The colorized abstractions of Moog Images were created by feeding Moog synthesizer oscillators into the video inputs of a television monitor.

A major figure among underground filmmakers, Stan Brakhage (1933-2003) boasted a prolific career that spanned more than 50 years and 300 films.

Shooter explores the idea of overt manliness, exposing it to be a flaccid gesture and an exercise in posturing.

This project started with an email from a stranger in 2017. The sender was the widower of the late artist Tania and he invited the filmmaker to look at her “archive.” Tania was born to Jewish parents in Poland in 1920.

The confession of a woman who took flight... A woman tells a tragic story straight to camera. The camera seems to be looking for the spot where the pain is, but the woman is too quick for the viewer.

In From Fagtasia to Frisco, Brenda and Glennda report from Fagtas

Right after the first Iraq war, the filmmaker visits his family in Iraq.  He tries to reconstruct the war from different points of view, all depicted on the same screen at the same time: U.S.

This 2-DVD collection features five early films, a historically important dance and a recent work by media artist and choreographer Yvonne Rainer, and a documentary portrait by Charles Atlas.

The artist visits with seven cosmetic surgeons specializing in blepharoplasty (cosmetic eyelid creasing surgery) in the West Hollywood/Beverly Hills area for initial consultation sessions.

This is a video that celebrates the New Year with a banging of plates and licking of bowls. The viewer gets to witness a house of canned celluloid and the watery vistas of a Bay Area burgh.

This video is about two fictional characters, as in letters, and two fictional characters, as in anthropomorphized mice, falling in love.

"Benglis manipulates generations of video footage to confound our sense of time; she implies an infinite regression of time and space — Benglis making faces in front of a monitor of her making faces in front of a monitor of her... ad infinitum. The viewer retains a sense of the images sequentiality, although the sequence of creation is not revealed in a logical, orderly fashion, and is heavily obscured by the random layering and continual repetition of aural and visual components."

Our Non-Understanding of Everything is a series of 16 videos that explore how the structures of architecture, semiconductors, and circuits become forms of expression reflecting hierarchies,

Prophecies of doom, disaster and political catastrophe envisioned by some of the world’s most famous psychics between the 1960’s and the year 2001 are conjured up through 3D-animation, industrial films, text and historical footage -- the sum of which co

"Look how the willow shoots its fine sprays into the air! Look how through them a boat passes, filled with indolent, with unconscious, with powerful young men. They are listening to the gramophone; they are eating fruit out of paper bags.

In this hour-long video, Dan Sandin demonstrates and explains in detail on modules of the Sandin Image Processor.

CB is an experimental bio-pic: its heroine, Charlotte Brontë. A collaboration between Doug Ischar and Tom Daws, CB was commissioned by the Laumeier Museum, St. Louis, for their inaugural Nightlight series.

In Glennda and Bruce Do Times Square, Glennda is taken on a night tour of Times Square by author Bruce Benderson.

Between basement and stoop, PBRs and politics, two bros discuss rock music history, protest, incarcerated relatives, fine cheese, the book plot of Bridge to Terabithia, and lesbian girlfriends.

To the spare sounds of a Schönberg violin concerto, a silhouetted woman seated at a small tea table puts forth her reasons for wanting to become a gourmet.

Eiko edited this video to illuminate, in fast pace, her solo performance project A Body in Places. The red cloth she often uses in her performance is used as a visual link between different places and communities where Eiko performed.

Andries Botha (b.1952) creates sculptural forms made of found objects and natural materials which serve to interrogate the natural and social order. His work has been exhibited extensively throughout Africa and Europe. Botha lives and works in Durban, KwaZulu-Natal, South Africa.

Endless Dreams and Water Between is a feature film with four fictitious characters sustaining an epistolary exchange in which their “planetary thought” is woven with the physical locations they inhabit, visual and aural characters in themselves

“All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses his real conditions of life, and his relations with his kind.”

