A color-separation portrait of the Exarchia neighborhood of Athens, Greece, made during the Anti-Austerity protests in late 2011.

Arguably, the most successful of the four “Gerald Ford’s America” shows was “Chic To Sheik,” a TVTV tour of the private culture of the official Washington.

Dee Dee Halleck is a media activist, one of the founders of Paper Tiger Television and the Deep Dish Satellite Network, and was a professor in the Department of Communication at the University of California-San Die

Ray Lowden keeps seventy-two large birds of prey, five deer and some wallabies at his place in Northumberland, England. He’s had ten days off in twelve years and loves what he does.

In February 1970, the Freex visit the garage of the Hells Angels to informally discuss American politics and motorcycle maintenance. In this video, David Cort leads an extensive interview with the group’s president, Sandy Alexander.

McGuire constructs a murky black and white soap-opera world of endless, timeless, and placeless limbo, where the characters talk to each other entirely in clichés, bad poetry, and other contrite forms of speech — a short TV show in which nothing is reso

This film was made from The New York Times newspaper articles. The semi-automated animation process resulted in sentence recombinations that sometimes made sense while randomly emphasizing certain words and images.

Magenheimer’s video explores the bounds of narrative and the illusion of received wisdom in the seven minutes and twenty-two seconds it takes to rob a house.

Reeves approaches the issues of life and death through a meditation on light and dark, a minute observation of movement and stillness.

The five-and-dime store pulsates with the stench of she-who-shops. Follow this ragdoll apparition as she haunts the futuristic landscape of our buried past and rejoice in the resurrection of the cellar celebrity.

How Little We Know of Our Neighbours is an experimental documentary about Britain's Mass Observation Movement and its relationship to contemporary issues regarding surveillance, public self-disclosure, and privacy.

Spanning 500 years of colonial destruction, Nosferasta tells the story of Oba, a Rastafarian vampire, and Christopher Columbus, Oba’s original biter, as they spread the colonial infection throughout the “new world.” Formally a vampire film and

Sections 1-30 of an incomplete extended poem describing the artist's connection to the radical black tradition. The completed poem will be formed of 180 sections.

"I got my first Sony Portapak in 1972 and started keeping a video diary. I sat facing my image on the monitor and talked about what was going on in my life. In 1977 I decided to talk about my current experience with love.

Artist Rabih Mroué looks back at old audio recordings, which were made by him and his parents to be sent as audio letters to his brother while he studied abroad.

Touch Parade is a 5-channel HD video installation consisting of crush (9:22 min. loop,) squeeze-2-pop (5:49 min. loop,) wading (3:41 min. loop,) glove love (6:58 min.

This is a gaze of the body and a notion of spectator that the 90´s decade constructed, this is the audiovisual legacy of the 90's for our actual audiovisual control world.

The first of the series includes:

What Does Away Mean? by Jem Cohen advertises the need to recycle through reconsideration of landfills and garbage disposal.

If second lives have grown into the landscape of social network space and avatars engage a full range of human emotions and experience, it follows that they would eventually encounter existential questions.

In Shadow and Substance, cloth as a motif and a total eclipse of the sun are metaphors used to suggest the intersection of the spiritual and physical worlds and the moods, emotions, and colorations that these int

In an interview I did earlier this year for the Milan Game Video/Art exhibition, I deflected a question about the connection between Hymn of Reckoning and Reckoning 3, discouraging the idea that there was much of a link betwee

The projection and screens in this installation are access points meant to connect the present to an ancestral past.

Anna Pina Teresa reinterprets the pivotal scene in Rossellini’s Roma Città Aperta where Anna Magnani, who plays the character Pina, (based on the story of Teresa Gullace,) is murdered on the streets of Rome by the Fascist police.

Segalove comes out as the child of a movie star haven where messy lawns are reported to the police and designer labels are removed from hand-me-downs for the maids.

