Inspired by an unaccomplished personal project, in this animation, I’m exploring ideas of intention, extension, and failed romanticism.

Dani Leventhal gathered material for 9 minutes each day, then condensed it down to this 16-minute video montage of impressions which has a cumulative effect, accessed and read differently depending on the mental connections the viewer makes.

Jonas Dos Santos is a performance and installation artist from Brazil who came to the U.S. in 1968. His early work consisted of sculptural pieces in atypical spaces—caves and parks.

[This] is my first attempt to construct a video piece using one set of generative intervals for both sound and color.

There is so much to absorb: the wetness from the sky. The hooded figure in the box. A big plate of pasta, and that chair on wheels. Messages of moral guidance clash with actions that are on a collision course with dilapidation.

Jem Cohen assembles images that demonstrate the economization of public space; the stock exchange on a LED display board, the company logo on cars, the mobile phone as tool of e-commerce.

Body Images is an exploration of the television screen as a graphic surface, and movement, line, shape and time are the elements used as design tools.

Laurie Simmons’s photographs are brought to life in Laurie Simmons: A Teaser, MICA-TV’s portrait of the acclaimed photographer.

Coral is part of the harmonic and hyperkinetic colors film series. In this part the transcendental experience of his harmony leads us to an aesthetical suspension of content. Part of the Harmonic and Hyperkinetic Color Film Series.

This tape documents Nancy Cain’s birthday party and captures the inner workings of the Videofreex’s social ethos.

Hirsch’s most ambitious film to date and the pinnacle of his trilogy, Nothing New depicts the epic rescue mission of a man whose parachute is caught on electricity power lines.

In Aspect colour, light and shadow shift across the surface of the forest as the duration of a calendar year is condensed into minutes.

The secret lives of invisible magnetic fields are revealed as chaotic ever-changing geometries. All action takes place around NASA's Space Sciences Laboratories, UC Berkeley, to recordings of space scientists describing their discoveries.

Out of the mouths of rural boys, finding the incomparable Mulla Nasrudin in Afghanistan.

A sprawling look at chunks of our country as I travel back east to present some programs, and a peek at the venues that screen underground movies to the youth of today.

Annette Michelson is a founding editor of the journal October and former professor of cinema studies at New York University. Before starting October, Michelson was the film critic for Artforum.

This extraordinary performance carries a wealth of associative meanings in the sexual dynamics of privacy and power -- man and woman pitted against each other in a struggle for mental and physical control.

The place where my students and I confront each other and glimpse into a world infiltrated by beloved infidels.

Through the testimonies of five women, this video lays out the complex problem of anorexia, detailing how the disease develops as a response to both personal and societal pressures.

Gray Hairs is a visual and aural poem to Man Ray, featuring close-up shots of the dog’s body and a soundtrack of panting, sniffing and licking.

Logging and approximating a relationship between audio recordings of the artist and his father, and videos gathered of the landscapes they both separately traversed.

Part of the paraconsistent sequence series.

Language Lessons entwines the search for the fountain of youth with the dream of a common language. The fountain both promises and frustrates eternity, while this dream offers hope for common ground.

"We buried ten Cadillacs in a row alongside Interstate 40 (the old Route 66), just west of Amarillo, Texas; each car represented a model change in the evolution of the tail fin.

The audience's engagement with the smallest subtleties and less than (usually considered) spectacular elements of theater is impressive and speaks volumes on the patience and acuity of modern viewers.

Crush is the story of a man who wants to turn into an animal as told by the man himself, and one or two observers.

Fifty Wonderful Years provides a behind-the-scenes look at the 1973 Miss California Pageant. In the early '70s beauty pageants across the country came under fire from feminists who targeted them as spectacles that exploited women.

Photographer, theorist, and lecturer Victor Burgin lives and works in London.

A five-minute video collaboration between Dani Leventhal and Steve Reinke.

