Untitled for Technically Sweet was originally inspired by the Antonioni script of the same title for an exhibition curated by Yvette Brackman and Maria Finn and shown at Participant Inc.

Filmed in June 1998 at the Whitney Museum of American Art and produced by the New York Public Library for the Performing Arts/Dance Collection. Breath is a creative archive project of Eiko & Koma’s living installation of the same

In this interview, African American filmmaker and DJ Ephraim Asili (b. 1979) discusses his upbringing, education, and creative process.

"The Camel with Window Memory piece was made one weekend in the early '80's. I pulled out my post card collection and began to look at specific postcards run through the new digital video buffer I had built together with David Jones.

This experimental documentary meditates on the space between two bodies and explores three key bodies in transition: the erotic "cruising" body, the transgender body, and the pregnant body.

In this futuristic computer-animated landscape, confused relationships between objects and people play out before the backdrop of a lush garden and interactive theatre known as the Big Ghost.

For over 70 years, Colombia has been confronted with internal armed conflict. Over the years, the outlines of the conflict have grown indistinct. A climate of generalized violence has gradually settled over society as a whole.

Taking aim at the social standardization enforced particularly on women's bodies, Rosler critiques the politics of "objective" or scientific evaluation that result in the depersonalization, objectification, and colonization of women and Others.

1. The idea that a film about a city, a quiet, architectural film no less, can tell us anything that we don’t already know about urban life at this point in our new century is perhaps a bit arrogant.

Part of the Hauntology Film Archives series.

I was drawn to the early cave paintings of Lascaux and Altamira for as long as I can remember. One day looking thru some reproductions in an art history book with portable video camera in hand I recorded a still of a Lascaux bull.

By accident, the content of a computer encyclopedia is transferred into the brain of an animated parrot resulting in the emotional breakdown of a fine peach.

As a foulness shall ye know Them. Their hand is at your throats, yet ye see Them not; and Their habitation is even one with your guarded threshold. The wind gibbers with Their voices, and the earth mutters with Their consciousness.

The New York City summer is fueled by the sultry emanations of hot air that tumble off the tongues of potential thespians as they attempt to decipher the gastric guesswork embedded in the prose of the pre-production process.

A silent 16mm film shot in Nebraska during the total solar eclipse in 2017. The work was shot on film to capture this light-based phenomenon on a light reactive medium, as opposed to on digital video.

In this satirical video the Yonemotos deconstruct the myth of Oedipus within the framework of the myth of Kappa: a malevolent and hedonistic Shinto god of fresh water, whose prankish harassment of young maidens includes hiding beneath outhouses to pinch

A minister recounts the perceived catastrophe that is butt sex. Pegging ensues.

On the narrow stairway that exits Paul Kos’s Tunnel\Chapel, where his 27-channel Chartres Bleu installation is housed, Kos writes with both hands on opposite walls, recording the narrative of Noah’s Ark.

Crosswinds  is part of the fieldtrip series. By definition a crosswind is any wind that has a perpendicular component to the line or direction of travel.

Over grainy, black and white images of a woman giving birth, Montano reads the story of a nun’s sexual self-discovery—recounting Sister Joan’s growing awareness of her body’s sensuousness and sexuality.

"The video Emission found its origin in three performances which I wrote between 1988 and 1991. In their original form, the performances dealt with sex, romance, and communication technologies.

An intimate portrait of the artist at his home in San Francisco, this film delves into Mike Kuchar's life and work.

Skip Sweeney was an early and proficient experimenter with video feedback. A feedback loop is produced by pointing a camera at the monitor to which it is cabled.

To the background of village celebrations a father questions his daughter about a suspected lover. She cleverly deflects him with her answers but the passions rise, the villagers take sides and what began as harmless banter becomes bitter and angry.

Susan Mogul's first video diary work, produced two years before Everyday Echo Street: A Summer Diary (1993), follows the arti

Quality Control consists of a series of single take shots of the fine folks of Alabama producing a superior product.

A dissemination of suspended bodies in the liminal space.

