A portrait of risk and language, DAREDEVILS, presents the experimental narrative of a writer as she interviews a well-known artist and feels the reverberations of their discussion throughout her day.
The 2016 installment in Muntadas and Reese's series documenting the selling of the American presidency features political ads from the 1950s to ads from the 2016 campaigns, and highlights the development of the political strat
First of all: a dissolving is a structural device of the history of audiovisual language. Second: this piece is about a rearticulation of the dissolving device that captures the ominous historical and political events in recent Mexico.
The town Minot is home to a U.S. Air Force base that guards 150 nuclear missiles buried in northern North Dakota. The weapons of mass destruction placed there 50 years ago are still targeted at Russia.
At the heart of Alone With You is the notion of impassioned avarice, i.e. the kind of motivated acquisitiveness that drives both erotic desire and obsessive collecting.
A rising moon and lowering standards in secular shenanigans highlight this documentary on the making of a sci-fi epic for mini-adults.
A Palestinian filmmaker is writing a script in his New York apartment during the first Gulf war. As much as he tries to shut himself off from the exterior world, images of past wars in the Middle East come back to haunt him.
This two-part episode features Glenn Belverio and Duncan Elliott participating in an ACT UP demonstration at President George Bush’s summer house in Kennebunkport, Maine, interviewing activists and documenting this historic event.
This lyrical piece celebrates the male body simply and elegantly. Its subject, Christophe, is exquisitely portrayed by the sepia-toned balletic video. Three men dressed in overcoats dance in and out of the frame in front of a mostly stationary camera.
A hand enters the screen and removes sheets of paper one at a time. This action continues in a seemingly infinite manner, without beginning or end.
Going Around In Circles continues Holt's interest in perception and point of view. A board with five circular holes is placed in front of the camera.
Contra-Internet: Jubilee 2033 is a re-imagining of scenes from filmmaker Derek Jarman’s 1978 queer punk film Jubilee, starring Susanne Sachsse and Cassils.
It’s the first day of autumn, and Gibbons can already smell death in the air.
"Black Holes/Heavenly Bodies-Hell is a high-tech nightmare about a coming-of-age in America in which violence and mediocrity are the potent background noise." – Steve Seid
Filmed in June 1998 at the Whitney Museum of American Art and produced by the New York Public Library for the Performing Arts/Dance Collection. Breath is a creative archive project of Eiko & Koma’s living installation of the same
a/k/a Mrs. George Gilbert extends Coco Fusco’s in-depth examination of racialized imagery.
In Dani Leventhal’s Platonic, geometric specters twirl in space; pet cats foam at the mouth; a little boy mistakes his junkie dad for a superhero; and a confused adolescent worries he has sired a centaur. Platonic references both the ancient philosopher’s metaphysics of ideal Forms, which simultaneously exist outside our perceptions and yet give rise to them, and the related meaning in common parlance of non-romantic love.
In 1998, Zaatari interviewed Egyptian photographer Van Leo in Cairo.
...a meditation on a familiar New York city space in which memories, fantasies and the maniacal intertwine.
Love Songs #1 is composed of three pieces that pose questions about urban culture, race, and politics. Found footage images are manipulated and juxtaposed with popular music; the effects are unsettling, ironic, and sometimes humorous.
In Aspect colour, light and shadow shift across the surface of the forest as the duration of a calendar year is condensed into minutes.
This is not a sight-seeing film, but a poetic journey through light and darkness reflected on the city of New York, where I often found empty spaces and times like Ma in Japanese. You do not often see the people walking on the streets or in the bu
This slow-motion film is a glass snow globe with dancers who topple and bounce off the sides of the frame. Re-purposed by Breder at his Dortmund retrospective as Weisse Tasse in which a video was projected on the side of a white cup.
