Lunar Pond is part of an audiovisual series about lunar cycles and rhythms in an attempt to evoke, integrate and develop the mythical presence of the Aztec lunar goddess Coyolxauhqui, thus evoking the eroded contemporary landscape of our t

Rebecca gazes into the crystal ball. It is afternoon in a Brooklyn neighborhood of industrial buildings. Rebecca has a way with words just as words have a way of seeking her out. The crystal ball intensifies this.

Our Non-Understanding of Everything is a series of 16 videos that explore how the structures of architecture, semiconductors, and circuits become forms of expression refl

Home Exercises is a short dancefilm and hybrid documentary investigating the gestural habits and choreographies of aging individuals in their homes.

Inspired in part by the cover of "Megatron Man," Patrick Cowley's archetypal 80s disco album, Robot Love is a celebration of the playful, synthetic, party-driven, disposable culture of disco.

Taped shortly after the creation of the Air Gallery, this conversation between painter Howardena Pindell and Hermine Freed concerns the women’s independent gallery and its role in the feminist movement.

In this video, Brenda and Glennda attend and interview participants at the 1991 New York City Pride March.

Little Spirits is about a young girl who plays a trick on a friend, unaware or uninterested in the possible consequences.

Representing the complex lives of transgender and gender variant musicians in the US and Canada, Riot Acts offers a first-hand perspective of the intersections between gender performance and stage performance.

Filmed in the remains of Soweto's historic Sans Souci Cinema (1948-1998), YOLO is a makeshift structuralist mash-up created in collaboration with the Eat My Dust youth collective from the Kliptown district of Soweto, South Africa.

2@ is part of the Pop Manifestos series, a five-video project realized in collaboration with Cokes' former students Seth Price and Damian Kulash, and originally conceived as part of a series for the conceptual band SWIPE.

This is the fourth work of Eiko's 2020 Wesleyan Virtual Creative Residency and a collaboration with William Johnston.

“Animists are people who recognise that the world is full of persons, some of whom are human, and that life is always lived in relationship with others.”

-- Graham Harvey, Animism

This is a Sign (by Bob Snyder and Sara Livingston) is a contemporary daydream, with the kinds of conceptual twists and turns that daydreams often have.

Color Schemes was exhibited in its installation form (with a self-service washing machine) at the Whitney Museum in 1990.

Part of the paraconsistent sequence series.

As if trapped inside a nightmare, the main protagonist of Poster Girl is haunted by disturbing visions, thoughts and fantasies, which the viewer is privy to.

An experimental documentary that asks “What is Hip Hop?” Media Assassin deals with popular magazine coverage of the black music scene and efforts to define the new musical forms emerging since the late 80s.

Susan Mogul's fantasies of success have always a comic, congenial twist, as in Dear Dennis, a video letter to Dennis Hopper inspired by her discovery that they share the same dentist.

Ground Effect is an investigation of the constantly shifting, 80km long line in Israel, where rainfall amounts to less than 200mm a year on average.

A three-part series featuring important new works by internationally renowned conceptual artist, Lawrence Weiner, these works continue the themes of role- and game-playing, and the use of language.

Linda M. Montano: 14 Years of Living Art is a video catalog of the artist’s exhibition, performance and workshop in Montreal in 2003.

Home is about disappointment in northern Ohio. The scoreboard depicted is on the grounds of Mansfield Senior High. The sentiment conjures the close call.

The result of over five years of Super-8 and 16mm filming on New York City streets, Lost Book Found melds documentary and narrative into a complex meditation on city life.

Using a Super-8 camera, Henricks employs time-lapse photography to document the interior and exterior of his apartment.

This is a gaze of the body and a notion of spectator that the 90´s decade constructed, this is the audiovisual legacy of the 90's for our actual audiovisual control world.

This video is staged as a reading of the great Soviet poet Vladimir Mayakovsky's famous poem A Cloud in Trousers, written 1914-15.

Next Atlantis is a video/sound collaboration between composer Sebastian Currier and filmmaker Pawel Wojtasik.

Soliloquy is from Martine Syms’ Kita’s World series. In the series, Kita enacts the performances of everyday life in a hyper-digitized world.

Sylvia is a portrait of the civil rights pioneer Sylvia Rivera for her memorial service in 2002, as told by her chosen family immediately following her death.

This performative video addresses a conflict of spectatorship: dialectics relationship among memory, interpretation, and reality. 

In okay bye-bye, so named for what Cambodian children shouted to the U.S. ambassador in 1975 as he took the last helicopter out of Phnom Phenh in advance of the Khmer Rouge, Rebecca Baron explores the relationship of history to memory.

An intimate interview with filmmaker, videomaker, film critic, poet, lecturer, and curator Jonas Mekas.

“A soldier’s trip to Syria is complicated when he accidentally impregnates a friend. Meanwhile, a horse breeder from Ohio is driven away from home by her own desire to become pregnant.

A young girl buys a weird toy from a charity shop. She forms such an intense relationship with it that it develops special ways of communicating and a strange connection to her that seems to defy the laws of physics.

Presenting his bare torso to the camera, Nauman meticulously applies, and removes, layers of white and black pigment, to his face, arms, and chest.

"Real time digital buffer recording, light bulb, panning camera motor and turntable. Light Bulb, the title says it almost all. Real time recording events.

The two related compilations of Julia Hechtman's video works titled Acts of Disappearance: Death and Acts of Disappearance: Environmental document twenty years of the artist's ongo

A HalfLifers journey to a lush interior landscape where some domestic chores and an unexpected encounter provoke a crisis at Mission Control, paving the way for a seasonal reflection upon the meaning of "home."

Part of paraconsistent sequence series and the hauntology series.

Dear features the interior world of two teenage Chinese girls in New York City, whose diary entries reveal their concerns related to growing up as immigrants amidst the ever-gentrifying landscape of Chinatown.

Dirty Laundry speculates upon the buried narratives of gender and sexuality in Chinese-Canadian history of the 19th Century, when Chinese communities were almost exclusively male.

Originally commissioned by University of Dortmund to be installed during Internationalen Bach-Symposium. The video is based on the Robert Schumann song of the same name and continued to evolve as an ongoing piece.

"I, Soldier is the first part of a video series in which I am dealing with the state-controlled ceremonies for the national days of the Turkish Republic.

This alternative commercial promotes the aggressive democratic use of home video equipment to record local news of community activism and other events that don’t make the headlines for political reasons.

"This film is closely related to my last feature-length project, Counting. I take the temperature of a neighborhood. In this case, the place is my New York.

"Third Known Nest is a collection of nine short works completed approximately one per year from 1991 to 1999.

suicide is 70 packed minutes of a fictional filmmaker's crazed ruminations on travel, family history, death and sex as she traverses a world of malls, airports and train stations, chronicling her fiercely hopeful search for a reason to continue

O, Persecuted turns the act of restoring Kassem Hawal’s 1974 Palestinian Militant film Our Small Houses into a performance possible only through film. One that involves speed, bodies, and the movement of the past into a future that collides ideology with escapism.

“Many artists developed systems or took on languages to structure their compositions. For this score, Nelson Henricks chose to appropriate English musical notation, which uses letters from A to G to identify the notes of the scale.