The fleeting memories of a melting infant – live action, animation and re-photography (through ice).

In the midst of the 2011 revolution in Cairo, a few beduins listen to their car's radio near Jericho, a place which looks like the end of the world.

A Letter for Phil suggests an institutional critique in the form of a correspondence signed by “Matt/Rose/Tom/Isac.” The video juxtaposes two angles of the typewriter—one showing the typed text in realtime, another showing hands of the wr

Robert Cumming (b. 1943) is an American photographer/sculptor/bookmaker who borrows from the artifice of theatrical sets to construct his elaborate and often absurd images. He has also published several books of photography and narration.

Eyal Weizman is a British-Israeli architect and academic. He’s the founder of Forensic Architecture, which uses architectural research to investigate violations of human rights around the world.

Lossless #2 is a mesmerizing assemblage of compressed digital images of Maya Deren and Alexander Hammid’s 1943 masterpiece Meshes of the Afternoon.

A haunting look at the hidden issues of erotic power relationships between women, told through the reconstructed story of two girlhood friends.

A provocative half-hour of guerrilla artists caught in the act on videotape, Undeniable Evidence is a public art extravaganza assembled by Igor Vamos and anonymous culture jammers.

The film-essay Mined Soil revisits the work of the Guinean agronomist Amílcar Cabral, who studied soil erosion in the Alentejo region of Portugal through the lens of his political engagement as a leader of the African Liberation Movement of the

Freed overlays the signal from two cameras pointed toward one another. Each camera is panned around to reveal a domestic environment.

This title documents events at the opening of the 1970 exhibition Vision and Televison.

In this diptych, Yi-Ching Chen plays the lowest possible sound on her tuba and Magenheimer's own electronically synthesized voice sings a letter that Ada Byron, the world's first computer programmer, wrote to her mother.

A conjuring and convocation to begin the chronomorphic process of ‘giving it back’.

Part of The Savage Philosophy of Endless Acknowledgment suite.

I worked on Trio A alone for six months in 1965. The dance consisted initially of a 5-minute sequence of movement that would eventually be presented as The Mind is a Muscle, Part I at Judson Church on January 10, 1966.

‘ODDS AND ENDS’ is a dazzling patchwork of moods, lost and found, for the eye to savor.

A woman survives a clinical death in 1988 and wakes up hearing voices in her head. Samuel, a spirit, has started to speak through her. People identify her as a medium. Samuel proclaims a mission to save the world before the year 2012.

Feedback-generated computer animations wiped and keyed with images and sounds from electronic oscillators via an analog video switcher.

flight is a frame-by-frame re-editing of an astronaut walking on the moon into a seven-minute long meditation on technological transcendence. The unstable, stuttering image depicts the astronaut's struggle to separate from his body.

"In this eight-minute video work, we are given nonnarrative footage sutured together to form a fragmented, hallucinatory sensation.

Chance observations of New York's Chinatown, commissioned by the Museum of Chinese in the Americas. 

"A sleepwalker's circumnavigation of one of the less homogenized parts of the city."

--Jem Cohen

Hokey Sapp Does SPEW features Kate Schechter performing her invented media personality Hokey Sapp interviewing some of the luminaries at SPEW: The Homographic Convergence, a queer zine convention hosted by Randolph Street Gallery in Ch

This compilation features several of Cohen’s pieces from the late 1980s and early 1990s: a paean to both the physical and mental aspects of the New York City landscape, an exploration of cinematic genres from narrative to music video, a sensual and roma

Based on a novel by Rita Mae Brown, Me and Rubyfruit chronicles the enchantment of teenage lesbian love against a backdrop of pornographic images and phone sex ads.

In an interview I did earlier this year for the Milan Game Video/Art exhibition, I deflected a question about the connection between Hymn of Reckoning and Reckoning 3, discouraging the idea that there was much of a link betwee

Milton Resnick was born in Bratslav, Russia in 1917, and immigrated to the United States in 1922. Resnick was one of the few survivors of the second generation Abstract Expressionists, and is known for his large, thickly painted abstract canvases.

This is the audiovisual translation of the Walter Benjamin's Theses on the Philosophy of History.

automatism and (-)(+) feedback is a 3:29-minute video made from shot footage of a 10-year-old child playing Zombie Smash on a handheld device.  The video footage and sound have been repeatedly rescanned and resampled using a telev

A synaesthetic S16mm portrait made between French Polynesia and the French province of Bretagne, Color-Blind recruits the restless ghost of Paul Gauguin as an uneasy spirit guide in excavating the colonial legacy

A film about haircuts, clothes, and image/sound relationships.

Shot in video-8 at the 1988 Chicago Auto Show, this work examines the artist's personal history with automobiles against the back-drop of an auto plant closing in Kenosha, Wisconsin.

Strike Anywhere is a video essay that takes as its point of departure Swedish "Match King" Ivar Kreuger, whose privatization of financial crisis management strategies bears a direct relation to late-20th Century policies implemented by the IMF

You Are What You Are Born For features three blind sisters who sing for their survival on the streets of Campina Grande, Brazil.

Images of friends and landscapes are cut, fragmented, and reassembled on an overhead projector as hands guide their shape and construction in this film stemming from Hollis Frampton’s Nostalgia.

Upon entering the harbor, the voyager leaves the exceptional condition of the boundless sea--this traversable space of maritime immensity--to come ashore in an offshore place, in a container world that only tolerates the trans-local state of not being o

Do Not Circulate, an experimental short film, attempts a structuralist and materialist approach to unraveling the entrails of a collective media memory.

The third in a series of cross-cultural symposia organized by Lucy Lippard, the four artists interviewed here—Jean Lamar, Hung Liu, Lorna Simpson, and Kathy Vargas—discuss their work and its cultural contexts. Moderated by Lucy Lippard. 

Apichatpong Weerasethakul is a venerated Thai artist and moving image maker who has directed many short works, and several feature films.

Richard Schechner is Professor of Performance Studies at New York University, author of numerous books including Performance Theory (1988) and The Future of Ritual (1993), and editor of The Drama Review. This interview with Na

Produced for Britain’s Channel 4, Bright Eyes is an impressive and complex essay detailing the various factors that have colluded to misrepresent the true nature of the threat posed by AIDS.

The artists of the future and the past converge and converse as the funding dries up and extrapolation envisions extinction.

An erotic/mystical misadventure in which the allure of the religious path is strewn with earthly temptations.

Taking its name from the Jim Crow-era of black criminals staring at white women, this hand-processed, optically-printed amalgam reframes desire by way of everything from D.W.

Sunday, 6th April 11:42 a.m. is a video about landscape as a complex network of connections that guide relationships between people.

Students reclaim a popular gathering spot on the campus of the University of Virginia.

A winter chill sets in making the furry residents of various dwelling places a center of affection and reflection. The images conjured up are steeped in a twilight worthy of polar pinpoints in the grip of glaciated gloom.

A transcription of what I have been told during intimate experiences while separating from my husband.

Trans filmmaker Jules Rosskam's against a trans narrative is a provocative and personal experimental documentary investigating dominant constructions of trans-masculine identity, gender, and the nature of community.

"Pointing at my own image on the video monitor: my attempt is to keep my finger constantly in the center of the screen — I keep narrowing my focus into my finger.

An experiment in "video cubism." Two rows of three cylindrical water glasses are lined up to fit the frame of the monitor. The glasses disappear, then reappear; the action of placing them on the table is never seen.

Pixilated, an archaic word meaning enchanted, bewitched, magical, insane, and the stop frame animation of objects and people.