After the shrieks and howls of Hymn of Reckoning, I felt that I needed to close out the Oto trilogy with a gentle flashback, to a 1980s sunset beach on a tropical island.

In this tape, the Videofreex record their visit with Dr. Eugene Schoenfeld, then recognized widely for his popular medical advice column, Dear Dr. Hip Pocrates, which doled out information about sex and drugs.

A compilation of five early short films made between 1966 to 1969.

Hand Movie 1966, 6:00, b&w, silent, 8mm

Close-up of a hand, the fingers of which enact a sensuous dance. Camerawork by William Davis.

A sparing and minimal travelogue of Istanbul. A foreigner meditates on the unraveling of a relationship while moving from hotel room to hotel room.

A wonderful and humorous example of early image processing, Parry Teasdale and Carol Vontobel perform to camera as their faces are morphed together, forming an image of one person. 

Combining Rubnitz’s skillful manipulation of the familiar “look” of TV shows with an extraordinary range of characters, performer Ann Magnuson convincingly impersonates the array of female types seen on TV in a typical broadcast day.

“In her brilliant video Art Herstory, [Freed] has restaged art history, putting herself in the model’s role in numerous paintings....

In the video An Evening with Kembra, Glennda and Brenda attend one of Kembra Pfahler's dinner shows on New York City's Lower East Side.

This real-time video-meets-digital-animation trilogy of shorts features the highly excited and mildly delusional Joe Gibbons. Against a background of live action and animation, the caddy’s golf club turns into a guitar as he reminisces about playing golf with Iggy Pop: “Hell of a guy, hell of a golfer." 

“Nicky is seven.

A trip to the Marin headlands at the Golden Gate of San Francisco Bay headlines this video diary. The viewer gets to eves and eye drop on various verbal and real time activities that are of a wet nature now and then.

In this interview, African American filmmaker and DJ Ephraim Asili (b. 1979) discusses his upbringing, education, and creative process.

Defiantly humorous in its tone, Delirium reflects Faber’s mother’s personal experience with what has been classified as “female hysteria.”  While never reducing her mother’s condition to a single explanation, Delirium firmly and c

Greasepaint flows freely as talents of Tinseltown strut their stuff amid the rundown dreams of days gone by.

Having collaborated with videographers for previous media works, Eiko & Koma decided to work alone in creating Husk. Koma adopted the role of cameraman to film Eiko's solo piece.

Are gender outlaws considered the new biological terrorists seeking weapons of mass bodily destruction? OPERATION INVERT compares the different regulations mediating botox-related plastic surgery and gender reassignment "sex change." Historical

Since the early 1970s, Rackstraw Downes has committed himself to painting from observation, on site, from start to finish. He has painted both urban and rural landscapes, as well as interior spaces, in New York, Texas, and Maine.

In the first of George Kuchar’s Alumni Series, he braces the unusually volatile weather, contending with torrential rain and flooding on his way to visit the apartment of alumni Peter Van Langen.

28.IV.81 (Descending Figures) comprises footage Harris shot at a performance of Christ’s Passion, staged as an attraction in a Florida amusement park…This flimsy display of devotion is shown up by something g

“Where the robots can eat food, they eat chemicals instead—as one would expect. Where they can live and act, they sit in dark rooms and watch others do it for them. Where they can have faith, they mistrust the honest.

This is a re-destroyed film that I was unable to finish in 2013. Filmed both in ruins: at the Sutro Baths in San Francisco and in final domestic spaces occupied with a former partner. Film was destroyed in ocean water.

William T. Wiley (b. 1937) combines a variety of materials (found objects, wood, animal hides, rope, paint) with poetry, puns, hearsay, and legends to present a very complex and enigmatic personal vision.

Through the deployment of various structural strategies, the narrative logic of three problematic and influential films is transformed into a sensuous hallucinatory unveiling of repressed representations in historical dramas of the U.S.’s critical perio

Dachau 1974 was recorded on Korot’s visit to Dachau, Germany, the site of the former concentration camp, in the Fall of 1974. What she saw when she arrived was a sanitized former prisoner camp that was now a tourist site

Ulrike Ottinger is a prolific German filmmaker whose work includes Madame X (1977), Ticket of No Return (1979), Freak Orlando (1981), Johanna D'Arc of Mongolia (1989), Countdown (1989), and Exile Shanghai

Emerging from one reel of Super 8 film and a brief prompt given to a group of friends, Keep in Touch gestures a sense of being together-in-difference that brushes against the fleeting, unstable solidarity.

