001.

As a verite documentation of the May 1, 1971 demonstration against the Vietnam War staged in Washington, D.C., Mayday Realtime presents a largely unedited flow of events from the point of view of participants on the street.

Based on a novel by Rita Mae Brown, Me and Rubyfruit chronicles the enchantment of teenage lesbian love against a backdrop of pornographic images and phone sex ads.

The second installment of the collaborative project New Report, an ongoing series of performances and videos, Artist Unknown features K8 Hardy (founder of the queer feminist art collective LTTR) and Wynne Greenwood (of Tracy and the Pl

While asleep and dreaming, older children and adults alike tend to perceive dream events as external reality, but very young children do not understand "asleep" and "conscious" to be different domains. Perhaps they are not. 

In this attempt to resolve the on-going crisis, Burns and Discenza find themselves in, variously, a childrens adventure playground, a garage and a yard.

The sixth in a series of cross-cultural symposia organized by Lucy Lippard, the four artists interviewed here–gay activist and self portrait artist Lyle Ashton Harris, Chicano photographer and tourist Robert Buitron, Cherokee writer, curator, and video

Since his early days in Ant Farm, Lord’s evocation of the automobile has been the car as avatar, as the spirit of America—that consummate combination of superior organized corporate technology and the pioneering triumph of the willful individual driver.

Sites Unseen is a 16mm film of the Jewish cemetery in Warsaw, a photograph of a great Aunt who died in Treblinka, and my late grandmother eating her morning cornflakes.

Music by Zeena Parkins

Since the 1970s Mary Kelly (b.1941) has worked at the fore of feminist art and theory. She has continued to address issues and methods of activist politics, psychoanalysis, political science, literature, and the history of women and gender.

Taste the delicious colors of "SWEET NOTHINGS" and observe the dice of desire being tossed on a gambler’s bed like yesterday’s candy.

Vera is an assisted self-portrait of consumption. The subject is a woman whose passions and compulsions are of spending and loss, taste and subjectivity.

Featuring a swirling spiral from video feedback, this video provides a contemplative visual space for viewers. The spiral appears on and off against colorful oscillation patterns. 

"The Camel with Window Memory piece was made one weekend in the early '80's. I pulled out my post card collection and began to look at specific postcards run through the new digital video buffer I had built together with David Jones.

In his New York City landscape, Cohen finds inspiration in disturbance. Looking to life for rhythm and to architecture for state of mind, he locates simple mysteries.

Do Not Circulate, an experimental short film, attempts a structuralist and materialist approach to unraveling the entrails of a collective media memory.

The city today is as rationalised and regulated as a production process. The images which today determine the day of the city are operative images, control images.

In this collection of videos, Susan Mogul casts her diaristic lens to the nature of motherhood.

Shot during an NLP (neuro-linguistic programming) seminar in Berlin, a group fluxuates between guided meditation and discussion on consciousness and self-acceptance.

Identically dressed, and with sibling-like resemblance, performance artists Trevor Martin and Kym Olsen shift between spoken word and athletic dance choreography in a collection of 29 scenes.

In a city post-apocalypse, young men communicate only through smart devices. They make home out of urban debris. They can’t speak to each other, but are still able to dream.

Cobra Mist explores the relationship between the coastal landscape of Orford Ness and its traces of military history, particularly the extraordinary ruined architecture of experimental radar and the Atomic Weapons Research Establishment.

A portrait of risk and language, DAREDEVILS, presents the experimental narrative of a writer as she interviews a well-known artist and feels the reverberations of their discussion throughout her day.

This project started with an email from a stranger in 2017. The sender was the widower of the late artist Tania and he invited the filmmaker to look at her “archive.” Tania was born to Jewish parents in Poland in 1920.

The foliage and sprouting of urban greenery becomes the subject of this celebration to all things pollinated. The video explores hidden gardens that lie sequestered amid an array of dwellings inhabited by the not so rich and famous.

This classic feminist tape deviates from David Byrne’s and Jonathan Demme’s popular 1980s versions of suburban life, True Stories.

The scene: the industrial neighborhood of Gowanus, Brooklyn.

The players: wind, a flooded road, passersby, and birds...

The time: shortly before the 10th anniversary of 9/11.

In this agit-pop double feature, Cokes celebrates civil disobedience and deconstructs race relations. Cokes inter-cuts political slogans and social facts with an array of footage and juxtaposes the images with pop, rock, and rap soundtracks.

"I made this video after assisting at a conference where the artists acted like flies in a barnyard. They gathered tropical fruits to make it less disagreeable for themselves."

—Ximena Cuevas

Twenty Minutes is about the design and usage of the pulley from the era of Leonardo Da Vinci to the early 21st Century.

Cast: Clifton Bazemore, Derek Bazemore. Animation: Aaron Biscombe.

Following on from the 2006 Israeli aggression on Lebanon, the filmmaker tries to film the destruction of Beirut.