In Performer/Audience/Mirror, Graham uses video to document an investigation into perception and real time informational "feedback." The performance is doubly reflected back to the audience by the artist's lecturing, and the architectural devic

Through a catalogue of looks, movements, and gestures, Mayhem presents a social order run amok in a libidinous retracing of film noir conventions.

stammering forward backward GIANT is a re-edit of George Stevens' 1956 film Giant - an epic story of Texas, oil and racism.

The three videos that comprise Jesse McLean Videoworks: Volume 1 (The Eternal Quarter Inch, Somewhere only we know and The Burning Blue) all concern various facets of our complicated emotional and psychological r

The story of a matron and a midget in the heat of an unbridled passion. The colors run thick and heavy for paint and prurient pleasures as the electronic canvas unscrolls to reveal a bevy of beasties and beauties of nature and the unnatural.

A psychedelic portrait exploring epistemologies of Seminole alligator wrestlers. Considered a staple of Florida tourism, alligator wrestling has been performed by members of the Seminole Tribe for over a century.

Fighting Chance is a continuation of Richard Fung’s previous documentary Orientations, which told of the personal challenges and struggles of Asian-Canadian gays and lesbians to express their sexual identities.

Northern Irish artist Willie Doherty (b. 1959) works in photography and video installation. Since the late 1980s, his work has responded to the urban setting and rural outskirts of his hometown of Derry, Northern Ireland.

The Videofreex document a street intervention by Turkish artist Tosun Bayrak (b.1926). The performance was to become a notorious example of the element of "shock" in contemporary art. Within the work:

Electric Yogurt documents different modes of childlike play, beginning with footage of a group of people dancing together with arms outstretched against a background of growling, cooing, and coughing.

A dissemination of suspended bodies in the liminal space.

Scenes from an Endless War is an experimental documentary on militarism, globalization, and the "war against terrorism." Part meditation, part commentary, Scenes employs recontextualized commercial images, rewritten news crawls, and o

“A night sky fills with light shimmers and flecks, surface markings, heavenly bodies. It’s an ocean, a well, a screen, a mirror, a portal. Blackness/void cluttered by growing ephemera.

A woman survives a clinical death in 1988 and wakes up hearing voices in her head. Samuel, a spirit, has started to speak through her. People identify her as a medium. Samuel proclaims a mission to save the world before the year 2012.

This film originated as an expanded portrait of artist Carol Bove as she created four monumental sculptures commissioned by the Metropolitan Museum of Art. One week after filming began, New York City went into its first pandemic lockdown.

There are times when concurrent multiple realities of place demand at least an attempt to determine who in fact has, and where is, this place in the sun. Hearts and Helicopters occurs at that moment in the lives of four people.

A collection of love tapes made at the Metropolitan Correctional Center, a federal prison in New York City. The videos are part of Wendy Clarke's ongoing project, Love Tapes.

Heliocentric uses timelapse photography and astronomical tracking to plot the sun's trajectory across a series of landscapes.

Addressing the imbalance of information flow between the wealthy and the destitute nations of the world, Towards A New World Information Order suggests means by which this imbalance might be rectified, including ways to control the press.

Before his legendary proto-cinematic studies in motion, photographer Eadweard Muybridge was commissioned to document the United States Army’s war against the Modoc tribe in Northern California in a series of stereographs, many of them staged.

The projection and screens in this installation are access points meant to connect the present to an ancestral past.

In ten-minute segments devoted to three photographers (Cindy Sherman, Richard Prince, Laurie Simmons), MICA uses video to mirror the photographic techniques of each artist.

All forms of human sport become sites for sexual play and celebratory eroticism.

Our Non-Understanding of Everything is a series of 16 videos that explore how the structures of architecture, semiconductors, and circuits become forms of expression refl

Eric Fischl's early works were large-scale abstract paintings. While teaching in Nova Scotia, Fischl began to shift from abstraction to smaller, image-oriented paintings, beginning with narrative works that investigated a fisherman's family.

Sister City channels moments of paradoxical experience — of being a superhero or being for sale — into reverberant conduits, articulating a nature divided by panes of glass or suspended in watery solitudes.

Mono Lake and Yosemite Valley, in California, highlight this excursion into the constipated crevices of once highly-active fumeroles that splatttered magma and chunks of hot rock onto the Western landscape.

(chatlandia) uses the public bathroom stall as format and metaphor for Internet relay chat lines (IRCs).

Set in Charlottesville during the early 1990s, an aspiring writer finalizes stories for the latest issue of Pride, a student-run newspaper at the University of Virginia.

Skating softly, but carrying a big stick, performer Kristin Elliott engages in an interlocking series of skits involving simple, slapstick activities performed by a pristine outdoor pool and in a venetian blind windowed corner of a room.  Bodies of

Live in San Diego is my first live performance. David Antin, my mentor when I was a graduate student at the University of California at San Diego, encouraged me to perform in front of an audience. Why?

Audrey Flack uses an airbrush to produce large photorealistic paintings and works from slides for her precision. She selects subjects with great personal significance that also represent fragments of contemporary American life.

Inspired in part by the cover of "Megatron Man," Patrick Cowley's archetypal 80s disco album, Robot Love is a celebration of the playful, synthetic, party-driven, disposable culture of disco.

In Precious Products we are subtly reminded of this country’s obsession with consumerism and narcissism.

From childhood memories to recurring nightmares, Nine Fish attacks and illuminates the indecision and confusion surrounding euthanasia and care of the elderly in the United States.

Pursuing an answer to the title question, Segalove interviews kids, executives, consultants, etc., in order to educate herself as to the ins and outs of the financial world.

On a gradually inclined plane, attempts are made to scale the rise, and rubber shoe marks leave evidence of the point where all of humanity fails.

This tape, Harriet, created by Videofreex member Nancy Cain, unfolds much like a short play or literary character study.

Magenheimer’s video explores the bounds of narrative and the illusion of received wisdom in the seven minutes and twenty-two seconds it takes to rob a house.

Under the spell of the alphabet, the silent figures of a past that has not been forgotten persist, a pedagogical reconstruction of a contradictory nation in transit as well as the emergence of a background color that delimits the contour and the persist

I was fourteen when I put on my first wig. It was, I believe, my sister’s idea. So she and my mother and I went – I forget where…Simmons and Co.? – some elegantish salon with gold lame drapes where they did not do such splendid work.

Red House is an animation that playfully explores metamorphosis in relation to the stability and structure of housing.

Sunday, 6th April 11:42 a.m. is a video about landscape as a complex network of connections that guide relationships between people.

Forest Mind is a video work that emerges from the artist’s longstanding interest in the human interaction with the natural world.

The third compilation in this series of progressive, creative public service announcements for under-reported issues.

I moved three thousand miles from the east coast to join the feminist art program at CAL ARTS in 1973.  I had only been in LA three weeks when Judy Chicago took us to a "Menstruation" art exhibition at Womanspace Gallery.  The exhibit included

Vice President Mike Pence eagerly plays cheerleader in chief for Donald Trump.

Time Bomb tells the story of a young girl's experience at a Baptist retreat, where she is called upon to accept Jesus into her life after a coercive game of terror.

Rubnitz’s short cooking clip showcases a chicken casserole recipe from the kitchen of Elaine Clearfield. All you need is chicken, rice, a packet of Lipton onion soup mix, a can of cream of mushroom condensed soup, and water!

A video response to September 11th and the public dialogue captured on radio, including this call-in radio program’s discussion about whether Mohammed Atta’s last meal in a Pizza Hut undermined his proclaimed spiritual motive.