Urban parks consist of two major elements: nature and man-made forms. Parks play an important role in the urban environment, offering relief in everyday life.

In this video, Glennda Orgasm and Chris Teen travel to Washington, DC to attend a feminist art exhibition titled Walk the Goddess Walk at the District of Columbia Arts Center.

A portrait of Marion Eaton, film and stage actress, etched with a green thumb and a brown nose.

A distinguished looking man (performance artist Richard Layzell) is apparently trapped in an ever changing void of colour, locked in a power play with a perversely operated camera.

A Meditation on Nature in the Absence of an Eclipse is a poetic glimpse into the ways centuries of extraction, racism, pollution, and nature's commodification have altered our relationship to sacred land, water, and reso

A meditation on birth, silence and American cinema, sealed with a kiss.

Songs of Praise for the Heart Beyond Cure is a fourteen-minute experimental video that unfolds through a series of short episodes. "To describe Cooper Battersby and Emily Vey Duke's new video as ironic doesn't do it justice.

Forever pulsing, a severed hand bobs along a shoreline in this meditation on the atrocities of the early 1990s Rwandan civil war. The all-caps title says it all, loudly and poetically.

A myth illustrated on the stones of a waterfall, the reconstruction of a great communal hut, the attempt to recover objects kept for years in a museum in Manaus.

Simultaneously dark, surreal, and unnerving, this seventeen-minute tape is a stark departure from the usually playful productions of the Videofreex.

The first installment of The Mexican Tapes: A Chronicle of Life Outside focuses on Hock’s status in the community. At first Hock is the “outsider,” the tourist who doesn’t understand his neighbors’ jokes.

The movement’s founder Lois Severin, a former Trotskyite turned suburban housewife, was responding to the move from mass sociopolitical engagement of the 1960s and '70s to the personal fulfillment fant

In the summer of 1996 we filmed application training courses in which one learns how to apply for a job.

Through a stack of personal journals, this video reconstructs a biography of the South Dakota-born, New York City-enlightened artist James Wentzy.

This latest work from the ReStack’s pulls the experience of becoming mother (both through fostering and bio) through the lens of personal lives that are always, also, steeped in a world where systemic racism, classism and h

A bullet fired by two children travels on and randomly, intervening in a series of scenes in Oursler’s quirky, dismal puppet land.

They wait for voices to reach them, touch them!

Featuring Vito Acconci, Richard Serra, Willoughby Sharp, Keith Sonnier, and William Wegman

Using imagery from a Japanese "creature feature" and a chewing gum commercial, Benglis's camera focuses on different parts of the screen to emphasize different messages.

A structure of Lawrence Weiner.

Graphics and Computer Editing: K. Hassett; The Song: “Wind and the Willows” Music: Ned Sublette, ASCAP; Lyrics: Lawrence Weiner BMI; Cover Photo: Alice Weiner

A day in the life of a professional photographer (Wegman) and his eager student (Smith), this tape offers a humorous, at times surreal, how-to instructional course in photography.

Another dream film. Eschewing the hyperkineticism so beloved of Super 8 makers, I locked off my camera and wrote a slow narrative, combining live action and animation.

This horror picture is a sequel to THE KISS OF FRANKENSTEIN (a one act play I wrote a few years ago which was performed by my graduate students at the San Francisco Art Institute).

In 2003, Rosler announced an open call for a live re-staging of her 1975 video Semiotics of the Kitchen, to be held at the Whitechapel Gallery in London, for A Short History of Performance, Part II.

In this episode of The Brenda and Glennda Show, Brenda and Glennda lead a group of drag queens on a trip to Donald Trump’s Taj Mahal Hotel & Casino in Atlantic City.

Filmed primarily in Alaska, The Aquarium contrasts the openness of the primeval Arctic landscape with the entrapment of captured sea mammals in aquariums. It speaks of the progressive destruction of these animals’ habitat, seeing beyond the alluring spectacle.

Separation of the (Earth by Fire) is a multi-disciplinary project that includes print collages, audio, and video.

"Homage to Eadweard Muybridge. A historical Muybridge photo grid is put into an electronic video signal space.

In the Queen City is a series of three videos shot in Buffalo, New York that were produced following an invitation from Hallwalls Contemporary Art Center as part of their Ways In Being Gay festival.

On the outer limits of an Oklahoma town both eyes scan the skies for the terror being foretold by the volatile vapors that pulse with urgent radio frequencies.

A world with no escape... from the surveying cameras, an eye, a presence, always there to control our minds and movements. Looking even for the most secure little movements of life. 

Michel Foucault was one of the most influential philosophers and cultural historians of the 20th Century, reconceiving power and identities as historically specific social relations and discourses.

Part of paraconsistent sequence series and the hauntology series.

The Dying Swan is a recreation of the acclaimed ballet — Russian ballerina Anna Pavlova's most famous role — borrowed from its theatrical context and taken back to the lake.  A frozen pond and fifteen-degree weather

This video profiles the work and insight of California artists: sculptor, painter, and installation artist Laddie John Dill and painter and sculptor Clark Walding.

​From below ground, a man named Eddie describes flood lines, levees and trivial histories of the crumbling infrastructure of Memphis, TN.

Between job losses, foreclosures, living with family, and the Cande’s constant desire to return to Mexico, Pancha and Cande work through the strains of their marital relationship in San Diego County.

Brave new shopping worlds are being created. What have mall owners, architects, surveillance technicians, and supermarket workers done to turn human subjects into pure streams of consumers, into the perfect inhabitants of shopping mall paradise?

The Palace at 4 am is the experience of a fragile palace of collisions suspended in a montage vision. A hazy patchwork of structures. The Palace becomes visible only to repeatedly collapse in a liminal interference of the absence.

The Turkish national anthem, regularly sung in schools on Mondays and Fridays, is recorded with Super-8 and video to capture the fragile links that tie young citizens to nationhood.

A personal interpretation of the poetry and letters of T.S. Eliot that explores the ambiguities of language and space in a scenario built around an anagram.

Flesh meets robotics in this early video documentation of Survival Research Laboratory’s spectacular exhibitions of collective invention, anti-corporate technology, and satirical mass destruction.

An electronic variety show featuring poetry, theatrics, dance, songs, and a plot concerning the cultivation of literary innocence and the preservation of Rondo Hatton's memory (a horror actor in 1940s B movies).

A video adaptation of James Joyce’s Ulysses shot at the Parkville Senior Center, Connecticut, with the seniors reading the lines from cue cards. The piece addresses society, war, and personal mortality.

With Strain Andromeda The, video artist Anne McGuire has created an awesome and spellbinding film that throws everything from story structure to character motivation into question.

The passage from Germany to the United States influenced by moments lived during WWII era Germany.

In 1966, the Syrian government's Ministry of Endowments solicited plans for a building to replace a 14th-century Mamluk mosque in Martyr's Square in the center of Damascus. A young architect proposed a design for a 5-star hotel and new mosque.

The Wake was filmed at the Invertebrate Zoology department of the Carnegie Natural History Museum in Pittsburgh.

Produced and directed by Darlene Haber/MediaVision, executive director, Suzanne Lacy.