You Are What You Are Born For features three blind sisters who sing for their survival on the streets of Campina Grande, Brazil.

Stephen Varble (1946-1984) staged gender-confounding costume performances on the streets of 1970s Manhattan, and he became infamous for his anti-commercial disruptions of galleries, banks, and boutiques.

A collection of videos made at Miami-Dade Community College Mitchell Wolfson New World Center as part of Miami Waves Film Festival. The videos are part of Wendy Clarke's ongoing project, Love Tapes.

In this interview, communications theorist, Gene Youngblood (b. 1942) maps out the various stages of the development of video technology and its philosophical implications for human interaction. The range of topics discussed moves beyond video to offer an extensive and rich survey of American culture from the 1960s to the present moment. In addition to discussing his canonical text, Expanded Cinema, Youngblood shares stories from his early days as a police reporter for the Los Angeles Herald Examiner, where he gained intimate knowledge of the media’s politics of representation. With the acuity of hindsight, Youngblood discusses important self-discoveries, and his life-changing decision to move from the mainstream media into the world of the underground press.

Using footage from mainstream British and Hollywood films, and excerpts from a poem by Shani Mootoo, this video explores the impact of cultural imperialism and the erasure of language—residual tools of oppression on members of post-colonial societies.

A Nazi battalion marches in red in front of the ominous floating hand from THE AX HAS FLOWERED.

Audrey Flack uses an airbrush to produce large photorealistic paintings and works from slides for her precision. She selects subjects with great personal significance that also represent fragments of contemporary American life.

A self-help speaker encourages self-reflection. Friends in Chicago hang out.

"We are happy. (Silence.) What do we do now, now that we are happy?"

-- Samuel Beckett, Waiting for Godot

The two related compilations of Julia Hechtman's video works titled Acts of Disappearance: Death and Acts of Disappearance: Environmental document twenty years of the artist's ongoing expl

As two heavily made-up women take turns directing each other and submitting to each other's kisses and caresses, it becomes increasingly obvious that the camera is their main point of focus.

"The world will devour you...."

A group of cops laugh and talk, while scanning the street for suspicious activity. An extreme close-up of a sensuously exposed neck; a soft pink fleshy ear turns to reveal an inquisitive hostile eye....

Holzer adopts the form and language of commercial messages to disrupt communication, presenting kamikaze texts that are designed to stimulate thought, with humor, and inspire a critical attitude in an often passive audience.

Originating from personal affection toward Seoul, Twelve Scenes portrays the spectacles in daily life by juxtaposing urban space in a twelve month sequence.

Created and commissioned for Little Sun, Fast Forward short film series exploring a sustainable world.

“It is curious that in the most important periods of one’s life, one never keeps a diary. There are some things that even a habitual diary-keeper shrinks from putting down in words—at the time, at least.

These are the ghosts of a haunted civilization, a culture of progress that hides the social and political horror behind the Olympic Games. These are the haunted figures in the Capitalocene era. A sinister dance of macabre abstraction.

Painter and multi-media artist Jack Goldstein lived and worked in New York City. His airbrushed paintings of lightning and night skies are shown here accompanied by synthetic music, which the artist also composed.

Based on a Story explores the widely-publicized encounter between a Jewish Cantor, Michael Weisser, and Nebraska's former Ku Klux Klan Grand Dragon, Larry Trapp.

A detective is hired to find the original copy of a lost ancient book. The book recounts the tale of a plague. A form of radiation, unknown at the present time, activates a virus.

In Manpower, a bulldozer, a screaming man and a crying baby are among the images that Tanaka combines with a suggestive soundtrack to create an eerie portrait of male strength and weakness.

five more minutes is an exploration of grief. Two women spend an afternoon recreating lost time. What begins as play-acting breaks open into a world where the tenderness and sorrow of having to say goodbye exist untempered.

In Wigstock ’94, Glennda and her friend Bobra attend Lady Bunny’s Wigstock festival. Following the event’s move from the East to the West Village, they explore the changing dynamics and configurations of queer culture in New York.