Functioning as both a fake documentary and a fake advertisement, Meet the People deals with issues of desire, complicity, and identity in the age of mass media, as 14 “characters” talk about their lives, desires, and dreams.

Made in collaboration with Chip Lord and Jody Procter

In the solar system 18 SCORPII, located some 45.3 light years from Earth at the northern edge of the Scorpius constellation, two planets have evolved cultures of profound mutual symbiotic reliance.

I’ve always enjoyed making trailers, figuring them as a celebratory time of play after the main work has been done; they function as both announcement and invitation, and - most likely - will be viewed by way more folk than will see the finished p

This collection of five shorts includes "These Are The Rules", a frightening incantation of "dos and don'ts" delivered by a red-faced fascist figure played by Hall.

Baldessari asks Ed Henderson to discuss the meaning of selected news photos. Henderson invents the conditions of the where, when, and why each was taken—and decides whether the photo was altered in any way.

The Love Tapes: World Trade Center is a collection of videos from Wendy Clarke's Love Tapes project. The project began in 1977 and is ongoing.

Back in the days of hippy bliss, Ulrike and her husband used to believe that the world would be revolutionized by their activities, consisting mainly of smoking pot and having sex.

Peggy And Fred In Hell is one of the strangest cinematic artifacts of the last 20 years, revealing the abuses of history and innocence in the face of catastrophe, as it chronicles two small children journeying through a post-apocalyptic landsca

As the expansiveness of video and its accompanying new technologies continues to transform our culture and our world, another historical tension is developing—not unlike the technological revolution seen at the last turn of the century.

...after the war.

In 2003, Rosler announced an open call for a live re-staging of her 1975 video Semiotics of the Kitchen, to be held at the Whitechapel Gallery in London, for A Short History of Performance, Part II.

Since the turn of the century, popular media in the U.S. have promoted a stereotyped image of Latin America in order to justify the concept of U.S.

The Video Art and Mass Incarceration compilation includes works from the Video Data Bank collection that focus on the rapid expansion of prisons during the end of the 20th Century in the United States.

It is TIME at a street corner in London...

"In this antiqued period piece, the morbid star, Lupe Velez, travels to Hollywood, Guanajuato, and Barcelona, seeking her own death."

—Berkeley Art Museum, Pacific Film Archives, April 1998

The feminist art movement of the 1970s set off an explosion of artmaking and analysis that still reverberates in the art world today, and the Woman's Building in Los Angeles was one of the major centers of activity.

These five short videos introduce Judy, a paper maché puppet who ruminates on her position in society.

An Anthology of Collaborative Works by Guillermo Gómez-Peña

A structure of Lawrence Weiner.

Graphics and Computer Editing: K. Hassett; The Song: “Wind and the Willows” Music: Ned Sublette, ASCAP; Lyrics: Lawrence Weiner BMI; Cover Photo: Alice Weiner

The Sun Quartet is a solar composition in four movements, a political composition in four natural elements, an audiovisual composition in four bodily mutations: a sun stone where youth blooms in protest, a river overflowing the streets, the bur

In 2011, Barber moved her studio to the Baltimore Museum of Art.

Workers Leaving the Factory — such was the title of the first cinema film ever shown in public.

Phenomenolgocial dramas involving household objects like candles, spoons, and matches, unfold with an extreme economy of gesture. Fox balances a spoon and a piece of ice on top of a bent fork.

"In The Very Very End, Barber points to his medium's plastic possibility by somehow traveling into the future and the past, n

The Cyan Garden considers the limits of giving form to the past which cannot cohere into memory.

Shot in Firminy-Vert, a Le Corbusier Unité, or housing project, in south-central France, this work traces the building’s history through an engagement with the lives of its residents and traces of its past.

Kent Merritt waxing poetically about being one of the first four Black scholarship athletes at the University of Virginia.

Psykho III The Musical is an intriguing play on the tension between “authentic” and “pop” camp.

How to turn wild animals into milk, meat and wool machines... a model for the sexual subjugation of women... at first female captives, then wives and daughters.

Animation: Kerri Allegretta

Editing/Sound Design: Michael Simon

After an all-night session of editing Free Society, Garrin headed home with video-8 camera in-hand, only to happen upon the Tompkins Square riots.

Atomic Ed & the Black Hole tells the story of a scientist-turned-atomic junk collector known as Atomic Ed.

A re-reading/ re-construction of a Wooster Group theater production: Part I / LSD: Just the High Points, 1978

A Wet Finger in the Air, a single-channel video, assembles appropriated footage of bilingual weather reports from 1980’s through 1997-era Hong Kong TVB and Pearl broadcasting stations into a hypnotic, randomized loop that repeats every hour.

This tape compiles three profiles of performance artists: A Creative Synthesis: George Coates Performance Works (10:00), The Performance World of Rachel Rosenthal (16:00), and Paul Dresher Ensemble (08:00).

This fictional memoir gives voice to the woman who haunted Andre Breton's 1927 Surrealist novel Nadja. Speaking from the sanitarium as World War II approaches, she recounts their nine-day love affair in

The project presents the blurring of the Green Line for Israelis and its consolidation for Palestinians, through important planning and legal decisions.

Simultaneously dark, surreal, and unnerving, this seventeen-minute tape is a stark departure from the usually playful productions of the Videofreex.

A garage in central Portland, Oregon is the setting for this conceptual re-working of James Joyce’s Ulysses.

Shown at the Brooklyn Museum of Art, Brooklyn. The Real Art World Episodes explore the awkward social interaction of the studio visit.

The Writers Series consists of a number of video portraits of writers whose work I love.

— Cecilia Dougherty

At the Lesbian Museum, Brenda and Glennda interview artists at the opening of Christine Martin’s controversial exhibition The Lesbian Museum: 10,000 Years of Penis Envy at Franklin Furnace.

In The Jungle playfully and sorrowfully tells the tale of an unreliable narrator in a self-imposed exile.

In this spoof program produced for Lanesville TV, the premise is that a “Sheik” has come to buy all the land in Lanesville.

The State of Things documents the melting away of Democracy in 2006 on the third anniversary of the Iraq War. The sculpture was installed at Jim Kempner Fine Art in New York City and disappeared over a period of 26 hours.

The artwork on trial is Richard Serra's public sculpture, Tilted Arc, commissioned and installed by the U.S. government in 1981.

Red Green Blue Gone with the Wind is a phosphorescent deconstruction of David O. Selznick's Technicolor classic Gone with the Wind (1939).

This video trilogy of Camera, Monitor, Frame, Observer / Observed, and Observer / Observed / Observer creates a semiology of video as a work on video rather than a written text.  Its main purpose is to study the structura

Blending live action staged as if in a dollhouse with rarely seen archival footage from the National Archives, the fantastically true story of how America entered WWI is told.

The Fancy is a speculative, experimental work that explores the life of Francesca Woodman (1958-1981), evoked by the published catalogues of and about her photographs.