Animation by Dan Sandin
Algorithms by John Hart and Yumei Dang
Programming by Dan Sandin and Shalini Venkataraman 
Visionary Leadership by Tom DeFanti

Experimental but heartfelt, all fiction + mostly video.

Featuring: phantoms, parakeets, some animation, much smoke, Super 8 hi-jinks, several actors.

Ponies discover an equine Shangri-La. The audience is introduced to a classic dance step. Chubby Checker provides the musical accompaniment.

Stephen Varble began Journey to the Sun as a series of performances with projected slides in 1978.

After 500 years of African presence in Portugal, Black people find refuge in the utopian creation of The Island (A Ilha). A place founded in African history, a place to rest and to create futures.

The Sky Is Falling... is part of an ongoing series of performances that make up The Data Humanization Project.

A song of mourning, praise, and compassion for the sentient creatures with whom we share this planet. Focusing on the myth, history, and natural life of the elephant, the video explores the gulf we have created between ourselves and animals.

Reading the billboards, the cars, the people, and the graffiti of the street as cultural signs, Rosler extracts the network of social power and domination that determines whose culture gets represented where, asking whose culture is reported in the pres

The Cyan Garden considers the limits of giving form to the past which cannot cohere into memory.

Most of TVTV’s work takes place in the city, at the center of some pop culture event. “The Good Times Are Killing Me” takes place in the country – Southwest Louisiana, around the towns of Mamou and Eunice, the heart of Cajun country.

This two-part video Gender Cruise on the Circle Line involves Brenda and Glennda leading a group of drag queens, drag kings, and other gender nonconforming people on a three-hour ride on the Circle Line boat around Manhattan.

The Source is a Hole poses a web of loose connections and liminal associations to sculpt a treatise on transexual mourning.

In Takeover of the Empire State Building, Brenda and Glennda visit the top of the Empire State Building as it is lit up in lavender for Gay Pride.

The pages of books that deal with nostalgia and the vanishing vistas of America's past are infiltrated by the appreciative presence of two hulks from today, who go their own ways through the by-ways and highways of an illustrated yesteryear.

Epilogue: The Palpable Invisibility of Life is the final chapter in The Blindness Series, a body of eight videos on blindness and its metaphors that was begun in 1992.

Urban parks consist of two major elements: nature and man-made forms. Parks play an important role in the urban environment, offering relief in everyday life.

Craggy, ice-encrusted peaks soar skyward as blue lagoons lap incessantly to the drumbeats of big city behemoths hellbent on halibut and hashbrowns!

How to turn wild animals into milk, meat and wool machines... a model for the sexual subjugation of women... at first female captives, then wives and daughters.

Animation: Kerri Allegretta

Editing/Sound Design: Michael Simon

In the words of activist Dhoruba Bin Wahad, “Historical and social events are subject to almost instant censorship by those who have better access and control over the medium of communication.

A California Christmas season ushers in an array of holiday visuals designed to feed the hunger of soiled souls in search of truffle filled delights.

A big colorful rendering of the monster now terrorizing Puerto Rico and the hot-blooded people who have to deal with its deeper mysteries.

The project presents the blurring of the Green Line for Israelis and its consolidation for Palestinians, through important planning and legal decisions.

The tenth episode in the ongoing Badger series. Themes? Living in the culture of the copy; originality and ownership; inexplicable illness; life on other planets. And wonder, times seven.

Prizewinner at FLEX festival.

Shot in Firminy-Vert, a Le Corbusier Unité, or housing project, in south-central France, this work traces the building’s history through an engagement with the lives of its residents and traces of its past.

Striking images of human figures, landscape and architecture shape this video opera. Computer-animated sequences accompany brilliant studies of motion, where performers move through a landscape that remembers history.

