We have come to this place of meaning together, celebrating our un-remaindered completeness.

In Deux Pieds, video is used to create dance illusions, effects impossible to achieve in dance except via video technology.

A political composition on natural resistance. These images are an expiring breath in danger of extinction. These images become extinguished, consumed: a drop, a pure intensity which only appears when falling.

This video documents the first cablecast of Austin Community Television (ACTV) in which George Stoney and a group of University of Texas students assembled playback equipment on a hilltop at the cable system's head-end.

In an upmarket house surrounded by an idyllic garden, there is no trace of human presence, even though a family obviously lives there. Voices, sounds and superimposed text create a feeling of disquiet whose origin continually escapes us.

In this video diary of Breder’s trip, the viewer is given an after-hours tour of the Soviet capital.

Shot in Naples, Vienna, and New York, Some Chance Operations explores the notion of an archival form, in this instance film, as an unstable memory receptacle that can vanish.

A montage of architecture and cabaret, juxtaposing a second hand view of New York as refracted through this artist's eyes.

In the late 1990’s I presented a slide lecture on how my art references impermanence and dying.

Between basement and stoop, PBRs and politics, two bros discuss rock music history, protest, incarcerated relatives, fine cheese, the book plot of Bridge to Terabithia, and lesbian girlfriends.

The third video of the installation Touch Parade, which as a whole explores “plastic love” or fetish culture and the assimilation of marginalized sexuality on th

Bracketed by the Fall of Berlin Wall and the Collapse of the World Trade Center, a decade that saw the ossification of the neoliberal project, the rise of third-wave feminism, the proliferation of digital media, and even, perhaps, the “end of history":

Greasepaint flows freely as talents of Tinseltown strut their stuff amid the rundown dreams of days gone by.

This is a tape which analyzes its own discourse and processes as it is being formulated. The language of Boomerang, and the relation between the description and what is being described, is not arbitrary.

An artist looses faith in the world his brush depicts...

A pro-domme gives her friend a freshly shaved head. In return she gets a buzz cut. A client gets to be a (bound) fly on the wall.

Anna Pina Teresa reinterprets the pivotal scene in Rossellini’s Roma Città Aperta where Anna Magnani, who plays the character Pina, (based on the story of Teresa Gullace,) is murdered on the streets of Rome by the Fascist police.

Milton Resnick was born in Bratslav, Russia in 1917, and immigrated to the United States in 1922. Resnick was one of the few survivors of the second generation Abstract Expressionists, and is known for his large, thickly painted abstract canvases.

Kidlat Tahimik is a Filipino filmmaker, writer and actor who takes his name from the Tagalog translation of “silent lightning.” Known as the “Father of Philippine Independent Cinema,” his contemplative films are associated with the Third Cinema movement

Linda M. Montano: 14 Years of Living Art is a video catalog of the artist’s exhibition, performance and workshop in Montreal in 2003.

Sister City channels moments of paradoxical experience — of being a superhero or being for sale — into reverberant conduits, articulating a nature divided by panes of glass or suspended in watery solitudes.

Taken almost verbatim from a newspaper, The Arizona Daily Star, the video recounts the story of Ramona Barrrara, a New Mexico woman who saw the face of Jesus in a tortilla when she was rolling her husband's burrito.

In this episode of Glennda and Friends, Glennda Orgasm and Mark Allen drink at Marie's Crisis Café, a piano bar in Manhattan.

A portrait of a studio photographer, Her + Him VAN LEO also examines the photography of the 1940s and 50s from a critical perspective rather than a nostalgic one.

Feminist performance artist, Martha Wilson (b.1947), is director and founder of the alternative New York art space, Franklin Furnace Gallery, in operation since 1976. In this interview, Wilson discusses her Quaker upbringing, the impetus for her move from Nova Scotia to New York, and the founding of Franklin Furnace, as well as her involvement in the feminist punk band collective Disband.

A. D. Coleman started writing regularly on photography in 1967 for the Village Voice, at a time when very few critics took the medium seriously.

A contemporary vision of the ancient valley of Anahuac. It has been integrated into the life of the current city of Mexico.

An experimental investigation into the use of race as an arbitrary signifier.

Polycephaly in D is a densely collaged exploration of the existential drift, collective trauma, and psychological free-fall of the contemporary moment.

Lossless #2 is a mesmerizing assemblage of compressed digital images of Maya Deren and Alexander Hammid’s 1943 masterpiece Meshes of the Afternoon.

Reportedly shot in the back office at Leo Castelli’s New York gallery, an ashtray is used to demonstrate five different actions related to artistic work. With the camera static, the video opens with the ashtray in the center of the screen.

In this interview with Carl Bogner, Sky Hopinka (b.

There were three brides, and they all married at different times to different people in different places.

"Mama mama mama...," a woman calls out again and again, over and over. Is it her child that she mimics, or is she calling for her own mother? A desperate video performance in the first person.

A transcription of what I have been told during intimate experiences while separating from my husband.

"Persistence was shot in 1991-92 in Berlin, and edited with films by U.S. Signal Corps cameramen in 1945-46, obtained from Department of Defense archives.

Alone in an Oklahoma motel room with a mute companion, the talkative one speaks the language of memory as pussycats feast from a canned cornucopia.

At the 'Institute for Metaphysical Research and Spiritual Wellness', crackpots, perverts and guitar strumming UFO abductees struggle with the supernatural and their own carnal needs.

-- Mike Kuchar

At nineteen, Barbara Kruger (b. 1945) worked as a commercial artist designing for Conde Nast.

This video was originally created to be used as a projection in a performance of Bodies on March 29, 2019.

Fulbeck force-feeds the viewer scores of all-too-familiar Asian female/Caucasian male pairings in Hollywood films, and combines them with contemporary excerpts from best-selling novels, magazines, and dating services.

Part of the paraconsistent sequence series.

A musical portrait of Vic Chesnutt and company recording the song, CHAIN.

Acconci's open mouth is framed by the camera in an extreme close-up, bringing the viewer uncomfortably close. A desperate sense of strained urgency comes across as Acconci gasps, "I'll accept you, I won't shut down, I won't shut you out....

Through poetic juxtaposition of the virtual landscape of the phone, the calm landscape of the cabin, and the chaotic landscape of memory, 1991 paints a cruel image of the horror of war and separation.

A weather diary of sorts where my mouth is pretty much shut but the window is wide open to various cloudscapes and local color tinged with a twang.

In this video the artist states that a public work demonstrates what qualifies as art within his conception. Like Beached, it was also shot in a marshy area near the sea and in sequences separated by dissolves.

Taking its title from a sound design maxim and using it as a conceit to grasp the desire for connection, See A Dog, Hear A Dog probes the limits and possibilities of communication.

A girl with a bad habit of falling for older women befriends a boy lover. This video is an examination of relationships between adults and teenagers. It involves ice cream trucks and bowie knives.

As the camera looks out through a barred window and the clock strikes four in a Swiss city, the death of Yasser Arafat provides the starting point for a journey back in time.