The emergence of video art tools in the late 1960s and early 1970s paved the way for an extraordinary number of outstanding art works by women.

Video in the Villages presents its recent progress, its indigenous workshops for training and production. Founded in 1987, the project began with the introduction of video to indigenous communities that produced documentaries for their own purposes.

The interior was delusional like any visual psyche. The couches and plants, rugs and paintings were all in cahoots and up in arms over the cahootery. The explorers were under-qualified and cowardly.

An overview of the Video in the Villages Project, this documentary shows how four different Amazonian native groups (Nambiquara, Gavião, Tikina, and Kaiapó) have embraced video and incorporated it in the service of their projects for political and ethni

On the Way to the Moon, We Discovered the Earth is a short film that remixes archival material from a prominent mainstream newspaper printed during the New York City Blackout in July 1977.

On the Flies of the Market Place deals with the idea of the European space, divided and sacrificed.

During a video workshop in the Kuikuro village in the Upper Xingu, Brazil, an eclipse takes place. Suddenly, everything changes. The animals take new forms. Blood falls from the sky like rain. The sound of the sacred flutes crosses the dark night.

The Disappointment: Or, The Force of Credulity is a documentary about the search for four lost treasures buried on a single farm in Missouri.

Land locked souls seek the key to a spiritual doorway that transcends earthly existence.

Between the Frames is a series that offers a glimpse into contemporary history that is already past, a portrait of personalities and opinions shaping what and how art reaches a public forum.

Chapter 3: The Galleries

Sixteen-year-old guru Marahaj Ji attempts to levitate the Houston Astrodome in this 1973 DuPont award winning documentary.

Kipnis describes this tape as "an appropriation of the aesthetics of both late capitalism and early Soviet cinema—MTV meets Eisenstein—reconstructing Karl Marx for the video age.” She presents a postmodern lecture delivered by a chorus of drag queens o

Welcome to The History of the Future: A Franklin Furnace View of Performance Art.  This disc set is based upon a live event that took place at the Abrons Art Center in New York City on April 27, 2007.  Within this box set, you'll find

A chance to view the upper Bronx as a mantle of whiteness cloaks its natural splendor like icing on a cake and things all blubbery bob to the surface for air and a sniff of the "good life."

A documentary about Holt’s public installation work Dark Star Park in Arlington, Virginia, this video is about the process of developing and building the park.

Within the long cycle of initiation ceremonies of the Xavante People, the Wai’a celebration introduces young men to spiritual life and puts them in contact with supernatural forces.

Between the Frames is a series that offers a glimpse into contemporary history that is already past, a portrait of personalities and opinions shaping what and how art reaches a public forum.

Through a successful eBay bid in January of 2004, 1975 eteam dollars turned into 10 acres of personal U.S. property. The lot, a generic square within the larger American grid of townships, is located in the desert of Nevada.

The Hundred Videos is a project undertaken by prolific video artist Steve Reinke, including 100 video works made from 1989-1996.

Between the Frames is a series that offers a glimpse into contemporary history that is already past, a portrait of personalities and opinions shaping what and how art reaches a public forum.

In the fall of 1986, Richard Fung made his first visit to his father’s birthplace, a village in southern Guangdong, China.

From The Files of the Pyramid Cocktail Lounge is a series of video clips taken at the Pyramid Club, a seminal location for the East Village drag scene in the midst of the club's most influential years.

This series of four videos explores Hock’s growing friendship and empathy with his Mexican neighbors, his acceptance into their community, and an examination of their day-to-day struggles.

Four Ikpeng children reply to a video-letter from the children of Sierra Maestra in Cuba, introducing their village, families, toys, celebrations, and ways of life with grace and lightheartedness.

The Hundred Videos is a project undertaken by prolific video artist Steve Reinke, including 100 video works made from 1989-1996.

This feature-length experimental narrative, about women’s relationships to new reproduction technologies and genetic engineering, combines documentary interviews with field experts and a science fiction segment depicting stories of in-vitro fertilizatio

The Physical Impossibility of Life in the Mind of Someone Dead is Chapter 2 of Mysterium Cosmographicum.

During February and March of 2016, Danspace Project presented Platform, a month long curated program for which Eiko's solo project, A Body in Places, was the focus. At the center of the Platform's dense programs were Eiko's daily solos.

A pileup of human refuse and super-human powers permeates this hour-long canvas of bits and pieces documenting the smash-up of a house of healing, as the physicians in charge short circuit amid the electronic wizardry beyond the Panasonic barrier.

A hug/punch eulogy for all things impossible now.

In today’s youth-oriented society, the experience and knowledge of older women is typically unheralded and neglected.

Between the Frames is a series that offers a glimpse into contemporary history that is already past, a portrait of personalities and opinions shaping what and how art reaches a public forum.

"In the free space of the commodity, I digitally took apart moving image sequences and re-animated them into an encoded montage to create a metaphor of experience where the viewer feels like a fiber optic cable has been hard-wired into their co

On February 10th, 2005, Lynne Stewart was convicted of providing material support for a terrorist conspiracy. She is the first lawyer to be convicted of aiding terrorism in the United States.

A bouncy music-video burlesque shot in and around Santiago, Chile, entwines reminders of U.S. corporate presence and of past political terror, with national and international musical strains.

as the waves play along with an invisible spine (the workers die) is a stroboscopic work that pulsates black and white at approximately 14 Hz.

The Hundred Videos is a project undertaken by prolific video artist Steve Reinke, including 100 video works made from 1989-1996.

This video is about the idea of narcissistic transference, sexual dependency, and the failure to distinguish between the self and the loved one.

Videofreex members Davidson Gigliotti, Bart Friedman, Skip Blumberg and Nancy Cain travel to Syracuse, New York to attend an exhibition and two-day conference featuring video art at the Everson Museum

Water and wind are friction forces that continuously erode and shape landscapes, and the record of their effects is left behind on Earth’s terrain.

In Northern California, land of mystery, there stands an edifice of stone that probes the heavens above and the subterranean secrets below the threshold of credibility. Its occupant, Dr.

Between the Frames is a series that offers a glimpse into contemporary history that is already past, a portrait of personalities and opinions shaping what and how art reaches a public forum.

A playful and dark conversational study—wrapping prose poetry into the recognizable conversational form and allowing both connections and missed meanings.

Hands are part of our body, but they might be too close to think. As the pandemic forced us to change our way of living and think about ourselves, it seems we have become paying more attention to our hands and the act of touching.

This work was produced in connection with Icono Negro, a three-artist show at Long Beach Museum of Art exploring the dynamics and distinctions of black video art.

The Hundred Videos is a project undertaken by prolific video artist Steve Reinke, including 100 video works made from 1989-1996.

The spirit of poets permeates the space/time occupied by an assortment of dinner engagements that occasionally erupt into physical or verbal assaults on the taste buds.

Between the Frames is a series that offers a glimpse into contemporary history that is already past, a portrait of personalities and opinions shaping what and how art reaches a public forum.

The Making and Unmaking of the Earth turns to geology as both a metaphor for and a psychic container of women's emotional states and embodied experiences of physical pain.

In support of experiences that are essentially common, but to which language does not easily adhere, the video passes through places that are both themselves, and stand-ins for others.