This tape, shot in April 1971, documents the making of a WNET/13 TV show about video collectives and how they use the new video technology.

Martin Sorrondeguy, former vocalist for Los Crudos, produced this powerful and uplifting documentary about the U.S. Latino punk scene and the DIY movement.

Sounds in the Distance is a video adaptation of David Wojnarowicz's 1982 book Sounds in the Distance: Thirty-five Monologues from the Road.

Artists with brushes need light to paint a picture, but human feelings function just as well in the dark.

Rosler calls Domination and the Everyday, with its fragmented sounds, images, and crawling text, an artist-mother's This Is Your Life.

"Perhaps Cuevas' most chilling work, Cinepolis forecasts an image-driven invasion of everyday life, picture-perfect and unnoticed.

The Bus Stops Here is an experimental narrative about two sisters, Judith and Anna, plunged into depression by their struggle to gain control over their lives.

A bird of paradise is pruned for the lens of a Bolex camera as my Sony camcorder documents the film and video scene out here in fog-bound Frisco.

A witch’s moon ignites an artist’s canvas with lurid colors that keep him from sleep in a city that is the subject for his brush.

Video portraits of activists, lawyers, artists, and people simply in the wrong place at the wrong time, accused by the U.S. government of being or aiding terrorists, in these great times.

As a testament to the Videofreex joyful investment in the medium of video, Skip Blumberg, Bart Friedman, and Nancy Cain take turns singing Christmas carols in the shower on Christmas Day.

A film for high school students and their teachers about the history of the Viet Nam War, composed of just photographs from that war, narration and, to help us through a damned disheartening story, lots of the Bach Suite for Solo Cell

The artwork on trial is Richard Serra's public sculpture, Tilted Arc, commissioned and installed by the U.S. government in 1981.

They wait for voices to reach them, touch them!

Over The Horizon is a moving image installation that takes its name from the failed radar system developed on Orford Ness in Suffolk during the Cold War.

In this episode of The Live!

Part of the paraconsistent sequence series.

In 2003, Rosler announced an open call for a live re-staging of her 1975 video Semiotics of the Kitchen, to be held at the Whitechapel Gallery in London, for A Short History of Performance, Part II.

An experimental documentary about the street drag racing scene on Chicago’s near West Side. This is a rambling textured film about obsession.

In this March 9th, 1974 episode of Lanesville TV, the Videofreex screen their recently shot ringside footage from a boxing match that took place over the weekend in Marion Square Gardens of nearby Tannersville, NY.

Bill Murray and Christopher Guest lead a behind-the-scenes tour of the 1976 showdown between the Dallas Cowboys and the Pittsburgh Steelers.

This chaotic fantasy involves an underground empire of Halloween-type entities that bedevil the surface people of earth with yellow rays that cause civilians to go on murderous rampages.

Kiss The Boys And Make Them Die explores how memory, sexuality, and the self are created and enforced through the family story.

An urban and suburban blend of nerd, nebbish and nympho, united in the urge to create a cosmetic cosmology.

Between job losses, foreclosures, living with family, and the Cande’s constant desire to return to Mexico, Pancha and Cande work through the strains of their marital relationship in San Diego County.

Footage of a May 1970 rally featuring political speakers, including members of the Black Panther Party. Abbie Hoffman talks about fighting imperialism at home, and the Chicago 7 Conspiracy Trial.

After an all-night session of editing Free Society, Garrin headed home with video-8 camera in-hand, only to happen upon the Tompkins Square riots.

The "dazzling, delightful, and delicious" messages of broadcast television get scrutinzed in Social Studies, Part II: The Academy.

This compilation features five music videos produced by Cathy Lee Crane from 1995 to 2022. 

A three-day teleplay done at CalArts takes a sordid behind-the-scenes look at an art school professor’s life.

An homage to Walter Benjamin and other time-traveling artists and expatriates that have inspired me, especially Chris Marker. Benjamin, fleeing from fascism in the 1930s, took refuge in Paris where Biblioteque Nacional became his home away from home.

This video retells and disorders an important of a pre-Columbian Native American city directly across the Mississippi River from modern St.

A multiple award winner, this experimental tape explores the psychological ramifications of a woman growing up under orthodox Islamic law.

Baldessari presents photographs to his friend Ed Henderson and asks him to reconstruct the meaning of the image.

"...a rumination, a series of borrowed 'dialogues' out of an ongoing argument with myself. It meanders, mentally and physically, reflecting on the conditions of being human; on transience, consciousness and desire.

The Wake was filmed at the Invertebrate Zoology department of the Carnegie Natural History Museum in Pittsburgh.

This two-disc title contains the following video documentation:

Part cloning experiment, part documentary, Stories from the Genome follows an unnamed CEO-geneticist whose company sequenced the Human Genome in 2003 — a genome that secretly was his own.

In the Queen City is a series of three videos shot in Buffalo, New York that were produced following an invitation from Hallwalls Contemporary Art Center as part of their Ways In Being Gay festival.

For four years in the 1860’s, half of the United States was held hostage by an unrecognized white supremacist republic.

Urban parks consist of two major elements: nature and man-made forms. Parks play an important role in the urban environment, offering relief in everyday life.

Performers throw themselves into an underground passageway. They exit through the mirror, a symmetrical mirror world which exists because of the placement and angle of the mirror as an upside-down place.

"Hell is oneself. There's nothing to escape from and nothing to escape to."

—T.S. Eliot

"La Puerta makes us spin out of control in the long and cruel corridors of an institutional nightmare."

Dan Carbone sings Debbie and the Demons.

A captivating video about surveillance, identity, watching, and being watched, The Amateurist slides along the edges of horror and satire to create an unsettling portrait of a woman on the brink of a technologically driven madness.

A "young woman who finds herself surrounded by the relics of Western culture" is the subject of Richard Foreman's formal tableaux.

Shown at the Brooklyn Museum of Art, Brooklyn. The Real Art World Episodes explore the awkward social interaction of the studio visit.

"Sodom — for those of you who haven’t been there — is an island about ten miles in length by about two miles in width. There is no depth to it at all.

In this series I composed a series of portraits on my audio/video digital mixer, ranging from impressions of places and people to renditions of feelings their work inspired, and domestic-type gossip from the kitchen and bedroom.