The emergence of video art tools in the late 1960s and early 1970s paved the way for an extraordinary number of outstanding art works by women.

The interior was delusional like any visual psyche. The couches and plants, rugs and paintings were all in cahoots and up in arms over the cahootery. The explorers were under-qualified and cowardly.

Video in the Villages presents its recent progress, its indigenous workshops for training and production. Founded in 1987, the project began with the introduction of video to indigenous communities that produced documentaries for their own purposes.

An overview of the Video in the Villages Project, this documentary shows how four different Amazonian native groups (Nambiquara, Gavião, Tikina, and Kaiapó) have embraced video and incorporated it in the service of their projects for political and ethni

On the Way to the Moon, We Discovered the Earth is a short film that remixes archival material from a prominent mainstream newspaper printed during the New York City Blackout in July 1977.

The Physical Impossibility of Life in the Mind of Someone Dead is Chapter 2 of Mysterium Cosmographicum.

Within the long cycle of initiation ceremonies of the Xavante People, the Wai’a celebration introduces young men to spiritual life and puts them in contact with supernatural forces.

A bouncy music-video burlesque shot in and around Santiago, Chile, entwines reminders of U.S. corporate presence and of past political terror, with national and international musical strains.

This video is about the idea of narcissistic transference, sexual dependency, and the failure to distinguish between the self and the loved one.

A playful and dark conversational study—wrapping prose poetry into the recognizable conversational form and allowing both connections and missed meanings.

Water and wind are friction forces that continuously erode and shape landscapes, and the record of their effects is left behind on Earth’s terrain.

as the waves play along with an invisible spine (the workers die) is a stroboscopic work that pulsates black and white at approximately 14 Hz.

Four Ikpeng children reply to a video-letter from the children of Sierra Maestra in Cuba, introducing their village, families, toys, celebrations, and ways of life with grace and lightheartedness.

In Northern California, land of mystery, there stands an edifice of stone that probes the heavens above and the subterranean secrets below the threshold of credibility. Its occupant, Dr.

Between the Frames is a series that offers a glimpse into contemporary history that is already past, a portrait of personalities and opinions shaping what and how art reaches a public forum.

Presented as a fictional documentary, the sound film All the Time in The World sees the millions of years that have shaped and formed the land, played out at the speed of sound.

During a video workshop in the Kuikuro village in the Upper Xingu, Brazil, an eclipse takes place. Suddenly, everything changes. The animals take new forms. Blood falls from the sky like rain. The sound of the sacred flutes crosses the dark night.

Moving across the shores between Ceuta (Spain) and Tangier, Morocco, a man and woman discover the present borders and past archaeologies of these lands that were once one and now exist separately. Human shipwrecks meet the abyss of such separation.

This work was produced in connection with Icono Negro, a three-artist show at Long Beach Museum of Art exploring the dynamics and distinctions of black video art.

Videofreex members Davidson Gigliotti, Bart Friedman, Skip Blumberg and Nancy Cain travel to Syracuse, New York to attend an exhibition and two-day conference featuring video art at the Everson Museum

Between the Frames is a series that offers a glimpse into contemporary history that is already past, a portrait of personalities and opinions shaping what and how art reaches a public forum.

This documentary explores the groundbreaking street performances of Cuban artist JuanSí González during the 1980s.

The Making and Unmaking of the Earth turns to geology as both a metaphor for and a psychic container of women's emotional states and embodied experiences of physical pain.

As documented in The Winner’s Circle and la Migra (the emigrant), the move north brings many changes to family life, specifically mothers going to work and children learning English in school.

Sixteen-year-old guru Marahaj Ji attempts to levitate the Houston Astrodome in this 1973 DuPont award winning documentary.

A trip across the bay to Concord yields a harvest of non-fruit-like beings who celebrate a housewarming that simmers with macho machinations and family discord.

Through a successful eBay bid in January of 2004, 1975 eteam dollars turned into 10 acres of personal U.S. property. The lot, a generic square within the larger American grid of townships, is located in the desert of Nevada.

In a series of 1992 performances, Coco Fusco and performance co-creator Guillermo Gómez-Peña decked themselves out in primitive costumes and appeared before the public as “undiscov

“Reading various popular magazines through the camera, the dominance of advertising over content becomes apparent as the same cigarette ads are consistently legible, while the various articles become a blur.

The Disappointment: Or, The Force of Credulity is a documentary about the search for four lost treasures buried on a single farm in Missouri.

The spirit of poets permeates the space/time occupied by an assortment of dinner engagements that occasionally erupt into physical or verbal assaults on the taste buds.

Land locked souls seek the key to a spiritual doorway that transcends earthly existence.

The vanishing point of Images of The World is the conceptual image of the 'blind spot' of the evaluators of aerial footage of the IG Farben industrial plant taken by the Americans in 1944.

Traders Leaving the Exchange, A Guard and the Street V.1 is a 15-minute unstable remix of a video I shot in 2000, and edited in 2011, of the "members" door of the New York Stock Exchange as the traders were leaving at the end of their workday.

Six Indians of different Waimiri and Atroari villages, located in the Amazon, document the day-to-day life of their relatives in the Cacau village.

Contemplating mixed race identity in Canada, Cuthand presents us with images of blood ties and land ties for indigenous people, and questions the use of the words "white passing" and "light skinned." As a light skinned indigenous, Cuthand reiterat

"In the free space of the commodity, I digitally took apart moving image sequences and re-animated them into an encoded montage to create a metaphor of experience where the viewer feels like a fiber optic cable has been hard-wired into their co

In The Lost Art of the Future, Cuthand talks about artists he has known who have passed while living with HIV/AIDS, and the art he wishes he had been able to see them make if their lifetimes had been longer.

Based on his ever-changing performance Indian Tails, this video features Luna sitting alone in his darkened room in front of the TV on Christmas Eve.

VDB TV: Decades, The 2000s

An original program for VDB TV: Decades curated by Aily Nash.

"The dream and the waking is a documentation of my commute between New York and Boston, which I make every week for my job.

Amid the greenery of what should be a White Christmas, there sits the blackness close to my heart; and beyond that there bellows a legion of behemoths who know not shame nor guilt.

Mid-day light illuminates a pond of decaying lotuses and turns black plant forms against a white background into scenes of abstract calligraphy, loose and flowing yet taut within its own geometry. Central to the meaning of 

A psychedelic portrait of the founding theorist of Christianity.

The comings and goings of the late underground filmmaker, Curt McDowell—and the people and activities that came and went along with him—are the themes that run through this existential diary of daily life.

Between the Frames is a series that offers a glimpse into contemporary history that is already past, a portrait of personalities and opinions shaping what and how art reaches a public forum.

During February and March of 2016, Danspace Project presented Platform, a month long curated program for which Eiko's solo project, A Body in Places, was the focus. At the center of the Platform's dense programs were Eiko's daily solos.

Workers Leaving the Factory - Ten Days that Shook the World – downloaded, repeatedly recompressed and reversed V.1 is a 13-minute re-edit of the film Workers Leaving The Lumière’s Factory in Lyon.

Indians In Brazil is an educational series for Brazilian public schools that invites students to experience cultural diversity.

A hug/punch eulogy for all things impossible now.