This three-disc DVD box set contains Eisenberg's four thematically connected films - Displaced Person, Cooperation of Parts, Persistence, and Something More Than Night - made between 1981 and 2003, exploring the ongoi

Etant Donné le Bleu (Given the Blue) is a visual narrative—images breaking in a parallel universe, the realm of science fiction and the fantastic.

Behind the skyscraping walls of a neon lit asylum, the frustrated inhabitants therein erupt and engage in a psychological waltz that couple fact with fantasy in ways that open windows of the madhouse to the sanity of

Separation of the (Earth by Fire) is a multi-disciplinary project that includes print collages, audio, and video.

Unmanned Aerial Vehicles — drones — have become an everyday feature of contemporary military activity, replacing humans in reconnaissance flights, small-scale combat missions and covert operations. The U.S.

Sequences of landscapes shot in an area of 60 km make up mosaics of places and reference axes constantly changing that do not exist in our surroundings. In this video bodies are not near or far. They are large or small.

A film for high school students and their teachers about the history of the Viet Nam War, composed of just photographs from that war, narration and, to help us through a damned disheartening story, lots of the Bach Suite for Solo Cell

The Videofreex conduct first person interviews on the final day of the Woodstock festival, documenting detox efforts, clean-up logistics, and helicopter retreats. 

The feminist art movement of the 1970s set off an explosion of artmaking and analysis that still reverberates in the art world today, and the Woman's Building in Los Angeles was one of the major centers of activity.

They wait for voices to reach them, touch them!

This compilation is produced with "myself" as the sole object, as well as the material of the performance (except two videos with Akiko iimura).  The videos are not just documents of the performances, but works of video-art made specifically for ut

Deathrow Notebooks is structured around an interview with Mumia Abu-Jamal, a political prisoner who is on death row in Pennsylvania.

Based on a tale by Charles Perrault, Tom Rubnitz's The Fairies comes complete with frogs, princes, kind fairies, and evil stepsisters—all costumed à la Rubnitz. Featuring Sister Dimension as the fairy godmother, Michael Clark, and others, the tape playfully illustrates a familiar fairytale moral, as each person gets what they deserve. The evil girl spits up toads, while flowers and jewels emerge from the mouth of Matilda the Good, and a dancing prince carries her away. 

Cande and Pancha’s daughter Maria Luisa and Marisela and Cachuchas’ daughter Veronica believe their fathers are locked in a competition for grandchildren. It’s now 3-0 Cande.

This program presents different approaches to looking at war, and to using images of war.

Part of the paraconsistent sequence series.

A video adaptation of James Joyce’s Ulysses shot at the Parkville Senior Center, Connecticut, with the seniors reading the lines from cue cards. The piece addresses society, war, and personal mortality.

An ordinary living room with a green screen, TV, and domestic cat serves as the backdrop for this DIY introduction to experimental philosophy. The president of a company is considering a vice president's moneymaking scheme.

Shot in a creaky, wooden floored Parisian recording studio at an inaugural three-day “forum of ideas” focusing on the manifold possibilities of Resistance (the title of Jean-François Lyotard’s unrealized follow-up exhibition to his 1983

Beginning with the arrival by canoe of a TV and VCR in their village, The Spirit of TV documents the Waiãpi people’s first encounter with TV images of themselves and others.

This first "Frieda" collaboration between performance artists Barbara Lipp and Tom Koden and video artist Tom Rubnitz chronicles Frieda's rise from assembly-line worker in a box factory to singing superstar.

Sponsored by Kodak and Chicago Filmmakers, I was given a film roll to shoot. All editing was done in-camera.

A distinguished looking man (performance artist Richard Layzell) is apparently trapped in an ever changing void of colour, locked in a power play with a perversely operated camera.

(tell me why): The Epistemology of Disco is an often humorous, at times sarcastic and poignant look at the role that disco music has played in the formation of gay male identity.

The Sun Quartet is a solar composition in four movements, a political composition in four natural elements, an audiovisual composition in four bodily mutations: a sun stone where youth blooms in protest, a river overflowing the streets, the bur