Parry Teasdale, David Cort and Chuck Kennedy visit The Kitchen in New York looking for Shirley Clarke, and bump into Steina and Woody Vasulka who are overseeing a show in progress.  A few doors down they find Shirley in her studio, dressed in white and full of energy. 

Hatsune Miku is a co-creation platform, personified by a cute and oddly seductive animated character. Fans bring her to life by creating content that she “delivers”.

A deceased hoarder, reconstituted through technology, recounts a difficult childhood as inhabitants of a virtual world struggle to reconcile materialistic tendencies. A scientist leads an effort to understand the passage of time, but the data is unreliable. The question remains, what happens to our things after we are gone?

In this video, MICA-TV interprets the dark spaces of architect Peter Eisenman’s Wexner Center for the Visual Arts at Ohio State University through a fractured narrative of psychological perspectives.

Known for his fast-paced and hilarious videos exploring Hapa identity and Asian American media portrayal, artist Kip Fulbeck has been featured on CNN, MTV and PBS.

It is TIME at a street corner in London...

Commissioned by the Oakland Museum, this video provides an artist’s interpretation of the museum’s displays and collections.

The Source is a Hole poses a web of loose connections and liminal associations to sculpt a treatise on transexual mourning.

The Ruling Classroom documents a social studies experiment played out by seventh graders in Mill Valley, California.

Part of paraconsistent sequence series.

From an inverted position, high above the floor, the camera records Nauman’s trek back and forth and across the studio; his stamping creates a generative rhythm reminiscent of native drum beats or primitive dance rituals.

Shot in October 1969, this tape gives an inside view of the workings of late-sixties radical groups and the debates going on within their ranks. At a meeting of Yippies, there is a discussion about the nuts and bolts of fundraising through benefit concerts and events in an attempt to finance support efforts related to the Chicago 8 Conspiracy Trial.

A suspended portrait of Rose (1932-2014) amidst a discursive plane.

A friend visits from Canada and we relive the past as the future becomes more and more obscured by a cloud of burning vegetation wrapped in cigarette paper and exhaled by a pair of lungs unable to supply a brain with the necessary oxygen (mercifully) to

In 2002, my troupe, La Pocha Nostra and I were invited to conduct a workshop at Columbia College in Chicago with 15 students and faculty from different departments.

This special box set, Jason Simon: Three Videos, includes a booklet with an in depth essay by media scholar Cynthia Chris.

In A Case for the Closet, Glennda Orgasm and Judy LaBruce host an episode of Closet Talk.

A re-reading/ re-construction of a Wooster Group theater production: Part I / LSD: Just the High Points, 1978

Shifted From the Side is conceptually identical to To And Fro..., and was probably made the same afternoon.

This film is a reflection on descendants and ancestors, guided by a 50 year old audio recording of my grandmother learning the Pechanga language from her mother.   After being given this tape by my mother, I interviewed her and asked abou

An anti-narrative adventure traveling through a phantasmagoric environment void of stability.

This installation is based on the re-enactment of Franz Kafka’s allegory "Before the Law", interpreted live over a telephone line by Katharine Gun.

A short atmospheric tour of a movie star’s mansion and a glimpse of the living things within the chambers: things that cook, feed the sharks, and gnaw on bones.

Red Green Blue Gone with the Wind is a phosphorescent deconstruction of David O. Selznick's Technicolor classic Gone with the Wind (1939).

In 2006 I began to think again about the handwoven canvases based on the biblical Babel text that I created in the 1980s.

Stephen Varble began Journey to the Sun as a series of performances with projected slides in 1978.

Uncomfortable journeys through the work and ideas of Christopher Cozier, a leading contemporary artist in the Caribbean.

Cuevas is obsessed with the micro movements of daily life, with the border between truth and fiction, with the "impossibility" of reality.

Sea In The Blood is a personal documentary about living with illness, tracing the relationship of the artist to thalassemia in his sister Nan, and AIDS in his partner Tim. At the core of the piece are two trips.

A song of mourning, praise, and compassion for the sentient creatures with whom we share this planet. Focusing on the myth, history, and natural life of the elephant, the video explores the gulf we have created between ourselves and animals.

Reading the billboards, the cars, the people, and the graffiti of the street as cultural signs, Rosler extracts the network of social power and domination that determines whose culture gets represented where, asking whose culture is reported in the pres

Most of TVTV’s work takes place in the city, at the center of some pop culture event. “The Good Times Are Killing Me” takes place in the country – Southwest Louisiana, around the towns of Mamou and Eunice, the heart of Cajun country.

This two-part video Gender Cruise on the Circle Line involves Brenda and Glennda leading a group of drag queens, drag kings, and other gender nonconforming people on a three-hour ride on the Circle Line boat around Manhattan.

Brave new shopping worlds are being created. What have mall owners, architects, surveillance technicians, and supermarket workers done to turn human subjects into pure streams of consumers, into the perfect inhabitants of shopping mall paradise?

In Takeover of the Empire State Building, Brenda and Glennda visit the top of the Empire State Building as it is lit up in lavender for Gay Pride.

The Magic Hedge explores a bird sanctuary located on a former Cold War Nike missile site on the Northside of Chicago.

The pages of books that deal with nostalgia and the vanishing vistas of America's past are infiltrated by the appreciative presence of two hulks from today, who go their own ways through the by-ways and highways of an illustrated yesteryear.

First Ramon, and then Rufina moved to San Diego County in 1980, unable to raise their family as landless sharecroppers in Mexico.

In the late 1960s Kim Jong Il guaranteed his succession as the Dear Leader of North Korea by adapting his father's Juche (pronounced choo-CHAY) philosophy to propaganda, film and art.

Craggy, ice-encrusted peaks soar skyward as blue lagoons lap incessantly to the drumbeats of big city behemoths hellbent on halibut and hashbrowns!

A raunchy, explicit comic-opera ... (two years of looking out the window during a pandemic).

Raunchy /ˈrôn(t)SHē/

In the words of activist Dhoruba Bin Wahad, “Historical and social events are subject to almost instant censorship by those who have better access and control over the medium of communication.

A meditation on the milieu of elevated threat addressing national identity, gun culture, wilderness, consumption, patriotism and the possibility of personal transcendence.

Shot in a creaky, wooden floored Parisian recording studio at an inaugural three-day “forum of ideas” focusing on the manifold possibilities of Resistance (the title of Jean-François Lyotard’s unrealized follow-up exhibition to his 1983

A brief visit with a graduate student in the painting department of the art college where Kuchar teaches and the discussion that follows the unveiling of his work.

This documentary charts a trip around Baja California to the Tropic of Cancer line on the summer solstice.

A documentary about the initiation ritual for young Xavante Indians, created during a training workshop for the Video in the Villages project.

The Sun Quartet is a solar composition in four movements, a political composition in four natural elements, an audiovisual composition in four bodily mutations: a sun stone where youth blooms in protest, a river overflowing the streets, the bur

The setting for The Politics of Intimacy recalls the widespread consciousness-raising (CR) groups in the late '60s and early '70s inspired by the emerging feminist movement.

Part of paraconsistent sequence series and the hauntology series.