Spanish painter Chema Cobo discusses his early years of studying and creating art in Southern Spain. His career began in the mid-1970s, exhibiting at the Buades and Vandrés galleries, along with a generation of now-established artists.

BZV is a film about the result of labor.  It has a couple using their hard earned wages in search of furniture, citizens’ leisurely water skiing and fishing. BZV was shot in and around Brazzaville, The Republic of Congo.

This title documents events at the opening of the 1970 exhibition Vision and Televison.

Animated Contingencies is an animated documentary that looks at how sketches take the place of photography in courtroom settings.

Made in Ireland, October 8th, 2001.

A disorientating experience while attempting to watch the TV news in an Irish hotel room triggers a spontaneous response to the bombing of Afghanistan.

County Down is a cross-platform, episodic, digital video, exploring an epidemic of psychosis among the adults in a gated community, coinciding with a teenage girl’s invention of a designer drug.

Cupid’s arrow pierces the heart of five individuals.

Cohen shot Little Flags in black and white on the streets of lower Manhattan during an early 90s military ticker-tape parade and edited the footage years later.

In this hour-long video, Dan Sandin demonstrates and explains in detail on modules of the Sandin Image Processor.

In this episode of The Brenda and Glennda Show, Brenda and Glennda create a satire of 1990's infomercials. The video includes interviews and performances by Vaginal Davis, Bruce LaBruce, and Chris Teen.

Now That I've Lost My Buffalo, I Don't Know Who to Grind is a short animation conceived through the collaboration of three visual artists — Diane Christiansen, Jessie Mott, and Alejandra Trigoso — that stages a volatile theater of bodies in flu

Making art and movies becomes the overall thrust of this foray into hives of humming wanna-bees being all that they can be thanks to the magic of chalk and cinema.

Contra-Internet: Jubilee 2033 is a re-imagining of scenes from filmmaker Derek Jarman’s 1978 queer punk film Jubilee, starring Susanne Sachsse and Cassils.

An investigative documentary on police brutality that uses the Rodney King incident as a springboard to analyze the inner workings of the LAPD under the leadership of former police chief, Daryl Gates.

A Body in a Cemetery is a 15-min short film that documents a place-inspired solo performance by dancer/choreographer Eiko Otake in Green-Wood Cemetery, the U.S.’s second oldest cemetery in Brooklyn that holds 570,000 "permanent residents." Pres

Chuck Close (b.1940) has been a leading figure in contemporary art since the early 1970s.

A man returns, after fifty years, to Chinatown to care for his dying mother. He is a librarian, a re-cataloguer, a gay man, a watcher, an impersonator. He passes his time collecting images that he puts before us – his witnesses and collaborators.

The Spender House in Essex was designed in 1968 by Richard and Su Rogers (Team 4) for photographer and artist Humphrey Spender. The film is a biographical portrait of both architecture and inhabitant.

A short Flicker Film adulterated by some extra images shot in Malawi, Africa. FF was in answer to an assignment given by artists Melissa Dubbin and Aaron Davidson who created the soundtrack to which I was asked to make a “Future Film”.

Breder regarded Eclipse I as one of his most successful intermedia performance works for the complexity of the experience.

Blumenthal constructs a loose narrative around the sexual evolution of a woman (played by Yvonne Rainer) through a stunning collage of images appropriated from TV and film. Certain images come to dominate this effusive stream—tall buildings, sex scenes, an Elvis movie, the courtroom, fireworks. Doublecross pits the indeterminate, disruptive power of the erotic against the rigid, normalizing structures of family, law, marriage, popular culture, movies, and music—societal institutions that codify sexual relations.

Originally trained as a musical composer, receiving her MFA and Ph.D. from the University of Illinois, Champaign-Urbana, Trinh T. Minh-ha (b.

Three Songs of Lenin is an 11-minute piece made from three one-second samples taken from the second song We Loved Him of Vertov's film Three Songs About Lenin.

The city of Kinshasa and its liberation architectural spaces are here embodied through a journey of a woman that walks alone through the ghosted spaces of history.