“The second in a planned trilogy of films about desire and domesticity that began with Strangely Ordinary This Devotion (2017), Come Coyote examines issues around queer reproduction, intimacy, and motherhood.

Cindy Sherman received an MFA from the State University of New York at Buffalo in 1976, where she studied photography. During this time she was also involved with HallWalls, an alternative gallery space in Buffalo.

On December 1^st 1990, watched by the world's media, construction worker Graham Fagg of Dover climbed through a hole in a chalk wall 40 metres below the seabed of the English Channel, shook the hand of Philippe Cozette of Calais, and shouted "

The historic Great Blizzard of 1978, one of the most severe blizzards in U.S. history, hit southern New England with paralyzing effects.

As a foulness shall ye know Them. Their hand is at your throats, yet ye see Them not; and Their habitation is even one with your guarded threshold. The wind gibbers with Their voices, and the earth mutters with Their consciousness.

The frenzied detritus of trading floors, smart weaponry and the religious right are woven through the petrochemical landscapes of Southeast Texas.

"Bricks, white noise, video. Free floating sync, altered, drifiting camera: video image and time. Keying permutations, switching via gray level values, using a modified b+w Sony special effects generator (SEG).

A thirty-three minute video odyssey documenting one woman's search for the miracle of the Virgin Mary. A must-see for recovering Catholics and their families and friends worldwide.

A flowing river, an injured arm, a dance floor, and a woman washing clothes in the bay—what carries the dust is the wind.

amaurosis is an experimental documentary about Dat Nguyen, a blind guitarist living in Little Saigon, Orange County, California. Dat Nguyen was a "triple outcast": blind, Amerasian, and an impoverished orphan.

Psychologically disturbed Professor Herville (Joe Gibbons) analyzes the literary classic Moby Dick. He gives a tour of the Herman Melville Museum and makes much ado about the book’s Oedipial themes.

Marcia Tucker (1940 - 2006) was a curator, writer and art historian, known for founding the New Museum of Contemporary Art after her dismissal from her curatorial post at the Whitney Museum of American Art due to creative disagreements. Tucker served as the visionary director of the New Museum from 1977 to 1999, during which time she organized major exhibitions like The Time of Our Lives (1999), A Labor of Love (1996), and Bad Girls (1994), and edited the series Documentary Sources in Contemporary Art. As a curator,Tucker championed social engagement, exploration and artistic process. She considered the museum a “laboratory” organization where both art and the practices of the institution itself were always in question. After leaving the New Museum, and until her death in 2006, Tucker worked as a freelance art critic, writer, and lecturer.

Rescue Series is a HalfLifers project that attempts to articulate deep-seated anxieties about the loss of functionality or purpose through a series of spontaneous “crisis re-enactments.” As these fears overwhelm the psyche, the simplest and mos

Two young women confront careers in a world of violence, lust, and show-business. This student/teacher co-production I made at the San Francisco Art Institute is a colorful collage of digital dementia.

Segalove gives us another series of true incidents involving the powerful influence of television on life, relationships, and attitudes. Among them is the tale of a family in serious dialogue about their decision to censor the tube.

A short encounter between the artist and a man on a North African street is slowed down, forcing the viewer into an intimate relationship with the subject and the shifting emotion seen in his face.

Forest Law underlines the persistent fact that we are yet to learn to live otherwise in an age defined by the colossal consequences of a new socio-geological order we ourselves have created through irresponsible interactions with Earth

Part of paraconsistent sequence series and the hauntology series.

An homage to early videoworks by William Wegman, starring Man and Fay Ray's stand-ins.

"Anne McGuire shows that men are dogs."

--Ed Halter, New York Underground Film Festival (2003)

A tone-poem in blue and red.

¡Macho Shogun! was created by Reed Anderson and Daniel Davidson over a single weekend some time in 2000.  It's your basic monster-robot / destroy-city kind of video that we wanted to make when we were kids but never did.