This is the burial hymn for thousands of souls in the anthropocentric times. The ghosts of the American way of life. Part of the Hauntology series.

"A trance is a state of detachment with aspects of the ecstatic. Paradoxically, a trance can be induced by a surfeit of input or by its deprivation...

This film is an appropriation from the 1953 movie Gentlemen Prefer Blonds.

A short Flicker Film adulterated by some extra images shot in Malawi, Africa. FF was in answer to an assignment given by artists Melissa Dubbin and Aaron Davidson who created the soundtrack to which I was asked to make a “Future Film”.

Audio-visual recordings of zoo-animals are woven into a fine web of actions and reactions, that finally spiral into a collective animalistic concert.

Ron Gorchov (b. 1930) is an American artist who has been working with curved surface paintings and shaped canvases since 1967.

Freed intercuts still color imagery of Roy Lichtenstein’s paintings with a close quarters interview conducted in Southampton, N.Y in Summer 1972.  Lichtenstein discusses the creation of his work, points of inspiration and his recurring aesthetic ch

A California winter turns the left coast into a brew of foaming festivities while landlubbers leap for joy in the spray of salty slurpings.

In this 1993 contribution to the On Art and Artists series, artist Art Jones describes his entry into the world of activist media, and the genesis of his belief in the potential for a democratized street-level media. Hailing from the Bronx, Jones recalls his personal dislocation during college, when he began studying film and video at SUNY Purchase. At that time, Jones experienced a cultural isolation, which he mobilized to fuel his practice. This willingness to confront issues of representation and absence, asserting the validity of his own subjecthood, would become a defining characteristic of his work.

In this moment when the believability of our reality continues to stretch - blue people are hoping to enter into our reality environment.

In English, Chinese, Haudenosaunee, and Spanish. This video is originally a 2-channel video installation.

Cindy Sherman received an MFA from the State University of New York at Buffalo in 1976, where she studied photography. During this time she was also involved with HallWalls, an alternative gallery space in Buffalo.

Ingrid Pollard is a photographer living in London. Her photographic works, generally of people and landscape, serve to provide a human context for issues of transmigration and “fleeting” identity.

R.M. Fischer’s lamp sculptures, made from found industrial parts in a hybrid style of high-tech slickness and Baroque exaggeration suggested parodies of industrial commercials.

A drama in six episodes involving psychological breakdowns, marital showdowns, and messy obsessions.

"You are invited to Jim’s party! Snake optional."

--Cinematexas Festival (Austin, 2001)

"Three more sing-alongs, this time with swans, a snake, and the Red Army Chorus."

--L.A. Freewaves Festival

A silent, moving poem, this video incorporates the “voices” of a wide variety of text sources into one scrolling script.

Holzer adopts the form and language of commercial messages to disrupt communication, presenting kamikaze texts that are designed to stimulate thought, with humor, and inspire a critical attitude in an often passive audience.

A 12-year-old Olympic swimmer and her mother (both played by July) speak to the public about going for the gold.

Fifty years after the Cultural Revolution in China, two elderly Chinese women recite the propaganda songs they learn at the educational camps. 

The Waiãpi videomaker Kasiripinã decides to show white people the documentation he did on his people in Amapo. He presents and comments on three celebrations that represent episodes of the myth-cycle of the creation of the universe.

Elizabeth Murray (1940-2007)  was an American painter, printmaker and draughtsman.

This video, shot in March 1970, contains raw footage from a Women’s Liberation event and discussion that took place in an art space. The tape begins with shots of the crowd mingling while music and speeches are heard in the background.

Utilizing strategies of condensation and re-assemblage, these three pieces take Hollywood classics as their starting point. The re-editing process shifts and displaces old meanings until new ones are made.

Using footage from the legendary Bruce Lee’s last, unfinished, film, Fulbeck turns the subtitled martial arts movie on itself—levelling criticism and commentary with the genre's own tools, and examining the various representative functions of the late a

“Hey, how’s that TV work?” 

