The Story of Milk and Honey is a short experimental video belonging to a larger project, which includes photographs, drawings and text, detailing an un-named individual’s failure to write a love story.

Directed by artist and filmmaker Tiffany Sia, The Sojourn imagines a restless landscape film in Taiwan. Visiting scenic locations shot by King Hu, the short experiments with the road movie genre and its intersection with the martial arts epic.

Urban parks consist of two major elements: nature and man-made forms. Parks play an important role in the urban environment, offering relief in everyday life.

A 19th Century etching of a bedroom in the Palace of Versailles is animated and depicts the room in the midst of an earthquake. Every detail, from the moldings to the small figures in the hung paintings, trembles.

The Love Tapes: World Trade Center is a collection of videos from Wendy Clarke's Love Tapes project. The project began in 1977 and is ongoing.

"Living on the slopes of the volcano Vesuvius is a strange contradiction: always in stress and yet also sleepy, waiting for what might happen.

In this video, Brenda and Glennda attend the opening day of The New Festival (now known as NewFest), a queer film festival in New York City. They interview attendees and filmmakers at the festival to discuss the importance of queer film.

Part 1 of Two Movies by Mike Kuchar.

Shown at the Brooklyn Museum of Art, Brooklyn. The Real Art World Episodes explore the awkward social interaction of the studio visit.

Peggy And Fred In Hell is one of the strangest cinematic artifacts of the last 20 years, revealing the abuses of history and innocence in the face of catastrophe, as it chronicles two small children journeying through a post-apocalyptic landsca

A deft and cunning re-examination of John Boy’s near-death experience at the sawmill. A homespun midnight deconstruction of an entire era of television mannerisms.

A garage in central Portland, Oregon is the setting for this conceptual re-working of James Joyce’s Ulysses.

As If the World Had No West tells of the journey of a young woman who travels through the desert and who, through her relationship with the Mirabilis, ancient plants, listens to the cosmos.

In this episode of The Glennda and Brenda Show, Glennda and Brenda take over a public bus to protest discrimination and violence against queer people who are "out and outrageous".

"John Smith uses humour to repeatedly subvert and frustrate potentially threatening content in an economically constructed tale of the narrator’s descent into paranoia and, ultimately, oblivion, as he is pursued, haunted, and finally destroyed by a myst

Inspired by the analogy between weaving (vertical warp threads traversed by horizontal weft threads) and the construction of the television image (vertical and horizontal scans of an electron gun), Stephen Beck built the Video Weaver in 1974, and produc

This is a journey to El Paso, Texas, where the Super-8 filmmaker Willie Varella and I have a dialogue amid domestic routines, motel accommodations, and emotional baggage, indicative of life on the road. 

A very chatty array of people along with still photos and a loose-tongued cab driver, make this a leisurely stroll through my social life of several years ago.

Using selected details of TV’s Hollywood Squares, Birnbaum constructs an analysis of the coded gestures and “looks” of the actors, including Eileen Brennen and Melissa Gilbert.

Long Live the New Flesh uses found footage to transmogrify existing fragments from horror films into a new video.

Originally part of a multi-media installation at the Everhart Museum in Scranton, Pennsylvania, King Anthracite documents the lives, work, and early deaths of Lithuanian immigrants (including Kybartas’ ancestors) who mined the Pennsylvania coal

"Between the Lines is an exploration of what Muntadas terms the 'informational limits' of television—the selections, programs, decisions, edits, time schedules, image fabrications and so on—specifically addressing the means by which 'facts' in

Using the first color video camera, the artist questions where the devil might be hiding, and then takes a nighttime swim.

Among the Xavante of Mato Grosso, the Wai’a is an important stage in a male initiation ritual that happens once every 15 years. Wai’a: The Secret of Men documents the ceremonies that prepare young men for contact with supernatural forces.

Looking for "Mr. Right" in all the wrong places makes for a tragic comedy.

Known for his fast-paced and hilarious videos exploring Hapa identity and Asian American media portrayal, artist Kip Fulbeck has been featured on CNN, MTV and PBS.

Half-breed Alice attempts to become queen and struggles with the Red Queen and the White Queen's disapproval of her racial transgressions.

In the second installment of The Mexican Tapes, Hock begins to participate more in the family life of La Colonia, attending baptisms and helping shop for new cars.

Set between Swaziland and South Africa, in a region still struggling with the divisions produced by an apartheid government, Greetings to the Ancestors documents the dream lives of the territory’s inhabitants as the borders of consciousness dis

A drummer and guitarist on a rooftop high above New York City. A beat, a song, a trance, or just a celebration…? 

The film is a durational performance document, direct but mysterious.

A Meditation on Nature in the Absence of an Eclipse is a poetic glimpse into the ways centuries of extraction, racism, pollution, and nature's commodification have altered our relationship to sacred land, water, and reso

It's the time of celebration and merriment in the Alto Xingu. The dry season is coming to an end. The smell of the damp earth is mixed with the sweet perfume of pequi.

Commissioned by Boston Dance Umbrella, this work was created during a month-long residency in Boston. Clayton Campbell painted a mythological scene of the river that a dying person crosses to reach the world of the dead.

The Night Visitors is a movie about moths. In large and small fragments, looking both inward and out, through a critical lens that is by turns social and personal, the film closely examines these under-known creatures.

A personal essay about connection and disconnection, in and through different realities.

In 2002, my troupe, La Pocha Nostra and I were invited to conduct a workshop at Columbia College in Chicago with 15 students and faculty from different departments.

The Sweetwater Rattlesnake Roundup is a tape documenting the 1980 roundup, an event held each March in Sweetwater, Texas.

"Shaharazad is trapped at the Baghdad Hilton, so she conjures up an ironic story of the great King Bush's attempt at 'protecting one dictatorship from the attacks

Part of paraconsistent sequence series and the hauntology series.

This special box set, Jason Simon: Three Videos, includes a booklet with an in depth essay by media scholar Cynthia Chris.

"In this antiqued period piece, the morbid star, Lupe Velez, travels to Hollywood, Guanajuato, and Barcelona, seeking her own death."

—Berkeley Art Museum, Pacific Film Archives, April 1998

In response to BLM events and to the whole world of injustice, slaughter and abuse... a small comment.

–– Ken Kobland

We are still here. We the birds. Part of hauntology Film Archives and shamanic materialism. 

The Palace at 4 am is the experience of a fragile palace of collisions suspended in a montage vision. A hazy patchwork of structures. The Palace becomes visible only to repeatedly collapse in a liminal interference of the absence.

This installation is based on the re-enactment of Franz Kafka’s allegory "Before the Law", interpreted live over a telephone line by Katharine Gun.

Snow falls gently in the background as kielbasa is cut and Walter Kapsuta mans the accordian in this Christmas special. Also on board is filmmaker Sharon Greytak, as she and I discuss matters of the flesh and joints.

An experimental documentary video project about individuals who have been transformed from so called “ordinary” citizens into activists, Witness To The Future seeks connections that unite people of all cultures, communities, races, and economic

Red Green Blue Gone with the Wind is a phosphorescent deconstruction of David O. Selznick's Technicolor classic Gone with the Wind (1939).

Judy Chicago (b.1939) is an artist, author, feminist, educator, and intellectual whose career now spans four decades.

In 2006 I began to think again about the handwoven canvases based on the biblical Babel text that I created in the 1980s.