NOMADS at the 25 DOOR is presented in three chapters and based around a series of interviews between Finley and Mickey Yates, a 22-year-old woman serving a double life sentence in the Nevada Women’s Correctional Institution for the murder of he

THE DRESS: is a projection prop created for a performance piece at the Art Institute in 1984.

Snow falls gently in the background as kielbasa is cut and Walter Kapsuta mans the accordian in this Christmas special. Also on board is filmmaker Sharon Greytak, as she and I discuss matters of the flesh and joints.

Conversations Across the Bosphorous intertwines the narratives of two Muslim women from Instanbul, Mine and Gokcen, who demonstrate through poetic voices how their relationship to faith has shaped and determined their personal lives.

The Nothing That Is stems from the environment of our streets, both the “virtual” and “other reality” which inhabits them.

... part Bronx reminiscence, part landscape fantasy; part morality play, part melodrama. A film in many parts with monologue segments written by James Strahs for Willem Dafoe, Spalding Gray, Ron Vawter, Peyton Smith and Luche Sacker.

The Jersey Devil lives again in this work the students and I mounted (or disrobed) for skeptical scrutiny.

Eiko & Koma created Dancing in Water: the Making of River as the first video work for the Retrospective Project.

In this piece Dani Leventhal recounts to camera her experiences of living and working in Israel, the fabled land of milk and honey of childhood lessons.

Shot in Firminy-Vert, a Le Corbusier Unité, or housing project, in south-central France, this work traces the building’s history through an engagement with the lives of its residents and traces of its past.

A 19th Century etching of a bedroom in the Palace of Versailles is animated and depicts the room in the midst of an earthquake. Every detail, from the moldings to the small figures in the hung paintings, trembles.

Striking images of human figures, landscape and architecture shape this video opera. Computer-animated sequences accompany brilliant studies of motion, where performers move through a landscape that remembers history.

The Bats details the mating habits of flying mammals in an abandoned Mayan temple in the 14th Century.

Return of the Black Tower was conceived as a 'response' film to John Smith's 1987 classic short experimental film, The Black Tower.

Etant Donné le Bleu (Given the Blue) is a visual narrative—images breaking in a parallel universe, the realm of science fiction and the fantastic.

The splendor of a mountain lake is clouded by the musings of a brain in memory mode. The head relives the heartbreak of suburbia and the vacancies that fill every motel on the edge of nowhere.

The Videofreex conduct first person interviews on the final day of the Woodstock festival, documenting detox efforts, clean-up logistics, and helicopter retreats. 

Two gardens of plenty sprout with the seeds of bitter fruit made sweeter by the touch of summer, which rushes in with the scent of floral flatulence.

This compilation is produced with "myself" as the sole object, as well as the material of the performance (except two videos with Akiko iimura).  The videos are not just documents of the performances, but works of video-art made specifically for ut

Deathrow Notebooks is structured around an interview with Mumia Abu-Jamal, a political prisoner who is on death row in Pennsylvania.

Shown at the Brooklyn Museum of Art, Brooklyn. The Real Art World Episodes explore the awkward social interaction of the studio visit.

Jacqueline Goss and Jenny Perlin retrace the journey of two 18th-century astronomers tasked with determining the true length of the meter.

Based on a tale by Charles Perrault, Tom Rubnitz's The Fairies comes complete with frogs, princes, kind fairies, and evil stepsisters—all costumed à la Rubnitz. Featuring Sister Dimension as the fairy godmother, Michael Clark, and others, the tape playfully illustrates a familiar fairytale moral, as each person gets what they deserve. The evil girl spits up toads, while flowers and jewels emerge from the mouth of Matilda the Good, and a dancing prince carries her away. 

Half-breed Alice attempts to become queen and struggles with the Red Queen and the White Queen's disapproval of her racial transgressions.

This video-lament for Mother Earth is a collaboration among Jim Barbaro, sound; Tobe Carey, cinematography and video editing; and Brenda Hutchinson playing a long tube.

Between the Frames is a series that offers a glimpse into contemporary history that is already past, a portrait of personalities and opinions shaping what and how art reaches a public forum.

On a back-to-nature trip to Boulder, Colorado, George goes to the mountains, but goes on the rocks emotionally.

This title is also available on The World of George Kuchar.

Q: What was the Cubists’ greatest contribution to modernity? A: The invention of camouflage. The Art of Protective Coloration asks us to consider the less-than-innocent connections between the making of art and the making of war.

A cinematic place where the mountains crash into each other in a field of magma and fire. A landscape of events.

Behind the skyscraping walls of a neon lit asylum, the frustrated inhabitants therein erupt and engage in a psychological waltz that couple fact with fantasy in ways that open windows of the madhouse to the sanity of

“Video is a fugitive medium,” said Getty Research Institute’s Glenn R. Phillips, and he should know.

Martha Rosler tackles mainstream media's representation of the case of surrogate mother Mary Beth Whitehead.

A quickie side trip to the Virginia Film Festival highlights some nice, fall foliage and a few fleeting faces as the camera probes a sculptural artifact or two before abruptly shutting down.

A re-working of Humphrey Jenning's 1943 seminal docu-drama The Silent Village wherein coal miners from the Welsh village of Cwmgiedd re-enact the Nazi invasion and annihilation of the resisting Czech villagers of Lidice.

This strange, lyrical performance video diary is a millennial reflection on the impossibility to "reveal" one’s self in stormy times such as ours.

Work, film, work, film, work – day to day – week to week. This is a home movie domestic comedy experimental film drama. Autobiography too. It’s also part four of an ever-growing trilogy.

An early example of video erotica from the Videofreex. A group of naked people lounge around smoking and listening to music. A male and female couple is making love on the floor in a room full of monitors.

The End of Time is a choreography for two lovers, enacted by three figures. It looks at the birth and the vanishing of desire as an endless chain with successive beginnings and endings.

Martin Sorrondeguy, former vocalist for Los Crudos, produced this powerful and uplifting documentary about the U.S. Latino punk scene and the DIY movement.

After the ominous attack that the paramilitary and police corporations carried out on September 26, 2014, in Iguala, Guerrero, the student Aldo Gutiérrez Solano remains in a coma until today.

Long for the City is a short portrait of Patti Smith in the city where she lives. Patti recites the very first poem-song she ever wrote, and then a later one, "Prayer", from the early 1970s.

The Sun Quartet is a solar composition in four movements, a political composition in four natural elements, an audiovisual composition in four bodily mutations: a sun stone where youth blooms in protest, a river overflowing the streets, the bur

An Anthology of Collaborative Works by Guillermo Gómez-Peña

Part of paraconsistent sequence series and the hauntology series.

A bird of paradise is pruned for the lens of a Bolex camera as my Sony camcorder documents the film and video scene out here in fog-bound Frisco.

Known for his fast-paced and hilarious videos exploring Hapa identity and Asian American media portrayal, artist Kip Fulbeck has been featured on CNN, MTV and PBS.

“In The Girl Chewing Gum a commanding voiceover appears to direct the action in a busy London street.

“The Riot Tapes is a video biography of Segalove’s political involvement in college, of her boyfriend (who became anorexic while dieting to evade the draft), and of her discovery that art could give her a voice and a forum for her political vie

The tension arising between the demands of AIDS activism and Bordowitz's increasing desire to explore aspects of his own life outside the framework of AIDS resulted in the appropriation of a work from the Soviet avant-garde: Nikolai Erdman's play Th

Increasingly invasive questions are asked of a series of lesbians, both couples and a single lesbian, to complete the Longform Lesbian Census.