Once Upon a Time is about these encounters of diaspora and the displaced ‘homeland’ and describes a personal tale of my own diaspora and traveling culture, which crosses the boundaries of nation-states and is located in between different geogra
Cycles of 3's and 7's is a performance in which the harmonic intervals that would ordinarily be performed by a musical instrument are represented through the computation of their arithmetic relationships or frequency ratios.
A California winter turns the left coast into a brew of foaming festivities while landlubbers leap for joy in the spray of salty slurpings.
Strangely Ordinary This Devotion is a visceral exploration of feral domesticity, queer desire, and fantasy in a world under the threat of climate change.
This is the nest image, the camouflage image, the vortex image, the haunt image, the net image, the drill image, the wire image, the cocoon image, the haunted image, the interconnected image, the pandemic image. The haunted space of the image.
In 1991 Montano met a Hindu couple at Ananda Ashram, the meditation center she attends in upstate New York. Since then, the three have become friends. Mr. and Mrs.
Circles, holes, cats, ribbons, ducks, flat furniture and moth. Experimental and domestic, no story but much glee.
In 1973 Joan Nestle co-founded the Lesbian Herstory Archives, an essential collection of documents, writings, and artifacts of lesbian cultural history.
This eight-minute video is part experimental video art, part sketch comedy routine, and part informational lesson on the advantages and disadvantages of owning Sony's latest video technology.
Twilight deepens, Night descends and moods sink into madness.
Newly uncovered 16mm footage from US Army archives recorded the bare land of Hiroshima and the questions of war tactics on the human race immersed in the present time.
"It may indeed be questioned whether we have any memories at all from our childhood: memories relating to our childhood may be all that we possess.
An abandoned rural house, the Ravel Quartet in F major and then rain, wind, snow and fog are the elements of which this video is composed. In an impossible procession, one take presents four atmospheric agents to strike against the house.
This is an edited excerpt of Eiko and Iris McCloughan's experiment working over Zoom on May 5, 2020 as a part of Eiko's Virtual Creative Residency hosted by Wesleyan University.
Employing the 'case studies' of Helen Keller, Genie the 'wild child' and Angel at My Table author Janet Frame, Goss's extraordinary video contemplates the struggle to be heard, to break free from the prison of the incommunicable self.
Woman, monster, animal? A portrait of a woman's face, the movement slowed down and reversed, the grotesquely made-up face examined in close-up.
A cross-generational binding of three filmmakers seeking alternative possibilities to the power structures they are inherently part of. Each woman extends her reach to a subject she is outside of.
A house covered with beer cans, a tribute to the orange; Eyeopeners features seven Houston, Texas, folk art environments, eye-opening creations that are monuments to the wonders of ingenuity and imagina
Rust was commissioned by the American Dance Festival and performed on chain-link fences hung vertically in the center of the stage. Performed nude in silence.
"A cinematic doppelganger without precedent, Elisabeth Subrin’s Shulie
Ten thousand women marched down New York's Fifth Avenue on August 26th, 1970, to mark the fiftieth anniversary of the passage of the 19th amendment, which granted women the right to vote. The march was part of a "Women's Strike for Equality" organized by veteran feminist leader Betty Friedan.
Split screen. On the left is a walk up a twisting, rocky trail while on the right is Kanji caligraphy describing the action, completing a Haiku by Basho.
This is the howl, gaze, and agitation of the Coyote into the mountain. The Path of the Coyote.
A college girl runs rampant through young lives at Sarah Lawrence College and leaves behind the rubble of shattered souls and deflated desires that litter the halls of learning-by-hard-knocks!
Its dream-like unfolding, amid the imposing titular Mexican landscape, results from a randomizing strategy modeled on the "Exquisite Corpse" parlor game adopted by the Surrealists of the 1920s.
A young moviemaker discusses the horror film he hopes to open commercially. In the process he opens his lavish apartment to the hungry eyes and tummy of he who rots in the sidelights.
