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This suite is a set of circular and fragmented compositions, in which a rhythmic and haunted dance hides an eroded lunar landscape. The microscopic rubble of our contemporary civilization. Part of the Lunar Films series.

Sharon Lockhart is a photographer and filmmaker. Her photographic and filmic works interrogate the inversion of the static image as cinematic and the manipulation of the moving image into a static/stop-motion frame.

In 1975, the Feminist Studio Workshop (I was a member) at the Woman’s Building in LA, the Women’s Interart Center in New York City, and another feminist organization in Washington DC, attempted to set up a video exchange among feminist art organizations

A feature-length trilogy of films by filmmaker-choreographer Sarah Friedland, Movement Exercises deconstructs and revises the choreographic vocabularies of exercises practiced across home, work, and school spaces.

"In the spring of 2002 I handed over to Charles Atlas a collection of films and videotapes in various formats that I had been accumulating with an eye to his editing them into what I call a "faux Rainer portrait" (though he may well call the final produ

Invited to speak at an Indigenous Revolutionary Meeting, the narrator describes an intimate encounter with an Evil Colonizing Queen which leads to Turtle Island's contraction of an invasive European

Child uses the soap opera format to play with the structure and expectations of the family melodrama.

This sensualist's dream follows Louise Brooks look-alike Rodney O'Neal Austin on his search for the Beloved.

Ripe fruit in sweaty socks; soft eyes, stained and suffering in the origin of consciousness, and a soul needing refrigeration, for it has nearly gone bad!

Four short pieces: three featuring anecdotes and conversations, the fourth an icy landscape.

Take My Picture? is a comparison of two street characters filmed in downtown Providence, Rhode Island.

Eiko Otake, with her collaborator Merian Soto, visited a friend Bonnie Brooks in her country house and had a long walk in the forest. There was a small island occupied by three deers.

"I, Soldier is the first part of a video series in which I am dealing with the state-controlled ceremonies for the national days of the Turkish Republic.

Sections 1-30 of an incomplete extended poem describing the artist's connection to the radical black tradition. The completed poem will be formed of 180 sections.

Part of the paraconsistent sequence series.

Alice Neel (1900-1984) is known for portrait paintings of well-known persons and eccentric New York street types.

An animation that combines narrative experimentation with the abstraction of motion capture about two groups of misfit hackers in a city of traffic.

Nazlı Dinçel’s hand-made work reflects on experiences of disruption.

Skating softly, but carrying a big stick, performer Kristin Elliott engages in an interlocking series of skits involving simple, slapstick activities performed by a pristine outdoor pool and in a venetian blind windowed corner of a room.  Bodies of

Eyal Weizman is a British-Israeli architect and academic. He’s the founder of Forensic Architecture, which uses architectural research to investigate violations of human rights around the world.

Veronica Majano depicts the character of a street in the Mission District of San Francisco.

A document of two life processes: the passing of my friend Andre’s 10 year old German Shepherd, Cortàzar, and the tattooing of Cortàzar‘s image on Andre’s chest.

The 2008 iteration Muntadas and Reese's series documenting the selling of the American presidency features political ads from the 1950s to ads from the 2008 campaigns, and highlights the development of the political strategy and marketing techniques of

The film-essay Mined Soil revisits the work of the Guinean agronomist Amílcar Cabral, who studied soil erosion in the Alentejo region of Portugal through the lens of his political engagement as a leader of the African Liberation Movement of the

Shape Games is a film about play, abstraction, and enchantment. A series of strange and seemingly pointless activities unfold.

Dan Sandin designed the Image Processor that, partly because of his decision to give away the building plans, has effected an energetic and aesthetic investigation of the technological structures of electronic media.

In this diptych, Yi-Ching Chen plays the lowest possible sound on her tuba and Magenheimer's own electronically synthesized voice sings a letter that Ada Byron, the world's first computer programmer, wrote to her mother.

The artists of the future and the past converge and converse as the funding dries up and extrapolation envisions extinction.

‘ODDS AND ENDS’ is a dazzling patchwork of moods, lost and found, for the eye to savor.

A metropolis awash in electrical overdrive crashes in the heat of summer and sends a Bronxite into the clutches of a waterworld further north.

A man is shot inside an empty room and he moves and takes on positions continuously out of center.

"In this eight-minute video work, we are given nonnarrative footage sutured together to form a fragmented, hallucinatory sensation.

Antonio Muntadas and Marshall Reese have been documenting the selling of the American presidency since 1984, and have expanded and updated the series with every election.

Nathan Lyons (b.1930) has contributed to the field of photography as a critic, author, curator, educator, and photographer.

For 200 Nanowebbers, Semiconductor have created a molecular web that is generated by Double Adaptor's live soundtrack.

This compilation features several of Cohen’s pieces from the late 1980s and early 1990s: a paean to both the physical and mental aspects of the New York City landscape, an exploration of cinematic genres from narrative to music video, a sensual and roma

The frame is filled with two concentric magnifying lenses, one larger than the other. Behind them is a mirror. The mirror turns and reflects the landscape around it.

Swerving between branded content, documentary, and a decolonial episode of MTV 'Cribs', the film revolves around a tour of an apartment which has supposedly been "given back" - led by reformed Native American impersonator, and frequent New Red Order col

In an interview I did earlier this year for the Milan Game Video/Art exhibition, I deflected a question about the connection between Hymn of Reckoning and Reckoning 3, discouraging the idea that there was much of a link betwee

This arresting early work conveys a tension that emanates from what Tanaka posits as life's basic dualities: male/female, past/present, known/unknown.

An all-over textile constructed under the spell of Arachne, an audiovisual textile in five parts that exposes a web of raids in construction over the american houses, a landscape of protests under the webs of segmented time, the entrails of the american

The film centers on the images of the Gulf War, which caused worldwide outrage in 1991.

Taking its title from the sea nymphs in Homer’s Odyssey—the treacherous spirits whose sweet voices lured sailors to their death upon the rocks—Sirens presents four hallucinatory scenes, visual puns authored by a mischievous agent.

In this 2014 interview, South African artist Kendell Geers (b. 1968) discusses the function of magic, myth, and memory in his work. Beginning at childhood, Geers charts the path he has taken in his understanding of his own biography as a site of resistance. This interest in the use of personal biography culminated in 1993 with his decision to change his date of birth to May 1968 as a way to reference both the May 1968 student protests, and the fact that 1993 was the first year that South Africa had participated in the Venice Biennale since 1968.

Shot in video-8 at the 1988 Chicago Auto Show, this work examines the artist's personal history with automobiles against the back-drop of an auto plant closing in Kenosha, Wisconsin.

"I'm not going to go to the Anne Frank House—I don't think I could take it—being a tourist is bad enough—though I'm not really a tourist—I'm here working—my camera's the one on vacation—taking holiday sounds and images—it's having a nice change of pace—

Hidirtina (Sisters) is based on a mythology from Eritrea and northern Ethiopia. It is part of a larger story collection project that began in 2004.

Images of friends and landscapes are cut, fragmented, and reassembled on an overhead projector as hands guide their shape and construction in this film stemming from Hollis Frampton’s Nostalgia.

An alternative earth music video. An epic last stand. A portrait of two utilitarian workers engaging in a collaboration with Karen, manifesting improvisational geographic friendships...