These are the dancing bodies in an agitated rapture: prelude to trance, invocation of the gods, consecration of intermittence.

In this moment when the believability of our reality continues to stretch - blue people are hoping to enter into our reality environment.

In English, Chinese, Haudenosaunee, and Spanish. This video is originally a 2-channel video installation.

A chilling and revealing look at bureaucratic techno-speak, Finley provides a course in “official” media rhetoric, presenting terms and decoding for the audience (i.e.

The Spender House in Essex was designed in 1968 by Richard and Su Rogers (Team 4) for photographer and artist Humphrey Spender. The film is a biographical portrait of both architecture and inhabitant.

Taped on Prince Street in Soho, New York City, Skip Blumberg creates a one-word performance.

This interview with a Mexican squatter in Oaxaca, Mexico is an example of the genre that Breder conceptualized as “aesthetic ethnography.” This term refers to processes and form which attempt to illuminate people and cultures in specific historical mome

Nest of Tens is comprised of four alternating stories which reveal mundane yet personal methods of control. These systems are derived from intuitive sources.

"Presented in seven parts, Beauty Plus Pity considers the potential for goodness amidst the troubled relations between God, humanity, animals, parents and children...

A wonderfully witty work about nostalgia and desperation. Anne McGuire portrays a Kennedy-era singer performing in the space where theatre meets television. McGuire's Garland-esque gestures provide both a sense of tragedy and humor. I Am Crazy And You’re Not Wrong weaves narrative, performance, memory and history into an ironic and haunting work of singular proportions.

Smothering Dreams is a tough, scathing condemnation of war and our country's fascination with violence. Reeves draws on his own experience as a U.S.

Every country employs specific techniques for disguising its soldiers, every army has developed its own camouflage uniforms.

An erotic lesbian video involving swimming upstream, female power, and fish love. Made as a collaboration under the name E.T. (Ela Troyano) Baby (Jane Castle) Maniac (Cheang).

This are the scattered fragments, the scattered mineral fragments in its oceanic evolution, an intermittent becoming of geological massiveness. The mineral geology under the spell of an scattered dance. This is the mobilized fossil.

Louise Bourgeois (1911–2010) utilized wood, metal, plaster, and bronze in creating her sculptures.

On the eve of the 1984 Presidential election, Jenny Holzer used a truck equipped with a sound system and an 18-foot Diamond Vision electronic board to display images, statements, and man-on-the-street interviews.

This audio, visual laxative empties the mind of inhibitions to allow the spectator entrance into the whirlpool of sexual fixations.

“Hey, how’s that TV work?” 

A poetic allegory about technology's invasion of the body and the destruction of the immune system, witnessing the pollution of history that drowns us. Sponsored by the CICV, Belfort, France.

This video reveals John Baldessari's thoughts and intentions for his work over the course of his career, providing clues to the understanding of his paintings, books, and photos.

Like a generation of viewers, I was profoundly affected by Deliverance.  But I have always been troubled by the hegemonic structures of gender proposed by Boorman and Dickey.

Facial Weaponization Communiqué: Fag Face protests against biometric facial recognition — and the inequalities these technologies propagate — by proposing the creation of “collective masks” that are modeled from the aggregated facial data of ma

Focusing on early media reportage of the AIDS epidemic and the struggle for gay rights, some aspect of a shared lifestyle begins with the outraged response of the gay community to the 1982 Supreme Court ruling upholding a sodomy law in the Stat

Eiko's first piece without a human.

In this reinterpretation of the mikveh — a purifying ritual bath performed by Jewish brides about to marry — the filmmaker and his husband’s immersions are disrupted by a government who refuses to recognize their marriage.

Interrupting the nightly news in an act of guerrilla television, Gómez-Peña returns to the persona of a Chicano-Aztec veejay—"The Mexican who talks back, the illegal Mexican performance artist with state of the art technology"—to elaborate the complicat

Their first longer piece entirely in silence. The backdrop and floor were painted with a burned flour paste which crumbled down as they moved.