Commissioned for the Ocularis curated Free to Be…You and Me Invitational compilation, which premiered at Brooklyn’s Galapagos Art Space and also screened at Chicago Filmmakers, where Mercedes Landazuri and I performed a banjo and synth renditio

During a conference in the late 1970s, Carol Leigh (also known as the Scarlot Harlot) coined the term “sex worker.” Now, it is a fundamental part of the lexicon regarding all worker’s rights and this is owed in large part to Leigh’s artistic and activis

Part of paraconsistent sequence series and the hauntology series.

1+8 is a film about Turkey’s unique position between West and East and her relationship to her eight very distinct and diverse neighbors.

Gathered together under the title Feral Domestic, these three videos – Strangely Ordinary This Devotion, Come Coyote and

Shot in black and white, this rough-and-ready trilogy is about twin sisters who "act out" and act up in their own best interests.

They just flew in from New York, and boy, are their arms tired...

O Night Without Objects, A Trilogy explores the relationship of conversion experiences - therapeutic, political and religious - to technology, fear and family.  The segments are stylistically diverse, employing theatrical, documentary and

Our Non-Understanding of Everything is a series of 16 videos that explore how the structures of architecture, semiconductors, and circuits become forms of expression refl

George Barber doffs his cap to the 20th anniversary of Scratch Video with What’s That Sound?, a mesmerizing montage of questions, answers, and the cries and screams of people caught in a disaster movie.

Half On, Half Off documents a team of workers on a Pensacola, Florida beach dealing with the aftermath of the recent Deepwater Horizon Spill.  Filmed one frame at a time, compressing hours of work onto a single 3-minute roll of 16mm film.

In this interview, American cartoonist and author Lynda Barry (b. 1956) describes the philosophy of teaching that has inspired and mobilized her art since the 1970s.

This is the state of mind in the post-Covid quarantine. This is the state of the images in the pandemic vortex. This is our post-Covid screen. The constant monitoring of a global demonic and satanic presence.

Sarah Canright graduated from the School of the Art Institute of Chicago and began showing with the Chicago Imagists in the late 1960’s. In 1972 she moved to New York.

Flowers for LH reflects on the last play written by Lorraine Hansberry entitled What Use Are Flowers?

Dance: Joey Kipp
Cinematography: Steve Cossman, Cynthia Madansky
Music: Zeena Parkins

The raw facts and naked truths behind hedonistic rascals and obsessive artists is boldly uncovered and revealed to you.

This collaborative video project is based on a short story by H.G. Wells called "The Country of the Blind"—about a man who travels to a country of blind people and attempts to dominate their sensual, feminine culture with his male, sight-derived power.

Wobbly's very eccentric approach to music produces sounds and noises that consistently battles Anne McGuire's melodic voice. Anne's lyrics turned poems find a very differenct life in her performances as Freddy McGuire.

Enter the classic world of a haunted creature destined for stardom in the astrological realm beyond our heads. Visit a haunted soul in her house of horrors and heavenly delights.

Set to music by Bikini Kill (an all-girl band from Washington), Sadie Benning's Girl Power is a raucous vision of what it means to be a radical girl in the 1990s. Benning relates her personal rebellion against school, family, and female stereotypes as a story of personal freedom, telling how she used to model like Matt Dillon and skip school to have adventures alone. Informed by the underground “riot grrrl” movement, this tape transforms the image politics of female youth, rejecting traditional passivity and polite compliance in favor of radical independence and a self-determined sexual identity.

A mother sews; a son yearns for meat; a friend relives the past via glamour shots of a forgotten slab of cheesecake that ferments off-camera. A slice of life with the bowl of cherries missing.

Within the historic district of Saida, Lebanon, a boy learns to capture light.

Cast: Husni Tutunji

Camera: Abdallah al-Bunni

The urge to relieve a winter valley of permanent shadow and find fortune in alluvial gravel are part of a long history of desire and extraction in the far Canadian north.

A combination birthday/going away party proceeds at its own shallow pace, while revellers reminisce inwardly amid a paralyzing atmosphere of mixed drinks and emotions that choke all but the young at heart and body.

BAGHDAD IN NO PARTICULAR ORDER is an ambient video essay of life in Baghdad before the invasion and occupation. Men dance, women draw and sufis sing as they await the coming of another war.