Martha Rosler (b.1943) received her BA from Brooklyn College in 1965 and her MFA from the University of California, San Diego in 1974. Rosler has produced seminal works in the fields of photography, performance, video, installation, criticism, and theory. Committed to an art that engages a public beyond the confines of the art world, Rosler investigates how socioeconomic realities and political ideologies dominate everyday life. Rosler's work has entered the canon of contemporary art through a process of steady, stealthy infiltration. Lacking commercial gallery representation until 1993, her endeavors as a prolific essayist, lecturer, and political agitator enabled her agenda to trickle down through critical channels.
A surrealistic deep dive into the interactive menus and screens that make up the mediated landscape.
I sit at my computer cutting up real time footage of waterfalls, snow storms, boiling water. I combine these to make threads of moving images.
"I woke up today thinking I was a dying moose. It's Thursday, October 28th, 2021 and I woke up today thinking that I was a moose slowly bleeding to death of dozens of wounds and contusions.
Felipe Ehrenberg is a prominent Mexican artist who has been actively producing interactive political art, installations, and murals for more than 30 years.
Babeldom is a city so massive and growing at such a speed that soon, it is said, light itself will not escape its gravitational pull. How can two lovers communicate, one from inside the city and one outside?
Ann Cvetkovich is the Ellen Clayton Garwood Centennial Professor of English and Professor of Women’s and Gender Studies at the University of Texas at Austin. She is the author of a number of books and works also with documentary film, memoirs, mus
This is an agitprop piece about the reflection and dispersion of an eroded slogan and claim: Tierra y Libertad (Land and Freedom).
Part of the Hauntology Film Archives series.
IN TRANSIT was shot in HD video during travels between 2008 - 2010. It is both an observational documentary and an experimental work in form and intent with an overall lyrical quality.
Take a peek at scenes extracted from a videomaker's life.
The first twelve minutes features Phil keying his own image over his left eye (right on the screen), where he smokes and performs various facial gestures.
This is actually a rather warm, Xmas greeting which features some thawed items in full action as the Yuletide logs flicker and forks plunge earthward toward smoking piles of nourishment.
In Mondo Toronto, Glennda travels to Toronto to visit Liza LaBruce (Bruce LaBruce). Liza gives Glennda a tour of the city's public parks, with specific reference to their role in gay culture.
Using the opening of Godard's film Alphaville as a foundation, Lord constructs a vision of the evolving global city during the last years of the 20th Century.
Acconci's open mouth is framed by the camera in an extreme close-up, bringing the viewer uncomfortably close. A desperate sense of strained urgency comes across as Acconci gasps, "I'll accept you, I won't shut down, I won't shut you out....
A pro-domme gives her friend a freshly shaved head. In return she gets a buzz cut. A client gets to be a (bound) fly on the wall.
Patti Smith asked if I would do a short film to accompany the release of her version of Nirvana's Smells Like Teen Spirit.
A visualization of phrases used by Prime Minister David Cameron during his Oxfordshire speech addressing the events of August 2011.
Revived as part of the Retrospective Project, White Dance is the first piece that Eiko & Koma performed in America.
American figurative artist Alex Katz (b.1927) has produced a remarkable and impressive body of work but is best known for his large-scale, flat, yet realistic portraits of friends and family notable for their relaxed attitudes and uncomplicated bearing.
George Kuchar’s Acid Redux is a raucous journey into the murky domains of mysticism and liminality.
A Yosemite gargoyle climbs two gothic arches.
Sensemayá is a shamanic composition, an ecstatic dance, and ritualistic spell which distills and exudes the kinetic motion of the ancient snake that inhabits our present dislocated times.
Body Prep helps fortify and support the body during any level of activity—low, medium, or high intensity. It compares various alternatives to weightlifting with natural and artificial light sources.
This archival film remixes the systemic violence and power throughout the 1984 National Day Parade, the 1989 Tiananmen Square Protests, and the 2014 Umbrella Movement.
John Tagg is a writer, educator, and a leading contributor to the development of art-historical and photographic theory, focusing on political analysis of institutionalized culture and interventions within it.