In this 2001 interview, filmmaker Jem Cohen discusses the origins of his film philosophy, and the circuitous route he has taken in his pursuit of an anti-narrative film practice outside the mainstream. Cohen sheds light on the many influences that have impacted his sentiments towards conventional film, and his desire to eschew both classical avant-garde and theatrical filmmaking in favor of a model rooted in the tradition of the 1940s New York School of street photography. Cohen also locates his aesthetic as being impacted by the 1970s hardcore and DIY scenes he was exposed to as a youth in Washington, DC.
Originally commissioned by University of Dortmund to be installed during Internationalen Bach-Symposium. The video is based on the Robert Schumann song of the same name and continued to evolve as an ongoing piece.
Strapped for time due to her busy schedule of personal appearances, Anderson creates a rather clumsy looking clone to take over and keep up her artistic production.
A nostalgic glazier shows off his knowledge and expounds his theories. Taking glassmaking processes and history as its central theme, Slow Glass explores ideas about memory, perception and change.
Video Data Bank is proud to present the pioneering work of Bio Artist Eduardo Kac. This three-disc box set features art works that expand the limits of locality, light, and language.
Military Road is a project of visual mapping of the suburban realities of the city of Lisbon in connection to the migrant fluxes to Europe conected to de-colonization and the end of the Portuguese Empire in Africa.
They just flew in from New York, and boy, are their arms tired...
These are the western lands of the mind. The western tracks in the land. The western landscapes of our time. The wasted times of our lives. So is the rest of the Capitalocene civilization.
Each year, crowds of Turkish, Australian and New Zealander tourists travel to Gallipoli, Turkey for a modern day pilgrimage.
In this tape made shortly after fiber and sculpture artist Claire Zeisler’s death, art critic Dennis Adrian discusses her influence and aesthetic strategies.
giroscopio is a short experimental film by two artists, one in Pennsylvania and one in Puerto Rico, each in pandemic lockdown, each disoriented. Objects seem to control them; their bodies are unbalanced, unwieldy, comical.
A window or two on the outside world is not enough, especially when you have such a lousy view of things as I had in this Oklahoma residential care home.
In this 23-minute single-channel video, Campbell reconfigures scenes from archival 16mm film footage recorded by Solomon Sir Jones in the mid-1920s, film that documents the everyday lives of Black communities in Oklahoma, an area that once boasted
A cavalcade of characters in conflict with consciousness is conjured up within the confines of Studio 8 at the San Francisco Art Institute and digitized for analysis.
Filming is alchemy; preserving, seeing, devouring, cutting. Chopping the flow of images with a push of a button. It privileges a solitary unseen protagonist, choosing this over that and then that, it eats anything, not everything,
Through poetic juxtaposition of the virtual landscape of the phone, the calm landscape of the cabin, and the chaotic landscape of memory, 1991 paints a cruel image of the horror of war and separation.
In Final Exit, an aged one is confronted with his options in blunt terms. Does he want to drag out his existence, increasingly infirm and a burden to his caretakers, or go quietly before resentment overwhelms sentiment?
This compilation is a fresh, witty, and compelling addition to video’s rich legacy of media deconstruction.
In collaboration with Ishmael Houston-Jones.
On September 1, 2022, Eiko and Ishmael Houston-Jones performed in Beverly McIver's painting exhibition Full Circle, curated by Kim Boganey.
In a fictional conduit space, language and function are recontextualized as the HalfLifers struggle to re-assess the nature of their mission while engaged in an eternal cycle of maintenance and communication routines.
There are approximately 30,000 Filipino guest workers living within the State of Israel. The majority are female and work as caregivers for the elderly or sick.
A Yosemite gargoyle climbs two gothic arches.
Europlex tracks distinct cross-border activities through the Spanish Moroccan borderlands and seeks to make these obscure paths visible.