The emergence of video art tools in the late 1960s and early 1970s paved the way for an extraordinary number of outstanding art works by women.

On the Way to the Moon, We Discovered the Earth is a short film that remixes archival material from a prominent mainstream newspaper printed during the New York City Blackout in July 1977.

The interior was delusional like any visual psyche. The couches and plants, rugs and paintings were all in cahoots and up in arms over the cahootery. The explorers were under-qualified and cowardly.

Video in the Villages presents its recent progress, its indigenous workshops for training and production. Founded in 1987, the project began with the introduction of video to indigenous communities that produced documentaries for their own purposes.

An overview of the Video in the Villages Project, this documentary shows how four different Amazonian native groups (Nambiquara, Gavião, Tikina, and Kaiapó) have embraced video and incorporated it in the service of their projects for political and ethni

Hermine Freed collaborates with James Ingo Freed to create a video essay/documentary that reflects upon memories of the holocaust during the design of a US memorial building.

A psychedelic portrait of the founding theorist of Christianity.

Kipnis describes this tape as "an appropriation of the aesthetics of both late capitalism and early Soviet cinema—MTV meets Eisenstein—reconstructing Karl Marx for the video age.” She presents a postmodern lecture delivered by a chorus of drag queens o

Between the Frames is a series that offers a glimpse into contemporary history that is already past, a portrait of personalities and opinions shaping what and how art reaches a public forum.

Chapter 3: The Galleries

During February and March of 2016, Danspace Project presented Platform, a month long curated program for which Eiko's solo project, A Body in Places, was the focus. At the center of the Platform's dense programs were Eiko's daily solos.

Workers Leaving the Factory - Ten Days that Shook the World – downloaded, repeatedly recompressed and reversed V.1 is a 13-minute re-edit of the film Workers Leaving The Lumière’s Factory in Lyon.

Between the Frames is a series that offers a glimpse into contemporary history that is already past, a portrait of personalities and opinions shaping what and how art reaches a public forum.

A hug/punch eulogy for all things impossible now.

A four-part documentary, Yãkwá shows the most important ritual of the Enauênê-Nauê Indians (Brazil). For seven months every year, the spirits are venerated with offerings of food, song, and dance so that they will protect the community.

A chance to view the upper Bronx as a mantle of whiteness cloaks its natural splendor like icing on a cake and things all blubbery bob to the surface for air and a sniff of the "good life."

A documentary about Holt’s public installation work Dark Star Park in Arlington, Virginia, this video is about the process of developing and building the park.

From The Files of the Pyramid Cocktail Lounge is a series of video clips taken at the Pyramid Club, a seminal location for the East Village drag scene in the midst of the club's most influential years.

Rosler uses the format of a cooking demonstration (as in Semiotics of the Kitchen) to address cultural transaction--the meeting of Eastern and Western cultures.

This series of four videos explores Hock’s growing friendship and empathy with his Mexican neighbors, his acceptance into their community, and an examination of their day-to-day struggles.

Between the Frames is a series that offers a glimpse into contemporary history that is already past, a portrait of personalities and opinions shaping what and how art reaches a public forum.

In the fall of 1986, Richard Fung made his first visit to his father’s birthplace, a village in southern Guangdong, China.

A pileup of human refuse and super-human powers permeates this hour-long canvas of bits and pieces documenting the smash-up of a house of healing, as the physicians in charge short circuit amid the electronic wizardry beyond the Panasonic barrier.

In today’s youth-oriented society, the experience and knowledge of older women is typically unheralded and neglected.

Between the Frames is a series that offers a glimpse into contemporary history that is already past, a portrait of personalities and opinions shaping what and how art reaches a public forum.

This feature-length experimental narrative, about women’s relationships to new reproduction technologies and genetic engineering, combines documentary interviews with field experts and a science fiction segment depicting stories of in-vitro fertilizatio

A bouncy music-video burlesque shot in and around Santiago, Chile, entwines reminders of U.S. corporate presence and of past political terror, with national and international musical strains.

In support of experiences that are essentially common, but to which language does not easily adhere, the video passes through places that are both themselves, and stand-ins for others.

A compilation of too-close observation, animation, and stolen moments, The Seven Wonders of the World adds an eighth: survival at the edge of the known universe — bare-plus life. 

In Northern California, land of mystery, there stands an edifice of stone that probes the heavens above and the subterranean secrets below the threshold of credibility. Its occupant, Dr.

Between the Frames is a series that offers a glimpse into contemporary history that is already past, a portrait of personalities and opinions shaping what and how art reaches a public forum.

This video is about the idea of narcissistic transference, sexual dependency, and the failure to distinguish between the self and the loved one.

Water and wind are friction forces that continuously erode and shape landscapes, and the record of their effects is left behind on Earth’s terrain.

In The Great Mojado Invasion (The Second US - Mexico War), writer/performer Guillermo Gómez-Peña and filmmaker Gustavo Vazquez combine Chicano wit and political vision to create an ironic, post-millennial and postmodern look at the future of U.

I'm here to bring you the Truth and the Pleasure

Here to show you the meaningful form

It's going to feel like a new kind of leisure

It's going to smell like a freshly mown lawn

I'm installing a personal toolkit for thinking

Welcome to The History of the Future: A Franklin Furnace View of Performance Art.  This disc set is based upon a live event that took place at the Abrons Art Center in New York City on April 27, 2007.  Within this box set, you'll find

A wistful film on the love of homeland.

Hands are part of our body, but they might be too close to think. As the pandemic forced us to change our way of living and think about ourselves, it seems we have become paying more attention to our hands and the act of touching.

This work was produced in connection with Icono Negro, a three-artist show at Long Beach Museum of Art exploring the dynamics and distinctions of black video art.

Videofreex members Davidson Gigliotti, Bart Friedman, Skip Blumberg and Nancy Cain travel to Syracuse, New York to attend an exhibition and two-day conference featuring video art at the Everson Museum

made for an exhibition at the Inova gallery in Milwaukee Wisconsin in 2001, THE END OF THE WORLD is an intimate and emotional study of the photographic image.

On February 10th, 2005, Lynne Stewart was convicted of providing material support for a terrorist conspiracy. She is the first lawyer to be convicted of aiding terrorism in the United States.

Between the Frames is a series that offers a glimpse into contemporary history that is already past, a portrait of personalities and opinions shaping what and how art reaches a public forum.

Within the long cycle of initiation ceremonies of the Xavante People, the Wai’a celebration introduces young men to spiritual life and puts them in contact with supernatural forces.

The Physical Impossibility of Life in the Mind of Someone Dead is Chapter 2 of Mysterium Cosmographicum.

As documented in The Winner’s Circle and la Migra (the emigrant), the move north brings many changes to family life, specifically mothers going to work and children learning English in school.

Sixteen-year-old guru Marahaj Ji attempts to levitate the Houston Astrodome in this 1973 DuPont award winning documentary.

A trip across the bay to Concord yields a harvest of non-fruit-like beings who celebrate a housewarming that simmers with macho machinations and family discord.

as the waves play along with an invisible spine (the workers die) is a stroboscopic work that pulsates black and white at approximately 14 Hz.

In a series of 1992 performances, Coco Fusco and performance co-creator Guillermo Gómez-Peña decked themselves out in primitive costumes and appeared before the public as “undiscov

Four Ikpeng children reply to a video-letter from the children of Sierra Maestra in Cuba, introducing their village, families, toys, celebrations, and ways of life with grace and lightheartedness.