The music of John Bender punctuates a flow of processed images.

"An eye-opening piece of guerilla counter-surveillance, Untitled documents Dinçel’s time working as a tech assistant at a film festival where they managed to record the headset chatter between themselves and the two male projectionists working

"I made this video after assisting at a conference where the artists acted like flies in a barnyard. They gathered tropical fruits to make it less disagreeable for themselves."

—Ximena Cuevas

In Aspect colour, light and shadow shift across the surface of the forest as the duration of a calendar year is condensed into minutes.

Combining Rubnitz’s skillful manipulation of the familiar “look” of TV shows with an extraordinary range of characters, performer Ann Magnuson convincingly impersonates the array of female types seen on TV in a typical broadcast day.

A rockin’ talkin’ pony and its human companion examine the evolution of Halloween games, from the ancient rite of bobbing for apples to the contemporary spectacle of American football.

"A film about the time of the blast furnaces — 1917-1933 — about the development of an industry, about a perfect machinery which had to run itself to the point of its own destruction. This essay...

Despite assurances from local municipalities, a fact of life is that Manholes blow sky high more frequently than most people realize.

In this humorous short, Astrid Hadad, dressed in traditional folkloric costumes and religious garments, sings and performs to a Chilean love ballad before a painterly background of fantastic landscapes.

We are born into an already-constructed world. We each enter with new eyes into a culture that has already been shaped and structured based on the desires and power of others.

This is the invocation to the gods, the incense to the gods. A kinetic dance to the gods.

“I thought perhaps you’d like to see a demonstration of the new massage chair that we just got in. It — the reason for its — it looks revolutionary, it doesn’t look really like a typical massage chair, and that’s because I think Mies van der Rohe had a part, or at least he was a consultant, to the firm that designed this…”. William Wegman opens the video short titled Massage Chair with this grand statement to describe what looks like an ordinary plastic chair. At first the artist’s head is cut from the frame, but he eventually sits down to “demonstrate” the extraordinary qualities of the chair. 

This film is an appropriation from the 1949 movie On the Town.

La Intolerancia en el Jardín de las Mentiras y el Pecado (The Intolerance in the Garden of Lies and Sin) recounts the rupture of the relationship between friends due to the ambition of the prized object.

Sunstone tracks Fresnel lenses from their site of production to their exhibition in a museum of lighthouses and navigational devices.

alexia is an experimental video about word-blindness and metaphor.

After a failed attempt to melt down ballistic missiles into bells and site them in the city they had once targeted, 100 homing pigeons were used as metaphors, each carrying a small bell and capsule containing a Soviet or US flag.

Nine Hamlet RGB engages a simple algorithm to destabilize the timing of the red, green and blue frame sequential display system while incorporating fragmented, appropriated “to be or not to be” excerpts from nine Hamlet films.

The Look of Love: A Gothic Romance is an experimental video/audio collage in four acts. Performing in various guises, Suzie Silver embarks on a quest for the magnificence—and horror—of desire and pleasure.

Shot in Lebanon, Syria and Jordan, this essay uses transportation, video, and photography to examine images circulating in a historically charged, and presently war-torn and divided, Middle East.

Buckminster Fuller (1895-1983) was both a pioneer architect of the modern era and a global theorist. Fuller developed a system of geometry that he called “Energetic-Synergetic geometry,” the most famous example of which is the geodesic dome.

In her overt challenge to conventional modes of femininity and sexuality, Hester Scheurwater confronts the viewer with her own body.

Forming a loose trilogy with Rankus’s two previous works (Naked Doom and She Heard Voices), Nerve Language furthers his visual investigation into the ambiguous mingling of inner and outer worlds.

Paulette Jones Morant waxes poetically about being one of the first Black Women scholastic athletes at the University of Virginia.

Hub proposes that the idea of home is today perhaps better expressed as a sense of being between places.

Cycles of 3's and 7's is a performance in which the harmonic intervals that would ordinarily be performed by a musical instrument are represented through the computation of their arithmetic relationships or frequency ratios.

Another edition to my weather diary series, this particular one has more social intercourse occurring in the prairie hovel which houses the hidden longings of he who seeks sustenance from the void.  The void acts up in the beginning and then simmer

Andres Serrano was born and raised in New York. At fifteen he dropped out of high school. A few years later he attended the Brooklyn Museum School and studied painting and sculpture.

Forest Mind is a video work that emerges from the artist’s longstanding interest in the human interaction with the natural world.

A look at the town of Rome N.Y., including an arts panel visit to the Art and Community Center.

Take a peek at scenes extracted from a videomaker's life.

A wide-ranging look at pictures I collect on my walls and in my head. A look at pictures I concoct with my students at the San Francisco Art Institute, and objects d’art collected by those whose picture is taken by my picture-taking machine.

Framelines is an abstract scratch film made by laser etching abstract patterns on the film emulsion of negative and positive 35mm film.

Film and video maker Ken Kobland returns to the urban landscapes he filmed 20 years previously, such as the New York subway and the S-Bahn in Berlin. We leave, we travel, but it’s always the same images that we are drawn to.

As a "Post-Mexican” performance artist operating out of the US for over 20 years, one of my conceptual obsessions has been to constantly reposition myself within the hegemonic maps.

Easy Living ingeniously depicts leisure life in suburban America with a cast of little plastic dolls and miniature model cars—the toys that shape American children's ideas about success and adult life—focusing on a typical day in the life of an

In this 1996 interview, African-American sculptor, printmaker and designer Valerie Maynard (b.1937) describes growing up in Harlem in the mid-20th Century and her awareness of the importance of community during her upbringing. Recalling the prominence of the Baptist church in her early life, Maynard discusses how religion brought her into contact with local politicians who impressed upon her the importance of affecting change. The artist notes how an early affiliation with Congressman Adam Clayton Powell and her brother’s incarceration propelled her interest in social justice and the workings of the judicial system.

Miranda July (b.1974) makes performances, movies, and recordings—often in combination.

Among the leading pioneers of the eco-art movement, the collaborative team of Newton and Helen Mayer Harrison (often referred to simply as “the Harrisons”) have worked for almost forty years with biologists, ecologists, architects, urban planners and ot

Moving Stories strings together scenes of passenger aircraft in flight.  In this short study of the dramatic and narrative power of image and sound, Provost manipulates cinema language and reaches, though minimal means, a strong, emotionally loaded result.  With a limited number of images, an absorbing soundtrack, and a suggestive story line, the viewer's imagination is stimulated to the maximum.

Part of a trilogy known as the Video Wallpaper Series in which George uses his new audio/video digital mixer to create a range of impressions of people and places.

Altamira is the paleolithic and post-human experience of the bloom of cinema. The cinema in a cave, the lightning of his presence, the fire of his birth. The paleolithic and post-human intermittence of the life of cinema.

Part of paraconsistent sequence series and the hauntology series.

The colorized abstractions of Moog Images were created by feeding Moog synthesizer oscillators into the video inputs of a television monitor.

Recognizing the extreme inadequacy of information on AIDS prevention, cosmetologist DiAna DiAna, with her partner Dr.

Coco Fusco is a Cuban-American artist and author who investigates race, gender, politics, and identity through installations, performances, video work, and writing.

This video is a moving personal documentary about Danny, a friend of Kybartas who died of an AIDS-related illness in 1986.

Sable Elyse Smith's How We Tell Stories to Children is a single channel video that combines found footage, music clips, and audio of the artist reading with video clips of her father recording himself from prison.

A hyper-collage endurance test of sado-masochistic proportions, mixing an anthology of corporate video music with a feng shui video.