Spanish painter Chema Cobo discusses his early years of studying and creating art in Southern Spain. His career began in the mid-1970s, exhibiting at the Buades and Vandrés galleries, along with a generation of now-established artists.

A self-help speaker encourages self-reflection. Friends in Chicago hang out.

Another chapter in the parallel-leftist-universe of Jim Finn, this video appears to be part of a communist self-help videotape series made in the early 1990's.

Looking like a 1970’s version of “Rosie the Riveter”, Mogul takes on the persona of an artist who makes a living posting billboards on the Sunset Strip in Hollywood.

This two-part episode features Glenn Belverio and Duncan Elliott participating in an ACT UP demonstration at President George Bush’s summer house in Kennebunkport, Maine, interviewing activists and documenting this historic event.

An intimate dialogue with Soha Bechara, ex-Lebanese National Resistance fighter, in her Paris dorm room.

“Trypps #7 (Badlands) charts, through an intimate long-take, a young woman's LSD trip in the Badlands National Park, before descending into a psychedelic, formal abstraction of the expansive desert landscape.

Acconci explodes the notion of an artist’s creation, his creative act being the build-up and discharge of saliva, an activity more properly belonging to the realm of necessary and autonomic bodily functions than art.

This is the flowers under attack. An entire ecosystem under attack. This is the omen of the bugambilia. This is the pulsation of the nervous trance of petals in the anthropocentric times. Part of the Hauntology series.

Performance engineers Survival Research Laboratories (SRL) construct machines that live in their own fictional world, acting out scenarios of perpetual torment, exasperated consumption, and tragic recognition.

After working in solitude at the studio, the artist leaves, uncomfortable with the idea of having to put on a face for the art world, where they expect you to say something articulate in order to grab the curator's attention.

A volume of illustrated horrors arrives to stimulate the chatter of those who behold its weighty extravagance.

Spell Reel is an archive of film and audio material from Bissau, Guinea-Bissau.

Covert Action is a stunning melange of rapid-fire retro imagery accomplishing Child’s proclaimed goal to “disarm my movies.” “I wanted to examine the erotic behind the social, and remake those gestures into a dance that would confront their co

A documentary video about the B.I.T.

Following the Israeli withdrawal from Ain el Mir in 1985, the village became the frontline. The Dagher family was displaced from their home, which was occupied by a radical resistance group for seven years.

Prompted by Apple’s Siri to ask questions, Magenheimer takes the AI invitation seriously and invents a long list of queries.

The scales of the snake refract a trance and invocation. In the epicenter, the pyramids join Izcóatl's battle, the Obsidian Serpent propagates an exhortation: all the dances against the war.

In Music on Triggering Surfaces, Bode constructs an interface between audio and video systems.

A colorful and sinister tale of hypno-therapists delving into the quagmire of UFO abductions, and wallowing in the subconscious muck of their own primal urges.

Between basement and stoop, PBRs and politics, two bros discuss rock music history, protest, incarcerated relatives, fine cheese, the book plot of Bridge to Terabithia, and lesbian girlfriends.

“Spellbeamed uses the acts of translation and transcription to amplify the questions: ”what is a score?” and “what kind of musicalities can be transmitted through extended ideas of scoring?” The inspiration for the piece was

Backwards Birth of a Nation is a re-editing of D.W. Griffith's 187-minute film, Birth of a Nation (1915), into a pulsating 13-minute black and white phantasm.

"Bricks are the resonating fundamentals of society. Bricks are layers of clay that sound like records, just simply too thick. Like records they appear in series, but every brick is slightly different – not just another brick in the wall.

Told through recollections of youth, learning, lore, and departure, this is an imagined myth for the Xąwįska — or the Indian Pipe Plant — used by the Ho-Chunk to revive those who have fainted.

Women with a Past brings together four 20th Century artists — Yvonne Rainer, Christine Choy, Martha Rosler, and Nancy Spero — in videotaped interviews, shaped and edited by Lyn Blumenthal to examine the art of documentary.